John Carpenter Tribute at the Aero Theater: "Escape from New York" &
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Cial Climber. Hunter, As the Professor Responsible for Wagner's Eventual Downfall, Was Believably Bland but Wasted. How Much
cial climber. Hunter, as the professor what proves to be a sordid suburbia, responsible for Wagner's eventual are Mitchell/Woodward, Hingle/Rush, downfall, was believably bland but and Randall/North. Hunter's wife is wasted. How much better this film attacked by Mitchell; Hunter himself might have been had Hunter and Wag- is cruelly beaten when he tries to ner exchanged roles! avenge her; villain Mitchell goes to 20. GUN FOR A COWARD. (Universal- his death under an auto; his wife Jo- International, 1957.) Directed by Ab- anne Woodward goes off in a taxi; and ner Biberman. Cast: Fred MacMurray, the remaining couples demonstrate Jeffrey Hunter, Janice Rule, Chill their new maturity by going to church. Wills, Dean Stockwell, Josephine Hut- A distasteful mess. chinson, Betty Lynn. In this Western, Hunter appeared When Hunter reported to Universal- as the overprotected second of three International for Appointment with a sons. "Coward" Hunter eventually Shadow (released in 1958), he worked proved to be anything but in a rousing but one day, as an alcoholic ex- climax. Not a great film, but a good reporter on the trail of a supposedly one. slain gangster. Having become ill 21. THE TRUE STORY OF JESSE with hepatitis, he was replaced by JAMES. (20th Century-Fox, 1957.) Di- George Nader. Subsequently, Hunter rected by Nicholas Ray. Cast: Robert told reporters that only the faithful Wagner, Jeffrey Hunter, Hope Lange, Agnes Moorehead, Alan Hale, Alan nursing by his wife, Dusty Bartlett, Baxter, John Carradine. whom he had married in July, 1957, This was not even good. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
Tape ID Title Language Type System
Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year -
ACRONYM 12 - Round 1
ACRONYM 12 - Round 1 1. A subreddit inspired by this physical action banned over 300,000 of its members in July 2018. A figure from Nidavellir [nid-uh-vell-EER] named Eitri created an object used to perform this action, after which his people were slaughtered. After performing this action, its perpetrator converses with a girl who asks (*) "What did it cost?". After being injured by the axe Stormbreaker, a native of Titan claims "you should've gone for the head" before performing this action. Trillions were turned to dust by, for 10 points, what action taken using a completed Infinity Gauntlet? ANSWER: Thanos snapping his fingers (accept The Snap; prompt by asking "what action did he take?" answers like "Thanos killing half the universe" or "Thanos using the Infinity Gauntlet") <Nelson> 2. In a 2014 fake documentary, a man made of this product claims "life is sweet, at least for me." In lieu of a proper commercial, this product was advertised via a one-time-only, 30-minute musical staged on Super Bowl Sunday in 2019. In a 2018 ad, a man produces this product by milking a (*) giraffe. Another ad for this product set behind a set of bleachers depicts a girl contracting a "pox" in which this product manifests on her skin. For 10 points, name this fruity candy whose aggressively weird commercials order you to "taste the rainbow." ANSWER: Skittles <Vopava> 3. In 2001, an NFL player at this position tore his ACL while celebrating after a play. Mark Moseley won the NFL's MVP award playing this position in 1982, the only such player to do so. -
Don Murray Unsung Hero
DON MURRAY UNSUNG HERO Donald Patrick Murray was born in Hollywood in 1929 to a 20th-Century Fox dance director and a former Ziegfeld girl. He moved to New York when he was three years old and became an exceptional student-athlete at East Rockaway High School in Nassau County. Don played football and ran track, where he earned the nickname “Don Deer.” After graduation in 1947, Don declined several scholarship opportunities at universities in favor of enrolling in the American Academy of Dramatic Arts. (To this day, Don retains a slight “Long Island” accent, but his three years at AADA helped him effectively shed this at will, and he easily mastered a series of speech patterns in his subsequent acting roles.) When the Korean War broke out, Don filed for “conscientious objector” status, and spent two years in alternative service at refugee camps in Germany and Italy. (Don would later star in a self-penned screenplay for Playhouse 90 entitled For I Have Loved Strangers based on these experiences.) Before his European adventures, however, Don had turned heads in his first substantial part in the Broadway production of Tennessee Williams’ The Rose Tattoo. He also made strides on early television, appearing on several highly-regarded programs, including The Kraft Theater and the psychological mystery series Danger. Don then landed a role in the Broadway revival of Thornton Wilder’s The Skin of Our Teeth, playing Henry Antrobus, a character who demonstrated a pronounced change in temperament. (During the play’s celebrated first run in 1942-43, Henry was played by Montgomery Clift.) Don’s performance caught the eye of theatre and film director Joshua Logan, who quickly decided that Don was the perfect choice to play the raw, reckless Beauregard “Bo” Decker in his film version of William Inge’s hit play, Bus Stop. -
On Screen Call Me Snake – the Future Noir of Escape from New York
Call Me Snake – The Future Noir Of Escape From New York | Cultured... http://www.culturedeluxe.com/2011/05/call-me-snake-the-future-noir-o... >< Stop Free stuff! IN FOCUS — THE ALIEN SAGA Music reviews Game reviews Movie reviews In print reviews On Screen » In Your Ears » In Digital » In Print » Archive Features » Call Me Snake – The Future Noir Of Escape From New York On Screen May 13, 2011 3 comments » Call Me Snake – The Future Noir Of Escape From New York 3 av 20 2011-10-02 19:50 Call Me Snake – The Future Noir Of Escape From New York | Cultured... http://www.culturedeluxe.com/2011/05/call-me-snake-the-future-noir-o... Share 0 “Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.. he must be the best man in his world.” Raymond Chandler’s words on noir detectives apply as much to Snake Plissken, who, according to writer/ director John Carpenter, is the one man with honour in a world gone mad. And what meaner streets than those of Manhattan Island prison? Escape From New York is ostensibly an action film in a dystopian setting. America and Russia are still engaged in WWIII, while domestically crime has risen 400%. It is implied that the population is gradually going crazy, due to various nerve agents used in the war. To cope with all the crazies, weirdos and violent criminals, Manhattan Island has been turned into one giant prison. Why a prime piece of real estate should be used like this is not made clear, but as a killer concept, it is great. -
Item List for Location ZE for the Item Groups You Selected
10:14 AM 1/24/2018 Item List for Location ZE For The Item Groups You Selected Call Number Title Author Publisher Pub. Date Barcode 613.7 Bey (VHS) Beyond basic yoga for dummies Dragonfly Productions[unknown] Inc. 33246001206861 613.7046 AM (DVD) AM PM yoga for beginners Lions Gate Entertainment,[2012] 33246002326791 941.83508 Lew Secret child : Lewis, Gordon. Harper Element, [2015] 33246002313112 (ON TRACE) BBC DVD FICMI-5, MI-5 volume (s.7) 07 BBC Video ; [2010] 33246002010338 (ON TRACE) DVD FIC Eight8 movie family adventure collection Echo Bridge Home Entertainment,[2013] 33246002290732 (ON TRACE) DVD FIC NothiNothing in common Tri Star, [2002] 33246001431956 (ON TRACE) DVD FIC RedRed Magnolia Home Entertainment,[2008] 33246002179083 (ON TRACE) DVD FIC StarStar trek XI Paramount, [2009] 33246001904911 BBC DVD FIC Above (s.2)Above suspicion, set 2 ITV Studios Home Entertainment[2012] ;33246002162659 BBC DVD FIC Agath (M. Agatha7 & 12) Christie's Marple, set 1, volume 2 : A&E Television Networks[2006] : 33246001875970 BBC DVD FIC Agath (M. Agatha8 & 9) Christie's Marple, set 1, volume 1 : A&E Television Networks[2006] : 33246001875962 BBC DVD FIC Agath (T. 2)Agatha Christie's Partners in Crime, set 2 distributed exclusively[2004]. by Acorn Media,33246002226959 BBC DVD FIC Balle Ballet shoes BFS Video, [2000] 33246001613892 BBC DVD FIC Berke Berkeley square, the complete series / BFS, [2011] 33246002256402 BBC DVD FIC Broad (s.1)Broadchurch, season 1 / Entertainment One (New[2014] Releases), 2013.33246002277978 BBC DVD FIC Broke (s. 3)The Brokenwood mysteries, series 3 Acorn, [2017] 33246002396141 BBC DVD FIC Danie Daniel Deronda BBC Video ; [2003] c2002.33246001980986 BBC DVD FIC Death (s.2)Death in paradise, season 2 BBC ; [2013] 33246002248862 BBC DVD FIC Death (s.3)Death in paradise, season 3 BBC Worldwide., [2014] 33246002356111 BBC DVD FIC Death (s.5)Death in paradise, season 5 BBC Video, [2016] 33246002313419 BBC DVD FIC Downt (DowntonDownton Abbey Abbey, s. -
Ill Deadline Extended Or ISSC R Cipients
Eastern Illinois University The Keep November 1978 11-17-1978 Daily Eastern News: November 17, 1978 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_1978_nov Recommended Citation Eastern Illinois University, "Daily Eastern News: November 17, 1978" (1978). November. 13. http://thekeep.eiu.edu/den_1978_nov/13 This Book is brought to you for free and open access by the 1978 at The Keep. It has been accepted for inclusion in November by an authorized administrator of The Keep. For more information, please contact [email protected]. Inside Friday will be windy Page 3: with occasional rain, A night at the elections turning colder in the Page 5: afternoon. The high Statue move featured will be in the •Jpper See Verge, Section Two 40s or lower 50s. -aFriday, Nov. 17,s 1978t I Charleston,ern Ill. I Volume 65N I No. 57 Ie 12 pagesY# I 2 Sectionss ·ers 1troke and relay Merging departments 1t Edwards has e butterfly and hough inexper- (toEditor's cNote:r eateThis is the fifth new -in a program series exploring five separate areas of E freshmen lack curriculum at astern.) Studies competition, but by Cathy Bielong aily," said Tho- in �� -:-i The program didn't die--it was �� kiJled," was library science depart Thompson said ? ment chairman Frances Pollard's Depth �� with Northern response to the phasing out of her de partment. through the new pro ram the master's free-style and in g The library science department will degree will no longer be available. he think we'll do : I merge next year with the instructional said. -
Cinema Studies & Moving Image Arts Schedule of Courses
CINEMA STUDIES & MOVING IMAGE ARTS SCHEDULE OF COURSES SPRING 2019 Attendance is mandatory for all classes and screenings. Students who miss one or more class sessions during the first two weeks of the semester may be administratively dropped in order to make room for students on the waitlist who have been attending class. Waitlists are sequenced by class rank; however, attendance does affect one’s chances of getting into a course. It is up to the individual to make sure that s/he is in (or no longer in) any given course by the drop/add deadline. Please note this sheet has detailed course and topic descriptions not found in MyCUInfo. CINEMA STUDIES COURSES FILM 1003 (3) – Space Odysseys: Astrophys/Astronomy via Cinema/Arts. Understanding representation of space in cinematic arts, as well as the underlying science. What are the political, societal, scientific and commercial motives in attempting to show our species venturing beyond Earth? These adventures highlight our hopes and fears for the future, while simultaneously clarifying contemporary anxieties. From the director G. Melies to the screenwriter B. Marling. Sec. 001 Perez-Gallego M/W 11:00am-12:15pm ATLS 102 60 limit 25789 F Screening 10:00am-12:50pm ATLS 102 FILM 1502 (3) Introduction to Film Studies. Introduces basic media literacy by exploring the technical and aesthetic principles behind the production, analysis, and interpretation of films. Explores comprehension and thinking about movies critically as technological, cultural, and artistic products. Study of films in different social and historical contexts and discussion of the importance of movies as cultural products. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Sunday Morning Grid 11/23/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/23/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Houston Texans. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) World/Adventure Sports MLS Soccer: Eastern Conference Finals, Leg 1 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Vista L.A. Explore Paid 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Paid Program Auto Racing 13 MyNet Paid Program Pirates-Worlds 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Monkey 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Barbecue Heirloom Meals Home for Christy Rost 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Criminal Minds (TV14) Criminal Minds (TV14) 34 KMEX Paid Program República Deportiva (TVG) Fútbol Fútbol Mexicano Primera División (9:50) (N) Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Fórmula 1 Fórmula 1 Gran Premio de Abu Dhabi. -
Film Reviews
Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much preemptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genrebased mass market entertainment.