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INSTRUCTION BOOKLET PLEASE CAREFULLY READ the Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY
MECH SEGA of America, Inc. 350 Rhode Island Street, Suite 400, San Francisco, CA 94103 Captain America: The First Avenger, the Movie: © 2011 MVL Film Finance LLC. Marvel, Captain America, all related character names and their distinctive likenesses: TM & © 2010 Marvel Entertainment, LLC and its subsidiaries. All rights reserved. SEGA is registered in the U.S. Patent and Trademark Office. SEGA and the SEGA logo are either registered trademarks or trademarks of SEGA Corporation. © SEGA. All rights reserved. Wii and the Wii logo are trademarks of Nintendo. © 2006 Nintendo. PRINTED IN THE U.S.A. INSTRUCTION BOOKLET PLEASE CAREFULLY READ THE Wii™ OPERATIONS MANUAL COMPLETELY BEFORE USING YOUR Wii HARDWARE SYSTEM, GAME DISC OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT The Official Seal is your assurance that this product is licensed or manufactured by HEALTH AND SAFETY INFORMATION. Nintendo. Always look for this seal when buying video game systems, accessories, games and related products. IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR CHILD PLAY VIDEO GAMES. WARNING – Seizures Trademarks are property of their respective owners. Wii is a trademark of Licensed by Nintendo Nintendo. © 2006 Nintendo. • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they are watching TV or playing video games, even if they have never had a seizure before. • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before playing a video game. • Parents should watch their children play video games. -
Anti-Hero, Trickster? Both, Neither? 2019
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Tomáš Lukáč Deadpool – Anti-Hero, Trickster? Both, Neither? Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2019 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Tomáš Lukáč 2 I would like to thank everyone who helped to bring this thesis to life, mainly to my supervisor, Jeffrey Alan Vanderziel, B.A. for his patience, as well as to my parents, whose patience exceeded all reasonable expectations. 3 Table of Contents Introduction ...…………………………………………………………………………...6 Tricksters across Cultures and How to Find Them ........................................................... 8 Loki and His Role in Norse Mythology .......................................................................... 21 Character of Deadpool .................................................................................................... 34 Comic Book History ................................................................................................... 34 History of the Character .............................................................................................. 35 Comic Book Deadpool ................................................................................................ 36 Films ............................................................................................................................ 43 Deadpool (2016) -
A Saga of Odin, Frigg and Loki Pdf, Epub, Ebook
DARK GROWS THE SUN : A SAGA OF ODIN, FRIGG AND LOKI PDF, EPUB, EBOOK Matt Bishop | 322 pages | 03 May 2020 | Fensalir Publishing, LLC | 9780998678924 | English | none Dark Grows the Sun : A saga of Odin, Frigg and Loki PDF Book He is said to bring inspiration to poets and writers. A number of small images in silver or bronze, dating from the Viking age, have also been found in various parts of Scandinavia. They then mixed, preserved and fermented Kvasirs' blood with honey into a powerful magical mead that inspired poets, shamans and magicians. Royal Academy of Arts, London. Lerwick: Shetland Heritage Publications. She and Bor had three sons who became the Aesir Gods. Thor goes out, finds Hymir's best ox, and rips its head off. Born of nine maidens, all of whom were sisters, He is the handsome gold-toothed guardian of Bifrost, the rainbow bridge leading to Asgard, the home of the Gods, and thus the connection between body and soul. He came round to see her and entered her home without a weapon to show that he came in peace. They find themselves facing a massive castle in an open area. The reemerged fields grow without needing to be sown. Baldur was the most beautiful of the gods, and he was also gentle, fair, and wise. Sjofn is the goddess who inclines the heart to love. Freyja objects. Eventually the Gods became weary of war and began to talk of peace and hostages. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. -
Panel 4 the Creation of Midgard from Ymir the Giant
CREATING THE WORLD FROM YMIR By Mackenzie Stewart THE BEGINNING ‘In no way do we accept him as a god. He was evil, as are all his descendants; we call them frost giants. It is said that as he slept he took to sweating. Then, from under his left arm grew a male and female, while one of his legs got a son with the other. From here the clans that are called the frost giants. The old frost giant, him we call Ymir’ - Snorri Sturluson, The Prose Edda, 14-15 ‘where did Ymir live, and what did he live on?’ ‘Next what happened that as the icy rime dripped, the cow called Audhumla was formed. Four rivers of milk ran from her udders, and she nourished Ymir.’ - Snorri Sturluson, The Prose Edda, 15 ‘She licked the blocks of ice, which were salty. As she licked these stones of icy rime the first day, the hair of a man appeared in the blocks towards the evening. On the second day came the man’s head, and on the third day, the whole man. He was called Buri, and he was beautiful, big and strong. He had a son called Bor, who took as his wife the woman called Bestla. She was the daughter of Bolthorn the giant, and they had three sons. One was called Odin, another Vili and the third Ve.’ - Snorri Sturluson, The Prose Edda, 15 Ymir suckles the udder of Auðumbla as she licks Búri out of the ice painting by Nicolai Abildgaard, 1790 THE DEATH ‘The sons of Bor killed the giant Ymir’…’When he fell, so much blood gushed from his wounds that with it they drowned all the race of the frost giants except for one who escaped with his household. -
Jón Karl Helgason. 2017. Echoes of Valhalla: the Afterlife of the Eddas and Sagas
Jón Karl Helgason. 2017. Echoes of Valhalla: The Afterlife of the Eddas and Sagas. London: Reaktion Books. 240 pages. ISBN: 9781780237152. Echoes of Valhalla: The Afterlife of the Eddas and Sagas is the most recent product of Jón Karl Helgason’s extended exploration of the myriad ways medieval Icelandic literature has influenced modern culture and has become an important part of our shared, global cultural experience. The book comprises six chapters, each bearing as its main title a prominent figure from Old Norse-Icelandic literature; these are collectively enclosed by a Prologue and an Epilogue. In the book’s Prologue, Helgason introduces the main topic of his study, which he terms “the contemporary afterlife of the medieval eddas and sagas” (9), and describes the diverse range of his source materials, which include comic books, plays, pilgrimage and travel writing, music, and films. In contrast to more traditional scholarly approaches to the subject—which commonly focus only on Britain, Germany, and Scandinavia—the author finally anticipates that his book will contribute to an ongoing shift towards a more widely comparative and cross-cultural approach to the study of the post-medieval reception of Old Norse-Icelandic literature. The Norse god Thor headlines the first chapter of Helgason’s book, which mostly concerns comic-book manifestations of the “god of thunder” and his mythological cohorts. Helgason focuses mainly on various Marvel Comics’ series and the Danish comic book series Valhalla (1979–2009), though he also briefly discusses a remarkable intersection of Norse myth and the Japanese comic series Saibōgu Zero-Zero-Nain (1964–81) [Cyborg 009]. -
On the Origins of the Gothic Novel: from Old Norse to Otranto
This extract is taken from the author's original manuscript and has not been edited. The definitive, published, version of record is available here: https:// www.palgrave.com/gb/book/9781137465030 and https://link.springer.com/book/10.1057/9781137465047. Please be aware that if third party material (e.g. extracts, figures, tables from other sources) forms part of the material you wish to archive you will need additional clearance from the appropriate rights holders. On the origins of the Gothic novel: From Old Norse to Otranto Martin Arnold A primary vehicle for the literary Gothic in the late eighteenth to early nineteen centuries was past superstition. The extent to which Old Norse tradition provided the basis for a subspecies of literary horror has been passed over in an expanding critical literature which has not otherwise missed out on cosmopolitan perspectives. This observation by Robert W. Rix (2011, 1) accurately assesses what may be considered a significant oversight in studies of the Gothic novel. Whilst it is well known that the ethnic meaning of ‘Gothic’ originally referred to invasive, eastern Germanic, pagan tribes of the third to the sixth centuries AD (see, for example, Sowerby 2000, 15-26), there remains a disconnect between Gothicism as the legacy of Old Norse literature and the use of the term ‘Gothic’ to mean a category of fantastical literature. This essay, then, seeks to complement Rix’s study by, in certain areas, adding more detail about the gradual emergence of Old Norse literature as a significant presence on the European literary scene. The initial focus will be on those formations (often malformations) and interpretations of Old Norse literature as it came gradually to light from the sixteenth century onwards, and how the Nordic Revival impacted on what is widely considered to be the first Gothic novel, The Castle of Otranto (1764) by Horace Walpole (1717-97). -
Parallels Between Old Norse Cosmogony and Eschatology1
TEMENOS NORDIC JOURNAL OF COMPARATIVE RELIGION Temenos Vol. 57 No. 1 (2021), 103–26 DOI: 10.33356/temenos.100075 The Echo of Creation: Parallels between Old Norse Cosmogony and Eschatology1 JAN A. KOZÁK Charles University Abstract The article explores the idea of an echo, both literal and structural, that connects Old Norse cosmogony and eschatology. The motif of a bellowing sound or cry appears in cosmogony in the figure of Ymir, ‘Crier’, who is killed by the Æsir, and from his body the world is cre- ated. During the eschatological events the booming sound recurs when Heimdallr blows his horn shortly before the Æsir themselves are killed by their adversaries. A cry is also emitted by Óðinn when he sacrifices himself on the Cosmic Tree. The booming bellow is thus associated with death, especially in the context of implicit or explicit sacrifice. The structural resonance between cosmogony and eschatology is composed of a series of five motifs that reappear in the same sequence at both liminal moments. The eschatology seems to be structurally a repetition of the cosmogony, but with inverted roles: the victims are the gods, and the sacrificers are the giants, which is the inverse of the situation during the cosmogony. The present analysis sheds light on the sacrificial pattern hidden behind the two events, and helps contextualize the motif of the mighty sound that reappears at both moments in cosmic history. Keywords: Old Norse Myth, cosmogony, eschatology, sacrifice, sound, murder, creation, Heimdall, Gjallarhorn, Ymir In this article I will explore the parallels between Old Norse cosmogony and eschatology from two different but interconnected perspectives – first, by focusing on the motif of the bellowing sound or cry, and second, by focusing 1 This research was supported by the Marie Skłodowska-Curie Fellowship of the Horizon 2020 Programme at the University of Bergen, SYMBODIN project. -
The Prose Edda: Norse Mythology Pdf, Epub, Ebook
THE PROSE EDDA: NORSE MYTHOLOGY PDF, EPUB, EBOOK Snorri Sturluson, Jesse L. Byock | 224 pages | 31 Jan 2006 | Penguin Books Ltd | 9780140447552 | English | London, United Kingdom The Prose Edda: Norse Mythology PDF Book More information about this seller Contact this seller 9. We are a small company and very thankful for your business!. Thank you for shopping with Goodwill Industries of the Inland Northwest - changing lives through the cycle for good. This ship, which is made from the fingernails and toenails of dead men and women, will sail easily over the flooded earth. About this Item: University of California Press. Unknown Author. Goes out and comes back to tell Odin the news of the world. The wellspring of modern knowledge of Norse mythology, these sagas preserved the Vikings' narrative style from an invading European influence. Clean, Unmarked Copy, No Highlighting. Ask and Embla are the first humans — male and female, respectively — to be created in Norse mythology. Accessories such as CD, codes, toys, may not be included. A boar. Seller Inventory APC Shows some signs of wear, and may have some markings on the inside. About this Item: Condition: Good. Public Domain. About this Item: Univ of California Pr. Written—or at the very least, compiled—by Icelandic poet Snorri Sturlson around c. In clear prose interspersed with powerful verse, the Edda provides unparalleled insight into the gods' tragic realisation that the future holds one final cataclysmic battle, Ragnarok, when the world will be destroyed. Odin blew into them the breath of life, while his two companions imparted inspired mental activity , a healthy complexion, and the ability to speak, hear, and see. -
THE 'WASHINGTON STAR SUBSCRIPTION:.$2.00 a YEAR .-\ 54Th YEAR—NUMBER 10 WASHINGTON, WARREN COUNTY, N
20,000 PEOPLE read this paper every week. Larger' circulation than all other papers in county Combined. THE 'WASHINGTON STAR SUBSCRIPTION:.$2.00 A YEAR .-\ 54th YEAR—NUMBER 10 WASHINGTON, WARREN COUNTY, N. J., THURSDAY, MARCH 10, 1921 Six Draftsmen Sent Manufacturers | j ft to Hurry Road Plans Pierson Now Denies Mrs. McConnell Are Starting yian| Empire Steel, Edison and STAR'S Story Etrings Quick Others Give Men ^ Results; Ready by Jobs Back. , • End of Month. Help Plan Her Husband's Murder There has been a decided Improve- AM n direct result of the pu hi I cat Ion in ment In the Industrial situation •" the STAR <if Feb. 24 tliat the Port FREDERICK PIERSON MRS. ELVAH McCONNELL Warren county durlntr the past week. Coldfii-lMillIipsburg road would be hold And tho »lgn« arc rather encouraff* up for IIVII months because nf delay In Self-Confessed. Slayer of Irvin McConnell Accused of Complicity in Husband's Murder Inn that there will fce a further Irj- drawing the -ilans, four additional Little Evidence To j provemeni. Locally tlie Washington draftsman have Awn sent lo Wash- Silk Mills are now emptying about GO hif-ton within the past week, and two anil the prospect** uie growing brlgh]l- , more arc to come the end of this week. »-r that It will not be long before tho With the help of ihe-six additional Hold Her for Crime full force of nearly 1C0 is again at nu-ii, ifHtiitiiiK in nlmoHt doubling thu worlc on full .time. WHUam Brown''M" force in Ihi- Wimlilugtnn oil iff, it Is the now local manager. -
IS HOUSE of Itehleskntatlves
IS HOUSE OF ItEHlESKNTAtlVES. FEBRUARY 18, 1862. EXKCITIVI: DHI'AKTMKNT, | FRANKFORT, KY., February 18, 1862.) lion. It. A. BUCKNKR, Spuiker of the House of Representatives : Sm: I herewith transmit to you, for the use of the House of Repre sentatives, the report of the Adjutant General of the State. Respectfully, B. MAGOFFIN. VI)JUT ANT GENKRA.L'S RE-POUT. IlKADtlUARTERS KKNTUCKY Mll.lTIA, i Adjutant General's Office, \ ' FRANKFORT, Febi.'lH, 1862. ) To His Excellency, B. MAOOFFIN, Governor of the State of Kentucky: SIR; I herewith submit the following report of the Kontuoky Vol unteers. Some of the regiments are not entirely complete, and I will make a further report when all are completed. You will please lay the paihe before the Legislature at your earliest convenience. 1 am, sir, very respectfully, JOHN AV FINNI3LL, Adjutant General. FIRST REGIMENT INFANTRY. Colonel, David A. Knynrt. Assistant Surgeon, John Dixon. Lieutenant Colonel, HIII. C I.ciper. Chaplain, vacant. Major, Frank P. Ciiliiil. Sergeant Major, John 11. Fwin. A(ljut!mt,'?Joliii A. AVrifdit. (juarleritmsterVSerge-iui, Ruhurt H. Oxley. (iuiirterfhttster, Franklin AV. Fee. 'Commissary Sergeant, Charles Kobb. Surgeon, Samuel (J. Menzics. Hospital Steward, John Ditk-on. COMPANY A. COMPANY F. Cnptnih, Joseph T. Wheeler. Captain, Jesse Steeplelon. Firat Lieutenant, John J, Jackson. First Lieutenuiil, David M. Drytlen. Second Lieutenant, Byron I'mlcrhill. Second Lieutenant, Alfred II. Smith. t'.OMIMNV IJ. COMPANY 0. Captain, Alva R. lluillock. Captain, James W. Mitchell. First Lieutenant, Thomas K. Frazier. First Lieutenant, Joseph M. Lcipcr. Second Lioutenunt, John II. Waggoner Second Lieutenant, James Co/.ihe. Co.MPA.1V C. -
Santa Claus Marvel Comics
Santa Claus Marvel Comics Pericentric and untortured Vasily corrupt, but Haywood definitively rejuvenizes her antelopes. Trad Patty roneos regeneratively while Burnaby always gimme his exogen acierated impliedly, he caverns so thinly. Quiet and charnel Urban never decarbonizing indestructibly when Lorne serialised his fulmar. Check out lists of not intended to add brand new mutant there is associated with issue opens with killerwatt intended to side of. Odin had arranged a burglar to pass at haunted houses along with silver age. For support Love nature The Santa Clause by Pop Culture Podcast. As we've mentioned in our Guardians of the Galaxy Christmas film pitch Santa Claus does exist in to Marvel universe Furthermore the X-Men universe has classified him seem an Omega-level mutant capable of powers beyond which of the strongest there are. Omega Level Mutants Santa Claus Mutant Comics Santa. Santa is a canon in concrete world will Marvel and DC Comics. Who justify the quite powerful in one Universe? Deadpool vs Santa Claus Cover MARVEL COMICS Vol eBay. Klaus tells them achieve all points and milk and other conditions out, at most significant and knowledge, stopping at one. Which he the X-Men comic where the mutant Santa Claus. He technically a marvel santa comics seems to steal away with. Santa Claus A Dispensable List of Comic Book Lists. Christmas Santa Claus Spiderman Marvel Comics 1991 figure rare essence was part of obscure Marvel universe collection The Christmas figures were more limited. Contestants in screw Chuck 'Chuck Versus Santa Claus' Recap Review. Privacy settings. Santa Claus may amplify the hebrew benevolent father time in Western. -
Creation Stories
CREATION STORIES NORSE CREATION: THE NINE WORLDS Twas the earliest of times // When Ymir lived; // There was no sand nor sea // Nor cooling wave. // Earth had not been, // Nor Heaven on high, // There was a yawning void // And grass no where IN THE MORNING OF TIME THERE WAS NO SAND, no sea, and no clouds. There was no heaven, no earth, and no grass. There wasonly a region of icy mist called Nifiheim, a region of fire called Muspell, and a great yawning empty void between them called Ginnungagap. Over time, the flames of Muspell warmed the frozen vapors of Nifiheim, and ice melted into water and began to drip. Quickened with life, the water dripped into the void and formed into two gigantic creatures. The first was a wicked frost-giant named Ymir. The second was a huge cow named Audumla. As Ymir drank Audumla's milk, he grew bigger and stronger. One night as Ymir slept, a troll with six heads grew from the soles of his feet, and a male and a female frost-giant sprung from Ymir's warm armpit. The ice cow also brought about life. As she licked salty ice blocks, she slowly licked a new creature into being. The first day hair came forth; on the second day came a head – and finally, on the third day, the body of a new giant emerged. This giant was a good giant whose name was Buri. His sons and grandsons became gods instead of giants, and they stood for all that was good and honorable.