15 124 117 113 94 88 84 83 20 16 Maria RusBojan Essay /Interview Polaroid and Photography asaSecond Skin Berlin. There Is a Criminal Touch Art to Relation Work: Creates Symbiosis ‘the Third’ FOTOTOT: Taking Away Authority from Photography No Audience, Arrested inTime through thePolaroid Early Works: Ephemeral, Intimate with Actions, On Water: We Are 70%Water, OurBrains Are 90%Water! Foreword to theInterview Ulay onUlay Alessandro Cassin Breaking theNorms: Poetics ofProvocation Preface Contents
129
Short Contributions On Polaroid John Reuter
50 49 144 140 136 134 133 112 110 108 106 102 100 98 97 70 68 66 60 58 54 52 51 Works 1970 ok 1974 –1975 Works 1973 –1974 Works Works Retouching Bruises Anagrammatic Aphorisms Anagrammatic Body Aphorisms Bene Agere(In HerShoes) Father &Son Dutch TV Red Venus Diamond Plane Pa’Ulay Renais senseAphorism Death ofaTransvestite S’he Dunes S’he Soliloquy White Bride A’dam Between The MetamorphosisofaCanalHouse Aphorism GEN.E.T.RATION ULTIMARATIO Duel II Duel I Auto-Portrait – 1973 Short Contributions Interview Works 239 234 231 229 226 225 189 188 184 177 Women Nightsea Crossing: AMan, aWoman, Two Chairs, That’s It The Central ofaDreamtime Australian Desert: Memory On Chemotherapy: SmellingaBaby Like Beckett Buddhism, Animism, and Cage Making asIdentityArt Search Finding Identity: Unlearning Within andLooking Without and Nature: Spirituality On Religion, Documenta 6,1977 More onRelation Work: Documenting Performance
176 173 152 149 241
Marina Alessandro Cassin On DrivinginCircles Laurie Anderson On theAuraofUlayandMarina Silvio Wolf On MeetingUlayandMarina Charlemagne Palestine Face Forward:Ulay’s Portraits Timea AndreaLelik Abramovi
c ´
on Ulay Paula 224 222 220 218 216 215 212 210 208 206 202 200 197 193 168 164 162 158 157 Works 1975 ok 1976 –1980 Works Rest ofEnergy Installation One The Brink Work Relation Charged Space Incision AAA-AAA Relation inTime Relation inMovement Talking aboutSimilarity to aSituation to Art–Corresponding There isaCriminalTouch Relation inSpace FOTOTOT II FOTOTOT I Keine Möglichkeit2Platz Soliloquy Duel IV Exchange ofIdentity Untitled
wunden
16 Contents 17 Contents 326 325 323 321 320 313 277 274 268 265 Short Contributions Interview Works
Moldova: Not IAm aPhotographer AfterAll Teaching Teachable? Is Art Art: On Being aFather (An Becomes Orphan aFather) His FatherA Son Re-performs Photography, Again Dismantling the ‘Institution’ The End ofthe with Abramović: Marina Partnership Walking Toward Separation MoMA Opens to Performance: Marina’s Retrospective Flirt Ambiguous An America: Unknown Works from the1970’s
349 329 Ulay andPhotography Thomas McEvilley A MisfitandUptoHisNeckin Water Tevž Logar
256 254 245 372 370 358 357 348 346 338 334 333 300 298 296 294 292 290 288 286 284 282 281
ok 1986 –1989 Works 1981 –1986 Works ok 1994 –1997 Works 1990 –1993 Works Copy Reality Women Inferno Berlin Afterimages Fortress Europe Untitled Vanitas Long PlayingRecord Water fortheDead Self-Portrait The Lovers The GreatWallWalk–themeeting along theGreatWallofChina China Red,Northernprovinces Chang ChengNeiWaiI Saturday Wednesday – Saturday Tuesday – Saturday Fragilissimo Saturday (triptych) Die Mond,derSonne Friday – Saturday Modus Vivendi Positive Zero Nightsea Crossing
388 387 380 378 377 536 535 534 529 520 457 423 421 420 415 413 409 Interview /Appendix Colophon AcknowledgementsAuthors, On theCovered Images Cross-references Images and Text, Credits ofthe Images, Index &Work:Life Ulay, Curriculum Vitae &WorkLife Confronting More Illness, onWater Performing Light Peace Warrior Performance Then and Now: From GaragesWhite Cubes to Solo Performances: The oftheAudience Psychology Watuma Tarruru Tjungarrayi Goes to Amsterdam In theAustralian Learning to Desert: Bea‘Calm Rabbit’ Hoarding, and Collecting Preserving One’s Work Large Format Polaroid Photogene and Other Projects Constructive Anarchy
373
Short Contributions Letter Lena Pislak 456 454 452 448 444 442 438 436 432 430 428 425 406 404 400 398 393
ok 2000 –2012 Works 1997 –1999 Works Works Self-Portrait Sweet WaterSalt FOTOTOT Whose WaterIsIt? Patagonia Google WaterGoblins WE Emerge Johnny I amOther Cursives &Radicals(diptych) 7 inaBoat Portraits ofEthnics Drop Shadow Lichaamstaal Luxembourg PortraitsI&II Cyan? Who’s AfraidofMagenta,Yellowand Aboriginal Afterimages
18 Contents