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Contents Contents Interview Short Contributions Works Contents Timea Andrea Lelik 149 Face Forward: Ulay’s Portraits Charlemagne Palestine Essay / Interview Short Contributions Works Contents 152 On Meeting Ulay and Marina Maria Rus Bojan 16 Preface Works 1975 20 Breaking the Norms: Poetics of Provocation 157 Untitled Paula Works 1970 – 1973 158 Exchange of Identity 49 Auto-Portrait 162 Duel IV 50 Duel I 164 Soliloquy 51 Duel II 168 Keine Möglichkeit 2 Platz wunden 52 GEN.E.T.RATION ULTIMA RATIO 54 Aphorism Silvio Wolf 58 The Metamorphosis of a Canal House 173 On the Aura of Ulay and Marina 60 A’dam Between Laurie Anderson 66 White Bride 176 On Driving in Circles 68 Soliloquy 70 S’he 177 More on Relation Work: Documenting Performance 184 Documenta 6, 1977 Alessandro Cassin 188 On Religion, Spirituality and Nature: Ulay on Ulay Looking Within and Without 83 Foreword to the Interview 189 Finding Identity: Unlearning 84 On Water: We Are 70% Water, Our Brains Are 90% Water! 88 Early Works: Ephemeral, Intimate Actions, with Works 1976 – 1980 No Audience, Arrested in Time through the Polaroid 193 FOTOTOT I 94 FOTOTOT: Taking Authority Away from Photography 197 FOTOTOT II 200 Relation in Space Works 1973 – 1974 202 There is a Criminal Touch 97 Dunes to Art – Corresponding 98 S’he to a Situation 100 Death of a Transvestite 206 Talking about Similarity 102 Renais sense Aphorism 208 Relation in Movement 106 Pa’Ulay 210 Relation in Time 108 Diamond Plane 212 AAA-AAA 110 Red Venus 215 Incision 112 Dutch TV 216 Charged Space 218 Work Relation 113 Relation Work: Symbiosis Creates ‘the Third’ 220 The Brink 117 Berlin. There Is a Criminal Touch to Art 222 Installation One 124 Polaroid and Photography as a Second Skin 224 Rest of Energy John Reuter 225 Art Making as Identity Search 129 On Polaroid 226 Animism, Buddhism, Beckett and Cage 229 On Chemotherapy: Smelling Like a Baby Works 1974 – 1975 231 The Central Australian Desert: Memory of a Dreamtime 133 Father & Son 234 Nightsea Crossing: A Man, a Woman, Two Chairs, That’s It 134 Bene Agere (In Her Shoes) 239 Women 136 Anagrammatic Body Aphorisms Anagrammatic Aphorisms Alessandro Cassin 140 16 15 144 Retouching Bruises 241 Marina Abramovic´ on Ulay Interview Short Contributions Works Interview / Appendix Short Contributions Works Works 1981 – 1986 Lena Pislak 245 Nightsea Crossing 373 Letter Positive Zero 254 Contents Contents 256 Modus Vivendi 377 Constructive Anarchy 378 Photogene and Other Projects 265 Unknown Works from the 1970’s 380 Large Format Polaroid 268 America: An Ambiguous Flirt 387 Hoarding, Preserving and Collecting One’s Work 274 MoMA Opens to Performance: Marina’s Retrospective 388 In the Australian Desert: Learning to Be a ‘Calm Rabbit’ 277 Walking Toward Separation Works 1997 – 1999 Works 1986 – 1989 393 Aboriginal Afterimages 281 Friday – Saturday 398 Who’s Afraid of Magenta, Yellow and 282 Die Mond, der Sonne Cyan? 284 Saturday (triptych) 400 Luxembourg Portraits I & II 286 Fragilissimo 404 Lichaamstaal 288 Tuesday – Saturday 406 Drop Shadow 290 Wednesday – Saturday 292 Saturday 409 Watuma Tarruru Tjungarrayi Goes to Amsterdam 294 Chang Cheng Nei Wai I 413 Solo Performances: The Psychology of the Audience 296 China Red, Northern provinces 415 Performance Then and Now: From Garages to White Cubes along the Great Wall of China 420 Peace Warrior 298 The Great Wall Walk – the meeting 421 Performing Light 300 The Lovers 423 Confronting Illness, More on Water 313 The End of the Partnership with Marina Abramović: Works 2000 – 2012 Dismantling the ‘Institution’ 425 Portraits of Ethnics 320 Photography, Again 428 7 in a Boat 321 A Son Re-performs His Father 430 Cursives & Radicals (diptych) 323 On Being a Father (An Orphan Becomes a Father) 432 I am Other 325 Teaching Art: Is Art Teachable? 436 Johnny 326 Moldova: I Am Not a Photographer After All 438 WE Emerge 442 Google Water Goblins Tevž Logar 444 Patagonia 329 A Misfit and Up to His Neck in Water 448 Whose Water Is It? 452 FOTOTOT Works 1990 – 1993 454 Sweet Water Salt Water 333 Self-Portrait 456 Self-Portrait 334 Water for the Dead 338 Long Playing Record 457 Life & Work 346 Vanitas 520 Life & Work: Ulay, Curriculum Vitae 348 Untitled 529 Index 534 Cross-references Images and Text, Credits of the Images, Thomas McEvilley On the Covered Images 349 Ulay and Photography 535 Authors, Acknowledgements 536 Colophon Works 1994 – 1997 357 Fortress Europe 358 Berlin Afterimages 370 Women Inferno Copy Reality 372 18 17.
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