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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Informational Materials
Received by NSD/FARA Registration Unit 04/28/2021 10:05:01 AM 04/27/21 Tuesday This material is distributed by Ghebi LLC on behalf of Federal State Unitary Enterprise Rossiya Segodnya International Information Agency, and additional information is on file with the Department of Justice, Washington, District of Columbia. Forthcoming French Atlantic Ocean Missile Test Suspected as Hypersonic Weapon Debut - Report by Morgan Artvukhina So far, only Russia and China have developed working hypersonic weapons, which are nearly impossible to detect and intercept due to their extreme speed and maneuverability. However, several nations have programs to build their own, including the United States and France. After some unusual marine warnings were posted ahead of a French missile test, some experts are speculating it could signal an upcoming launch of France’s hypersonic missile, which was expected to make its debut sometime this year. Dutch researcher Marco Langbroek posted on Twitter on Sunday about several recent navigational warnings across the North Atlantic for the coming weeks that, when plotted out, didn’t resemble what he expected. “Navigational Warnings suggest that France will be test-firing an #ICBM from DGA Essais de Missiles near Biscarosse towards Bermuda between Apr 28-May 21,” he tweeted, noting that “Target area does not fit a simple ballistic trajectory.” “The dogleg shown is purely hypothetical and not very realistic, to be clear. Just to show the deviation from a simple ballistic trajectory,” he added. While three of the four zones outlined in the warning do follow a ballistic trajectory, marking out places where stages of the rocket are likely to fall back to Earth, the fourth and final no-go zone is significantly off-kilter, sitting well south of where it “should” fall if it were a normal ballistic missile. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
Front of House Master Song List
CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Pat Buchanan to Make Campaign Stop on East Once-Defeated Activities Fee
Check Your Head The Beastie Boys' latest re THE CHRONICLE & R brings you the defmit THURSDAY, APRIL 23, 1992 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 137 Pat Buchanan to make campaign stop on East By MATT STEFFORA ers Committee. ing at 10 a.m. on the Bryan Cen The speech, whichisscheduled The road to the White House Campaign officials told Brady ter walkway. Students, faculty to last about 45 minutes, will be this year will go through East that rather than giving a "typical and employees can obtain two simulcast by the C-SPAN cable Campus. campaign speech," Buchanan will tickets for free with valid Univer TV network. Republican presidential candi focus on his views on sity identification. Buchanan, former host of the date Pat Buchanan will speak on multiculturalism, he said. CNN show "Crossfire," entered campus this coming Tuesday, While rumors had previously The 900 tickets available should the Republican presidential race April 28. The speech will take leaked out about the event, the go quickly, in light ofthe sellouts in late 1991 as a challenger to place in Baldwin Auditorium at 7 Union was unable to confirm for the Union's previous speakers incumbent George Bush. p.m. Buchnan's avaibility until this year, Brady said. In the event Buchanan is visitng the Uni Wednesday, Brady said. that tickets do not sell out by He raised eyebrows earlier this versity because "he thinks [Duke] noon Monday, distribution will year when he gathered more than would be a relatively hospitable The North Carolina state pri continue the next day from 10 30 percent ofthe vote in first the environment and a high-profile mary will be held a week after a.m. -
Song List 2020
Song List 2020 24K - Bruno Mars Africa - Toto Anyway You Want It - Journey At Last - Etta James Bang Bang - Jessie J, Ariana Grande, Micki Minaj Best of My Love - Emotions Billie Jean - Michael Jackson Cake By the Ocean - DNCE California Love - 2pac Feat Dr. Dre Can't Stop the Feeling - Justin Timberlake Crazy - Gnarls Barkley Crazy In Love - Beyoncé Don't Stop Believing - Journey Feel it Still - Portugal. The Man Finesse - Bruno Mars ft. Cardi B Fireball - Pitbull Friends In Low Places - Garth Brooks Get Lucky - Daft Punk Handclap - Fitz and the Tantrums Havana - Camila Cabello Hey Ya - OutKast High Hopes - Panic! At The Disco Hit Me With Your Best Shot - Pat Benatar Hot In Here - Nelly I Don't Want to Miss a Thing - Aerosmith I Gotta Feeling - The Black Eyed Peas I Wanna Dance with Somebody - Whitney Houston Song List 2020 I Will Survive - Gloria Gaynor Juice - Lizzo Jump - House of Pain Just Dance - Lady Gaga Kiss - Prince Let's Stay Together - Al Green Livin' On A Prayer - Bon Jovi Locked Out of Heaven - Bruno Mars Love So Soft - Kelly Clarkson Moves Like Jagger - Maroon 5 My Girl - The Temptations My prerogative - Bobby Brown No Diggity - Blackstreet ft. Dr. Dre No Scrub - TLC Old Town Road - Lis Nas X Proud Mary - Creedence Clearwater Revival PYT - Michael Jackson Raise Your Glass - P!nk Respect - Aretha Franklin Rock Your Body - Justin Timberlake Señorita - Shawn Mendes, Camila Cabello September - Earth, Wind & Fire Shake Your Body - The Jackson 5 Shallow - Lady Gaga, Bradley Cooper Shape of You - Ed Sheeran Shut Up and Dance - Walk The Moon Side to Side - Ariana Grande ft. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Most Requested Songs of 2020
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2020 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Cupid Cupid Shuffle 4 Journey Don't Stop Believin' 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Usher Feat. Ludacris & Lil' Jon Yeah 7 Walk The Moon Shut Up And Dance 8 V.I.C. Wobble 9 Earth, Wind & Fire September 10 Justin Timberlake Can't Stop The Feeling! 11 Garth Brooks Friends In Low Places 12 DJ Casper Cha Cha Slide 13 ABBA Dancing Queen 14 Bruno Mars 24k Magic 15 Outkast Hey Ya! 16 Black Eyed Peas I Gotta Feeling 17 Kenny Loggins Footloose 18 Bon Jovi Livin' On A Prayer 19 AC/DC You Shook Me All Night Long 20 Spice Girls Wannabe 21 Chris Stapleton Tennessee Whiskey 22 Backstreet Boys Everybody (Backstreet's Back) 23 Bruno Mars Marry You 24 Miley Cyrus Party In The U.S.A. 25 Van Morrison Brown Eyed Girl 26 B-52's Love Shack 27 Killers Mr. Brightside 28 Def Leppard Pour Some Sugar On Me 29 Dan + Shay Speechless 30 Flo Rida Feat. T-Pain Low 31 Sir Mix-A-Lot Baby Got Back 32 Montell Jordan This Is How We Do It 33 Isley Brothers Shout 34 Ed Sheeran Thinking Out Loud 35 Luke Combs Beautiful Crazy 36 Ed Sheeran Perfect 37 Nelly Hot In Herre 38 Marvin Gaye & Tammi Terrell Ain't No Mountain High Enough 39 Taylor Swift Shake It Off 40 'N Sync Bye Bye Bye 41 Lil Nas X Feat. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:06 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock: an album that just burns eternally. And today, we have something for the blunted as we dive back to 1991, to talk about the debut, self-titled album by Cypress Hill. 00:00:27 Music Music “Break It Up” from the album Cypress Hill by the band Cypress Hill. Light, multilayered rap. Break it up, Cypress Hill, break it up Cypress, break it up, Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! [Music continues under the dialogue briefly, then fades out.] 00:00:39 Oliver Host The first time I ever saw Cypress Hill was at my very first hip-hop show, in San Francisco in ’91. Cypress, however, were not the headliners. That would have been the trio of 3rd Bass, then touring behind their radio single, “Pop Goes the Weasel”. Cypress Hill was the opening act, with only a slow-burn B-side, “How I Could Just Kill a Man”, to their name at the time. Of course, a few years later and this would all change. -
George Clinton to Deliver 2019 Charles Seeger Lecture Features
Volume 53, Number 2 Spring 2019 George Clinton to Deliver 2019 Charles Seeger Lecture Michael B. Bakan, Florida State University This year’s Seeger Lecture will be presented by George and Sly Stone) with freaky costumes and themes inspired Clinton on Saturday, November 9th, 2019, during the 64th by ’60s acid culture and science fiction” to deliver “the Annual Meeting of the Society for Ethnomusicology in most dazzling, extravagant live show in the business.” Bloomington, Indiana. Clinton, the longtime front man of And in “an era when Philly soul continued the slick sounds and mastermind behind two legend- of establishment-approved R&B, ary funk bands that transformed Parliament/Funkadelic scared off the landscape of modern music, more white listeners than it courted” Parliament and Funkadelic, ranks (https://georgeclinton.com/bio/). alongside James Brown as the most sampled musical artist of all time. Clinton’s was a revolutionary vision His funk innovations and carni- that twisted soul music into funk valesque theatricality have spawned under the influence of a plethora of a legacy of influence extending from artists ranging from Jimi Hendrix to Prince and De La Soul to Jay-Z and Frank Zappa. And that vision paid Kendrick Lamar. dividends as “the Parliament/Funk- adelic machine ruled black music Clinton was born in Kannapolis, during the 1970s” (ibid.), with more North Carolina, in 1941. He formed than forty R&B hit singles (including his first group, a doo-wop unit called three topping the charts at #1) and The Parliaments, during his early three platinum albums: One Nation teen years in Plainfield, New Jersey.