Boston Symphony Orchestra Concert Programs, Summer, 1973

Total Page:16

File Type:pdf, Size:1020Kb

Boston Symphony Orchestra Concert Programs, Summer, 1973 People care about Dannon because Dannon cares about yogurt. The way Dannon watches over its yogurt! The fruit has to be just so. Everything has to be 100% natural— nothing artificial. Packages even spell out the dating in plain English. And they're delivered direct to each store— so the yogurt is always in fresh, perfect condition. Is it worth going to all this trouble? All we can tell you is that Dannon is America's best-selling yogurt by far. Dannon The natural one. No artificial anything. Milk Products, 22-11 38th Avenue, Long Island City, N.Y. 11101 a place to think A community planned to preserve the ecostructure of the original forest - dirt roads, hiking paths, lakes and ponds, clean air, 4 to 6 acres all by yourself, adjoining a 15,000 acre forest. Strong protective covenants, prices from $1 2,900 to $2 7, 000. Restricted to 155 lots. By appointment only. Tel. 413-623-8933 becket • #C Quality Shows at Boston University At Boston University School of Fine and Applied Arts we do more than teach musical performance, painting, and acting. We immerse our students in the arts. We expose them to a faculty of performing artists: men and women still actively engaged in distinguished careers (including twenty-eight current members of the Boston Symphony Orchestra, concert soloists, Broadway directors, and award-winning painters). We involve them in a full range of creative activity, teaching them the fundamentals of their crafts so that they may grow into innovative artists. We offer bachelor and master's degrees in acting, directing, design, and theater education; art education, graphic design, painting, and sculpture (bachelor level only); musical performance, history and literature of music, theory and com- position, and music education. And doctoral degrees in performance, music education, and composition. We proffer a degree of quality you won't find anywhere else! Boston University School of Fine and Applied Arts Norman Dello Joio, acting dean 855 Commonwealth Avenue Boston, Massachusetts 02215 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Adviser COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-SECOND SEASON 1972-1973 TANCLEWOOD 1973 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN ROBERT H. GARDINER JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB MRS JOHN M. BRADLEY E. MORTON JENNINGS JR PAUL C. REARDON RICHARD P. CHAPMAN EDWARD M. KENNEDY MRS GEORGE LEE SARGENT ABRAM T. COLLIER EDWARD G. MURRAY SIDNEY STONEMAN ARCHIE C. EPPS III JOHN T. NOONAN JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager DAVID ROCKEFELLER JR MARY H. SMITH FORRESTER C. SMITH Assistant Manager, Assistant Manager, Development Director Audience & Public Affairs Concerts & Artists JOHN H. CURTIS DANIEL R. GUSTIN RICHARD C. WHITE Public Relations Director Administrator of Assistant to Educational Affairs the Manager JAMES F. KILEY DONALD W. MACKENZIE Operations Manager, Operations Manager, Tanglewood Symphony Hall ANDREW RAEBURN Program Editor copyright © 1973 by Boston Symphony Orchestra Inc. TANGLEWOOD LENOX MASSACHUSETTS WP Make this day your way of life. Why not enjoy the Berkshires year You will own your own home, but 'round, in all its glorious seasons? all outside maintenance, including plowing, will Think of it. The green and lavender lawn mowing and snow hills, sparkling mountain streams, be done for you. blue lakes, and the sweet fragrance And more. of fresh air, all yours to enjoy any Your purchase price includes your time ... all the time ... in your own ownership share and full use of your in Berkshires. carefree home the own beautiful on-site 9 hole private Rolling Hills in the Berkshires is golf course, a swimming pool, two such a place, a 65 acre condominium tennis courts, and the Rolling Hills concept in the charming, peaceful Club House ... all built and ready village of Lenox. to use. Set in spacious, undulating acres There's more, so much more that of lawn, woodland, streams and ponds, there isn't room enough here to tell these homes offer you comfort, you about it. serenity and carefree living. Come see us. We're only a short drive away in Lenox, Massachusetts. Rolling Hills in the Berkshires BY WASSERMAN DEVELOPMENT CORP. Rt. 7-20, Lenox, Mass. 01240 Telephone (413) 637-2765 Open daily Noon to 8 p.m. Sat. and Sun. 8 a.m. to 8 p.m. BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Adviser COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. VERNON R. ALDEN Chairman LEONARD KAPLAN Vice-Chairman MRS STEPHEN V. C. MORRIS Secretary HAZEN H. AYER HENRY B. DEWEY JOHN McLENNAN MRS FRANK G. ALLEN RICHARD A. EHRLICH LAWRENCE K. MILLER ROBERT C. ALSOP BYRON K. ELLIOTT MRS CHARLES L. MOORE LEO L. BERANEK PAUL FROMM FRANK E. MORRIS DAVID W. BERNSTEIN CARLTON P. FULLER DAVID MUGAR MRS CURTIS B. BROOKS MRS JOHN L. GRANDIN JOHN T. G. NICHOLS J. CARTER BROWN STEPHEN W. GRANT DAVID R. POKROSS CURTIS R. BUTTENHEIM FRANCIS W. HATCH |R MRS BROOKS POTTER MRS MARY LOUISE CABOT MALCOLM HECHT JR HERBERT W. PRATT MRS NORMAN L. CAHNERS JOHN HOLT MRS FAIRFIELD E. RAYMOND LEVIN H. CAMPBELL III MRS JIM LEE HUNT MRS GEORGE R. ROWLAND ERWIN D. CANHAM DAVID O. IVES MRS A. LLOYD RUSSELL GEORGE H. A. CLOWES JR MRS C. D. JACKSON DONALD B. SINCLAIR SILVIO O. CONTE MRS LOUIS I. KANE RICHARD A. SMITH JOHN L. COOPER GEORGE H. KIDDER MRS RICHARD H. THOMPSON ROBERT CUSHMAN LEON KIRCHNER STOKLEY P. TOWLES MICHAEL J. DALY MAURICE LAZARUS ROBERT G. WIESE NELSON J. DARLING JR VINCENT C. ZIEGLER Spend an evening-or a week-with us! A lot of places serve steak. But The Colonial Hilton Inn— a magnificent modern there's only one steak house like 1 4-story inn right in the heart of the Berkshires the Branding Iron. Maybe it's the ...a complete resort complex with luxurious charcoal broiling, or the salad bar air-conditioned rooms and suites, dining in or the draft beer. Maybe it's the three restaurants, glass-domed pool, saunas, decor— as elegantly casual as any cinema, indoor parking and two-level shopping steak house and "saloon" east of plaza— all under one roof.* San Francisco . .with flickering gas- lights, polished walnut and shining George Page's Colonial Cafe Shop— breakfast, brass. Restaurant— hearty lunch and cocktails New England fare in a by poolside. Good food, good company in a nos- tradition of elegance. talgic atmosphere— The Branding Top of the Common Iron, the most civilized steak house Lautrec Lounge- . skytop cocktail lounge cocktails and ooh-la-la with dancing and live in the Berkshires. in a very intimate entertainment; luncheon atmosphere. buffet on weekdays. WSM ISDN. JIDolonioJ Hilton Inn Welcome is just the beginning. PLAZA LEVEL, BERKSHIRE COMMON, PITTSFIELD Berkshire Common, Pittsfield (413) 499-2000 Mnquire about our seasonal package plans. L&_ sDl ««RVf After months, perhaps years of dreaming of building your own home, you are now settling down to the serious consideration of this important step. You are highly selective and very discriminating because you will be satisfied with nothing less than the best. You will demand excellence of design, the highest order of craftsmanship, and the finest of quality materials. You will require comprehensive information on which to base your choice and the assurance of an unquestionable integrity on the part of the source selected. If this describes your situation, may we suggest you inquire about a Deck House. DECK HOUSE Model Homes may be seen in Carlisle and Boxford, Mass. (617) 369-7000; Redding Ridge, Conn. (203)938-2522; Annapolis, Md. (301) 849-2411; and Durham, N.C. (919) 489-8883. Or send $2.00 for a completely informative, illustrated brochure to: DECK HOUSE8 INC DEPT. T 930 MAIN STREET, ACTON, MASS. 01720 LOAMS Harrington Savings. Great. 244 Main Street, Great Barrington, 528-1190 Main Street, Sheffield, 229-8516 BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Adviser COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors • .:> JOSEPH SILVERSTEIN Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertmaster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Jerome Rosen Mischa Nieland Max Hobart Jerome Patterson Rolland Tapley Robert Ripley contra bassoon Roger Shermont Luis Leguia Richard Plaster Max Winder Carol Procter Harry Dickson Ronald Feldman Gottfried Wilfinger Joel Moerschel horns Fredy Ostrovsky Jonathan Miller Charles Kavaloski Leo Panasevich Charles Yancich Sheldon Rotenberg Harry Shapiro Alfred Schneider basses David Ohanian Stanley Benson r Henry Portnoi Richard Mackey Gerald Gelbloom Ralph Pottle Raymond Sird William Rhein Ikuko Mizuno Joseph Hearne Bela Wurtzler Cecylia Arzewski trumpets Amnon Levy Leslie Martin John Salkowski Armando Ghitalla John Barwicki Roger Voisin Robert Olson Andre Come Lawrence Wolfe Gerard Goguen second violins trombones Clarence Knudson flutes Fahnestock chair Doriot Anthony Dwyer William Gibson William Marshall Walter Piston chair Ronald Barron Michel Sasson James Pappoutsakis Gordon Hallberg Ronald Knudsen Paul Fried Leonard Moss William Waterhouse tuba Laszlo Nagy n, piccolo Chester Schmitz Michael Vitale 7 Spencer Larrison Lois Schaefer timpani Marylou Speaker Darlene Gray Everett Firth ,j^>» Ronald Wilkison oboes Harvey Seigel Ralph Gomberg Bo Youp Hwang percussion John Holmes Charles Smith Wayne Rapier Arthur Press assistant timpanist Thomas Gauger english horn Frank Epstein violas Laurence Thorstenberg Burton Fine harps Charles S. Dana chair Reuben Green clarinets Bernard Zighera Eugene Lehner Ann Hobson Harold Wright George Humphrey Ann S.
Recommended publications
  • Festival of Strings 2017 Flier
    Festival of Strings 2017 Five Consecutive days of Concerts and Master Classes with Internationally Recognized Artists and our own SHSU faculty Dylana Jenson (violin), The Solera String Quartet with Josu de Solaun (piano), The Kolonneh String Quartet (SHSU faculty) • Thursday, October 5, Concert Hall, 2:30-5:00 pm Master class with Dylana Jenson • Friday, October 6, Recital Hall 1:00-3:00 pm Master class with Dylana Jenson • Friday, October 6, Concert Hall, 7:30 pm SHSU Symphony Orchestra Concert with guest soloist Daniel Saenz (cello) VENUE CHANGE! • Saturday, October 7, Recital Hall, 7:30 pm University Heights Baptist Church Guest Artist Recital 2400 Sycamore Ave, Huntsville, TX 77340 Dylana Jenson, (violin) with Josu de Solaun (piano) •Sunday, October 8, Recital Hall, 3:30 pm Guest Artist Recital The Solera String Quartet with Josu de Solaun (piano) • Monday, October 9, Recital Hall, 7:30 pm The Kolonneh String Quartet www.shsu.edu/music/events Sam Houston State University Festival of Strings 2017 Guest Artists DYLANA JENSON Dylana Jenson has performed with most major orchestras in the United States and traveled to Europe, Australia, Japan and Latin America for concerts, recitals and recordings. After her triumphant success at the Tchaikovsky Competi- tion, where she became the youngest and first American woman to win the Silver Medal, she made her Carnegie Hall debut playing the Sibelius Concerto with Eugene Ormandy and the Philadelphia Orchestra. Following her most recent Carnegie Hall performance, Jenson again electrified both audience and critics in her per- formance of Karl Goldmark's violin concerto. According to Strad Magazine, "In Jenson's hands, even lyrical passages had an intense, tremulous quality..
    [Show full text]
  • N E W S R E L E A
    N E W S R E L E A S E CONTACT: Katherine Blodgett Vice President of Public Relations and Communications Phone: 215.893.1939 E-mail: [email protected] Jesson Geipel Public Relations Manager FOR IMMEDIATE RELEASE Phone: 215.893.3136 DATE: October 18, 2012 E-mail: [email protected] YANNICK NÉZET-SÉGUIN’S INAUGURAL SEASON AS MUSIC DIRECTOR OF THE PHILADELPHIA ORCHESTRA BEGINS THURSDAY, OCTOBER 18, 2012, WITH A GALA CONCERT FEATURING THE INCOMPARABLE RENÉE FLEMING Opening Weeks of Nézet-Séguin’s Tenure to Feature Verdi’s Requiem, His Carnegie Hall Debut, and Concerts with Violinist Joshua Bell (Philadelphia, October 18, 2012)—Yannick Nézet-Séguin officially begins his tenure as The Philadelphia Orchestra’s eighth music director with a gala Opening Concert on October 18, 2012, two weeks of subscription concerts at the Orchestra’s home in Verizon Hall at the Kimmel Center, and with his Carnegie Hall debut on October 23 in New York City. Nézet-Séguin was named music director designate of the legendary ensemble in 2010. The gala concert, featuring soprano Renée Fleming, includes Ravel’s Shéhérazade, Brahms’s Symphony No. 4, and “Mein Elemer!” from Arabella by Richard Strauss. For the Orchestra’s first subscription series at the Kimmel Center and for his Carnegie Hall debut, Nézet-Séguin has chosen Verdi’s Requiem, featuring soprano Marina Poplavskaya, mezzo-soprano Christine Rice, tenor Rolando Villazón, bass Mikhail Petrenko, and the Westminster Symphonic Choir. Philadelphia Orchestra Association President and CEO Allison Vulgamore said, “This is the launch of a new chapter for The Philadelphia Orchestra. We have been anticipating this moment for what seems a very long time, and the entire organization couldn’t be more thrilled that it is finally upon us.
    [Show full text]
  • THE KOSCIUSZKO FOUNDATION CHOPIN PIANO COMPETITION HISTORICAL OVERVIEW in 1949, to Mark the Centennial of the Death of Fryderyk
    THE KOSCIUSZKO FOUNDATION CHOPIN PIANO COMPETITION HISTORICAL OVERVIEW In 1949, to mark the centennial of the death of Fryderyk Chopin, the Kosciuszko Foundation’s Board of Trustees authorized a National Committee to encourage observance of the anniversary through concerts and programs throughout the United States. Howard Hansen, then Director of the Eastman School of Music, headed this Committee, which included, among others, Claudio Arrau, Vladimir Horowitz, Serge Koussevitzky, Claire Booth Luce, Eugene Ormandy, Artur Rodzinski, George Szell, and Bruno Walter. The Chopin Centennial was inaugurated by Witold Malcuzynski at Carnegie Hall on February 14, 1949. A repeat performance was presented by Malcuzynski eight days later, on Chopin’s birthday, in the Kosciuszko Foundation Gallery. Abram Chasins, composer, pianist, and music director of the New York Times radio stations WQXR and WQWQ, presided at the evening and opened it with the following remarks: In seeking to do justice to the memory of a musical genius, nothing is so eloquent as a presentation of the works through which he enriched our musical heritage. … In his greatest work, Chopin stands alone … Throughout the chaos, the dissonance of the world, Chopin’s music has been for many of us a sanctuary … It is entirely fitting that this event should take place at the Kosciuszko Foundation House. This Foundation is the only institution which we have in America which promotes cultural relations between Poland and America on a non-political basis. It has helped to understand the debt which mankind owes to Poland’s men of genius. At the Chopin evening at the Foundation, two contributions were made.
    [Show full text]
  • A Career Filled with High Notes
    A Career Filled With High Notes Michael Tilson Thomas, now in the final season of his 25 years at the helm of the San Francisco Symphony, has left a profound imprint on both the orchestra and the city. By David Mermelstein March 3, 2020 Michael Tilson Thomas, music director of the San Francisco Symphony, in 2018 When Michael Tilson Thomas became music director of this city’s estimable but not very exciting or forward-looking symphony orchestra in 1995, he had been working in London and needed an American career boost, and the ensemble was looking for an energetic maestro who would elevate its profile and maybe even lend it “buzz.” A quarter-century later, their partnership stands as one of the great success stories in U.S. musical history, thanks in large part to Mr. Thomas’s searching intellect, fierce curiosity, and supreme repertorial fluency. His direct connection to musical history, unmatched in our time, hasn’t hurt, either. As a result, the 109-year-old San Francisco Symphony is now widely regarded as among this country’s finest orchestras—right up there with East Coast titans like the New York Philharmonic, the Boston Symphony Orchestra and the Philadelphia Orchestra. West of Chicago, only the Los Angeles Philharmonic challenges San Francisco’s dominance. But nothing lasts forever, and Mr. Thomas, who turned 75 just before Christmas, is midway through his last season at the helm. Fittingly, the exit music, as it were, hearkens back to past triumphs. On Friday, Mr. Thomas and the orchestra will perform Mahler’s Symphony No.
    [Show full text]
  • A Listening Guide for the Indispensable Composers by Anthony Tommasini
    A Listening Guide for The Indispensable Composers by Anthony Tommasini 1 The Indispensable Composers: A Personal Guide Anthony Tommasini A listening guide INTRODUCTION: The Greatness Complex Bach, Mass in B Minor I: Kyrie I begin the book with my recollection of being about thirteen and putting on a recording of Bach’s Mass in B Minor for the first time. I remember being immediately struck by the austere intensity of the opening choral singing of the word “Kyrie.” But I also remember feeling surprised by a melodic/harmonic shift in the opening moments that didn’t do what I thought it would. I guess I was already a musician wanting to know more, to know why the music was the way it was. Here’s the grave, stirring performance of the Kyrie from the 1952 recording I listened to, with Herbert von Karajan conducting the Vienna Philharmonic. Though, as I grew to realize, it’s a very old-school approach to Bach. Herbert von Karajan, conductor; Vienna Philharmonic (12:17) Today I much prefer more vibrant and transparent accounts, like this great performance from Philippe Herreweghe’s 1996 recording with the chorus and orchestra of the Collegium Vocale, which is almost three minutes shorter. Philippe Herreweghe, conductor; Collegium Vocale Gent (9:29) Grieg, “Shepherd Boy” Arthur Rubinstein, piano Album: “Rubinstein Plays Grieg” (3:26) As a child I loved “Rubinstein Plays Grieg,” an album featuring the great pianist Arthur Rubinstein playing piano works by Grieg, including several selections from the composer’s volumes of short, imaginative “Lyrical Pieces.” My favorite was “The Shepherd Boy,” a wistful piece with an intense middle section.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THURSDAY A6 FRIDAY-SATURDAY 22 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President PHILIP K. ALLEN SIDNEY STONEMAN JOHN L. THORNDIKE Vice-President Vice-President Treasurer VERNON R. ALDEN MRS HARRIS FAHNESTOCK JOHN T. NOONAN ALLEN G. BARRY HAROLD D. HODGKINSON MRS JAMES H. PERKINS MRS JOHN M. BRADLEY E. MORTON JENNINGS JR IRVING W. RABB RICHARD P. CHAPMAN EDWARD M. KENNEDY PAUL C. REARDON ABRAM T. COLLIER EDWARD G. MURRAY MRS GEORGE LEE SARGENT ARCHIE C EPPS III JOHN HOYT STOOKEY TRUSTEES EMERITUS HENRY B. CABOT HENRY A. LAUGHLIN PALFREY PERKINS FRANCIS W. HATCH EDWARD A. TAFT ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR THOMAS W. MORRIS Executive Director Manager PAUL BRONSTEIN JOHN H. CURTIS MARY H. SMITH Business Manager Public Relations Director Assistant to the Manager FORRESTER C. SMITH DANIEL R. GUSTIN RICHARD C. WHITE Development Director Administrator of Assistant to Educational Affairs the Manager DONALD W. MACKENZIE JAMES F. KILEY Operations Manager, Operations Manager, Symphony Hall Tanglewood HARRY NEVILLE Program Editor Copyright © 1974 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS ^H jgfism SPRING LINES" Outline your approach to spring. In greater detail with our hand- somely tailored, single breasted, navy wool worsted coat. Subtly smart with yoked de- tail at front and back. Elegantly fluid with back panel. A refined spring line worth wearing. $150. Coats. Boston Chestnut Hill Northshore Shopping Center South Shore PlazaBurlington Mall Wellesley BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director COLIN DAVIS & MICHAEL TILSON THOMAS Principal Guest Conductors NINETY-THIRD SEASON 1973-1974 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC.
    [Show full text]
  • Season 2015-2016 the Philadelphia Orchestra Thursday, February 18, At
    Season 2015-2016 The Philadelphia Orchestra Thursday, February 18, at 8:00 Friday, February 19, at 2:00 Saturday, February 20, at 8:00 Michael Tilson Thomas Conductor Ives “Decoration Day,” from A Symphony: New England Holidays Brahms Serenade No. 2 in A major, Op. 16 I. Allegro moderato II. Scherzo: Vivace III. Adagio non troppo IV. Quasi menuetto V. Rondo: Allegro Intermission Tchaikovsky Symphony No. 2 in C minor, Op. 17 (“Little Russian”) I. Andante sostenuto—Allegro vivo II. Andantino marziale, quasi moderato III. Scherzo and Trio: Allegro molto vivace IV. Finale: Moderato assai—Allegro—Presto This program runs approximately 1 hour, 45 minutes. The February 18 concert is sponsored by Daniel K. Meyer, M.D. The February 19 concert is sponsored by Peter A. Benoliel and Willo Carey. The February 20 concert is sponsored by Judy and Peter Leone. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. Michael Tilson Thomas is music director of the San Francisco Symphony, founder and artistic director of the New World Symphony, and principal guest conductor of the London Symphony. He made his Philadelphia Orchestra debut in 1971 and returns to lead the ensemble in March 2017. Born in Los Angeles, he is the third generation of his family to follow an artistic career. He began his formal studies at USC where he studied piano and conducting and composition. At 19 he was named music director of the Young Musicians Foundation Debut Orchestra. During this same period he was pianist and conductor for Gregor Piatigorsky and Jascha Heifetz.
    [Show full text]
  • The Humanities in Western Tradition Volume Ii the Humanities in Western Tradition Volume Ii
    AUDIO COMPACT DISC TO ACCOMPANY The HumanitieIN THE WESTERNs TRADITION VOLUME II: RENAISSANCE TO PRESENT 3-44278 A 61336 Perry | Baker | Hollinger Perry Perry AUDIO COMPACT DISC TO ACCOMPANY | | Baker Baker ISBN 0-395-84818-0 | | Hollinger Hollinger ,!7IA3J5-ieibia!:m;k;k;K;K The HumanitieIN THE WESTERN TRADITIONs VOLUME II: RENAISSANCE TO PRESENT A 61336 3-44278 THE HUMANITIES IN WESTERN TRADITION VOLUME II THE HUMANITIES IN WESTERN TRADITION VOLUME II 1 (15.1) Weelkes: As Vesta Was From 14 (19.4) Beethoven: Symphony No. 5, I 27 (22.6) Mussorgsky: Pictures at an Latmos Hill Descending Exhibition, “Great Gate of Kiev” 15 (19.4) Beethoven: Symphony No. 5, 2 (15.2) Giovanni da Palestrina: Pope III/IV 28/29(22.7) Tchaikovsky: 1812 Overture Marcellus Mass, Credo 16 (19.5) Beethoven: Symphony No. 9, IV 30 (22.8) Debussy: La Mer, II Jeux de 3 (15.3) Monteverdi: L’Orfeo, Lasciete I Vagues 17 (20.1) Schubert: Erlkönig Monti 31 (23.1) Shoenberg: Variations, Theme 18 (20.2) Mendelssohn: Midsummer 4 (16.1) Vivaldi: Four Seasons, Spring, I and Variation IV Night’s Dream, Wedding March 5 (16.2) Handel: Messiah, “All We Like 32 (23.2) Ives: Fourth of July 19/20 (20.3) Berlioz: Symphonie Fantastique, Sheep” IV (23. 3) Stravinsky: The Rite of Spring 6/7 (16.3) Bach: Passacaglia in C Minor 33 Augers of Spring 21 (20.4) Chopin: Polonaise in A Flat 34 Mock Abduction 8 (16.4) Bach: Brandenburg Concerto No. Major 35 Rounds 2, II 22 (22.1) Verdi: Nabucco, “Coro di Schiavi 36 (24.1) Joplin: Maple Leaf Rag 9(16.5) Bach: St.
    [Show full text]
  • 2018-2019 Mostly Music: Franz Schubert
    Mostly Music Franz Schubert (1797-1828) Mostly Music Franz Schubert Thursday, March 14th at 7:30 p.m. Amarnick-Goldstein Concert Hall Dr. Thomas L. McKinley, Host Sonata in a minor D. 821 “Arpeggione” I. Allegro moderato II. Adagio III. Allegretto Eric Varner, bassoon Lisa Leonard, piano Fantasy in f minor, Op. 103, D. 940 for piano four-hands I. Allegro Molto moderato II. Largo III. Scherzo: Allegro vivace IV. Finale: Allegro molto moderato Roberta Rust & Sheng-Yuan Kuan, pianists Intermission Trio No. 2 in E-flat Major Op. 100, D. 929 I. Allegro II. Andante con moto III. Scherzando- allegro moderato IV. Allegro moderato Carol Cole, violin David Cole, cello Sheng-Yuan Kuan, piano Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. Unauthorized recording or photography is strictly prohibited Carol Cole’s appearances in the United States, Canada, South America, North Africa, China, and throughout Europe have brought unanimous critical praise for her musical artistry, flawless technique and beautiful tone. “She knows how to capture the hearts of her listeners,” writes the Messaggero of Venice, Italy; “Passionate violin playing, carefully sculpted and crafted,” notes The Pocono Record in Pennsylvania. From Saratoga, New York, the Post Star described her playing as “brilliant, focused and impassioned – exceptional.” The Philadelphia Inquirer reviewed Ms. Cole’s performance at the Mozart- on-the-Square Chamber Music Series as “providing firm, accurate and spirited leadership – her sense of timing and sound (are) musical indeed.” Equally at home as a soloist, chamber musician and orchestra leader, Cole has appeared at major music centers in more than 22 countries and 25 U.S.
    [Show full text]
  • GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS? With
    GUEST ARTIST RECITAL KEYBOARD CONVERSATIONS® with JEFFREY SIEGEL Franz Schubert in the Age of the Sound Bite Tuesday, October 29, 2013 8:00 p.m. Lillian H. Duncan Recital Hall PROGRAM Three Waltzes Franz Schubert (1797-1828) Impromptu in E-flat Major, Op. 90, No. 2 (D. 899) Impromptu in F Minor, Op. 142, No. 4 (D. 935) INTERMISSION Sonata in B-flat, Op. Posthumous (D. 960) Molto moderato Andante sostenuto Scherzo: Allegro vivace con delicatezza Allegro, ma non troppo Questions and Answers Please join us for a reception in the Grand Foyer immediately following the concert. BIOGRAPHY American pianist JEFFREY SIEGEL returns to the Shepherd School for the third consecutive season to present Keyboard Conversations®. Jeffrey Siegel has been soloist with the world’s great orchestras. Abroad, these include the Berlin Philharmonic, London Symphony, Philharmonic and Philharmonia, Moscow State Symphony, Munich’s Bayerischer Rund- funk, the Amsterdam, Oslo and Stockholm Philharmonic, Orchestra of La Scala and NHK Symphony of Japan. In the United States, engagements include the New York Philharmonic, Los Angeles Philharmonic, The Phila- delphia Orchestra, The Cleveland Orchestra, Boston Symphony Orches- tra and Chicago Symphony Orchestra. Mr. Siegel has collaborated with many of the pre-eminent conductors of our time: Claudio Abbado, Pierre Boulez, Charles Dutoit, Neeme Järvi, James Levine, Lorin Maazel, Zubin Mehta, Leonard Slatkin, Michael Tilson Thomas, and David Zinman, as well as legendary maestros of the past, including Eugene Ormandy, Sir George Solti, William Steinberg, Klaus Tennstedt and Yevgeny Svetlanov. In addition to his solo appearances, Jeffrey Siegel presents Keyboard Conversations®, a brilliantly polished concert-with-commentary format in which captivating remarks precede virtuoso performances of piano masterpieces.
    [Show full text]
  • A CONCERT with COMMENTARY, JEFFREY SIEGEL to PRESENT MOZART and HAYDN “The Leonard Bernstein of the Piano” Returns for His Ninth Season
    Contact: Dave Webb Phone: 530-400-1253 E-mail: [email protected] Web: harriscenter.net/about/press-room A CONCERT WITH COMMENTARY, JEFFREY SIEGEL TO PRESENT MOZART AND HAYDN “The Leonard Bernstein of the piano” returns for his ninth season (August 2, 2019, Folsom, CA) Hailed as “an artist who means every note he plays” (New York Times), internationally acclaimed pianist Jeffrey Siegel brings power and passion to his celebrated Keyboard Conversations — returning to Folsom for his ninth season. He has been called “the Leonard Bernstein of the piano” (Chicago Tribune); "Jeffrey Siegel has everything: massive technique, musical sensitivity and character, wide tonal resources, immense reserves of power, and the ability to communicate" (Los Angeles Times). In presenting these “concerts with lively commentary” Mr. Siegel offers comments on the work, the composer, even the times in which the work was composed and then gives a virtuosic performance of a piano masterpiece. A lively Q&A concludes the concert. His presentations enrich the listening experience for the avid music lover as well as provide an inviting, instantly accessible introduction to great music for those new to classical music. "Siegel's programs strengthen the fragile bonds of communication between composer and listener and are as welcome as they are rare." (Chicago Tribune). For his concert on Saturday, August 24, Mr. Siegel will perform MOZART AND HAYDN – HUMOR AND HEARTACHE, an evening of irresistible charm and wit – and deep anguish and sadness. Haydn’s exuberant “Gypsy Rondo” and melancholy “F Minor Variations,” Mozart’s passionate “A Minor Sonata.” The inaugural Keyboard Conversations® With Jeffrey Siegel commences on Saturday, August 24 at 7:30 pm.
    [Show full text]
  • Eugene Ormandy Commercial Sound Recordings Ms
    Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985
    [Show full text]