Lady Catherine's House and Class
WORKS CITED Hall, Donald. “A Diet of Dissatisfaction.” Reading Adrienne Rich: Reviews and Re-Visions, 1951–81. Ed. Jane Roberta Cooper. Ann Arbor: University of Michigan, 1984. 212–14. Jarrell, Randall. “Review of The Diamond Cutters and Other Poems.” Adrienne Rich’s Poetry. Ed. Barbara Charlesworth Gelpi and Albert Gelpi. New York: Norton, 1975. 127–29. Keyes, Claire. The Aesthetics of Power: The Poetry of Adrienne Rich. Athens: University of Georgia, 1986. Langdell, Cheri Colby. Adrienne Rich: The Moment of Change. Westport, CT: Praeger, 2004. Rich, Adrienne. Foreword. Collected Early Poems 1950–1970. New York: Norton, 1993. xix-xxi. ———. What is Found There: Notebooks on Poetry and Politics. New York: Norton, 1993. ———. “When We Dead Awaken.” Adrienne Rich’s Poetry and Prose. Ed. Barbara Charlesworth Gelpi and Albert Gelpi. New York: Norton, 1993. 166–77. Showalter, Elaine. “Feminist Criticism in the Wilderness.” Writing and Sexual Difference. Ed. Elizabeth Abel. Chicago: U of Chicago P, 1982. 9–35. Slowik, Mary. “The Friction of the Mind: The Early Poetry of Adrienne Rich.” The Massachusetts Review 25.1 (1984): 142–60. Werner, Craig. Adrienne Rich: The Poet and her Critics. Chicago: American Library Association, 1988. PRIDE AND PREJUDICE: The Tale Told by Lady Catherine’s House Jane Austen is well-known for the economy of her writing; she was able to say a great deal on “the little bit (two Inches wide) of Ivory on which [she] work[ed] with so fine a Brush” (Austen, “JA to James Edward Austen” 323). Austen chose her language carefully, so much so that her words and phrases often carry a lot of freight, sometimes overtly, but more often subtly.
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