Opera in Concert 2018/19 Opens with Scottish Premiere of Puccini's Edgar
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Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R. -
TURANDOT Cast Biographies
TURANDOT Cast Biographies Soprano Martina Serafin (Turandot) made her San Francisco Opera debut as the Marshallin in Der Rosenkavalier in 2007. Born in Vienna, she studied at the Vienna Conservatory and between 1995 and 2000 she was a member of the ensemble at Graz Opera. Guest appearances soon led her to the world´s premier opera stages, including at the Vienna State Opera where she has been a regular performer since 2005. Serafin´s repertoire includes the role of Lisa in Pique Dame, Sieglinde in Die Walküre, Elisabeth in Tannhäuser, the title role of Manon Lescaut, Lady Macbeth in Macbeth, Maddalena in Andrea Chénier, and Donna Elvira in Don Giovanni. Upcoming engagements include Elsa von Brabant in Lohengrin at the Opéra National de Paris and Abigaille in Nabucco at Milan’s Teatro alla Scala. Dramatic soprano Nina Stemme (Turandot) made her San Francisco Opera debut in 2004 as Senta in Der Fliegende Holländer, and has since returned to the Company in acclaimed performances as Brünnhilde in 2010’s Die Walküre and in 2011’s Ring cycle. Since her 1989 professional debut as Cherubino in Cortona, Italy, Stemme’s repertoire has included Rosalinde in Die Fledermaus, Mimi in La Bohème, Cio-Cio-San in Madama Butterfly, the title role of Manon Lescaut, Tatiana in Eugene Onegin, the title role of Suor Angelica, Euridice in Orfeo ed Euridice, Katerina in Lady Macbeth of Mtsensk, the Countess in Le Nozze di Figaro, Marguerite in Faust, Agathe in Der Freischütz, Marie in Wozzeck, the title role of Jenůfa, Eva in Die Meistersinger von Nürnberg, Elsa in Lohengrin, Amelia in Un Ballo in Machera, Leonora in La Forza del Destino, and the title role of Aida. -
MODELING HEROINES from GIACAMO PUCCINI's OPERAS by Shinobu Yoshida a Dissertation Submitted in Partial Fulfillment of the Requ
MODELING HEROINES FROM GIACAMO PUCCINI’S OPERAS by Shinobu Yoshida A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2011 Doctoral Committee: Associate Professor Naomi A. André, Co-Chair Associate Professor Jason Duane Geary, Co-Chair Associate Professor Mark Allan Clague Assistant Professor Victor Román Mendoza © Shinobu Yoshida All rights reserved 2011 TABLE OF CONTENTS LIST OF FIGURES ...........................................................................................................iii LIST OF APPENDECES................................................................................................... iv I. CHAPTER ONE........................................................................................................... 1 INTRODUCTION: PUCCINI, MUSICOLOGY, AND FEMINIST THEORY II. CHAPTER TWO....................................................................................................... 34 MIMÌ AS THE SENTIMENTAL HEROINE III. CHAPTER THREE ................................................................................................. 70 TURANDOT AS FEMME FATALE IV. CHAPTER FOUR ................................................................................................. 112 MINNIE AS NEW WOMAN V. CHAPTER FIVE..................................................................................................... 157 CONCLUSION APPENDICES………………………………………………………………………….162 BIBLIOGRAPHY.......................................................................................................... -
The Morgan to Display Original Manuscripts from Madama Butterfly and La Bohème in New Exhibition on Giacomo Puccini
Press Contacts Patrick Milliman 212.590.0310, [email protected] Sandra Ho 212.590.0311, [email protected] THE MORGAN TO DISPLAY ORIGINAL MANUSCRIPTS FROM MADAMA BUTTERFLY AND LA BOHÈME IN NEW EXHIBITION ON GIACOMO PUCCINI SHOW MARKS 150th ANNIVERSARY OF THE GREAT COMPOSER’S BIRTH Celebrating Puccini on View September 15, 2009, through January 10, 2010 New York, NY, July 24, 2009—The life and art of one of opera’s iconic figures, composer Giacomo Puccini, is the subject of a new exhibition opening September 15 at The Morgan Library & Museum. On view are approximately forty items related to Puccini’s career, including rarely seen original sketches for his acclaimed operas Madama Butterfly and La Bohème. The exhibition celebrates the 150th anniversary (2008– 09) of Puccini’s birth in Lucca, Italy, on December 22, 1858. The show runs through January 10, 2010. In addition to original manuscripts, the exhibition also includes a display of first-edition librettos, personal letters, a period poster and playbills, souvenir postcards, and rare material linked to Puccini’s relationship with such legends as Enrico Caruso and Arturo Toscanini. The exhibition is drawn almost exclusively from the Morgan’s extensive music holdings, including the Cary, Heineman, and Fuld collections, as well as the Robert Owen Lehman Collection, which is on deposit at the Morgan. “The Morgan is delighted to bring to life this major figure in operatic history,” said William M. Griswold, director of the Morgan. “So many of Giacomo Puccini , La Bohème, sketches for Act IV, 1895.The Dannie and Hettie Heineman Collection. Heineman MS 173B. -
Manon Lescaut Composer Biography: Giacomo Puccini
Manon Lescaut Composer Biography: Giacomo Puccini Born 22nd December 1858 in Lucca, Italy, music was in Puccini's blood, but he was not a wunderkind. Except for a handful of compositions, he was an opera composer, full stop, he never even conducted a single piece that he wrote. Puccini's father, among other duties, was director of the local conservatoire and church organist. When he died in 1864, Puccini's uncle succeeded him in those posts, although the six-year-old Giacomo was to take over as organist as soon as he was "able to discharge such duties," according to the official decree. Puccini never did take over, despite playing the organ and composing a few small pieces as a young man. He saw his first opera, Verdi's Aida, at fifteen and "felt that a musical window had opened." He started composing larger works with an eye toward attending the Milan conservatoire, where he matriculated in 1880. His first taste of success came in 1884 with the one-act opera and ballet Le willis (later renamed Le villi and changed to two acts). One month later his mother died and Puccini almost immediately eloped with Elvira Gemignani, a married woman with whom he would have a stormy relationship for the rest of his life. (They eventually married in 1904.) Puccini never worked quickly, always searching for the right subject matter, the one that would "make people weep, therein lies everything." Edgar, his first full-length opera, premiered at La Scala in 1889, five years after Le villi. It failed, receiving just three performances, and has never entered the repertory (the last Met staging was in 1909 while its Vienna premiere was 2005). -
Berliner Operngruppe and Bertelsmann Present Berlin Premiere of Puccini's 'Edgar'
PRESS RELEASE Berliner Operngruppe and Bertelsmann present Berlin Premiere of Puccini’s ‘Edgar’ Parts of the original score and other historical documents are housed at the Group’s own Archivio Storico Ricordi in Milan Berlin, January 21, 2019 – The Berliner Operngruppe and the international media company Bertelsmann continue their series to highlight rare operas with a performance of Giacomo Puccini’s early work “Edgar” in Berlin on February 4, 2019. First performed in Milan in 1889, this opera about love, loyalty and betrayal will be staged in the last version from 1905 – for the first time in Berlin, and as one of the first performances ever in Germany. Puccini’s early dramma lirico already hints at the musical genius that he would later reveal to perfection with operas such as “La Bohème,” “Tosca,” “Madama Butterfly,” and “Turandot.” With this performance of “Edgar,” the Berliner Operngruppe and Bertelsmann once again draw attention to lesser-known operas by great composers whose works are documented in Bertelsmann’s own Archivio Storico Ricordi in Milan. The Berlin-based opera group started doing so nine years ago; this marks the third time it has received active support from the media group. “Among the treasures in the Ricordi archive that Bertelsmann is indexing, digitizing, and restoring are world-famous masterpieces as well as musical rarities. It is important to us to revive these often unjustly forgotten works. We have found an ideal partner for this in Berliner Operngruppe,” said Karin Schlautmann, Head of Corporate Communications at Bertelsmann. The Berliner Operngruppe specializes in rare operas and will perform “Edgar” in semi-scenic form. -
Vincerò! Piotr Beczala
Vincerò! Piotr Beczala ORQUESTRA DE LA COMUNITAT VALENCIANA MARCO BOEMI VINCERÒ! Ruggero Leoncavallo (1857-1919): Pagliacci (1892) 13 Recitar … Vesti la giubba 3. 29 Giacomo Puccini (1858-1924): Tosca (1900) 1 Recondita armonia 2. 47 Giacomo Puccini: La Fanciulla del West (1910) 2 E lucevan le stelle 4. 15 14 Ch’ella mi creda libero e lontano 1. 49 Francesco Cilea (1866-1950): Adriana Lecouvreur (1902) Giacomo Puccini: Edgar (1888) 3 La dolcissima effigie 2. 03 15 Orgia, chimera dall’occhio vitreo 4. 54 4 L’anima ho stanca 1. 54 5 Il russo Mèncikoff ** 1. 55 Giacomo Puccini: Gianni Schicchi (1918) 16 Avete torto … Firenzo è come un albero fiorito 3. 11 Pietro Mascagni (1863-1945): Cavalleria rusticana (1890) 6 Intanto amici … Viva il vino spumeggiante * & ** 3. 01 Giacomo Puccini: Madama Butterfly (1904/1907) 7 Mamma, quel vino è generoso (Addio alla madre) * 3. 43 17 Addio fiorito asil 1. 59 Giacomo Puccini: Manon Lescaut (1893) Giacomo Puccini: Turandot (1926) 8 Donna non vidi mai 2. 24 18 Nessun dorma ** 3. 22 9 Tra voi, belle ** 1. 30 Total playing time: 52.56 Umberto Giordano (1867-1948): Andrea Chénier (1896) Piotr Beczala, tenor 10 Come un bel dì di maggio 2. 50 11 Un dì all’azzuro spazio (Improvviso) 5. 00 * Evgeniya Khomutova, mezzo-soprano (Centre de Perfeccionament Plácido Domingo) ** Cor de la Generalitat Valenciana Umberto Giordano: Fedora (1898) 12 Amor ti vieta 1. 41 Orquestra de la Comunitat Valenciana Conducted by Marco Boemi My new exciting project for 2020 is my recording of Verismo arias, ‘Vincerò!’, for my partners and friends at the ‘Label of the Year’ PENTATONE. -
Kyle Yampiro, Baritone
Kyle Yampiro , baritone 33 Joann Court, Oceanside, NY 11572 (516) 458-6749 | [email protected] DOB: 10/25/1988 Education Doctor of Musical Arts - James Madison University (Harrisonburg, VA) May 2016 Concentration: Voice Performance, Pedagogy, and Literature Optional Emphasis: Singing Health Specialist Teaching Assistantship Overall GPA: 3.8/4.0 DMA Document : Establishing Human Identity Through Randomly-Generated Lyrics : A Comprehensive Performer’s Analysis of Robert Paterson’s CAPTCHA and its Performance Teacher : Kevin McMillan, Grammy-winning Canadian baritone and pedagogue Master of Music - James Madison University (Harrisonburg, VA) May 2012 Concentration : Voice Performance Graduate Assistantship GPA : 3.9/4.0 Teacher : Kevin McMillan Bachelor of Music - University of Delaware (Newark, DE) May 2010 Concentration: Applied Music - Voice GPA : 3.6/4.0 Teacher : Dr. Blake Smith, Associate Professor of Voice and Director of Opera Theatre Student Singer – IU Jacobs School of Music (Bloomington, IN) Summer 2011 Program : Performance and Pedagogy Seminar Teachers include : Tim Noble, Stephen Robertson, Pat Misslin, Elizabeth Blades Skinner Teaching Experience Classroom Teaching Adjunct Professor of Music – Eastern Mennonite University (Harrisonburg, VA) Jan-May 2016 - Taught CMUS 322A: Music History, Ancient to Baroque, Writing Intensive, 9 students. Guest Artist Teacher – Shenandoah Valley Gov. School (Fishersville, VA) Mar-May 2016 - Taught a musical theatre audition prep class, 5 students. Included lecture, private sessions, and masterclass of audition cuts. Teaching Assistant – James Madison University (Harrisonburg, VA) Jan 2013-Dec 2015 - Taught MUS 131: Fundamentals of Music Theory in Spring 2014 and 2015, 25 students. - Taught GMUS 200: Music in General Culture in Fall 2014, 50 students. - Taught majors’ voice lessons and ran studio class in professor’s absence. -
Pathways for Understanding; La Boheme
2 Table of Contents An Introduction to Pathways for Understanding Study Materials 3 Production Information/Meet the Characters 4 The Story of La Bohème 5 The History of Puccini’s La Bohème 7 Guided Listening Che gelida manina! 10 Sì. Mi chiamano Mimì 11 O soave fanciulla 12 Quando me'n vo' 13 Donde lieta uscì 14 O Mimì, tu più non torni 15 Vecchia zimarra, senti 16 La Bohème Resources About the Composer 17 Puccini, Verismo, and La Bohème 20 Online Resources 23 Additional Resources The Emergence of Opera 24 Metropolitan Opera Facts 28 Reflections after the Opera 30 A Guide to Voice Parts and Families of the Orchestra 31 Glossary 32 References Works Consulted 36 2 An Introduction to Pathways for Understanding Study Materials The goal of Pathways for Understanding materials is to provide multiple “pathways” for learning about a specific opera as well as the operatic art form, and to allow teachers to create lessons that work best for their particular teaching style, subject area, and class of students. Meet the Characters / The Story/ Resources Fostering familiarity with specific operas as well as the operatic art form, these sections describe characters and story, and provide historical context. Guiding questions are included to suggest connections to other subject areas, encourage higher-order thinking, and promote a broader understanding of the opera and its potential significance to other areas of learning. Guided Listening The Guided Listening section highlights key musical moments from the opera and provides areas of focus for listening to each musical excerpt. Main topics and questions are introduced, giving teachers of all musical backgrounds (or none at all) the means to discuss the music of the opera with their students. -
Chan 3008 Book Cover.Qxd 15/10/07 10:38 Am Page 1
Chan 3008 book cover.qxd 15/10/07 10:38 am Page 1 Chan 3008(2) CHANDOS O PERA IN P u c c i n i ENGLISH La bohème David Parry PETE MOOES FOUNDATION CHAN 3008 BOOK.qxd 15/10/07 10:39 am Page 2 Giacomo Puccini (1858–1924) La bohème (A Bohemian Life) Opera in four acts Libretto by Giuseppe Giacosa and Luigi Illica after Henry Murger’s Scènes de la vie de bohème AKG English version by William Grist and Percy Pinkerton, with amendments by David Parry Marcello, a painter............................................................................................Alan Opie baritone Rodolfo, a poet ..............................................................................................Dennis O’Neill tenor Colline, a philosopher ........................................................................................Alastair Miles bass Schaunard, a musician ............................................................................William Dazeley baritone Benoit, the landlord ....................................................................................Andrew Shore baritone Mimì ......................................................................................................Cynthia Haymon soprano Parpignol, a toy-seller ....................................................................................Mark Milhofer tenor Musetta ................................................................................................Marie McLaughlin soprano Alcindoro, a state councillor ....................................................................................Andrew -
Giacomo Puccini from Wikipedia, the Free Encyclopedia
Giacomo Puccini From Wikipedia, the free encyclopedia Giacomo Puccini Giacomo Antonio Domenico Michele Secondo Maria Puccini ( 22 December 1858 – 29 November 1924) was an Italian composer whose operas are among the important operas played as standards. Puccini has been called "the greatest composer of Italian opera after Verdi". While his early work was rooted in traditional late-19th-century romantic Italian opera, he successfully developed his work in the realistic verismo style, of which he became one of the leading exponents. Family and education Puccini was born Giacomo Antonio Domenico Michele Secondo Maria Puccini in Lucca in Tuscany, in 1858. He was one of nine children of Michele Puccini and Albina Magi. The Puccini family was established in Lucca as a local musical dynasty by Puccini's great-great grandfather – also named Giacomo (1712–1781).This first Giacomo Puccini was maestro di cappella of the Cattedrale di San Martino in Lucca. He was succeeded in this position by his son, Antonio Puccini, and then by Antonio's son Domenico, and Domenico's son Michele (father of the subject of this article). Each of these men studied music at Bologna, and some took additional musical studies elsewhere. Domenico Puccini studied for a time under Giovanni Paisiello. Each composed music for the church. In addition, Domenico composed several operas, and Michele composed one opera. Puccini's father Michele enjoyed a reputation throughout northern Italy, and his funeral was an occasion of public mourning, at which the then-famed composer Giovanni Pacini conducted a Requiem. With the Puccini family having occupied the position of maestro di cappella for 124 years (1740–1864) by the time of Michele's death, it was anticipated that Michele's son Giacomo would occupy that position as well when he was old enough. -
Italian Mastermind: Puccini Part 2
Week 14: Italian Mastermind: Puccini Part 2 1. What opera by Puccini premiered at the Grand Theatre de Monte Carlo on March 27, 1917? A: La rondine La rondine (The Swallow) was initially conceived as an operetta, but Puccini eliminated spoken dialogue, rendering the work closer in form to opera. A modern reviewer described La rondine as "a continuous fabric of lilting waltz tunes, catchy pop-styled melodies, and nostalgic love music," while characterizing the plot as recycling characters and incidents from works like 'La traviata' and 'Die Fledermaus’.” Final scene of Act 3 of a 2009 Metropolitan Opera production of La rondine: https://www.youtube.com/watch?v=zSklQLkoymE La rondine had its Cincinnati Opera debut in 1973 and was last seen in 1984. 2. Il trittico is composed of three one-act operas, each concerning the concealment of a death, which one is not a part of it? A. II tabarro B. Suor Angelica C. Il Purgatorio D. Gianni Schicchi In 1918, Il trittico (The Triptych) premiered in New York in December 14, 1918. This work is composed of three one-act operas, each concerning the concealment of a death: a horrific episode (Il tabarro) in the style of the Parisian Grand Guignol, a sentimental tragedy (Suor Angelica), and a comedy (Gianni Schicchi). Initially, Puccini had planned each opera to reflect on Dante’s Divine Comedy, but decide to base it only on Gianni Schicchi. Ermonela Jaho sings ‘Senza mamma” from Royal Opera House’s 2015 production of Suor Angelica: https://www.youtube.com/watch?v=ZTB2OvpC1W0 Il tabarro had its Cincinnati Opera debut in 1975 and was last seen in 1982.