Modern Dream Analysis of the Poem the Chimney Sweeper

Total Page:16

File Type:pdf, Size:1020Kb

Modern Dream Analysis of the Poem the Chimney Sweeper Modern Dream Analysis of the poem The Chimney Sweeper (By William Blake) ARJUN PRAKASH Assistant Professor, P.G. Department of English, St. Philomena’s College (Autonomous), Mysuru Abstract Based on the research from internet, recent books and articles on dream analysis one can understand that dreams are often reflections of our anxiety and fears. Modern dream analysis is different from Freud’s Dream analysis and they help us to imbue our dreams with new meanings. This article is an attempt to do a dream analysis on William Blake’s poem The Chimney Sweeper. With some of the examples of modern dream analysis it tries to provide the reader with an ample idea of how the modern dream analysis is entirely different from traditional dream analysis by Freud. Introduction In 1789, Blake brought out his Songs of Innocence, which included the poem The Chimney Sweeper.A little boy who is the chimney sweeper is the speaker of the poem. In this poem the children, who are working as chimney sweepers desire to have a happy life with freedom. But the sad reality is that their only way to escape from their bleak life is to have dreams. So they dream of having freedom, hope that one day angels sent by God will come Philo Multi Disciplinary Journal ISSN 2456-9828 e-Journal April 2019 Page 1 and save them from this life in which they are trapped like salves. The poem also satirises the dark side of industrialisation that encouraged the child labour. The dreams that these chimney sweepers have are reflections of their anxiety. It highlights the sufferings that they are facing and also implies their desire to have free. These kids are doing work when it is their age to play, to make friends, to be careless, to learn, to enjoy and to smile with utmost happiness. Their hope to escape is transformed to their discipline to follow all rules and regulations that will ensure their safety. So without complaining Modern Dream analysis on Nightmares Some of our nightmares reflect our real life situations and is an indication to the problems that we are dealing in our life. Some of the common nightmares and their modern analysis include: Being chased When a person is having a nightmare of being chased it means, that person is stressed out in real life and is running away from the problem. It is also an indication of a person who is trying to get rid of the problem by running away from the stress. And in that nightmare if you can identify that person who is chasing you it means that they or that particular person is the cause of your anxiety. Snakes Snakes are symbol of change. Dreams about snakes, even in nightmares can be a good thing. Snakes in a dream even if it’s a scary dream can be a good omen because it could be a symbol of healing and transition. This concept is entirely different from the old concept put Philo Multi Disciplinary Journal ISSN 2456-9828 e-Journal April 2019 Page 2 forward by Sigmund Freud. According to Freud snakes in dreams represent lust and repressed physical desires. So there is a sharp contrast in the concepts put forward by modern dream analysis when compared to Freud’s dream analysis. Dream analysis of the poem In William Blake’s poem The Chimney Sweeper we see how industrialisation is favouring the child labour and small kids are forced to work as chimney sweepers. In the third stanza of the poem, a little boy Tom will have a nightmare that he was locked up in a black coffin. And so he was quiet, & that very night, As Tom was a-sleeping he had such a sight! That thousands of sweepers, Dick, Joe, Ned, & Jack, Were all of them locked up in coffins of black; ( Blake ) The dream that tom had is signifying two things according to the modern dream analysis. (i) Being trapped In modern dream analysis being trapped in a cage, building, room etc. represent the frustration ad life going out of that person’s control. A situation when one cannot control one’s own life and is so helpless and unable to handle this situation. Trapped in a relationship or situation can also manipulate the unconscious mind to dream like this. The dream of being trapped in the coffin is actually Tom’s frustration being reflected. Just because he was a chimney sweeper he was not allowed to have his white curly hair. He loved his hair but as a part of his job his head was shaved and he was sad that he lost his hair .it shows the miserable condition of a child labour where decisions were imposed on them and they had to follow the orders. This dream also represent that he is not in control of his life and is in a situation that he doesn’t want to be in. Philo Multi Disciplinary Journal ISSN 2456-9828 e-Journal April 2019 Page 3 (ii) Dying Modern studies say that dying in your dream can be a positive symbol. Death in the unconscious world represents change. For example seeing a dream of one’s own funeral may represent a personal rebirth. Tom is very sad that his head was shaved bare, and his white hair is all gone. So in that night he saw a dream of being trapped in a black coffin that is, he is seeing his own funeral. It represents the change, a part where he is getting mature enough to accept that he is a chimney sweeper and if he wants to survive, he will have to work hard. And so Tom awoke; and we rose in the dark And got with our bags & our brushes to work. Though the morning was cold, Tom was happy & warm; So if all do their duty, they need not fear harm. (Blake). The above lines shows Tom’s transition or personal rebirth from an innocent sad child to a mature child who has accepted the reality of his life and is happy to work in the morning time, either because he understood that there is no escape from this condition in his life or because of the hope that he got from the dream that if he will be a good child and will follow all the rules then no harm or danger will occur. Conclusion This is a poem which describes the major social evils that prevailed during the industrialisation such as: 1. Child labour. 2. Child neglect. 3. Condition of the poor children who were sold by their poor parents. 4. Child abuse. 5. Exploitation of children at tender age. 6. Bondage labour. Philo Multi Disciplinary Journal ISSN 2456-9828 e-Journal April 2019 Page 4 7. The pitiable condition of the orphaned children. The nightmares that these kids have are a reflection of the melancholic life that they have. Modern dream analysis show that their suffering in the real world manipulate their subconscious to have dreams of being trapped, dying, falling etc. It also points out the fear and anxiety that these kids experience when they are forced to work at a very young age. Works Cited Abrams, M.H. A Glossary of Literary Terms.New Delhi; Cengage Learning, 2012. Print. Barry, Peter. Beginning Theory.Bengaluru; Viva Books, 2010. Print. Blake, William. “The Chimney Sweeper.”Poeteryfoundation.org. N.p, n.d. Web. 25 Nov. 2018. Kumar, Dharmender. “The Chimney Sweeper by William Blake.” poemanalysis.com.N.p., n.d. Web. 26 Nov. 2018. Philo Multi Disciplinary Journal ISSN 2456-9828 e-Journal April 2019 Page 5 .
Recommended publications
  • William Blake's Songs of Innocence and of Experience: from Innocence to Experience to Wise Innocence Robert W
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1977 William Blake's Songs of Innocence and of Experience: From Innocence to Experience to Wise Innocence Robert W. Winkleblack Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Winkleblack, Robert W., "William Blake's Songs of Innocence and of Experience: From Innocence to Experience to Wise Innocence" (1977). Masters Theses. 3328. https://thekeep.eiu.edu/theses/3328 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. �S"Date J /_'117 Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because ��--��- Date Author pdm WILLIAM BLAKE'S SONGS OF INNOCENCE AND OF EXPERIENCE: - FROM INNOCENCE TO EXPERIENCE TO WISE INNOCENCE (TITLE) BY Robert W .
    [Show full text]
  • Tales of Cherry Blossom Dreams Kelly Dykstra Grand Valley State University, [email protected]
    Grand Valley State University ScholarWorks@GVSU Honors Projects Undergraduate Research and Creative Practice 8-2018 Tales of Cherry Blossom Dreams Kelly Dykstra Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/honorsprojects Part of the Creative Writing Commons, and the Japanese Studies Commons Recommended Citation Dykstra, Kelly, "Tales of Cherry Blossom Dreams" (2018). Honors Projects. 700. https://scholarworks.gvsu.edu/honorsprojects/700 This Open Access is brought to you for free and open access by the Undergraduate Research and Creative Practice at ScholarWorks@GVSU. It has been accepted for inclusion in Honors Projects by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Kelly Dykstra 1 1 In his old age the emperor was blessed with a son by one of his highest-ranking consorts. In the days of her youth she had been a favorite of the emperor, but it had been many years since she had last born him a child, and her beauty had begun to fade with age. In vain she made efforts to improve the quality of her salon, gathering many talented ladies in waiting around herself to draw the emperor’s attention. However, the emperor was seduced with the fresh beauty and childish charm of some of his younger consorts, and this lady was left to resign herself to remembrances of what had once been. There was a younger man at court who had desired this lady for years. He was generally agreed to be a highly desirable and most handsome gentleman, though this lady had stayed faithful to the emperor for years despite this man’s advances.
    [Show full text]
  • Directing an Immersive Adaptation of Strindberg's a Dream Play
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses October 2018 Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play Mary-Corinne Miller University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Dramatic Literature, Criticism and Theory Commons, Interactive Arts Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Miller, Mary-Corinne, "Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play" (2018). Masters Theses. 730. https://doi.org/10.7275/12087874 https://scholarworks.umass.edu/masters_theses_2/730 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2018 Department of Theater © Copyright by Mary Corinne Miller 2018 All Rights Reserved INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Approved as to style and content by: ____________________________________ Gina Kaufmann, Chair ____________________________________ Harley Erdman, Member ____________________________________ Gilbert McCauley, Member ____________________________________ Amy Altadonna, Member ____________________________ Gina Kaufmann, Department Head Department of Theater DEDICATION To my son, Everett You are my dream come true.
    [Show full text]
  • Binary Domination and Bondage: Blake's Representations of Race
    Binary Domination and Bondage: Blake’s Representations of Race, Nationalism, and Gender Katherine Calvin Submitted to the Department of English, Vanderbilt University, in partial fulfillment of the requirements for Honors in the Major, April 17, 2013 Table of Contents Introduction…………………………………………………..………………………1 I. Blake’s Theory and Technique…………………….…………………………………..3 II. Revealing (and Contesting) the Racial Binary in Blake’s “The Little Black Boy”.......14 III. Colonization, Revolution, and the Consequences in America, A Prophecy …...……..33 IV. Gender and Rhetoric in Visions of the Daughters of Albion …………………..…..…63 Conclusion…………………………………………………………………………….90 Selected Bibliography……………………………………………………...………….93 Introduction “Thy soft American plains are mine and mine thy north and south/ Stampt with my signet are the swarthy children of the sun.”1 In William Blake’s Visions of the Daughters of Albion, the rapist Bromion decries his victim Oothoon on the basis of three conflated identities: race, colonial status, and gender. With his seed already sown in her womb, he pledges that her “swarthy” offspring will bear not only his genetic signet but also labor in subservience to him, the colonial master. Bromion himself encompasses everything Oothoon is not—he is a white male in the act of colonization while she is a female lashed to the identity of America, which is ethnically and politically subservient. Written in an age of burgeoning political and social radicalism, Visions nonetheless fails to conclude with the triumphant victory of Oothoon,
    [Show full text]
  • AN UNPUBLISHED POEM ABOUT BLAKE by WILLIAM BELL SCOTT April and July 1825
    MINUTE PARTICULAR An Unpublished Poem nbout Blnke by Willinm Bell Scott George Goyder Blnke/An Illustrnted Qunrterly, Volume 10, Issue 4, Spring 1977, p. 125 125 UNNOTICED PRINTINGS OF BLAKE'S POEMS, March 1846. "The Lamb" from Innocence was printed in The Little Truth-Teller: A New Church 1825-1851 Magazine for Children, 1 (Philadelphia: Published by a Committee of the General Convention, 1846), 71. RAYMOND H. DECK, JR. January 1848. "Night" from Innocence was printed in The New Church Magazine for Children, 6 (Boston: I have discovered several printings of Blake's poems, Otis Clapp, 1848), 17-18. two of which are of particular interest because they occurred during the poet's lifetime. The texts of September 1851. "The Human Form" (i.e. "The these poems and the circumstances of their printings Divine Image" from Innocence) was printed in Heat are discussed in articles about C. A. Tulk, Blake's and Light for the Nineteenth Century, 1, No. 1 (Boston: Swedenborgian patron, and about Pamela Chandler Otis Clapp, September 1851), 32. Colman which I am now preparing for publication. The article about Mrs. Colman, complete with her Victorian illustrations of Blake's poems, will ap- pear in a future number of Blake Newsletter. AN UNPUBLISHED POEM ABOUT BLAKE BY WILLIAM BELL SCOTT April and July 1825. "The Divine Image" and "On Another's Sorrow" from Innocence were printed in The GEORGE GOYDER Dawn of Light and Theological Inspector, "Complete in One Volume" (London: Thomas Goyder, 1825), pp. 1 144, 252. My copy of the 1808 quarto edition of Blair's Grave is the original subscriber's copy which belonged to July and August 1843.
    [Show full text]
  • The Chimney Sweeper (Songs of Innocence)
    Get hundreds more LitCharts at www.litcharts.com The Chimney Sweeper (Songs of Innocence) An angel came along with a key and unlocked the coffins, POEM TEXT setting the sweeps free. Then they frolic in green fields, bathing in clear water and basking in the sun. 1 When my mother died I was very young, Naked, clean, and without their work implements, the sweeps 2 And my father sold me while yet my tongue rise up to heaven on clouds and play in the wind. The angel tells 3 Could scarcely cry "weep! weep! weep! weep!" Tom that if he behaves well God will take care of him and make sure he is happy. 4 So your chimneys I sweep & in soot I sleep. The next day, Tom woke up. We got out of bed before dawn and 5 There's little Tom Dacre, who cried when his head went with our bags and chimney brushes to our work. It was a 6 That curled like a lamb's back, was shaved, so I said, cold morning but Tom seemed fine. If we all just work hard, 7 "Hush, Tom! never mind it, for when your head's bare, nothing bad will happen. 8 You know that the soot cannot spoil your white hair." THEMES 9 And so he was quiet, & that very night, 10 As Tom was a-sleeping he had such a sight! 11 That thousands of sweepers, Dick, Joe, Ned, & Jack, HARDSHIP AND CHILDHOOD 12 Were all of them locked up in coffins of black; “The Chimney Sweeper” is a bleak poem told from the perspective of a chimney sweep, a young boy 13 And by came an Angel who had a bright key, living in 1700s London who has to earn a living doing the 14 And he opened the coffins & set them all free; dangerous work of cleaning soot from people’s chimneys.
    [Show full text]
  • The [First] Book of Urizen
    The [First] Book of Urizen (Engraved 1794) Preludium to the First Book of Urizen Of the primeval Priest’s assum’d power, When Eternals spurn’d back his Religion, And gave him a place in the North, Obscure, shadowy, void, solitary. Eternals! I hear your call gladly. Dictate swift wingèd words, and fear not To unfold your dark visions of torment. CHAP. I 1. LO, a Shadow of horror is risen In Eternity! unknown, unprolific, Self-clos’d, all-repelling. What Demon Hath form’d this abominable Void, This soul-shudd’ring Vacuum? Some said 5 It is Urizen. But unknown, abstracted, Brooding, secret, the dark Power hid. 2. Times on times he divided, and measur’d Space by space in his ninefold darkness, Unseen, unknown; changes appear’d 10 Like desolate mountains, rifted furious By the black winds of perturbation. 3. For he strove in battles dire, In unseen conflictions with Shapes, Bred from his forsaken wilderness, 15 Of beast, bird, fish, serpent, and element, Combustion, blast, vapour, and cloud. 4. Dark, revolving in silent activity, Unseen in tormenting passions, An Activity unknown and horrible, 20 A self-contemplating Shadow, In enormous labours occupièd. Saylor URL: http://www.saylor.org/courses/engl404 Saylor.org This resource is in the public domain. Page 1 of 14 5. But Eternals beheld his vast forests; Ages on ages he lay, clos’d, unknown, Brooding, shut in the deep; all avoid 25 The petrific, abominable Chaos. 6. His cold horrors, silent, dark Urizen Prepar’d; his ten thousands of thunders, Rang’d in gloom’d array, stretch out across The dread world; and the rolling of wheels, 30 As of swelling seas, sound in his clouds, In his hills of stor’d snows, in his mountains Of hail and ice; voices of terror Are heard, like thunders of autumn, When the cloud blazes over the harvests.
    [Show full text]
  • English Transcript)
    Guerilla Opera Podcast Season3, Episode 1 SONGS OF INNOCENCE (English Transcript) Hi, Guerillas! I’m Aliana de la Guardia, Co-Artistic Director and ensemble member for Guerilla Opera. Today we’re bringing you a digital concert, a little different than our usual opera productions. As you know, during this time, we can’t physically get together to share world premieres of our unique new operas with you, but we can bring you music and poetry that’s meaningful to us as artists. April is national poetry month, so we’re featuring a selection of poetry and music paired together from Songs of Innocence by William Blake and from 44 Duets for Two Violins by Béla Bartók played by our ensemble member Lilit Hartunian. As I was reading through the Songs of Innocence I remembered jogging through Winnekenni Park and noticed the playground was covered with police tape, so children won’t play on the jungle-gym. To me this felt very heavy, and although we were already in isolation for a week or more, it made our circumstances feel that much more real and severe. So I’ve selected the poems that brought me joy to read, and that’s why I want to share them with you now. Lilit selected her favorite movements from these 44 Duos for Two Violins by composer, Bela Bartók. Bartók collected all of these folk melodies by traveling around Romania and Hungary, so they have this same pastoral, country feel. The story goes that he heard an old woman singing a folk song in his early 20s, and was so taken by it, that he became obsessed with traveling and recording all of these folk songs on an Edison phonograph so they would be preserved.
    [Show full text]
  • The Book of Urizen O® London, Ca
    the lessing j. rosenwald collection, library of congress William Blake | The Book of Urizen O® London, ca. 1818 ➤ about this book ➤ book contents ➤ transcription ➤ advanced features ➤ about this edition ➤ help & tips ➤ exit William Blake The Book of Urizen the lessing j. rosenwald collection library of congress © Octavo. All rights reserved. Click here to view your End User License Agreement. The Book of Urizen O Commentary by Nicolas Barker ➤ about this book ➤ The Book of Urizen, originally entitled The First Book of Urizen, occupies a Binding & collation central place in William Blake’s creation of his “illuminated books,” both ➤ Provenance chronologically and in the thematic and structural development of the texts. ➤ Print About this book… They are not “illuminated” in the sense that medieval manuscripts are ➤ book contents illuminated—that is, with pictures ➤ or decoration added to an existing transcription text. In Blake’s books, text and deco- ➤ advanced features ration were conceived together and ➤ the printing process, making and about this edition printing the plates, did not separate ➤ help & tips them, although he might vary the ➤ exit colors from copy to copy, adding supplementary coloring as well. Like the books themselves, the technique for making them came to Blake by inspiration, connected with his much-loved younger brother Robert, whose early death in 1787 deeply dis- tressed William, though his “vision- ary eyes beheld the released spirit ascend heavenward through the mat- ter-of-fact ceiling, ‘clapping its hands Plate
    [Show full text]
  • Shovel for the Blake Root
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1984 Shovel for the Blake root Gary Parks The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Parks, Gary, "Shovel for the Blake root" (1984). Graduate Student Theses, Dissertations, & Professional Papers. 3551. https://scholarworks.umt.edu/etd/3551 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB­ SISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR, MANSFIELD LIBRARY UNI VEITSITY JDF^F^NTANA DATE : "° ^ . A SHOVEL FOR THE BLAKE ROOT oy Gary Parks B.A., University of Montana, 1981 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1984 Approved by; Chairpian, Board aSr Examiners D€an, Graduate School lolSolU Date UMI Number: EP34830 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • William Blake's “Chimney Sweeper”
    Academic Forum 26 2008-09 Making a Heaven of the Innocents’ Misery: William Blake’s “Chimney Sweeper” Poems By Michael James McClard Mentor: Peggy Dunn Bailey, Ph.D. Associate Professor of English Abstract Throughout modern history, an unfortunate characteristic of rapid technological growth has been that it oftentimes outpaces the rate of social maturation. This disconnection between capability and maturity can have tragic consequences for persons living on the margins of a society. Industrializing nations, such as Britain in the late 18 th and 19 th centuries, provide the most dramatic examples of this trend. In two poems, both entitled “The Chimney Sweeper,” William Blake describes the deplorable circumstances working class children endured during Britain’s greatest period of intensive urbanization. Blake utilizes the contrary perspectives in Songs of Innocence and of Experience to explore how differently children may perceive and react to being exploited by mainstream society. Throughout modern history, an unfortunate characteristic of rapid technological growth has been that it oftentimes outpaces the rate of social maturation. This disconnection between capability and maturity can have tragic consequences for persons living on the margins of a society. Industrializing nations, such as Britain in the late 18 th and 19 th centuries, provide the most dramatic examples of this trend. In agrarian Britain, the majority of citizens, both adults and children, engaged in agriculture. Then, during the transition from an agrarian system into an urbanized manufacturing economy, masses of workers were needed to operate the new large-scale production facilities located in the cities. Intensive urbanization ensued, and children who had once worked on family farms were now forced to compete with adults for employment.
    [Show full text]
  • Download Preview
    This edition published 2020 by Living Book Press Copyright © Living Book Press, 2020 ISBN: 978-1-922348-17-3 First published in 1789 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any other form or means – electronic, me- chanical, photocopying, recording or otherwise, without the prior permission of the copyright owner and the publisher or as provided by Australian law. Songs of Innocence and Experience WILLIAM BLAKE CONTENTS INTRODUCTION 3 THE SHEPHERD 5 THE ECHOING GREEN 6 THE LAMB 8 THE LITTLE BLACK BOY 11 THE BLOSSOM 13 THE CHIMNEY-SWEEPER 14 THE LITTLE BOY LOST 16 THE LITTLE BOY FOUND 17 A CRADLE SONG 18 THE DIVINE IMAGE 20 HOLY THURSDAY 22 NIGHT 24 SPRING 28 NURSE’S SONG 30 INFANT JOY 31 A DREAM 32 LAUGHING SONG 35 THE SCHOOLBOY 36 ON ANOTHER’S SORROW 38 THE VOICE OF THE ANCIENT BARD 40 MY PRETTY ROSE TREE 41 THE LILY 42 THE SICK ROSE 44 THE FLY 45 THE TIGER 46 THE ANGEL 49 THE LITTLE GIRL LOST 50 THE LITTLE GIRL FOUND 53 A LITTLE GIRL LOST 56 INTRODUCTION (songs of experience) 58 EARTH’S ANSWER 59 THE CLOD AND THE PEBBLE 61 HOLY THURSDAY 62 THE CHIMNEY-SWEEPER 63 NURSE’S SONG 65 AH, SUNFLOWER 66 THE GARDEN OF LOVE 67 THE LITTLE VAGABOND 68 LONDON 70 THE HUMAN ABSTRACT 71 INFANT SORROW 73 A POISON TREE 74 A LITTLE BOY LOST 75 A DIVINE IMAGE 77 A CRADLE SONG 78 TO TIRZAH 79 SONGS OF INNOCENCE 1 On a cloud I saw a child.
    [Show full text]