2002 Conference Program (Pdf)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mountains Book 5.Ppp
Far in the Mountains Volume 5 - Echoes from the Mountains Since their publication, back in 2002, the 4-CD set Far in the Mountains have been MT's best-selling production and they are a wonderful source of splendid songs, tunes and stories. So it is with great pleasure that I announce the publication of Far in the Mountains, volume 5. Mike Yates writes: Once these [four CDs] were issued, I set the original recordings aside and got on with a number of other projects. Over the years my interests began to change and I found myself devoting more time to art ... But the Appalachians were still there, in the back of my mind. Recently I found time to re-listen to some of the recordings that had not made their way onto the four CDs, and I was rather surprised to discover just how much good material had been left off the albums, and so I set about putting together Far in the Mountains - Volume 5. I am sure that many of the 425 people who bought the original 4-CD Set will want to add Volume 5 to their record collections ... in the current economic climate, I really hope so! And maybe a few others will remember that they had always wanted to buy them - but never got round to it. William Marshall & Howard Hall: Charlie Woods: 1.Train on the Island 1:15 22. Cindy 1:29 2. Polly Put the Kettle On 1:11 23. Eighth of January / Green Mountain 2:14 3. Fortune 1:13 Polka 24. -
Traditional Song
3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while. -
Augusta Online Heritage Workshops
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................14 Cajun & Creole..........27 Classic Country..........41 Old-Time.....................52 Swing..........................62 Vocal...........................72 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey • Lesson: Enhancing the Melody • We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. • Zoom Event: Coming Soon! • Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Eli Gilbert • Lesson: Write and Improvise Your Own Licks • In this intermediate-to-advanced class students will learn to create their own Scruggs, melodic, and single-string ideas using music theory, common fretboard shapes, and ear training. We'll look at ways to improvise with common Scruggs-style licks, create variations, and create new melodic ideas based on melodic and single string patterns, as well as how to apply this information to common songs and instrumental tunes. All necessary music theory information will be included in the lesson. • Zoom Event: Coming Soon! • Bio: Eli Gilbert is a native of North Yarmouth, Maine. After seeing J.D. Crowe and the New South at a local Bluegrass festival Eli decided to pick up the banjo and eventually moved to Johnson City, Tennessee to study Bluegrass at East Tennessee State University. There he had the chance to perform as a member of Jeff Brown and Still Lonesome and the ETSU Bluegrass Pride Band. Eli currently lives in Maine and performs regionally with Laura Orshaw and the New Velvet Band, Tony Watt and Southeast Expressway, and Dreamcatcher. -
View / Download 435.9 Kb
Baker 2 Wendy Baker Final Project April 2014 Curious Tales and Captivating Voices: The Ballad Tradition of the Southern Appalachians On a cold night in the fall of 2012, a group assembled at the Friedle building on Duke University's campus for a gallery opening. The exhibit featured the photographs of Duke students coupled with middle school students from Madison County, North Carolina. This rural county in the mountains of western North Carolina boasts steep hills, remote mountain communities and a strong heritage of traditional music. As part of the event's entertainment, Madison County ballad singers Debbie Chandler, Denise Norton O'Sullivan and Joe Penland sang. We informally gathered around, some of us sitting on the floor and others standing in small groups. The singers' unaccompanied voices, both raw and strong, delivered a profound experience for the crowd. Joe Penland sang an excruciating immigrant's lament called “Pretty Saro,” about the experience of traveling to a strange land and missing a loved one, knowing you will never see her again. Debbie Chandler shocked and saddened us with her rendition of “Young Emily,” about a woman whose father kills her lover in order to steal his gold. Denise Norton O'Sullivan expertly delivered a poignant song about love called “Black is the Color.” The women told stories about learning the songs before they could read and about the strong connection they felt with their “Granny Dell” (Dellie Chandler Norton) who taught them the family tradition. These songs overflowed with emotion but were delivered without an overtly maudlin Baker 3 tone. -
Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98
Antimodernism and Genre from Country-Rock to Alt.Country, 1968-98 Jason Bianchi Kirby San Jose, California B.A. Sociology and Literature, University of California—Santa Cruz, 2002 M.A. American Culture Studies, Bowling Green State University, 2006 A dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia August 2016 Abstract This dissertation is a cultural history exploring expressions of and responses to antimodernism within country-rock and “alternative country” music, drawing on reception history, intellectual history of underground and mainstream left-wing American political movements, interview discourse with artists, and close readings of songs. In this dissertation I argue that despite styling itself as a type of purer root or “folk” form of contemporary country music, in terms of its ideologies, studio production techniques, fan and critical discourse, and business practices, alt.country is a type of rock music. It embodies some of rock’s core beliefs, particularly rock’s critique of the more bureaucratic and “rationalized” dimensions of postindustrial capitalism, particularly as this relates to the everyday impact of new technologies. I argue that this anti-modernism, emerging here from the American political left, has been different in different eras, from the back-to-the-land movement of the late 1960s, to late- ‘80s/early-‘90s expressions of left populist punk’s longing for “folk” community. In this project I look beyond contemporary scholarly understandings of alt.country as mostly ironic, as ultimately I suggest that this music illustrates what Keir Keightley calls rock’s aesthetic of “seriousness,” more precisely than it does an understanding of country music ideology. -
79Th National Folk Festival Artist Bios W/ Pronunciation Guide
79th National Folk Festival September 6 – 8, 2019 Artist Bios w/ Pronunciation Guide Adonis Puentes & the Voice of Cuba Orchestra ........................................................................ 2 Andes Manta ................................................................................................................................. 3 Aurelio ............................................................................................................................................ 4 Bill Kirchen.................................................................................................................................... 5 Boukman Eksperyans ................................................................................................................... 6 Capoeira Luanda .......................................................................................................................... 8 Cora Harvey Armstrong ............................................................................................................ 10 Danny Paisley & the Southern Grass ........................................................................................ 11 Daryl Davis .................................................................................................................................. 12 Drums No Guns ........................................................................................................................... 13 Eddie Cotton, Jr. ........................................................................................................................ -
How Appalachian Women Ballad Singers' Repertoire Choices Reflect
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 12-2018 “I’ve Always Identified with the omen:”W How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns Sara Lynch-Thomason East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Appalachian Studies Commons, Ethnomusicology Commons, and the Women's Studies Commons Recommended Citation Lynch-Thomason, Sara, "“I’ve Always Identified with the omen:”W How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns" (2018). Electronic Theses and Dissertations. Paper 3488. https://dc.etsu.edu/etd/3488 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. “I’ve Always Identified with the Women:” How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns _____________________ A thesis presented to the faculty of the Department of Appalachian Studies East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Appalachian Studies _____________________ by Sara Lynch-Thomason December 2018 _____________________ Dr. Lee Bidgood, Chair Dr. Katie Hoffman Dr. Rebecca Adkins Fletcher Dr. Marie Tedesco Keywords: Ballad Singing, Women Singers, Madison County, Feminism and Folklore, Oral Tradition, Folk Song, Appalachian Music ABSTRACT “I’ve Always Identified with the Women:” How Appalachian Women Ballad Singers’ Repertoire Choices Reflect Their Gendered Concerns by Sara Lynch-Thomason This thesis explores how contemporary Appalachian women’s gendered experiences influence their choices of ballad repertoire. -
World of Sound Catalog Wholesale List
WORLD OF SOUND CATALOG WHOLESALE LIST ORGANIZED IN ORDER BASED ON RECORD LABEL Smithsonian Folkways Recordings ◊ Collector Records ◊ Consignment ◊ Cook Records ◊ Dyer-Bennet Records ◊ Fast Folk Musical Magazine ◊ Folkways Records ◊ Monitor Records ◊ Minority Owned Record Enterprises (M.O.R.E.) ◊ Paredon Records ◊ Smithsonian Folkways Special Series Published 3/3/2011 Smithsonian Folkways Recordings CATALOG NO. ALBUM TITLE ALBUM ARTIST YEAR SFW40000 Folkways: The Original Vision Woody Guthrie and Lead Belly 2005 SFW40002 Musics of the Soviet Union Various Artists 1989 SFW40003 Happy Woman Blues Lucinda Williams 1990 SFW40004 Country Songs, Old and New The Country Gentlemen 1990 SFW40005 Jean Ritchie and Doc Watson at Folk City Jean Ritchie and Doc Watson 1990 SFW40006 Cajun Social Music Various Artists 1990 SFW40007 Woody Guthrie Sings Folk Songs Woody Guthrie 1989 SFW40008 Broadside Tapes 1 Phil Ochs 1989 SFW40009 Freight Train and Other North Carolina Folk Songs and Tunes Elizabeth Cotten 1989 SFW40010 Lead Belly Sings Folk Songs Lead Belly 1989 SFW40011 Brownie McGhee and Sonny Terry Sing Sonny Terry and Brownie McGhee 1990 SFW40012 The Doc Watson Family The Doc Watson Family 1990 SFW40013 Family Songs and Stories from the North Carolina Mountains Doug and Jack Wallin 1995 SFW40014 Puerto Rican Music in Hawaii Various Artists 1989 SFW40015 Hawaiian Drum Dance Chants: Sounds of Power in Time Various Artists 1989 Musics of Hawai'i: Anthology of Hawaiian Music - Special Festival SFW40016 Various Artists 1989 Edition SFW40017 Tuva: Voices from the Center of Asia Various Artists 1990 SFW40018 Darling Corey/Goofing-Off Suite Pete Seeger 1993 SFW40019 Lightnin' Hopkins Lightnin' Hopkins 1990 SFW40020 Mountain Music of Peru, Vol. -
BEAR Tips / STAFF SELECTIONS . 114 DEUTSCHE OLDIES
1 COUNTRY .......................2 BEAT, 60s/70s ..................136 AMERICANA/ROOTS/ALT. .............54 SURF .............................140 TEXAS MUSIC SPECIAL ................60 CLASSIC ROCK/BIKER/SOUTHERN... .....141 OUTLAWS/SINGER-SONGWRITER .......60 WESTERN .......................74 REVIVAL/NEO ROCKABILLY .....142 WESTERN SWING....................78 PSYCHOBILLY ......................146 TRUCKS & TRAINS ...................80 BRITISH R&R ........................146 C&W SOUNDTRACKS.................81 SKIFFLE ...........................147 C&W SPECIAL COLLECTIONS...........83 AUSTRALIAN R&R ....................148 COUNTRY CANADA..................84 INSTRUMENTAL R&R/BEAT .............148 COUNTRY AUSTRALIA/NEW ZEALAND....85 COUNTRY DEUTSCHLAND/EUROPE......87 BLUEGRASS.....................89 POP VOCAL .....................148 NEWGRASS ........................97 POP INSTRUMENTAL .................154 INSTRUMENTAL .....................99 POP COMEDY & SPECIAL INTEREST ......157 OLDTIME ..........................102 LATIN ............................157 HAWAII ...........................106 JAZZ .............................158 CAJUN/ZYDECO ....................106 SOUNDTRACKS .....................159 TEX-MEX ..........................108 FOLK .............................108 WORLD ...........................112 BEAR TIPs / STAFF SELECTIONS . 114 DEUTSCHE OLDIES ..............159 KLEINKUNST / KABARETT ..............161 ROCK & ROLL ...................116 DEUTSCHLAND - SPECIAL INTEREST .....161 REGIONAL R&R .....................122 OPER/OPERETTE/MUSICAL.............162 -
Augusta Online Heritage Workshops Details
Augusta Online Heritage Workshops Table of Contents Bluegrass......................2 Blues...........................16 Cajun & Creole..........29 Classic Country..........43 Old-Time.....................53 Swing..........................63 Vocal...........................73 Panels.........................80 1 Augusta Online Heritage Workshops Bluegrass 2 Alan Bibey Lesson: •Enhancing the Melody: We will discuss ways to play melodies in different ways as well as how to weave in and out of a melody. Panel: Tony Rice: His Music, His Life, His Legacy Bio: For nearly four decades, Alan Bibey has made a name for himself as one of the most creative and technically gifted mandolinists in bluegrass and acoustic music. 3 Dudley Connell Lesson: Bluegrass Vocals Zoom Event: Bluegrass Vocals Bio: Dudley Connell came to national attention in the 1980s as the powerhouse singer-guitarist of the Johnson Mountain Boys. He has been a member of the Seldom Scene since 1995. Dudley has contributed his distinctive voice and guitar to the work of numerous artists, including Hazel Dickens, Seneca Rocks, and the supergroup Longview. In 2000 he received the International Bluegrass Music Association’s award for Male Vocalist of the Year. 4 Sally Love Connell Lesson: Bluegrass Vocals Zoom Event: Bluegrass Vocals Bio: Sally Love Connell is a current member the Blue Moon Cowgirls, a shimmering trio of female voices who blend front-porch directness with neon-lit sophistication as they sing about home and highways, heaven and honkytonks, heartbreak and hope. A Washington Area Music Award winner for best bluegrass vocalist, Sally is in demand as a lead and back-up vocalist, and has performed with various acoustic and bluegrass groups in the Washington, DC, area in such venues as the Ramshead Tavern, Kennedy Center, and the Barns at Wolf Trap. -
MINIMUM BOD = € 5.00 / US$ 5.75 = MINIMUM BID a CD's
Full CD’s, if not noted otherwise (number of tracks 0218 Acoustic Rainbow 29 - Pat Flynn, Laura Lockie & Charles King PM 07 18tr Zz mentioned) - Volledige CD’s, tenzij anders 0219 Arno Adams Mooderzeel Allein - Limburgs (d) Inbetweens 006\NL 13tr Ss 0220 Dave Adams Story - Joe Meek Collection (1960) Diamond 013\UK 98 31tr Zz aangegeven (aantal tracks wordt vermeld). CD's 0221 Donna Adams You Go Girl - country singer Willow Wind 16104 99 11tr Zz US releases, if not noted otherwise - pr = promo 0222 Doug Adamz Guitar Solos (d) Magi 11 13tr Zz 0223 ~ Bernardo’s Serenade - Solo (d) Magi 10 14tr Zz MINIMUM BOD = € 5.00 / US$ 5.75 = MINIMUM BID 0224 ~ Plays National Steel + duets with Peter Rowan (fc) Magi 14 17tr Zz I do not sell illegal copies, only record company or artist releases. Some small labels 0225 Eddie & Martha Adcock TwoGrass Pinecastle 1128 03 12tr Zz and many artists produce & copy their limited editions as CD-Rs. I will identify 0226 ~ & Tom Gray Many a Mile - songs of the Ctry Gentlemen Pat 228 11 14tr Zz such CD’s as CD-Rs (with sealed CD’s I do not always know). 0227 Mike Aiken Just Add Salt - country singer Northwind 06 07 12tr Zz Ik verkoop geen illegale kopieën, alleen uitgaven van platenmaatschappijen of artiesten. 0228 ~ Hula Girl Highway + Tony Paoletta steel (fc) Northwind 08 08 12tr Zz Sommige kleine labels en veel artiesten produceren hun kleine oplagen als CD-Rs. 0229 ~ Captains & Cowboys +Tammy Rogers, D Dugmore (fc) Northwind 13 13 12tr Zz Achter zulke CD’s staat CD-R (bij verzegelde CD’s is het niet altijd duidelijk).