Industrial and Intellectual Properties Chapter Doing Business in Canada Industrial and Intellectual Property
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Industrial Property
ANNUAL SURVEY OF CANADIAN LAW INDUSTRIAL PROPERTY William L. Hayhurst, Q.C. * I. INTRODUCTION ....................................... 394 II. RECENT LEGISLATION ................................. 395 III. PROPOSED LEGISLATION ................................ 398 IV . PATENTS ............................................ 399 A. Matters in Which the Patent Office has OriginalJurisdiction ............................... 399 1. Conflicts ...................................... 399 2. Compulsory Licences ............................ 400 3. Subject Matter Capable of Being Patented .......... 401 (a) Printed M atter .............................. 402 (b) Gam es ..................................... 402 (c) Mental Processes and Computer Programs ...... 402 (d) Living M atter ............................... 405 (e) Medical Treatment of Animals and Humans ...... 407 (f) Medical Inventions .......................... 408 (g) The Progeny of Sandoz v. Gilcross ............. 410 (h) Aggregations and Exhausted Combinations ...... 412 (i) Synergism .............................. 412 (ii) M ixtures ............................... 412 (iii) The Aggregative or Unnecessary Addition ... 413 4. D ivision ....................................... 4 15 5. R eissue ....................................... 4 16 6. D isclaimer .................................... 417 B. Substantive Matters in the Courts .................... 418 1. Intervening Rights .............................. 418 2. Personal Liability of Persons in Control of CorporateInfringers ......................... -
Industrial Property Law
INDUSTRIAL PROPERTY LAW G. E. Fisk* I. INTRODUCTION The industrial property survey this year will be restricted to patents, but it is hoped that, next year, sections will be included on trade marks, copyright and industrial design, and unfair competition. The patent cases discussed in this issue are not limited only to last year's, but instead cover the period from 1965 to the end of 1968. A few earlier cases are also discussed, where their inclusion is necessary to show develop- ment of a doctrine.' Some attempt has been made to summarize develop- ments since the writing of any Canadian patent text in rules having general application to patent cases. The survey has been divided into three main headings, namely infringe- ment, validity and reissue. It was originally intended to include a discussion of conflicts and of licence, assignment and devolution, but this has not been done because of space limitation. A case presently pending before the Supreme Court is likely to change conflict practice considerably and it was felt advisable to delay a detailed consideration of this area. Assignment has been covered comprehensively in a recent article by G. F. Henderson, 2 while the problems of licencing encountered in recent cases have dealt mainly with the compulsory licencing provisions relating to pharmaceuticals, which are likely to be modified by a bill now before Parliament. 8 During the period covered by the survey, no new texts on patent law have appeared in Canada, although existing texts are seriously outdated. 4 The only new writing in the field has been in periodicals, notably those pub- lished by The Patent and Trademark Institute of Canada. -
Promise Utility Doctrine and Compatibility Doctrine Under NAFTA: Expropriation and Chapter 11 Considerations
Canada-United States Law Journal Volume 40 Issue 1 Article 8 2016 Promise Utility Doctrine and Compatibility Doctrine Under NAFTA: Expropriation and Chapter 11 Considerations Freedom-Kai Phillips Follow this and additional works at: https://scholarlycommons.law.case.edu/cuslj Part of the Transnational Law Commons Recommended Citation Freedom-Kai Phillips, Promise Utility Doctrine and Compatibility Doctrine Under NAFTA: Expropriation and Chapter 11 Considerations, 40 Can.-U.S. L.J. 84 (2016) Available at: https://scholarlycommons.law.case.edu/cuslj/vol40/iss1/8 This Article is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Canada-United States Law Journal by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. 84 CANADA-UNITED STATES LAW JOURNAL [Vol. 40, 2016] PROMISE UTILITY DOCTRINE AND COMPATIBILITY UNDER NAFTA: EXPROPRIATION AND CHAPTER 11 CONSIDERATIONS Freedom-Kai Phillips* ABSTRACT: The 2013 filing by Eli Lilly of a notice of arbitration under Chapter 11 of NAFTA relating to the application of the promise utility doctrine in Canadian jurisprudence brought to light latent tensions relating to domestic patent standards, perceived barriers to innovation, and international investment standards. This paper explores applicable NAFTA obligations and patent regimes in an effort to identify points of convergence and divergence, and argues that the promise utility doctrine while -
Myth Making, Juridification, and Parasitical Discourse: a Barthesian Semiotic Demystification of Canadian Political Discourse on Marijuana
MYTH MAKING, JURIDIFICATION, AND PARASITICAL DISCOURSE: A BARTHESIAN SEMIOTIC DEMYSTIFICATION OF CANADIAN POLITICAL DISCOURSE ON MARIJUANA DANIEL PIERRE-CHARLES CRÉPAULT Thesis submitted to the University of Ottawa in partial Fulfillment of the requirements for the Doctorate in Philosophy degree in Criminology Department of Criminology Faculty of Social Sciences University of Ottawa © Daniel Pierre-Charles Crépault, Ottawa, Canada, 2019 ABSTRACT The legalization of marijuana in Canada represents a significant change in the course of Canadian drug policy. Using a semiotic approach based on the work of Roland Barthes, this dissertation explores marijuana’s signification within the House of Commons and Senate debates between 1891 and 2018. When examined through this conceptual lens, the ongoing parliamentary debates about marijuana over the last 127 years are revealed to be rife with what Barthes referred to as myths, ideas that have become so familiar that they cease to be recognized as constructions and appear innocent and natural. Exploring one such myth—the necessity of asserting “paternal power” over individuals deemed incapable of rational calculation—this dissertation demonstrates that the processes of political debate and law-making are also a complex “politics of signification” in which myths are continually being invoked, (re)produced, and (re)transmitted. The evolution of this myth is traced to the contemporary era and it is shown that recent attempts to criminalize, decriminalize, and legalize marijuana are indices of a process of juridification that is entrenching legal regulation into increasingly new areas of Canadian life in order to assert greater control over the consumption of marijuana and, importantly, over the risks that this activity has been semiologically associated with. -
Canadian Retransmission Collective
The Honourable Navdeep Bains, P.C., M.P. Minister of Innovation, Science and Economic Development House of Commons Ottawa, Ontario K1A 0A6 The Honourable Mélanie Joly Minister of Canadian Heritage House of Commons Ottawa, Ontario K1A 0A6 Copyright Board of Canada 56 Sparks St., Suite 800 Ottawa, Ontario K1A 0C9 Re: A Consultation on Options for Reform to the Copyright Board of Canada Attention: [email protected] A. INTRODUCTION Canadian Retransmission Collective (CRC) is pleased to respond to the Government of Canada’s request for submissions of August 9, 2017 to all Copyright Board stakeholders, requesting commentary on the matters raised in the Consultation on Options for Reform to the Copyright Board of Canada (the “Discussion Paper”). CRC is a copyright collective representing thousands of program rights holders. Its affiliates include independent Canadian program producers, the National Film Board of Canada, producers of programs shown on Public Broadcasting Service (PBS) and Réseau France Outremer (RFO), educational TV producers in Canada (except Télé-Québec), all foreign producers and broadcasters outside North America, and producers of music videos used in Canadian programs. CRC’s mandate is to ensure that distant signal royalties reflect an equitable market value and are flowed through to program rightsholders in a timely and efficient manner. Achieving these goals is essential to promoting a copyright ecosystem that encourages the creation and dissemination of new content. CRC fully supports the Government of Canada’s and the Copyright Board’s policy goals in reviewing the legislative and regulatory framework of the powers and procedures of the Board. All stakeholders – copyright owners, intermediaries, and users alike – will benefit from a more efficient Copyright Board process. -
An Act to Amend the Copyright Act
Bill C-32: An Act to amend the Copyright Act Publication No. 40-3-C32-E 20 July 2010 Dara Lithwick Legal and Legislative Affairs Division Parliamentary Information and Research Service Legislative Summary of Bill C-32 HTML and PDF versions of this publication are available on IntraParl (the parliamentary intranet) and on the Parliament of Canada website. In the electronic versions, a number of the endnote entries contain hyperlinks to referenced resources. Ce document est également publié en français. Library of Parliament Legislative Summaries summarize government bills currently before Parliament and provide background about them in an objective and impartial manner. They are prepared by the Parliamentary Information and Research Service, which carries out research for and provides information and analysis to parliamentarians and Senate and House of Commons committees and parliamentary associations. Legislative Summaries are revised as needed to reflect amendments made to bills as they move through the legislative process. Notice: For clarity of exposition, the legislative proposals set out in the bill described in this Legislative Summary are stated as if they had already been adopted or were in force. It is important to note, however, that bills may be amended during their consideration by the House of Commons and Senate, and have no force or effect unless and until they are passed by both houses of Parliament, receive Royal Assent, and come into force. Any substantive changes in this Legislative Summary that have been made since the preceding issue are indicated in bold print. Publication No. 40-3-C32-E Ottawa, Canada, Library of Parliament (2010) CONTENTS 1 BACKGROUND ........................................................................................................ -
Module Ii Copyright and Related Rights
MODULE II COPYRIGHT AND RELATED RIGHTS Introduction General Part II of the TRIPS Agreement sets out the substantive standards for the protection of IP that WTO members should follow. This module outlines the provisions of Section 1 of Part II (running from Article 9 to Article 14), which sets out the protection that members must make available in the area of copyright and related rights – specifically, for literary and artistic works, performances, phonograms (or sound recordings) and broadcasts. This Section has to be read, like all other sections in Part II, together with the relevant provisions of certain pre-existing treaties in the area of international IP law that are incorporated by reference into the TRIPS Agreement. In the case of copyright, the relevant treaty is the Berne Convention; and on related rights, there are certain references to the Rome Convention. The relationship between the TRIPS Agreement and these Conventions is explained in section A3 below. As in the other areas of IP covered by the TRIPS Agreement, the provisions of Section 1 stipulate the minimum level of protection that members have to provide to nationals of other members. In other words, they determine the obligations that such members have towards each other. Given the long history of international cooperation on copyright matters, the national laws in this area are often fairly similar. However, to answer any question the reader may have on how the law applies in any practical situation, the applicable domestic law will have to be consulted. What are copyright and related rights? The term ‘copyright’ in its narrow sense usually refers to the rights of authors in their literary and artistic works. -
In the United States District Court for the Northern District of Illinois Eastern Division Mirza N. Baig and Blue Springs )
Case: 1:08-cv-04206 Document #: 195 Filed: 09/24/14 Page 1 of 21 PageID #:<pageID> IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ILLINOIS EASTERN DIVISION MIRZA N. BAIG AND BLUE SPRINGS ) WATER CO., ) ) Plaintiffs, ) ) Case no. 08-cv-4206 v. ) ) Hon. John Z. Lee THE COCA-COLA COMPANY, ) ) Defendant. ) MEMORANDUM OPINION AND ORDER Plaintiffs Mirza Baig and Blue Springs Water Co. allege that Defendant The Coca-Cola Company has infringed upon Plaintiffs’ trademark for “Naturally Zero” spring water through its use of the mark “ZERO” in connection with products such as “Sprite ZERO.” Plaintiffs argue under U.S. trademark law and Canadian trademark law that Defendant’s use of the “ZERO” mark results in reverse confusion to consumers. Defendant denies all wrongdoing and has counterclaimed seeking a declaratory judgment that, inter alia, it has neither infringed nor misappropriated any of Plaintiffs’ trademark rights. Defendant now moves for summary judgment, arguing that Plaintiffs have abandoned their trademark for “Naturally Zero,” and even if not, that the mark is not entitled to protection. For the reasons set forth below, the Court grants Defendant’s motion, enters judgment in its favor on Count[s] I of Plaintiffs’ Complaint, and dismisses Count II without prejudice. Case: 1:08-cv-04206 Document #: 195 Filed: 09/24/14 Page 2 of 21 PageID #:<pageID> Facts1 Plaintiff Mirza N. Baig (“Baig”) was the principal, President, and sole owner of plaintiff Bluesprings Water Co. (“Bluesprings”). Def.’s LR 56.1(a)(3) Stmt. ¶ 1. Bluesprings was a corporation organized under the laws of the State of Illinois; it is no longer in good standing with the Illinois Secretary of State office. -
Milano Pizzeria Case Study: Hard Lessons Learned by Canadian Licensor
Milano Pizzeria Case Study: Hard Lessons Learned by Canadian Licensor By Peter Giddens, Christie Bates and Brad Hanna Every now and then a case comes before the courts and serves as a stark reminder that good licensing practices and IP portfolio management are critical to any business. Milano Pizza Ltd. v. 6034799 Canada Inc.’{"'Milano Pizza"') is certainly such a case, highlighting the need to develop rigorous practices when it comes to documenting the creation, acquisition and licensing of IP assets. Milano Pizza is the saga of a family business, operating since the early nineties, which initiated IP infringement proceedings against a disgruntled former licensee. To its utter dismay, it discovered that it could neither claim ownership of the copyright in the company logo it had been using for decades, nor establish that it ever had an enforceable licence in place with any of its 32 operating pizzerias that used the logo, let alone the defendant company. As a result, its copyright claims were dismissed entirely, and its registered trademark faces serious risk of being expunged. This case is a wake-up call to licensors of IP assets who conduct their business affairs on nothing more than a smile and a handshake, perhaps with the imprudent thought that doing so will allow for a savings on legal spend and reduction in administrative burden. Of course, the reality is that such an approach to business is very likely to give rise to unnecessary disputes and expensive litigation, and may lead to the potential loss of exclusive rights to use key IP assets, including the core brand. -
Regulations Prescribing Networks (Copyright Act) (SOR/99-348)
Regulations Prescribing Networks (Copyright Act) (SOR/99-348) REGULATORY IMPACT ANALYSIS STATEMENTi (This statement is not part of the Regulations.) Description Bill C-32, An Act to amend the Copyright Act, received Royal Assent on April 25, 1997. Among the measures put in place by this bill are new rights for performers and sound recording makers as well as exceptions for non-profit schools, libraries, archives and museums. There are also two exceptions which take into account the need of both radio and television broadcasters to make temporary copies (i.e., "ephemeral recordings") of performances so as to facilitate programming and broadcasting operations. Without these exceptions, broadcasters would first need to obtain the permission of the copyright owner in respect of each copyrighted work captured on the ephemeral recording. The exceptions are subject to certain conditions and limitations. For example, it is a condition of both exceptions that broadcasters destroy each ephemeral recording within thirty days of its making, unless the copyright owner consents otherwise. Broadcasters must keep a record of the date(s) of both the making and destruction of each ephemeral recording, including any other information prescribed by Regulation. Further, the exceptions are not available in respect of copyrighted works for which a collective society of copyright owners licenses the making of ephemeral recordings. (Note: The text which follows refers to "programming undertakings" and "broadcasting undertakings". These terms include entities such as television and radio stations. Their specific legal definitions are, however, set out in the Copyright Act.) In particular: (a) section 30.8 of the Copyright Act allows a programming undertaking to make, for the purpose of deferred broadcasting, an ephemeral recording of a live performance which incorporates copyrighted works. -
Section 512 of Title 17 a Report of the Register of Copyrights May 2020 United States Copyright Office
united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 united states copyright office section 512 of title 17 a report of the register of copyrights may 2020 U.S. Copyright Office Section 512 Report ACKNOWLEDGEMENTS The publication of this Report is the final output of several years of effort by the Copyright Office to assist Congress with evaluating ways to update the Copyright Act for the 21st century. The genesis of this Report occurred in the midst of the two years of copyright review hearings held by the House Judiciary Committee that spanned the 113th and 114th Congresses. At the twentieth and final hearing in April 2015, the Copyright Office proposed several policy studies to aid Congress in its further review of the Copyright Act. Two studies already underway at the time were completed after the hearings: Orphan Works and Mass Digitization (2015), which the Office later supplemented with a letter to Congress on the “Mass Digitization Pilot Program” (2017), and The Making Available Right in the United States (2016). Additional studies proposed during the final hearing that were subsequently issued by the Office included: the discussion document Section 108 of Title 17 (2017), Section 1201 of Title 17 (2017), and Authors, Attribution, and Integrity: Examining Moral Rights in the United States (2019). The Office also evaluated how the current copyright system works for visual artists, which resulted in the letter to Congress titled “Copyright and Visual Works: The Legal Landscape of Opportunities and Challenges” (2019). Shortly after the hearings ended, two Senators requested a review of the role of copyright law in everyday consumer products and the Office subsequently published a report, Software-Enabled Computer Products (2016). -
The Development and Incorporation of International Norms in the Formation of Copyright Law
The Development and Incorporation of International Norms in the Formation of Copyright Law GRAEME B. DINWOODIE* The means by which international norms are developed and incorporated in the formation of copyright law have changed dramatically in recent years. In this article, Professor Dinwoodie explores the nature of those changes. The classical model of international copyright law afforded countries significant latitude to implement international standards in ways tailored to their own economic and cultural priorities. The lack of an effective method of enforcing international standards consolidated that deference to national autonomy. And international treaties tended merely to codify existing commonly accepted national standards. This model has undergone changes of late, most notably (but not exclusively) in the context of the TRIPS Agreement, which subsumed the principal international copyright obligations within the WTO Dispute Settlement system. This change to the classical model is potentially significant in many ways. Most directly, failure to fulfill international copyright obligations may be met by the imposition of trade sanctions. More broadly, however, the interpretation of international copyright obligations by WTO panels may alter the degree of national autonomy afforded member states and may make international copyright law more forward looking in nature. International copyright lawmaking by activist WTO panels thus may generate costs as well as gains. Professor Dinwoodie considers these issues through an analysis of the first (and, thus far, the only) report of a WTO dispute settlement panel regarding violation of a copyright provision contained in the TRIPS Agreement. This report, handed down in June 2000, found that an exemption introduced into section 110(5) of the U.S.