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Welsh Bulletin
BOTANICAL SOCIETY OF THE BRITISH ISLES WELSH BULLETIN Editors: R. D. Pryce & G. Hutchinson No. 76, June 2005 Mibora minima - one oftlle earliest-flow~ring grosses in Wales (see p. 16) (Illustration from Sowerby's 'English Botany') 2 Contents CONTENTS Editorial ....................................................................................................................... ,3 43rd Welsh AGM, & 23rd Exhibition Meeting, 2005 ............................ " ............... ,.... 4 Welsh Field Meetings - 2005 ................................... " .................... " .................. 5 Peter Benoit's anniversary; a correction ............... """"'"'''''''''''''''' ...... "'''''''''' ... 5 An early observation of Ranunculus Iriparlitus DC. ? ............................................... 5 A Week's Brambling in East Pembrokeshire ................. , ....................................... 6 Recording in Caernarfonshire, v.c.49 ................................................................... 8 Note on Meliltis melissophyllum in Pembrokeshire, v.c. 45 ....................................... 10 Lusitanian affinities in Welsh Early Sand-grass? ................................................... 16 Welsh Plant Records - 2003-2004 ........................... " ..... " .............. " ............... 17 PLANTLIFE - WALES NEWSLETTER - 2 ........................ " ......... , ...................... 1 Most back issues of the BSBI Welsh Bulletin are still available on request (originals or photocopies). Please enquire before sending cheque -
The Cefn Cefn Mawr.Pdf
FORWARD All the recommendations made in this document for inclusion in the WCBC LDP2 are for the betterment of our community of The Cefn and Cefn Mawr at the Central section of the Pontcysyllte World Heritage Site. The picture opposite is an impression of what the Plas Kynaston Canal and Marina would look like with Open Park Land on one side and an appropriate housing development on the other. This would turn the former brown field Monsanto site in Cefn Mawr around for everyone in the county of Wrexham. By the PKC Group LDP2 - THE CEFN & CEFN MAWR LDP2 - THE CEFN & CEFN MAWR Contents Introduction ............................................................................................................................................ 5 Public Support ........................................................................................................................................ 5 Communication ...................................................................................................................................... 6 LDP2 Introduction .................................................................................................................................. 7 LDP2 Objectives & PKC Group Responses ............................................................................................. 7 The Cefn & Cefn Mawr and Wrexham County .................................................................................... 10 Key Issues and Drivers for the LDP2 & Responses ............................................................................. -
Prehistoric Britain What Is Prehistoric?
PREHISTORIC BRITAIN WHAT IS PREHISTORIC? Prehistory is the time before written records began. It begins when the earliest hunter-gatherers came to Britain around 450,000 BC. HOW DO WE KNOW WHAT LIFE WAS LIKE IF THERE ARE NO WRITTEN RECORDS? The things we know about this time period comes from artefacts and monuments that archaeologists have discovered. Prehistory is sometimes referred to as the Stone Age and can be split into three distinct time periods: 1. Stone Age 2. Bronze Age 3. Iron Age During this time period there was immense change. People developed from nomadic hunter-gatherers to highly-organised people capable of erecting monuments which survive today. THE STONE AGE The Stone Age is split into three separate time periods: Old Stone Age Palaeolithic 450,000 BC – 10,000 BC People would have used stone tools- artefacts from this time period are rare and we have no evidence of settlements or monuments. Middle Stone Age Mesolithic 10,000 BC- 14,500BC This period began after the last ice age when Britain became an island. Tools became more complex and there is evidence of hunter- gatherer campsites but these are very rare. New Stone Age Neolithic 4,500 BC- 2,300BC People began to become more settled and we see the beginning of farming in England. Plants and animals became domesticated and we see the first pottery. Monuments have been found at this time and they are called henges. STONE AGE ARTEFACTS Palaeolithic Hand axe found in Stonehenge- Neolithic Hampshire monument Neolithic pots THE BRONZE AGE The Bronze Age spanned from 2,300-700 BC. -
Amerindian Cosmologies and European Prehistoric Cave Art: Reasons for and Usefulness of a Comparison
Arts 2014, 3, 1- 14; doi:10.3390/arts3010001 OPEN ACCESS arts ISSN 2076-0752 www.mdpi.com/journal/arts Article Amerindian Cosmologies and European Prehistoric Cave Art: Reasons for and Usefulness of a Comparison Enrico Comba Università degli Studi di Torino, Dipartimento Culture, Politica e Società, Lungo Dora Siena, 100, Torino 10153, Italy; E-Mail: [email protected]; Tel.: +39-011-670-4805. Received: 28 October 2013; in revised form: 2 December 2013 / Accepted: 17 December 2013 / Published: 27 December 2013 Abstract: Several anthropological studies conducted in recent years among different Native American cultures have revealed a series of common features in ontological premises and cosmological frameworks. These features seem to be shared by most of the Native peoples in both North and South America. They include: a system of relationships between humans and non-human beings based on an ontology “of persons” as contrasted to the ontology “of things” typical of the Western attitude towards Nature; a structure of the cosmos made by superposed layers, which express the idea of a reality represented as comprising hidden dimensions and invisible domains; and the key role played by ecstatic practitioners in establishing relationships with and acquiring knowledge from these multiple dimensions of the universe. Here, the idea is suggested that these elements could be profitably utilized to interpret the meaning of Paleolithic cave art, not simply implying a series of typological likenesses, but suggesting the possibility of historic (pre-historic) links. It should be remembered that the main settlement of the Americas occurred in a period (from 30,000–20,000 years B.P.) which is contemporaneous with the creation of the masterworks in the caves of France and Spain. -
Homo Aestheticus’
Conceptual Paper Glob J Arch & Anthropol Volume 11 Issue 3 - June 2020 Copyright © All rights are reserved by Shuchi Srivastava DOI: 10.19080/GJAA.2020.11.555815 Man and Artistic Expression: Emergence of ‘Homo Aestheticus’ Shuchi Srivastava* Department of Anthropology, National Post Graduate College, University of Lucknow, India Submission: May 30, 2020; Published: June 16, 2020 *Corresponding author: Shuchi Srivastava, Assistant Professor, Department of Anthropology, National Post Graduate College, An Autonomous College of University of Lucknow, Lucknow, India Abstract Man is a member of animal kingdom like all other animals but his unique feature is culture. Cultural activities involve art and artistic expressions which are the earliest methods of emotional manifestation through sign. The present paper deals with the origin of the artistic expression of the man, i.e. the emergence of ‘Homo aestheticus’ and discussed various related aspects. It is basically a conceptual paper; history of art begins with humanity. In his artistic instincts and attainments, man expressed his vigour, his ability to establish a gainful and optimistictherefore, mainlyrelationship the secondary with his environmentsources of data to humanizehave been nature. used for Their the behaviorsstudy. Overall as artists findings was reveal one of that the man selection is artistic characteristics by nature suitableand the for the progress of the human species. Evidence from extensive analysis of cave art and home art suggests that humans have also been ‘Homo aestheticus’ since their origins. Keywords: Man; Art; Artistic expression; Homo aestheticus; Prehistoric art; Palaeolithic art; Cave art; Home art Introduction ‘Sahityasangeetkalavihinah, Sakshatpashuh Maybe it was the time when some African apelike creatures to 7 million years ago, the first human ancestors were appeared. -
The History of the Kelsall Family of Buckley, Flintshire
The History of the Kelsall Family of Buckley, Flintshire By Peter Kelsall Contents Acknowledgements ............................................................................................................. 4 Introduction ......................................................................................................................... 5 Fourteen Generations .......................................................................................................... 6 Family Recollections .......................................................................................................... 9 Family History in Buckley ................................................................................................ 11 Richard Kelsall and Mary Birks ....................................................................................... 11 Neston Connection ........................................................................................................ 12 Robert Kelsall and Mary Jones ......................................................................................... 18 Joseph Kelsall and Esther Thornton ................................................................................. 24 ....................................................................................................................................... 26 Joseph Kelsall and Mary Fennah ...................................................................................... 29 Joseph Kelsall and Hannah Beckett ................................................................................. -
Pecyn Adnodd Cymunedol
Adnoddau Cymunedol Mae gwaith wedi cael ei gynnal gan Swyddogion Cyngor Sir Ddinbych gyda mewnbwn gan Gynghorwyr Sir a Chynghorau Dinas, Tref a Chymuned i ddod ynghyd a mapio'r adnoddau sydd ar gael yn ystod y sefyllfa Covid-19 ar draws Sir Ddinbych. Mae'r Pecyn Adnodd Cymunedol yn cynnwys gwybodaeth am fusnesau a grwpiau newydd lleol ar draws Sir Ddinbych sy'n cynnig cymorth, gan gynnwys gwybodaeth am wasanaethau danfon bwyd, gwasanaethau siopa bwyd a gwasanaethau cynnal. Mae hefyd yn cynnwys dolenni i nifer o asiantaethau cymorth a rhwydweithiau sy'n gweithredu’n lleol, yn rhanbarthol ac yn genedlaethol. Os na allwch chi ddod o hyd i’r gefnogaeth sydd ei hangen arnoch yn y Pecyn Adnoddau Cymunedol hwn, cysylltwch â’r tîm Un Pwynt Mynediad ar: 0300 456 1000 Gall Un Pwynt Mynediad gynnig gwybodaeth ac arweiniad pellach ynghylch y gefnogaeth a’r gwasanaethau sydd ar gael ar draws Sir Ddinbych. Gallant eich cyfeirio chi at ein tîm Llywiwr Cymunedol, sy’n gallu eich cysylltu â chefnogaeth sydd ar gael yn eich cymuned leol. Fel arall, os byddech chi’n elwa o gael sgwrs reolaidd gyda ‘llais cyfeillgar’, gallai Un Pwynt Mynediad eich cofrestru ar gyfer gwasanaeth cyfeillgarwch dros y ffôn CSDd. Gall Un Pwynt Mynediad hefyd eich cynghori ar y gefnogaeth sydd ar gael i’ch helpu i gynnal eich annibyniaeth os oes gennych anghenion gofal personol. Mae cefnogaeth a chyngor hefyd ar gael ar gyfer gofalwyr. Gwefannau defnyddiol eraill: Mae Adnoddau Iechyd a Lles Coronafeirws CSDd ar gael yma https://www.denbighshire.gov.uk/cy/preswyliwr/cymunedau-a-byw/coronavirus/iechyd-a- -
New Fossils from Jebel Irhoud, Morocco and the Pan-African Origin of Homo Sapiens Jean-Jacques Hublin1,2, Abdelouahed Ben-Ncer3, Shara E
LETTER doi:10.1038/nature22336 New fossils from Jebel Irhoud, Morocco and the pan-African origin of Homo sapiens Jean-Jacques Hublin1,2, Abdelouahed Ben-Ncer3, Shara E. Bailey4, Sarah E. Freidline1, Simon Neubauer1, Matthew M. Skinner5, Inga Bergmann1, Adeline Le Cabec1, Stefano Benazzi6, Katerina Harvati7 & Philipp Gunz1 Fossil evidence points to an African origin of Homo sapiens from a group called either H. heidelbergensis or H. rhodesiensis. However, a the exact place and time of emergence of H. sapiens remain obscure because the fossil record is scarce and the chronological age of many key specimens remains uncertain. In particular, it is unclear whether the present day ‘modern’ morphology rapidly emerged approximately 200 thousand years ago (ka) among earlier representatives of H. sapiens1 or evolved gradually over the last 400 thousand years2. Here we report newly discovered human fossils from Jebel Irhoud, Morocco, and interpret the affinities of the hominins from this site with other archaic and recent human groups. We identified a mosaic of features including facial, mandibular and dental morphology that aligns the Jebel Irhoud material with early or recent anatomically modern humans and more primitive neurocranial and endocranial morphology. In combination with an age of 315 ± 34 thousand years (as determined by thermoluminescence dating)3, this evidence makes Jebel Irhoud the oldest and richest African Middle Stone Age hominin site that documents early stages of the H. sapiens clade in which key features of modern morphology were established. Furthermore, it shows that the evolutionary processes behind the emergence of H. sapiens involved the whole African continent. In 1960, mining operations in the Jebel Irhoud massif 55 km south- east of Safi, Morocco exposed a Palaeolithic site in the Pleistocene filling of a karstic network. -
Report on San Miguel Island of the Channel Islands, California
NATIONAL PARK SERVICE rtr LIBRARY '"'' Denver, Colorado D-1 s~ IJ UNITED STATES . IL DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE I ' I I. i? ~~ REPORT ON 1 ·•*·;* SAN MIGUEL ISLAND ii' ' ·OF THE CHANNEL ISLANDS .. CALIFORNIA I. November 1, 1957 I " I ' I~ 1· Prepared By I Region Four, National Park Service Division of Recreation. Resource Planning I GPO 975965 I CONTENTS SUMMARY SECTION 1 ---~------------------------ CONCLUSIONS - ------------------------------- z ESTIMATED COSTS --------------------------- 3 REPORT -----------------------"-------------- 5 -I Authorization and Purpose __ .;, ______________ _ 5 Investigation Activities --------------------- 5 ,, 5 Population ---'-- ~------- - ------------------ Accessibility ----------------- ---- - - - ----- 6 Background Information -------------------- 7 I Major Characteristics --------------------- 7 Scenic Features --------------------- 7 Historic or prehistoric features -------- 8 I Geological features- - ------ --- ------- -- lZ .Biological features------------'-•------- lZ Interpretive possibilities-------------- 15 -, Other recreation possibilities -"'.-------- 16 NEED FOR CONSERVATION 16 ;' I BOUNDARIES AND ACREAGE 17 1 POSSIBLE DEVELOPMENT ---------------------- 17 PRACTICABILITY OF ADMINISTRATION, I OPERATION, PROTECTION AND PUBLIC USE--- 17 OTHER LAND RESOURCES OR USES -------------- 18 :.1 LAND OWNERSHIP OR STATUS------------------- 19 ·1 LOCAL ATTITUDE -----------------------•------ 19 PROBABLE AVAILABILITY----------------------- 19 'I PERSONS INTERESTED-------------------------- -
The Mold Cape Tell Us? the Mold Cape Was Created out of Gold and the Cape Is Very Much a Unique and Sophisticated Discovered Near the Town of Mold, in 1833
The Museum Mold Cape From Home What is the Mold Gold Cape? What does the Mold Cape tell us? The Mold Cape was created out of gold and The cape is very much a unique and sophisticated discovered near the town of Mold, in 1833. piece displaying a high level of skill and It is a rare example of Bronze Age gold craftsmanship craftsmanship. In fact, it is regarded as one of the from the UK and is permanently housed at the British finest examples of Bronze Age metal working in Museum, such is its importance and uniqueness. Europe. The Background To make the cape would have been quite labour Around 1900 - 1600 BC (roughly 300 years after intensive. Bronze Age society was advanced enough Brymbo Man’s burial) an experienced metal worker, for people to specialise in certain skills and trades using a single gold ingot, created a cape and beat such as metal working. The maker would have to out patterns mimicking multiple strands of beads. have been extremely experienced to produce such a piece. In 1833 labourers from the local workhouse were filling in a gravel pit at the side of the road. They It was worn to show wealth and status. Possibly the needed more stone so quarried it from a nearby bank. wealth of the wearer came from the Great Orme At the centre of the bank was a stone lined grave, copper mine. complete with a skeleton, crushed fragments of the cape, and amber beads which had been laid in rows upon the cape. -
I Am a Glass Artist Living and Working in North Wales. I Studied Applied Art/Architectural Glass at N.E.W.I and Gained a 1St Class Hons
Llanerch, Village Rd, Eryrys, Denbighshire, CH74BX [email protected] www.veritypulford.com 07452840331 07452840331 I am a Glass Artist living and working in North Wales. I studied Applied Art/Architectural Glass at N.E.W.I and gained a 1st Class Hons. Degree. My work is inspired by the landscape around me, the forests, mountains, skies and also the small details- the shapes and textures of lichen, moss, ferns, trees leaves and the dappled light coming though them. Wales is a wild, raw and rich landscape which my soul feels deeply connected to. I want to try to capture this in my work- my way of seeing. I am fascinated by the ever changing light and the magical qualities this gives the plants and trees within the landscape. My ACW Research and Development grant has allowed me to develop and further my practice by researching, drawing and creating experimental glass work concerned with investigating the visual and physical correlation between micro-structures within plant and human biology in collaboration with Bangor University’s Herbarium, Walton Centre’s Neuroscience Laboratories and mentor Glass Artist- Rhian Haf. The combination of these ambiguous and fascinating structures which can describe human and plant forms, bringing together all of life- from the smallest neuron to the structure of algae, to trees, to river beds. By blending forms and elevating these and focusing on their beauty, their mystical similarities I feel I am communicating the spirituality which nature gives me, the forms, the colours, the beauty and the light. I have been commissioned to make several public and private art pieces including artwork in Glan Clwyd Hospital and The Walton Centre, Liverpool. -
Human Origin Sites and the World Heritage Convention in Eurasia
World Heritage papers41 HEADWORLD HERITAGES 4 Human Origin Sites and the World Heritage Convention in Eurasia VOLUME I In support of UNESCO’s 70th Anniversary Celebrations United Nations [ Cultural Organization Human Origin Sites and the World Heritage Convention in Eurasia Nuria Sanz, Editor General Coordinator of HEADS Programme on Human Evolution HEADS 4 VOLUME I Published in 2015 by the United Nations Educational, Scientific and Cultural Organization, 7, place de Fontenoy, 75352 Paris 07 SP, France and the UNESCO Office in Mexico, Presidente Masaryk 526, Polanco, Miguel Hidalgo, 11550 Ciudad de Mexico, D.F., Mexico. © UNESCO 2015 ISBN 978-92-3-100107-9 This publication is available in Open Access under the Attribution-ShareAlike 3.0 IGO (CC-BY-SA 3.0 IGO) license (http://creativecommons.org/licenses/by-sa/3.0/igo/). By using the content of this publication, the users accept to be bound by the terms of use of the UNESCO Open Access Repository (http://www.unesco.org/open-access/terms-use-ccbysa-en). The designations employed and the presentation of material throughout this publication do not imply the expression of any opinion whatsoever on the part of UNESCO concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The ideas and opinions expressed in this publication are those of the authors; they are not necessarily those of UNESCO and do not commit the Organization. Cover Photos: Top: Hohle Fels excavation. © Harry Vetter bottom (from left to right): Petroglyphs from Sikachi-Alyan rock art site.