DOCSLIB.ORG

EMR 12692A Slumdog Millionaire (B = Big Band)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EMR 12692A Slumdog Millionaire (B = Big Band) Slumdog Millionaire Wind Band / Concert Band / Harmonie / Blasorchester / Fanfare Arr.: Jirka Kadlec Cyndi Lauper / Jerry Duplessis / Wyclef Jean EMR 12692A st 1 Score 2 1 Trombone + nd 8 Flute 2 2 Trombone + rd 1 Oboe (optional) 1 3 Trombone + th 1 Bassoon (optional) 1 4 Trombone + 1 E Clarinet (optional) 2 Baritone + st 5 1 B Clarinet 2 E Bass nd 4 2 B Clarinet 2 B Bass 4 3rd B Clarinet 1 Tuba 1 B Bass Clarinet (optional) 1 Piano / Keyboard (optional) 1 B Soprano Saxophone (optional) 1 Bass Guitar / String Bass (optional) 2 1st E Alto Saxophone 1 Electric Guitar (optional) 1 2nd E Alto Saxophone 1 Claves 2 1st B Tenor Saxophone 1 Timbales 1 2nd B Tenor Saxophone 1 Congas 1 E Baritone Saxophone (optional) 1 Drum Set 1 E Trumpet / Cornet (optional) 2 1st B Trumpet / Cornet Special Parts Fanfare Parts nd 2 2 B Trumpet / Cornet st st 2 1 Flugelhorn rd 1 1 B Trombone 2 3 B Trumpet / Cornet nd nd 2 2 Flugelhorn th 1 2 B Trombone 2 4 B Trumpet / Cornet rd 1 3rd B Trombone 2 3 Flugelhorn 2 1st F & E Horn 1 4th B Trombone 2 2nd F & E Horn 1 B Baritone 1 E Tuba 1 B Tuba Print & Listen Drucken & Anhören Imprimer & Ecouter ≤ www.reift.ch Route du Golf 150 CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 Fax +41 (0) 27 483 42 43 E-Mail : [email protected] www.reift.ch DISCOGRAPHY Cinemagic 65 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 Funny Cinema Music (Pagans) 5’06 EMR 12871 EMR 32537 2 Yellow Submarine (McCartney / Lennon) 3’04 EMR 12733 EMR 32460 3 Harlem Nocturne (Hagen) 2’22 EMR 12675A EMR 32422 4 Spartacus (LoDuca) 6’42 EMR 12792 EMR 32538 5 Captain Future (Bruhn) 2’30 EMR 12837 EMR 32539 6 Slumdog Millionaire (Lauper / Duplessis / Jean) 3’33 EMR 12692A EMR 32540 7 Of Thee I Sing (Gershwin) 4’34 EMR 12784 EMR 32541 8 Kelly’s Heroes (Schifrin) 5’40 EMR 12809 EMR 32542 9 Exodus (Gold) 3’48 EMR 12709 EMR 32459 10 You Never Can Tell (Berry) 2’46 EMR 12671A EMR 32543 11 Cars (Newman) 4’45 EMR 12885 EMR 32544 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. +41 (0) 27 483 12 00 • Fax +41 (0) 27 483 42 43 • E-Mail: [email protected] • www.reift.ch Recorded on CD - Auf CD aufgenommen - Enregistré sur CD Cyndi Lauper Jerry Duplessis | Slumdog Millionaire Photocopying Wyclef Jean is illegal! Arr.: Jirka Kadlec h = 124 2 3 4 5 6 7 8 9 10 11 12 Flute mf Oboe mf Bassoon mf mf mf 1st Bb Clarinet mf 2nd Bb Clarinet mf 3rd Bb Clarinet mf Bb Bass Clarinet mf mf mf 1st Eb Alto Saxophone mf 2nd Eb Alto Saxophone mf 1st Bb Tenor Saxophone mf 2nd Bb Tenor Saxophone mf Eb Baritone Saxophone mfcon sord. mf mf 1st Bb Trumpet / Cornet mf mf con sord. 2nd Bb Trumpet / Cornet mf mf con sord. 3rd Bb Trumpet / Cornet mf mf con sord. 4th Bb Trumpet / Cornet mf mf 1st F Horn fp cresc. mf dim. mf dim. 2nd F Horn fp cresc. mf dim. mf dim. 1st Trombone fp cresc. mf dim. mf dim. 2nd Trombone fp cresc. mf dim. mf dim. 3rd Trombone fp cresc. mf dim. mf dim. mf dim. 4th Trombone fp cresc. mf dim. mf dim. mf dim. Baritone fp cresc. mf dim. mf dim. mf dim. Tuba in C mf mf mf Piano / Keyboard mf mf mf (optional) distortion Electric Guitar (optional) mf mf mf String Bass / 5 Strings Bass Guitar (optional) mf mf mf Claves (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) Timbales f mf (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) Congas f mf (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) Drum Set f mf EMR 12692A © 2009 RELLA MUSIC CORP / EMI BLACKWOOD MUSIC / TE-BASS MUSIC / SONY/ATV TUNES / HUSS-ZWINGLI PUBLISHING AVEC L'AIMABLE AUTORISATION DE SONY/ATV MUSIC PUBLISHING EDITIONS MARC REIFT CH-3963 CRANS-MONTANA (SWITZERLAND) www.reift.ch ALL RIGHTS RESERVED - INTERNATIONAL COPYRIGHT SECURED 4 13 14 15 16 17 18A 19 20 21 22 23 24 Fl. f Ob. f Bsn. mf f mf Cl.1 f Cl.2 f Cl.3 f B.Cl. mf f mf A.Sax.1 f A.Sax.2 f T.Sax.1 f T.Sax.2 f B.Sax. mf f mf open senza sord. Tpt./ Cnt.1 mf f open senza sord. Tpt./ Cnt.2 mf f open senza sord. Tpt./ Cnt.3 mf f open senza sord. Tpt./ Cnt.4 mf f Hn.1 mf dim. mf f dim. Hn.2 mf dim. mf f dim. Tbn.1 mf dim. mf f dim. Tbn.2 mf dim. mf f dim. Tbn.3 mf dim. mff dim. f dim. Tbn.4 mf dim. mf f dim. f dim. Bar. mf dim. mff dim. f dim. Tba. mf ff Pno./ mf ff Kbd./ E.Gtr. mf ff Str.B./ B.Gtr. mf f f Clv. (13) (14) (15) (16) (17) (2) (3) (4) (5) (6) Timb. f (13) (14) (15) (16) (17) (2) (3) (4) (5) (6) Cong. f (13) (14) (15) (16) (17) (2) (3) (4) (5) (6) Dr. f www.reift.ch EMR 12692A 25 26 27 28 29 30 31 32 33 34 5 Fl. mf cresc. Ob. mf cresc. Bsn. mf mf mf cresc. Cl.1 mf cresc. Cl.2 mf cresc. Cl.3 mf cresc. B.Cl. mf mf mf cresc. A.Sax.1 mf cresc. A.Sax.2 mf cresc. T.Sax.1 mf cresc. T.Sax.2 mf cresc. B.Sax. mf mf mf cresc. Tpt./ Cnt.1 f Tpt./ Cnt.2 f Tpt./ Cnt.3 f Tpt./ Cnt.4 f Hn.1 f dim. f mf cresc. Hn.2 f dim. f mf cresc. Tbn.1 f dim. f mf cresc. Tbn.2 f dim. f mf cresc. Tbn.3 f dim. ff dim. mf cresc. Tbn.4 f dim. ff dim. mf cresc. Bar. f dim. ff dim. mf cresc. Tba. f f mf cresc. Pno./ f fmf cresc. Kbd./ E.Gtr. f f Str.B./ B.Gtr. f fmf cresc. Clv. (7) (8) (9) (10) (11) (12) (13) (14) Timb. mf (7) (8) (9) (10) (11) (12) (13) (14) Cong. mf (7) (8) (9) (10) (11) (12) (13) (14) Dr. mf www.reift.ch EMR 12692A 6 B 35 36 37 38 39 40 41 42 43 44 Fl. f mf mf cresc. Ob. f mf mf cresc. Bsn. f mf mf cresc. Cl.1 f mf mf cresc. Cl.2 f mf mf cresc. Cl.3 mf cresc. f mf B.Cl. f mf mf cresc. A.Sax.1 f mf mf cresc. A.Sax.2 f mf mf cresc. T.Sax.1 f mf mf cresc. T.Sax.2 f mf mf cresc. B.Sax. f mf mf cresc. Tpt./ Cnt.1 f mf cresc. Tpt./ Cnt.2 f mf cresc. Tpt./ Cnt.3 f mf cresc. Tpt./ Cnt.4 f mf cresc. Hn.1 mf cresc. f mf Hn.2 mf cresc. f mf Tbn.1 f mf mf cresc. Tbn.2 f mf mf cresc. Tbn.3 f mf mf cresc..
Load more

Recommended publications
  • Stanley Kubrick's 18Th Century
    Stanley Kubrick’s 18th Century: Painting in Motion and Barry Lyndon as an Enlightenment Gallery Alysse Peery Abstract The only period piece by famed Stanley Kubrick, Barry Lyndon, was a 1975 box office flop, as well as the director’s magnum opus. Perhaps one of the most sumptuous and exquisite examples of cinematography to date, this picaresque film effectively recreates the Age of the Enlightenment not merely through facts or events, but in visual aesthetics. Like exploring the past in a museum exhibit, the film has a painterly quality harkening back to the old masters. The major artistic movements that reigned throughout the setting of the story dominate the manner in which Barry Lyndon tells its tale with Kubrick’s legendary eye for detail. Through visual understanding, the once obscure novel by William Makepeace Thackeray becomes a captivating window into the past in a manner similar to the paintings it emulates. In 1975, the famed and monumental director Stanley Kubrick released his one and only box-office flop. A film described as a “coffee table film”, it was his only period piece, based on an obscure novel by William Makepeace Thackeray (Patterson). Ironically, his most forgotten work is now considered his magnum opus by critics, and a complete masterwork of cinematography (BFI, “Art”). A remarkable example of the historical costume drama, it enchants the viewer in a meticulously crafted vision of the Georgian Era. Stanley Kubrick’s film Barry Lyndon encapsulates the painting, aesthetics, and overall feel of the 18th century in such a manner to transform the film into a sort of gallery of period art and society.
    [Show full text]
  • The New Hollywood Films
    The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d.
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • 300 Greatest Films 4 Black Copy
    The goal in this compilation was to determine film history's definitive creme de la creme. The titles considered to be the greatest of the great from around the world and throughout the history of film. So, after an in-depth analysis of respected critics and publications from around the globe, cross-referenced and tweaked to arrive at the ranking of films representing, we believe, the greatest cinema can offer. Browse, contemplate, and enjoy. Check off all the films you have seen 1 Citizen Kane 1941 USA 26 The 400 Blows 1959 France 51 Au Hasard Balthazar 1966 France 76 L.A. Confidential 1997 USA 2 Vertigo 1958 USA 27 Satantango 1994 Hungary 52 Andrei Rublev 1966 USSR 77 Modern Times 1936 USA 3 2001: A Space Odyssey 1968 UK 28 Raging Bull 1980 USA 53 All About Eve 1950 USA 78 Mr Hulot's Holiday 1952 France 4 The Rules of the Game 1939 France 29 L'Atalante 1934 France 54 Sunset Boulevard 1950 USA 79 Wings of Desire 1978 France 5 Seven Samurai 1954 Japan 30 Annie Hall 1977 USA 55 The Turin Horse 2011 Hungary 80 Ikiru 1952 Japan 6 The Godfather 1972 USA 31 Persona 1966 Sweden 56 Jules and Jim 1962 France 81 The Apartment 1960 USA 7 Apocalypse Now 1979 USA 32 Man With a Movie Camera 1929 USSR 57 Double Indemnity 1944 USA 82 Discreet Charm of the Bourgeoisie 1972 France 8 Tokyo Story 1953 Japan 33 E.T. the Extra-Terrestrial 1982 USA 58 Contempt (Le Mepris) 1963 France 83 The Seventh Seal 1957 Sweden 9 Taxi Driver 1976 USA 34 Star Wars Episode IV 1977 USA 59 Belle De Jour 1967 France 84 Wild Strawberries 1957 Sweden 10 Casablanca 1942 USA 35
    [Show full text]
  • 101 Films for Filmmakers
    101 (OR SO) FILMS FOR FILMMAKERS The purpose of this list is not to create an exhaustive list of every important film ever made or filmmaker who ever lived. That task would be impossible. The purpose is to create a succinct list of films and filmmakers that have had a major impact on filmmaking. A second purpose is to help contextualize films and filmmakers within the various film movements with which they are associated. The list is organized chronologically, with important film movements (e.g. Italian Neorealism, The French New Wave) inserted at the appropriate time. AFI (American Film Institute) Top 100 films are in blue (green if they were on the original 1998 list but were removed for the 10th anniversary list). Guidelines: 1. The majority of filmmakers will be represented by a single film (or two), often their first or first significant one. This does not mean that they made no other worthy films; rather the films listed tend to be monumental films that helped define a genre or period. For example, Arthur Penn made numerous notable films, but his 1967 Bonnie and Clyde ushered in the New Hollywood and changed filmmaking for the next two decades (or more). 2. Some filmmakers do have multiple films listed, but this tends to be reserved for filmmakers who are truly masters of the craft (e.g. Alfred Hitchcock, Stanley Kubrick) or filmmakers whose careers have had a long span (e.g. Luis Buñuel, 1928-1977). A few filmmakers who re-invented themselves later in their careers (e.g. David Cronenberg–his early body horror and later psychological dramas) will have multiple films listed, representing each period of their careers.
    [Show full text]
  • Image to Infinity: Rethinking Description and Detail in the Cinema
    IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA by Alison L. Patterson BS, University of Pittsburgh, 1997 MA, Cinema Studies New York University, 2001 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Critical and Cultural Studies University of Pittsburgh 2011 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Alison L. Patterson It was defended on February 23, 2011 and approved by Troy Boone, PhD, Associate Professor, English Adam Lowenstein, PhD, Associate Professor, English Colin MacCabe, PhD, Distinguished University Professor, English Randall Halle, PhD, Klaus W. Jonas Professor of German and Film Studies Dissertation Director: Marcia Landy, PhD, Distinguished Professor, English ii Copyright © Alison L. Patterson 2011 All Rights Reserved iii IMAGE TO INFINITY: RETHINKING DESCRIPTION AND DETAIL IN THE CINEMA Alison L. Patterson, PhD University of Pittsburgh, 2011 In the late 1980s, historian Hayden White suggested the possibility of forms of historical thought unique to filmed history. White proposed the study of “historiophoty,” an imagistic alternative to written history. Subsequently, much scholarly attention has been paid to the category of History Film. Yet popular concerns for historical re‐presentation and heritage have not fully addressed aesthetic effects of prior history films and emergent imagistic‐historiographic practices. This dissertation identifies and elaborates one such alternative historiographic practice on film, via inter‐medial study attending to British and American history films, an instance of multi‐platform digital historiography, and an animated film – a category of film often overlooked in history film studies.
    [Show full text]
  • The Flick Written by Annie Baker X Directed by Bridget Kathleen O’Leary P L O R Dramaturgical Packet Compiled by E Amelia Dornbush 2
    !1 e The Flick Written by Annie Baker x Directed by Bridget Kathleen O’Leary p l o r Dramaturgical Packet Compiled by e Amelia Dornbush !2 Table of Contents Dramaturg’s Note…………………………….……….……….………………………….……..3 About the Playwright………………..…….……………………………………………………..4 Biography……………………..….………………………………………………………..4 Baker’s reflections on The Flick…………….…………………………………………….4 Interview with the Creators………………………………………….…………..….….……5-10 Interview with the director……………………………………………..………….……5-7 Interview with the actor playing Avery……….…………………………………….…8-10 The Place: Worcester County…………………….………….………….……………….……..11 Minimum Wage in Summer of 2012……………….…….…………………………………….12 Mental Health and Sexuality…………………………………….………….….………….…..13 Depression………………………………………………………………………………..13 Autoeroticism…………………….……………………….…………….……….……….13 Six Degrees of Kevin Bacon………………………….…..…………………………………….14 35mm v. Digital………………………………………………………………….…….…….15-17 Glossary……………………………………………………………….…………….……….18-28 !3 Dramaturg’s Note The Flick is a beautifully constructed play that carefully contrasts the rousing emotions and nostalgia evoked by cinema with the world of our day to day lives. One of the ways in which Baker creates this contrast is through the repetition of sounds from François Truffaut’s 1962 French film Jules and Jim in The Flick. This repetition causes us to ask ourselves as audience members – why is this particular movie referred to so many times over the course of the play? One clue to this can be found by examining the similarities and differences between the two works. Both stories depict characters searching for happiness. Both follow two men and a woman as their lives intertwine. Both depict versions of love and betrayal. Still, there are differences. Truffaut’s lead characters, all white, magically seem to have enough money to support their lives in country cabins and Parisian apartments as writers. They both have a passionate sexual relationship with the same woman, and both relationships fail spectacularly in different ways.
    [Show full text]
  • This Is a List of the Titles and Classmarks of the Library's DVD Collection As of November 2018 for Quick Reference. the Colle
    St John’s College Library DVD Collection This is a list of the titles and classmarks of the Library’s DVD collection as of November 2018 for quick reference. The collection can be browsed in the AV Room on the First Floor, and current availability can be found via the online catalogue. The collection is constantly being updated so for the most up to date titles, please search the online catalogue. The first section of this guide is organised alphabetically by title. The second section is organised by language/country. Title Call Number 8 1/2 DVD ITA.ott.fel 8 1/2 DVD ITA.ott.fel 36 DVD FRE.tre.mar 1871 DVD ENG.eig.mcm 1984 DVD ENG.nin.rad 2046 DVD CHI.twe.won 10 Cloverfield Lane DVD ENG.ten.tra 10 things I hate about you DVD ENG.ten.jun 1000 Dollari sul nero = Blood at Sundown DVD ITA.mil.sir 10000 dollari per un massacro = $10000 blood money DVD ITA.die.gue 12 years a slave DVD ENG.twe.mcq 20,000 days on Earth DVD ENG.twe.for 2001 : a space odyssey DVD ENG.two.kub 28 days later DVD ENG.twe.boy 2point4 children the complete series three DVD ENG.two.mar 3 godfathers DVD ENG.thr.for 45 years DVD ENG.for.hai 47 ronin DVD JAP.shi.ich 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 50 years of the Cuban revolution DVD SPA.fif.cub 60s collection DVD FRE.god.god 8 women DVD FRE.hui.ozo A beautiful mind DVD ENG.bea.how A bit of Fry and Laurie the complete fourth series DVD ENG.bit.spi A bronx tale DVD ENG.bro.den A bullet for the general DVD ITA.qui.dam A Christmas tale a film by Arnaud Desplechin.
    [Show full text]
  • Gandhi, the Making of the Mahatma, and Gandhi, My Father
    The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father C.S.H.N. MURTHY, [email protected] OinamBedajit Meitei, Dapkupar TARIANG Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu Abstract For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. Using Bingham’s (2010) discursive analysis on biopic films, the study seeks to show how Gandhi is perceived and depicted through the lenses of these three eminent directors vis-à-vis others from the point of intertextuality both ideologically and politically. Further the study would elaborate how different personal and social events in Gandhi’s life are weaved together by these directors to bring out the character of Bapu or Mahatma from Gandhi. For all the above critique, Gandhi’s autobiography-The Story of My Experiments with Truth-has been taken as a base referent. Keywords: Comparative analysis, Inter-textuality, Gandhian Ethos, Portrayal, crisscross critiquing, Mahatma, etc. CINEJ Cinema Journal : The Tale of Gandhi through the lens New articles in this journal are licensed under a Creative Commons Attribution 3.0 United Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu 4 States License.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Viewing Box That Played the Short Moving Pictures That Edison Had Made
    Jake Rosenblatt Honors Tutorial College Senior Thesis This thesis has been approved by The Honors Tutorial College and the School of Film ____________________________________ Steve Ross Director, School of Film Thesis Advisor ____________________________________ Jeanette Buck Honors Tutorial College, Director of Studies Film ____________________________________ Jeremy Webster Dean, Honors Tutorial College 1 Jake Rosenblatt Honors Tutorial College Senior Thesis CINEMATIC STYLE: THE EFFECTS OF TECHNOLOGY A Thesis Presented to The Honors Tutorial College Ohio University In Partial Fulfillment Of the Requirements for Graduation From the Honors Tutorial College With the degree of Bachelor of Fine Arts By Jacob A. Rosenblatt 2010 2 Jake Rosenblatt Honors Tutorial College Senior Thesis Cinematic Style: The Effects of Technology 3 Jake Rosenblatt Honors Tutorial College Senior Thesis Table of Contents Introduction: The Path of Light……………………......5 Part I. Early Cinema: 1835-1913……………………….11 Part II. The Silent Era: 1913-1927……………………..23 Part III. The Studio Era: 1927-1950………………...…20 Part IV. The Adaptive Era: 1950-1970………………...41 Part V. The Hollywood Renaissance: 1970-1980………51 Part VI. The Modern Age: 1980-Current………………60 Image Index………………………………………………69 Bibliography…………………………………………….74 4 Jake Rosenblatt Honors Tutorial College Senior Thesis The Path of Light Cinematography is defined as the art or technique of movie photography, including both the shooting and development of the film. Due to the nature of this craft there is basic technical understanding needed of the tools that Directors of photography use to control light. Before dissecting the technological developments that allowed and limited aesthetic choices, there must be a basic understanding of how this technology worked. Cinematography is essentially the control and manipulation of how light reacts chemically with the emulsion of the film stock.
    [Show full text]