DOCSLIB.ORG

Manatt Entertainment Tombstone Brochure 2019 V3.Indd

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Manatt Entertainment Tombstone Brochure 2019 V3.Indd Manatt Entertainment REPRESENTATIVE TRANSACTIONS We get the deals done. Perfect World Pictures Huayi Brothers Media Corp. Five-Year, 50-Film Co-Financing Co-Financing and Distribution Agreement With Universal Pictures Agreement With STX Entertainment $500 million Counsel to Counsel to Perfect World Pictures Huayi Brothers Media Corp. Beijing Weiying Technology Tang Media Partners Company Ltd. Joint Venture With Tencent Distribution Agreement With and IM Global STX Entertainment Counsel to Beijing Weiying Technology Counsel to Company Ltd. Tang Media Partners Infore Capital Sony Pictures Entertainment Management Co. Co-Finance Agreement With Legal Advisory Services for LSC Film Corp. for Sony’s Birth of the Dragon and 2014–2017 Film Slate The King’s Daughter $200 million Counsel to Counsel to Infore Capital Management Co. Sony Pictures Entertainment 1 Perfect World Pictures Sony Pictures Entertainment Ultimates-Based Facility With Distribution Agreement and JPMorgan and East West Bank Interparty Agreement With JPMorgan Chase, Fosun Capital and Studio 8 $250 million Counsel to Counsel to Perfect World Pictures Sony Pictures Entertainment R IMAX Corp. Tang Media Partners Co-Finance, Production and TV Slate Co-Finance Fund Distribution Agreement for Ten Films $50 million Counsel to Counsel to IMAX Corp. Tang Media Partners Goldman Sachs The Tornante Co. Structured Joint Ownership With Made-for-Internet Series Deals With CBS of CSI Franchise and Transfer Netfl ix for BoJack Horseman and of International Distribution Tuca and Bertie and with Amazon for Undone Counsel to Counsel to Goldman Sachs The Tornante Co. 2 Perfect Village Sony Pictures Entertainment Literary Option Purchase Agreement Slate Co-Finance Agreement for for the novel Shanghai Grand Virtual Reality Content Counsel to Counsel to Perfect Village Sony Pictures Entertainment CBS Broadcasting Inc. Rigmora Holdings Ltd. Multiyear Finance, Production and Investment in and Majority Ownership Distribution Agreement for Late-Night of New Republic Pictures Programming Slate Counsel to Counsel to CBS Broadcasting Inc. Rigmora Holdings Ltd. Lead Investor ProSiebenSat.1 Equity Investment in Solstice Studios Made-for-Internet Series Deal With Amazon for Bosch Counsel to Counsel to Lead Investor ProSiebenSat.1 3 Manatt Entertainment With more than 450 lawyers and consultants in nine offi ces— CONTACTS: including the entertainment centers of Los Angeles and New Lindsay Conner York City and the regulatory center of Washington, D.C.— [email protected] Manatt is a law and consulting fi rm that delivers innovative, 310.312.4229 top-quality service to a global array of high-profi le clients in Neil Sacker every phase of business enterprise. [email protected] 310.312.4143 A Powerhouse in Entertainment Manatt is consistently ranked among the top entertainment Sophia Yen law practices in America by Chambers USA and U.S. News [email protected] 310.312.4122 & World Report. We were named Law Firm of the Year by the Association of Media & Entertainment Counsel. Our lawyers have been named as top dealmakers by Best Lawyers in AREAS OF FOCUS: America, Variety and The Hollywood Reporter. Our Manatt Finance agreements Entertainment practice is international, with a broad range of for fi lm, television and digital media high-profi le clients in fi lm and television, music, digital media, sports, video games and advertising. Mergers and acquisitions Industry Leaders in Film and Television Production Manatt is the go-to fi rm for structuring complex contracts, agreements innovative fi nancing and distribution strategies on a Distribution worldwide basis, and for guidance for both established agreements and emerging fi lm, television and digital media companies. Rights acquisitions Manatt’s Entertainment practice handles fi nance, production Licensing and sales and distribution agreements for both individual projects and agreements entire slates and libraries of content; mergers and acquisitions Talent and executive of entertainment companies and assets; intellectual property employment contracts issues; talent, union and guild contracts; rights acquisitions; Union and guild and licensing and sales agreements. Our lawyers have deep contracts experience in debt and equity fi nancings involving private and public sources to fund major studio and independent projects. Connecting in a Digital Media World Manatt is helping shape the future of new digital media. Manatt Digital provides multidisciplinary legal advice and business consulting, and Manatt Venture Fund makes direct investments in select clients in the digital media space. We work with our clients to create new business models in the face of rapidly changing technology. While helping major entertainment and media companies expand their businesses to digital platforms, we also represent small fi rms seeking to be the next YouTube—entrepreneurs with transformational technologies for the delivery of digital content. 5 Attorney Advertising. Prior results do not guarantee a similar outcome. Prior Advertising. Attorney Albany Chicago Los Angeles New York Orange County Palo Alto Sacramento San Francisco Washington, D.C. Manatt, Phelps & Phillips, LLP manatt.com © 2019.
Load more

Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • Information Packet for Prospective Students
    Information Packet for Prospective Students This packet includes: ! Information about our major ! FAQs ! Press packet with news items on our students, faculty and alumni Be sure to visit our website for more information about our department: http://film.ucsc.edu/ For information about our facilities and to watch student films, visit SlugFilm: http://slugfilm.ucsc.edu/ If you have any questions, you can send an email to [email protected] Scroll Down for packet information More%information%can%be%found%on%the%UCSC%Admissions%website:%% UC Santa Cruz Undergraduate Admissions Film and Digital Media Introduction The Film and Digital Media major at UC Santa Cruz offers an integrated curriculum where students study the cultural impact of movies, television, video, and the Internet and also have the opportunity to pursue creating work in video and interactive digital media, if so desired. Graduates of the UC Santa Cruz Film and Digital Media program have enjoyed considerable success in the professional world and have gained admission to top graduate schools in the field. Degrees Offered ▪ B.A. ▪ M.A. ▪ Minor ▪ Ph.D. Study and Research Opportunities Department-sponsored independent field study opportunities (with faculty and department approval) Information for First-Year Students (Freshmen) High school students who plan to major in Film and Digital Media need no special preparation other than the courses required for UC admission. Freshmen interested in pursuing the major will find pertinent information on the advising web site, which includes a first-year academic plan. advising.ucsc.edu/summaries/summary-docs/FILM_FR.pdf Information for Transfers Transfer students should speak with an academic adviser at the department office prior to enrolling in classes to determine their status and to begin the declaration of major process as soon as possible.
    [Show full text]
  • Screendollars About Films, the Film Industry No
    For Exhibitors October 26, 2020 Screendollars About Films, the Film Industry No. 140 Newsletter and Cinema Advertising In 1926, Warner Bros. Pictures, then a small, struggling studio, began a partnership with the Vitaphone Corporation to use its sound-on-disc technology to produce films with synchronized playback of sound with visual images. WB made a series of one-reel sound short films to demonstrate (Click to Play) the technology, playing them before other features. Audiences responded so enthusiastically that Warner Bros. was convinced to bet big on talking motion pictures as the next big thing in movies. Their first feature-length film to use the Vitaphone system was The Jazz Singer, which premiered at Warners’ Theatre in New York on October 6, 1928. It starred Al Jolson, a famous singer and Broadway star of the day. The film included two short scenes in which Jolson’s spoken word was synchronized to the picture, delivering life-like dialog in real-time that thrilled movie goers, comparable to the most immersive, multi-sensory special effects in today’s cinema. By 1929, only TWO “Wait a minute, wait a YEARS after The Jazz Singer, Hollywood studios produced 335 all-dialogue features, as silent films receded minute. You ain’t into the history of the rapidly changing industry. heard nothin’ yet.” (Click to Play) Weekend Box Office Results (10/23-25) With Comments by Paul Dergarabedian, Comscore Per Theatre Rank Title Week Theatres Wknd $ Total $ Average $ 1 Honest Thief (Open Road) 3 2,502 2,350,000 939 7,476,274 2 The War with Grandpa (101 Studios) 3 2,345 1,882,672 803 9,719,719 3 Tenet (Warner Bros.) 8 1,801 1,300,000 722 52,500,000 4 The Empty Man (20th Century) 1 2,027 1,265,000 624 1,265,000 5 The Nightmare Before Christmas (Disney) 2 1,614 577,000 357 1,900,000 6 Hocus Pocus (Disney) 4 1,277 530,000 415 4,372,000 7 Monsters, Inc.
    [Show full text]
  • 2013 Movie Catalog © Warner Bros
    1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based
    [Show full text]
  • In the United States District Court for the Northern District of Alabama Southern Division
    Case 6:09-cv-02258-JEO Document 15 Filed 11/02/10 Page 1 of 13 FILED 2010 Nov-02 AM 11:54 U.S. DISTRICT COURT N.D. OF ALABAMA IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ALABAMA SOUTHERN DIVISION ERIC S. ESCH, a/k/a BUTTERBEAN ) ) Plaintiff, ) ) v. ) 6:09-cv-02258-JEO ) UNIVERSAL PICTURES COMPANY, INC; ) NBC UNIVERSAL, INC.; and ) ILLUMINATION ENTERTAINMENT ) ) Defendants. ) MEMORANDUM OPINION Before the court is the motion of defendants Universal Pictures Company, Inc. (“Universal”), NBC Universal, Inc. (“NBC”), and Illumination Entertainment (“Illumination”), to dismiss this action pursuant to Rule 12(b)(6) of the FEDERAL RULES OF CIVIL PROCEDURE, on the ground that the complaint fails to state a claim upon which relief can be granted. (Doc. 7).1 Additionally, before the court is the motion of the defendants to strike the affidavit of Corey L. Fischer offered in support of the plaintiff’s response to the motion to dismiss. (Doc. 11). The parties have been afforded an opportunity to brief the relevant issues. Upon consideration, and as fully discussed below, the court finds that the defendants’ motion to dismiss and motion to strike are due to be granted. BACKGROUND Procedural History The plaintiff, Eric S. Esch (“Esch”), filed a complaint in this court, premised on diversity 1References herein to “Doc. ___” are to the document numbers assigned by the Clerk of the Court and located at the top of each document. Case 6:09-cv-02258-JEO Document 15 Filed 11/02/10 Page 2 of 13 jurisdiction, against defendants Universal, NBC, and Illumination, alleging that the defendants appropriated his likeness without his consent for use in a film trailer for a movie entitled Despicable Me.
    [Show full text]
  • The Commuter Production Notes
    THE COMMUTER PRODUCTION NOTES RELEASE DATES Australia, New Zealand & Germany (STUDIOCANAL): January 11th 2018 US (Lionsgate): January 12th 2018 UK (STUDIOCANAL): January 19th 2018 France (STUDIOCANAL): January 24th 2018 CONTACTS [email protected] [email protected] [email protected] [email protected] 1 ABOUT THE PRODUCTION Following the worldwide success of Unknown, Non-Stop and Run All Night, star Liam Neeson and director Jaume Collet-Serra reunite for a fourth time with explosive thriller THE COMMUTER about one man‘s frantic quest to prevent disaster on a packed commuter train. The screenplay proved irresistible to both the director and star, not just for the bravura of the action and the thrill of the suspense but for the moral conundrum the protagonist is faced with and the consequences it has on him, the passengers on the train and his family at home. “THE COMMUTER asks the audience, if someone asked you to do something that seems insignifi- cant but you’re not sure of the outcome in exchange for a considerable financial reward, would you do it?” says Jaume Collet-Serra. “That‘s the philosophical choice that our central character - a man of 60 who’s just been fired, has no savings and is mortgaged to the hilt - is faced with. Is he think- ing just about himself or is he going to take into consideration the possible moral consequences of what he’s asked to do? That’s the question we want the audience to ask themselves.” For Neeson, it was also the story’s real-time narrative that gives it a thrilling momentum.
    [Show full text]
  • KATHRINE GORDON Hair Stylist IATSE 798 and 706
    KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell
    [Show full text]
  • Illumination Entertainment, Founded by Chris Meledandri in 2007, Is One of the Entertainment Industry’S Leading Producers of All-Audience Event Films
    CASE STUDY Illumination Entertainment, founded by Chris Meledandri in 2007, is one of the entertainment industry’s leading producers of all-audience event films. ILLUMINATION entertainment Illumination Entertainment Illumination Entertainment, CHALLENGE Sometimes, hardware settings on the system would be the founded by Chris Meledandri in With the enormous culprit, requiring a full machine 2007, is one of the entertainment success of the Despicable reboot for the reconfiguration industry’s leading producers Me franchise, Illumination to take place. of all-audience event films. In Entertainment outgrew July 2010, Illumination, which its editorial infrastructure The editors at Illumination has an exclusive financing and creating challenges in their Entertainment needed to set distribution partnership with studio workflow. Production up for dailies on their Avid Universal Pictures, released its increased, requiring additional systems prior to entering the first film, Despicable Me, starring edit bays and the ability for the review suite and then move editors to swap in and out of Steve Carell, which earned more into the review suite after the review suite for dailies. setup was complete. Each than $540 million worldwide system is comprised of an Avid and launched a beloved global In the past, an editor worked in system, with dual displays, a franchise. the review suite on a dedicated dual link playback monitor, a Avid system tied to a specific keyboard, a mouse, and audio edit bay. Editors working in output. other edit bays would come into the review suite, import When another editor occupied their settings and open their the review suite, the displaced projects on the Avid system editor would either have to tied to that review suite.
    [Show full text]
  • Awards & Nominations
    VICKI HIATT MUSIC SUPERVISOR / EDITOR AWARDS & NOMINATIONS GOLDEN REEL AWARD ALI NOMINATION (2001) Best Sound Editing -Music, Feature Film, Domestic and Foreign GOLDEN REEL AWARD THE ROAD TO EL DORADO NOMINATION (2000) Best Sound Editing-Music, Animation FEATURE FILM THE ARK & THE AARDVARK Keith Kjarvak, Kurt Rauer, prod. Unified Pictures John Stevenson, dir. Music Editor HOTEL TRANSYLVANIA 3 Michelle Murdocca, prod. Sony Pictures Animation Gendy Tartakovsy, dir. Music Editor SURF’S UP 2: WAVEMANIA Toby Chu, Composer Sony Pictures Animation Michelle Wong, prod. Music Editor Henry Wu, dir. HALF MAGIC Alex Wurman, Composer Magic Bubble Productions Bill Sheinberg, prod. Music Consultant Heather Graham, dir. HOW TO TRAIN YOUR DRAGON 3 John Powell, Composer DreamWorks Animation Bonnie Arnold, prod. Music Editor Dean DeBlois, dir. LIFE BRIEFLY Tom Howe, Composer Thousand Dream Prods. Erika Armin, James Brubaker, prods. Music Editor Dan Ireland, dir. EMOJI Michelle Raimo, prod. Sony Pictures Animation Anthony Leondis, dir. Music Editor BOSS BABY Denise Nolan Cascino, Ramsey Ann Naito, prods. DreamWorks Animation Tom McGrath, dir. Music Editor The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 VICKI HIATT MUSIC SUPERVISOR / EDITOR INDISCRETION Toby Chu, Composer Granfallon Productions Alexandra Baranska, Thomas Beach, Laura Boersma, prods. Music Supervisor John Stewart Muller, dir. SO B. IT Nick Urata, Composer Branded Pictures J. Todd Harris, Orien Richman, prods. Music Supervisor Stephen Gyllenhaal, dir. CAPTAIN UNDERPANTS Teddy Shapiro, Composer DreamWorks Animation Mark Swift, prod. Music Editor David Soren, dir. TROLLS Christophe Beck, Composer DreamWorks Animation Gina Shay, prod. Music Editor Mike Mitchell, dir. FLAWED DOGS Berkeley Breathed, exec. prod. DreamWorks Animation Noah Baumbauch, dir.
    [Show full text]
  • Business Consultation of Select Best Practices to an Animated Film Studio
    University of South Carolina Scholar Commons Senior Theses Honors College Spring 5-5-2016 Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can Joshua Christian Blackwood University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/senior_theses Part of the Management Sciences and Quantitative Methods Commons Recommended Citation Blackwood, Joshua Christian, "Business Consultation of Select Best Practices to an Animated Film Studio: How to Produce the Most Successful Film You Can" (2016). Senior Theses. 110. https://scholarcommons.sc.edu/senior_theses/110 This Thesis is brought to you by the Honors College at Scholar Commons. It has been accepted for inclusion in Senior Theses by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Business Consultation of Select Best Practices to an Animated Film Studio How to Produce the Most Successful Film You Can Senior Thesis Spring 2016 Student Josh Blackwood Director Dr. Lauren Steimer Second Reader Dr. Jack Jensen Table of Contents Introduction………………………………………………………………………………………..1 Establishing Scope………………………………………………………………………………...4 Methodology………………………………………………………………………………………5 Operational Planning Data Animation Studio………………………………………………………………………….8 Release Date…………………………………………………………………………….…9 Runtime…………………………………………………………………………………..11 Pre-sold Property………………………………………………………………………...12 Negative Cost…………………………………………………………………………….13
    [Show full text]
  • Screendollars About Films, the Film Industry No
    For Exhibitors September 21, 2020 Screendollars About Films, the Film Industry No. 135 Newsletter and Cinema Advertising We celebrate the remarkable career of actress Frances McDormand, who has delighted audiences for 35 years with her portrayals of strong-willed and colorful heroines. Her debut to feature film was in 1984 in Blood Simple, directed by brothers Joel and Ethan Coen. Joel and Frances met in 1983 during her audition for the film, became a couple and married the next year. McDormand also starred in the Coen Brothers’ comedies Raising Arizona (1987) and Fargo (1996), in which she played a very pregnant detective, Marge Gunderson, with an unforgettable Norwegian-American accent. McDormand has earned critical acclaim throughout her long and prolific career for her performances in film and television and on stage. In fact, she is one of only 24 actors to have won Academy, Emmy and Tony Blood Simple Awards, a feat known as the Triple Crown of Acting. Her most recent role is in Chole Zhao’s Nomadland, about a (1984) woman in her 60’s who sets off in a van to wander through the American West, a modern-day nomad. The film and McDormand’s performance have emerged as darlings of the 2020 International Film Festival circuit. Nomadland is being distributed by Searchlight Pictures and opens in theatres nationwide on 12/2. “I'm a character actress, plain and simple...Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.” – Frances McDormand Three Billboards
    [Show full text]
  • TENET", CON IL KOLOSSAL DI NOLAN IL TEMPO SEMBRA NON 13 PASSARE MAI (A.De Luca) 19 Avvenire 26/08/2020 MATT DILLON in GIURIA a VENEZIA CASO LOCANDINA 14
    Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica 34/35 Vanity Fair 02/09/2020 FINCHE' CI SARA' UN SOLO SPETTATORE (R.Panizza) 3 50/53 Panorama 26/08/2020 IL BUIO OLTRE LA SALA (L.Della Pasqua) 5 Rubrica Anica Web Msn.com/it 25/08/2020 COVID, «ITALIA, BOOM DI CASI»: LA CONCORRENZA SLEALE DEI 9 PAESI PIU' IN CRISI Rubrica Cinema 42 Style Magazine (Corriere della Sera) 01/09/2020 FEMMINILITA' OPPORTUNISTA (V.Ravizza) 11 12 Avvenire 26/08/2020 FERITA IN UN AGGUATO LA PRIMA REGISTA NELLA STORIA DEL 12 PAESE 19 Avvenire 26/08/2020 "TENET", CON IL KOLOSSAL DI NOLAN IL TEMPO SEMBRA NON 13 PASSARE MAI (A.De Luca) 19 Avvenire 26/08/2020 MATT DILLON IN GIURIA A VENEZIA CASO LOCANDINA 14 35 Corriere della Sera 26/08/2020 PASSAGGI FESTIVAL VA SULLA LUNA ABBRACCIANDO LEOPARDI E 15 FELLINI (J.Chia) 10 Corriere della Sera - Ed. Milano 26/08/2020 GEMELLI RUGGERI PRESENTANO IL FILM "IL CONTE MAGICO" 16 23 Il Fatto Quotidiano 26/08/2020 CON "TENET" IL RISCHIO E' DI USCIRE PIU' FRASTORNATI CHE 17 AMMIRATI (F.Pontiggia) 1 Il Gazzettino - Ed. Venezia 26/08/2020 AL CINEMA IN BARCA ALLA GIUDECCA PER VIDEO D'AUTORE 18 SULL'ACQUA (R.Petito) 19 Il Mattino 26/08/2020 Int. a E.Iannaccone: "DUE ALIENI AL TRAMONTO" SECONDO FILM DI 20 IANNACCONE (D.Del Pozzo) 31 Il Mattino 26/08/2020 ADDIO A CAMINITO IL FASCINO DISCRETO DEL CINEMA TOTALE 22 1 Il Messaggero 26/08/2020 FINALMENTE TENET, L'ENIGMATICO THRILLER CHE DEVE 23 RILANCIARE IL CINEMA MONDIALE (F.Alo') 27 Il Messaggero 26/08/2020 220 MILIONI E IL GIRO DEL MONDO FORSE IL CINEMA RIPARTIRA' 25
    [Show full text]