Loton, Corp (Exact Name of Registrant As Specified in Its Charter) ______

Total Page:16

File Type:pdf, Size:1020Kb

Loton, Corp (Exact Name of Registrant As Specified in Its Charter) ______ As filed with the Securities and Exchange Commission on May 11 , 2017 Registration No. 333- UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 _________________ FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 _________________ Loton, Corp (Exact Name of Registrant as Specified in Its Charter) _________________ Nevada (prior to reincorporation) Delaware (after reincorporation) 5812 98-0657263 (State or Other Jurisdiction of (Primary Standard Industrial (I.R.S. Employer Incorporation or Organization) Classification Code Number) Identification Number) _________________ 269 South Beverly Drive, Suite #1450 Beverly Hills, California 90212 (310) 601-2500 (Address, Including Zip Code, and Telephone Number, Including Area Code, of Registrant’s Principal Executive Offices) _________________ Robert Ellin Executive Chairman and President Loton, Corp 269 South Beverly Drive, Suite #1450 Beverly Hills, California 90212 (310) 601-2500 (Name, Address, Including Zip Code, and Telephone Number, Including Area Code, of Agent for Service) _________________ Copies to: Allen Z. Sussman, Esq. Gregg A. Noel, Esq. Alan C. Enriquez, Esq. Jonathan Ko, Esq. Loeb & Loeb LLP Skadden, Arps, Slate, Meagher & Flom LLP 10100 Santa Monica Blvd, Suite 2200 300 South Grand Avenue, Suite 3400 Los Angeles, CA 90067 Los Angeles, CA 90071 (310) 282-2000 (213) 687-5000 (310) 919-2200 (facsimile) (213) 687-5600 (facsimile) _________________ Approximate date of commencement of proposed sale to the public: As soon as practicable after the effective date of this registration statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, as amended (the “Securities Act”), check the following box. ¨ If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering. ¨ If this Form is a post-effective amendment filed pursuant to Rule 462(c) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering. ¨ If this Form is a post-effective amendment filed pursuant to Rule 462(d) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering. ¨ Indicate by check mark whether the registrant is a large accelerated filer, an accelerated filer, a non- accelerated filer, or a smaller reporting company. See the definitions of “large accelerated filer,” “accelerated filer,” “smaller reporting company” and “emerging growth company” in Rule 12b-2 of the Exchange Act. Large accelerated filer ¨ Accelerated filer ¨ Non-accelerated filer ¨ (Do not check if a smaller reporting company) Smaller reporting company x Emerging growth company ¨ If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided to Section 7(a)(2) (B) of the Securities Act. ¨ CALCULATION OF REGISTRATION FEE Proposed maximum aggregate Amount of (1) Title of each class of securities to be registered offering price registration fee Common Stock, $0.001 par value per share $100,000,000 $11,590 ____________ (1) Estimated solely for the purpose of calculating the amount of the registration fee in accordance with Rule 457(o) under the Securities Act of 1933, as amended. Assumes exercise in full of the underwriters’ option to purchase additional shares of common stock. The Registrant hereby amends this registration statement on such date or dates as may be necessary to delay its effective date until the Registrant shall file a further amendment that specifically states that this registration statement shall thereafter become effective in accordance with Section 8(a) of the Securities Act of 1933, as amended, or until the registration statement shall become effective on such date as the Securities and Exchange Commission, acting pursuant to said Section 8(a), may determine. The information in this preliminary prospectus is not complete and may be changed. These securities may not be sold until the registration statement filed with the Securities and Exchange Commission is effective. This preliminary prospectus is not an offer to sell nor does it seek an offer to buy these securities in any jurisdiction where the offer or sale is not permitted. Preliminary Prospectus Subject to Completion, dated May 11, 2017 Shares Loton, Corp Common Stock $ Per Share We are offering shares of our common stock. We currently expect the public offering price of our common stock will be between $ and $ per share. We intend to apply for listing of our common stock on under the symbol “LIVX” and the closing of this offering is contingent upon the successful listing of our common stock on a national securities exchange. Investing in our common stock involves a high degree of risk. See “Risk Factors” beginning on page 10. Per Share Total Public offering price $ $ (1) Underwriting discount $ $ Proceeds, before expenses, to Loton, Corp $ $ (1) See “Underwriting” for a description of compensation payable to the underwriters. To the extent that the underwriters sell more than shares of common stock, the underwriters have the option to purchase up to an additional shares from us at the public offering price less the underwriting discount. Neither the Securities and Exchange Commission nor any state securities commission has approved or disapproved of these securities or passed on the adequacy or accuracy of this prospectus. Any representation to the contrary is a criminal offense. The underwriters expect to deliver the shares of common stock to the purchasers on , 2017. Sole Book-Running Manager BMO Capital Markets Prospectus dated , 2017 We are responsible for the information contained in this prospectus and in any free-writing prospectus we prepare or authorize. Neither we nor the underwriters have authorized anyone to provide you with different information, and we and the underwriters take no responsibility for any other information others may give you. We are not, and the underwriters are not, making an offer to sell these securities in any jurisdiction where the offer or sale is not permitted. You should not assume that the information contained in this prospectus is accurate as of any date other than the date of this prospectus. TABLE OF CONTENTS Page Use of Market and Industry Data ii Trademarks, Service Marks and Trade Names ii Summary 1 Risk Factors 10 Special Note Regarding Forward-Looking Statements 30 Use of Proceeds 31 Price Range of our Common Stock 32 Dividend Policy 33 Capitalization 34 Dilution 35 Unaudited Pro Forma Condensed Combined Financial Statements 36 Management’s Discussion and Analysis of Financial Condition and Results of Operations 40 Business 47 Management 66 Executive Compensation 71 Certain Relationships and Related Party Transactions 76 Principal Stockholders 79 Description of Capital Stock 81 Shares Eligible for Future Sale 84 Material U.S. Federal Income Tax Consequences to Non-U.S. Holders of Our Common Stock 87 Underwriting 90 Legal Matters 95 Experts 95 Where You Can Find More Information 95 Index to Financial Statements F-1 i USE OF MARKET AND INDUSTRY DATA This prospectus includes market and industry data that we have obtained from third party sources, including industry publications, as well as industry data prepared by our management on the basis of its knowledge of and experience in the industries in which we operate (including our management’s estimates and assumptions relating to such industries based on that knowledge). Management has developed its knowledge of such industries through its experience and participation in these industries. While our management believes the third party sources referred to in this prospectus are reliable, neither we nor our management have independently verified any of the data from such sources referred to in this prospectus or ascertained the underlying economic assumptions relied upon by such sources. Furthermore, references in this prospectus to any publications, reports, surveys or articles prepared by third parties should not be construed as depicting the complete findings of the entire publication, report, survey or article. The information in any such publication, report, survey or article is not incorporated by reference in this prospectus. Forecasts and other forward-looking information obtained from these sources involve risks and uncertainties and are subject to change based on various factors, including those discussed under “Risk Factors,” “Special Note Regarding Forward-Looking Statements,” and “Management’s Discussion and Analysis of Financial Condition and Results of Operations” in this prospectus. TRADEMARKS, SERVICE MARKS AND TRADE NAMES This prospectus contains references to our trademarks, service marks and trade names and to trademarks, service marks and trade names belonging to other entities. Solely for convenience, trademarks, service marks and trade names referred to in this prospectus, including logos, artwork and other visual displays, may appear without the ® or TM symbols, but such references are not intended to indicate, in any way,
Recommended publications
  • Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
    Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer.
    [Show full text]
  • Caymanian Times Newspaper Or Call 9162000 / 9458463 2 Issue No 668 | Wednesday, June 2, 2021 | Caymanian Times Community Notice / Community
    Caymanian 85°/ 78° An afternoon thunderstorm Issue No 668 Wednesday, June 2, 2021 Business & Finance www.caymaniantimes.ky 50¢ COMMUNITY — page 2 BUSINESS — page 5 LOCAL NEWS — page 6 THIS ISSUE INSIDE Special Cayman celebration for HM The Virtual Sonics makes ‘Big Sound’ Waves in the Ex-Infrastructure Minister hops on last bus Queen’s 95th birthday Hollywood Music Industry shuttle GLOBAL Bovell: Border Closure may CORPORATION harm Property Market TAX TARGETS OFFSHORE CENTRES By Michael Jarvis, London UK When G7 finance ministers meet in Lon- don the focus of their deliberations will be of huge interest to Cayman’s financial ser- vices sector. At issue is a proposal by the US Biden administration for a global corporation tax initially floated at a “floor rate” of 15 per cent but which could go higher ac- cording to US Treasury officials. $1.2 million spent on 2021 Candidates Campaign X U.S. Department of the Treasury The public are now able to see how had a combined revenue of $201,060.00 to much money candidates raised to fund help fund their election campaigns, while President Biden had initially indicated a their 2021 election campaign and how spending more than twice that amount, at minimum global rate of 21%. much each candidate spent campaigning, $479,781.16 over the 45 day election peri- But that’s at odds with the British gov- as the Elections Office published candi- od, roughly averaging just under $40,000 ernment’s own approach to the matter. dates’ expenses and revenue last Saturday. spent per candidate.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): January 11, 2018 LIVEXLIVE MEDIA, INC. (Exact name of registrant as specified in its charter) Delaware 333-167219 98-0657263 (State or other jurisdiction (Commission File Number) (I.R.S. Employer of incorporation) Identification No.) 269 South Beverly Drive, Suite 1450 Beverly Hills, California 90212 (Address of principal executive offices) (Zip Code) (310) 601-2500 (Registrant’s telephone number, including area code) n/a (Former name or former address, if changed since last report.) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2. below): ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). Emerging growth company ☐ If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act.
    [Show full text]
  • Community Services Report 2009
    Community Services Report 2009 Music is a gift that has touched all our lives. When musicians and those who support them share the gift of music, they bring people together in a way nothing else has the power to do. In 1989, The Recording Academy® established MusiCares® to sustain music and its makers. MusiCares provides emergency health and human services and addiction recovery resources to music people. Whether it’s artists or other industry professionals who are in need, MusiCares is there with support for those who have given us the gift of music. MISSION MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. MusiCares experienced another landmark year in 2009 by serving more than 1,400 clients with $2.3 million in aid. OUR PROGRAMS AND SERVICES Since its inception, MusiCares has developed into a premier support system for music people by providing innovative programs and services designed to meet the specific needs of its constituents. Emergency Financial Assistance Program The “heart and soul” of MusiCares is the Emergency Financial Assistance Program. With a commitment to “We are so grateful for your help providing help to those in need as quickly as possible, this program provides assistance for basic living expenses with the expense of laying our dear including rent, utilities and car payments; medical expenses brother to rest.
    [Show full text]
  • Kingempirepresskitv3.Pdf
    For the past year, we at King Empire Entertainment have been building what we believe will be a gamechanging record label and artist management company. We started in April 2014 with an idea. Since then, it has flourished into a bold new startup based in Ottawa, Canada. In this press kit, you’ll find out a little bit about who we are and why we’re so different. We’ve included a few bios and links to photos. We’ve Welcome to also taken the liberty of including some story King Empire leads you may find interesting. We think we’ve got something special Entertainment. and we hope you do, too. Everything is Sincerely, Angie Haddad about to change. Founder and Owner King Empire Entertainment (Ottawa, Canada) – His name has been synonymous with his work with R&B stars such as NeYo, Akon, Teddy Riley, Wyclef Jean and Marques Houston. As a producer, he’s already gone platinum worldwide. And his musical At KEE, we believe in music KEE is made up of two verticals: pedigree? Impressive, to say the least. because music is the purest 1. KEE Recordings expression of truth, artistry 2. Empire Artist Management Now, R&B/pop singer and producer B. HOWARD is taking his already storied career to the next level by joining and emotion. forces with KING EMPIRE ENTERTAINMENT (KEE), a small start-up record label and artist management At KEE Recordings, we aren’t company based in Canada’s capital, Ottawa. We believe in music because trying to be one of the majors.
    [Show full text]
  • King Empire Entertainment Partners with B. Howard in Worldwide Deal
    King Empire Entertainment Partners with B. Howard In Worldwide Deal Renowned American Music Executive PHIL QUARTARARO to Manage B. Howard Alongside KEE PRESS RELEASE EMBARGO: 12PM, MARCH 20, 2015 (Ottawa, Canada) – His name has been synonymous Vanessa Hudgens, Jason Derulo, Ciara. His 2010 FIFA with his work with R&B stars such as NeYo, Akon, world cup song, “Ke Nako”, with Wyclef Jean, J. Pre and Teddy Riley, Wyclef Jean and Marques Houston. As a Jazmine Sulivan, was officially endorsed by the late producer, he’s already gone platinum worldwide. And Nelson Mandela before he died. In addition, he carries his musical pedigree? Impressive, to say the least. a significant musical legacy. Born Brandon Alexander Howard to R&B singer Miki Howard, he spent much of Now, R&B/pop singer and producer B. HOWARD is his early years at Hayvenhurst—the Jackson family taking his already storied career to the next level by home—and his musical family includes legends like joining forces with KING EMPIRE ENTERTAINMENT Gerard Levert, Chaka Khan and Howard McCrary. (KEE), a small start-up record label and artist management company based in Canada’s capital, “My music is a reflection of who I truly am as an Ottawa. artist—not who people or the media think I am. The title of my first North American album with KEE is “Signing an artist with the talent, scope and credibility Nothing to Prove. That pretty much says it all. of B. Howard would be a coup for any record label. I’m looking forward to dropping it later this year,” For KEE, it represents the culmination of our entire says B.
    [Show full text]
  • CASHBOX HE INTERNATIONAL Music/COIN MACHINE/HOME ENTERTAINMENT WEEKLY VOLUME L—NUMBER 39, MARCH 28 , 1987 CASH BOX Table of Contents
    lAltCj NEWSPA mO^ORT S^TION : 82791 19359 INTRODUCING •.•':* A «3iv«.''^V K :Mwimii milSfi PR0P.UCED 6Y BRUCE FAIRBAIRN, BCJB ROCK J. PAUl,4VDE-''MANAeEMENT,: BRflCE ALLEK'TAlENt CASHBOX HE INTERNATIONAL MUSiC/COIN MACHINE/HOME ENTERTAINMENT WEEKLY VOLUME L—NUMBER 39, MARCH 28 , 1987 CASH BOX Table Of Contents .GEORGE ALBERT Cover Story 11 Top 200 LPs 18-19 ^resident and Publisher Executives On The Move 6 Top 75 12" Dance Singles 20 '•SaMK ALBERT Vice President and Genera! Manager New Faces To Watch 10 Top 40 Music Videos 16 •SPENCE BERLAND Album Releases 8 Top 15 Music Videocassettes 16 Vice President Single Releases 9 Top 40 Videocassettes 17 I.B. CARMICLE Vice President Radio Report Center Pullout Top 40 Compact Discs 21 SOBERT LONG JirectoT Black/Urban Marketing Top 50 Country Albums 25 •ifEPHEN PADGETT Columns Top 100 Country Singles 26 yfanagirsg Editor Points West 10 Chart Index 35 ,3REGORY DOBRIN Associate Managing Editor East Coastings 11 iiCElfH ALBERT On Jazz 13 Departments Manager, Charts and Research bEBI PRASE Audio/Video 17 News 5,7,23-24,30-31 Production Manager Shop Talk (Retail) 21 International 12 '’Hadio Report (OB YARDUMIAN Nashville Chatter 27 Black Contemporary 14 '•OM D£ SAVIA DDIE HAYMES, Manager, Black Contemporary Dance 20 kMY LAVELLE, Manager, Country Charts Video 16-17 ilesearch f(EClL HOLMES III Top 40 Jazz Albums 13 Country 25-28 OOM CHANG fJEANNA CORBIT Top 75 Black Contemporary Albums 14 Coin Machine 33-34 .'.os Angeles Editorial Top 100 Black Contemporary Singles 15 Classifieds 32 ^iREGORY DOBRIN, Bureau Chief IIRSAN KASSAN Top 100 Singles 4 ifew York Editorial lEE JESKE, Bureau Chief HAUL lORlO COM McENTEE Hrector Nashville Operations ifashville Editorial/Research aCHARD F.
    [Show full text]
  • TWO LOUIES, June 1999 - Page 3 Plumb Bob Will Be Recording Their First CD, “Old Flames” by Marianne Steiner Over the Next Couple of Months at Recordwell Studio
    OREGON MUSIC / JUNE 1999 T/K FOLDS ELLIS ISLAND ROZZ FESTIVAL CRAY BOMB photo Buko photo BRIAN BERG 44 LONG OREGON VENUE GUIDE 100 YEARS MAY SEEM OLD TO YOU, BUT.....AFM, Local #99 is turning 100 and we’re Y2K cutting edge! In celebration of those one hundred years of advocating for musicians’ rights in this business that we call MUSIC, we’ve put together some of the greatest minds and organizations to present to YOU the most up-to-the-minute information on MUSIC AND THE INTERNET When: September 29-30, 1999 Where: Portland State University, Smith Ballroom Who (to name but a few): Recording Industries Assoc of America; Recording Musicians Association; BMI; ASCAP; SESAC; American Federation of Musicians; AFTRA; Liquid Audio; Synthbank and more... What: A two-day intense seminar that will deal with issues that affect a musician whose musical product is ( or may someday be) on the Internet. It covers intellectual property rights and copyright issues to distribution, market- ing and performance protection. Experts in the fields that make it happen will discuss these issues on panels and with technological presentations. Cost: Free to Local #99 members! (Make the best investment of the year, join today!) $125 for non-members ROSE GARDEN For more information on joining Local#99 and Saturday, June 5th vs San Jose SaberCats 7:00PM on the Music and the Internet Seminar, contact Saturday, June 19th vs Grand Rapids Rampage 7:00PM us at 235-8791 or Friday, July 2nd vs Arizona Rattlers 7:00PM via e-mail at [email protected].
    [Show full text]
  • Livexlive Media, Inc. Common Stock Egistration Statement
    Preliminary Prospectus Subject to Completion, dated October 6, 2017 7,692,308 Shares led with the Securities and Exchange fi LiveXLive Media, Inc. Common Stock egistration statement in any jurisdiction where the offer or sale is not permitted. in any jurisdiction where the offer $ Per Share We are offering 7,692,308 shares of our common stock. We currently expect the public offering price of our common stock will be between $ 12.00 and $ 14.00 per share. We have applied to list our common stock on the New York Stock Exchange under the symbol “ LXL” and the closing of this offering is contingent upon the successful listing of our common stock on a national securities exchange. Investing in our common stock involves a high degree of risk. See “Risk Factors” beginning on page 12. Per Share Total Public offering price $ $ Underwriting discount(1) $ $ Proceeds, before expenses, to LiveXLive Media, Inc. $ $ (1) See “Underwriting” for a description of compensation payable to the underwriters. To the extent that the underwriters sell more than 7,692,308 shares of common stock, the underwriters have the option to purchase up to an additional 1,153,846 shares from us at the public offering price less the underwriting discount. Neither the Securities and Exchange Commission nor any state securities commission has approved or disapproved of these securities or passed on the adequacy or accuracy of this prospectus. Any representation to the contrary is a criminal offense. The underwriters expect to deliver the shares of common stock to the purchasers on , 2017. Sole Book-Running Manager BMO Capital Markets Lead Manager Co-Manager JMP Securities Craig-Hallum Capital Group Prospectus dated , 2017 The information in this preliminary prospectus is not complete and may be changed.
    [Show full text]
  • 8-Page Music in Marketing & Advertising
    Coversheet of an Online File Download From The News, Feature and Data Web Site of Advertising Age Title of the attached .pdf file: Music in Marketing and Advertising: The full 8-page report from the July 28, 2003 print edition of Advertising Age AD AGE MAIN 07-28-03 A 1 AADB 7/25/03 1:50 PM Page 1 Music in Marketing and Advertising | Special Report July 28, 2003, print edition, Advertising Age See poster after S-2 for Guide to Music SPECIALREPORT Marketing Click graphic to Watch Video BLIGE:Reebok part of new song’s launch Music dances to a marketing beat By MARC POLLACK pin of a national ad campaign that in- cludes the sneaker marketer and retail a culver city, calif., back lot is bustling chain Foot Locker. The spot will promi- with activity. Dozens of assistant direc- nently feature “Love @ 1st Sight,” the tors, grips, stylists, makeup and lighting first single from Ms. Blige’s upcoming al- people, bodyguards and managers scurry bum, “Love & Life,” in stores Aug. 26. around against a stylized red and black The commercials, created by New York cityscape backdrop, with young girls skip- boutique AKA Advertising, New York, ping rope double Dutch style, as rap/R&B start running Aug. 15-30 on major cable Grammy-winning diva Mary J. Blige networks like BET, MTV, VH1 and E! takes her place on the set. with prominent placement in 600 Lady It’s not a music video or a feature film Foot Lockers and 1,400 Foot Locker stores but a commercial for Reebok—the linch- Click to continue >> 5 17 29 6 18 30 inch count= 7 19 31 story= 8 20 32 art= 9 21 33 4 10 22 34 1 line goes11 here and h23 ere filling 35to here 12 24 36 13 25 37 14 26 38 15 27 39 16 28 See LATE NEWS on Page 2 See STORY on Page xx NEWSPAPER AD AGE MAIN 07-28-03 B 1 AADB 7/24/03 12:06 PM Page 1 July 28, 2003 | Advertising Age | S-1 AdAgeSPECIALREPORT 7.
    [Show full text]
  • 336 Infotech Text
    Media, Creativity and the Public Good A Report of the Aspen Institute Roundtable on Leadership and the Media Mark Lloyd Rapporteur Communications and Society Program Charles M. Firestone Executive Director Washington, DC 2007 To purchase additional copies of this report, please contact: The Aspen Institute Publications Office P.O. Box 222 109 Houghton Lab Lane Queenstown, Maryland 21658 Phone: (410) 820-5326 Fax: (410) 827-9174 E-mail: [email protected] For all other inquiries, please contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, DC 20036 Phone: (202) 736-5818 Fax: (202) 467-0790 Charles M. Firestone Patricia K. Kelly Executive Director Assistant Director Copyright © 2007 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, DC 20036 Published in the United States of America in 2007 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-478-5 07-015 1640CSP/07-BK Contents FOREWORD , Charles M. Firestone ............................................................... v MEDIA , C REATIVITY AND THE PUBLIC GOOD , Mark Lloyd Introduction ......................................................................................... 3 Developments in the Media Landscape .............................................. 4 What is the Problem? ............................................................................. 6 Who is Responsible? .........................................................................
    [Show full text]
  • Music-Week-2001-03-1
    FOR EVERYOHE IN THE BUSINESS OF MUSIC Do you know this woman? m P 5 You should...she's a fan. pro tein[p builds fanbases. Build your fanbase with Protein. Reach millions of fans with online promotion m BT Internet, BT Openworld, alla vista, Liberty Surf, 111 ■Hmlvlwfl Research to betterfocus your marketing spend i think aboirt .Uie . music,, the socio-demographicï.whatfansactually profile of the fanbaselocation byand TV their reglon. musical préférences and geographical i Target individual fans with direct and viral marketing Protein helps you build your artisfs fanbase using slate of the art dataProtein collectjon also holds techniques. a rapidly growing database of more than 1 million withprofiled new music releases fans, they which will enables like. Protein you alsoto target provides individual a lull fansviral to spread the word about your act on vw.proteinmusic.com/target pro-tein|J/ ■ Protein is a new online music marketing consultancy from peoplesound.com, already working with the world's leading record labels. If you want to build your fanbase and sell more records then call John Ibbotson Senior account manager on 020 7766 4075 or email [email protected] for further information. www.proteinmusic.com Protein is a peoplesound.com Company ppo teiflj 1 NEWS: David Gray "NEWS: Polyi rI CHRYSALIScopyrights have raise helped i runenjoying inthe its US best for 10chart j iSANDCASTtEWMTERS | | £60mbacked in dealfirst UK rights- f ithe^ years Mot as 100 S CLUB 7 hit "I convention,last year's success? following Controversy-free Brits Il sales for winners - currently part of campaigns by The Brit Awards avoidec retailersMegastores, whichincluding was offeringVirgin sparkon-the-night a healthy controversy sales surge £30them albumsas part ofdeal.
    [Show full text]