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More I Cannot Wish You Sheet Music
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Brian Stokes Mitchell Outside at the Colonial
Press Contacts: Katie B. Watts Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For immediate release, please: Monday, July 20 at 10am Berkshire Theatre Group Announces An Intimate Performance with Two-time Tony Award-winner Brian Stokes Mitchell to Benefit Berkshire Theatre Group and a Portion of Sales to go to The Actors Fund and Black Theatre United Pittsfield, MA – Berkshire Theatre Group (BTG) and Kate Maguire (Artistic Director, CEO) are excited to announce two-time Tony Award-winner Brian Stokes Mitchell in an intimate performance and fundraiser to benefit Berkshire Theatre Group. In this very special one-night-only concert, Brian Stokes Mitchell will deliver an unforgettable performance to an audience of less than 100 people, outside under a tent at The Colonial Theatre on Labor Day Weekend, September 5 at 8pm. Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II, and Ragtime. Other notable Broadway shows include: Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his Charitable work with The Actors Fund. -
Broadway Balances America
FOR IMMEDIATE RELEASE JANUARY 15, 2016 “BROADWAY BALANCES AMERICA” SERIES GIVES YOU A BEHIND-THE-SCENES LOOK AT WHAT IT TAKES TO BE A QUADRUPLE THREAT WITH THE CAST OF ROUNDABOUT THEATRE COMPANY’S TONY AWARD®-WINNING CABARET AIRING EXCLUSIVELY ON “THE BALANCING ACT®” ON LIFETIME® TELEVISION TUESDAY, JANUARY 26nd AT 7:30AM (ET/PT) CABARET concludes Season Two of six-part “Broadway Balances America” Series New York, NY - Broadway Across America’s collaboration with the award-winning morning show “The Balancing Act®” on the Lifetime® Channel continues with the last Season Two installment of the six-part series “Broadway Balances America” featuring Roundabout Theatre Company’s 50th anniversary production of Tony Award®-winning CABARET. This new episode debuts on Tuesday, January 26 at 7:30AM (ET/PT) and will re-air on Tuesday, February 2 at 7:30AM (ET/PT). Roundabout Theatre Company’s CABARET, comes to Milwaukee as part of the 2015/2106 Associated Bank Broadway at the Marcus Center Series. Performances at the Marcus Center run February 23-28. Tickets are on sale now at the Marcus Center Box Office, 929 North Water Street, by phone at 414-273-7206 or online at Ticketmaster.com or MarcusCenter.org. Groups 10 or more should call Group Sales at 414-273- 7121 x210. “The Balancing Act®” correspondent Amber Milt asks you to leave your troubles outside and take a peek behind the curtain into the world of Roundabout Theatre Company’s CABARET. In this segment, you get a glimpse of a day in the life of a few cast members that make up the Kit Kat Girls of CABARET. -
July 14–19, 2019 on the Campus of Belmont University at Austin Peay State University
July 14–19, 2019 On the Campus of Belmont University at Austin Peay State University OVER 30 years as Tennessee’s only Center of Excellence for the Creative Arts OVER 100 events per year OVER 85 acclaimed guest artists per year Masterclasses Publications Performances Exhibits Lectures Readings Community Classes Professional Learning for Educators School Field Trip Grants Student Scholarships Learn more about us at: Austin Peay State University does not discriminate on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender identity/expression, disability, age, status as a protected veteran, genetic information, or any other legally protected class with respect to all employment, programs and activities sponsored by APSU. The Premier Summer Teacher Training Institute for K–12 Arts Education The Tennessee Arts Academy is a project of the Tennessee Department of Education and is funded under a grant contract with the State of Tennessee. Major corporate, organizational, and individual funding support for the Tennessee Arts Academy is generously provided by: Significant sponsorship, scholarship, and event support is generously provided by the Belmont University Department of Art; Community Foundation of Middle Tennessee; Dorothy Gillespie Foundation; Solie Fott; Bobby Jean Frost; KHS America; Sara Savell; Lee Stites; Tennessee Book Company; The Big Payback; Theatrical Rights Worldwide; and Adolph Thornton Jr., aka Young Dolph. Welcome From the Governor of Tennessee Dear Educators, On behalf of the great State of Tennessee, it is my honor to welcome you to the 2019 Tennessee Arts Academy. We are so fortunate as a state to have a nationally recognized program for professional development in arts education. -
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Monty Python's SPAMALOT
Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent. -
The Golden Age Exposed: the Reality Behind This Romantic Era
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Theatre Arts, School of 4-28-2017 The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Follow this and additional works at: https://digitalcommons.iwu.edu/theatre_honproj Part of the Theatre and Performance Studies Commons Recommended Citation Adams, Danny, "The Golden Age Exposed: The Reality Behind This Romantic Era" (2017). Honors Projects. 22. https://digitalcommons.iwu.edu/theatre_honproj/22 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Illinois Wesleyan University The Golden Age Exposed: The Reality Behind This Romantic Era Danny Adams Honors Research April 28th, 2017 1 In the spring of 2016, I took a class called "Music Theatre History and Literature" which is about exactly what it sounds like: a course on the history of music theatre and how it evolved into what it is today. From The Black Crook, the first known "integrated musical" in 1866, to In the Heights and shows today, the class covered it all. -
Cast Biographies Chris Mann
CAST BIOGRAPHIES CHRIS MANN (The Phantom) rose to fame as Christina Aguilera’s finalist on NBC’s The Voice. Since then, his debut album, Roads, hit #1 on Billboard's Heatseekers Chart and he starred in his own PBS television special: A Mann For All Seasons. Chris has performed with the National Symphony for President Obama, at Christmas in Rockefeller Center and headlined his own symphony tour across the country. From Wichita, KS, Mann holds a Vocal Performance degree from Vanderbilt University and is honored to join this cast in his dream role. Love to the fam, friends and Laura. TV: Ellen, Today, Conan, Jay Leno, Glee. ChrisMannMusic.com. Twitter: @iamchrismann Facebook.com/ChrisMannMusic KATIE TRAVIS (Christine Daaé) is honored to be a member of this company in a role she has always dreamed of playing. Previous theater credits: The Most Happy Fella (Rosabella), Titanic (Kate McGowan), The Mikado (Yum- Yum), Jekyll and Hyde (Emma Carew), Wonderful Town (Eileen Sherwood). She recently performed the role of Cosette in Les Misérables at the St. Louis MUNY alongside Norm Lewis and Hugh Panero. Katie is a recent winner of the Lys Symonette award for her performance at the 2014 Lotte Lenya Competition. Thanks to her family, friends, The Mine and Tara Rubin Casting. katietravis.com STORM LINEBERGER (Raoul, Vicomte de Chagny) is honored to be joining this new spectacular production of The Phantom of the Opera. His favorite credits include: Lyric Theatre of Oklahoma: Disney’s The Little Mermaid (Prince Eric), Les Misérables (Feuilly). New London Barn Playhouse: Les Misérables (Enjolras), Singin’ in the Rain (Roscoe Dexter), The Music Man (Jacey Squires, Quartet), The Student Prince (Karl Franz u/s). -
32103371-0-AFA2017-Program.Pdf
A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre. -
Guys and Dolls Adam Wheat Ouachita Baptist University
Ouachita Baptist University Scholarly Commons @ Ouachita Theatre Posters and Programs Theatre Arts Department 2014 Guys And Dolls Adam Wheat Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/theatre_posters Part of the Theatre and Performance Studies Commons Recommended Citation Wheat, Adam, "Guys And Dolls" (2014). Theatre Posters and Programs. 15. https://scholarlycommons.obu.edu/theatre_posters/15 This Book is brought to you for free and open access by the Theatre Arts Department at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Theatre Posters and Programs by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Music and lyrics by Frank Loesser Based on the Story and Characters of Book by Damon Runyon Jo Swerling and Abe Burrows Nathan Detroit Garrett Whitehead* Miss Adelaide (Double Cast) Jordan Miller• Thu./Sat. Caitlin Secrest Fri./Sun. Sky Masterson Timothy Drennan* Sarah Brown (Double Cast) MaryLacey Thomson* Thu./Sat. Alexis Morgan Fri./Sun. Nicely-Nicely Johnson Chad Burris* Benny Southstreet Cody Myers*' Rusty Charlie Kenderick Scorza BigJule Joe Ochterbeck*' Harry the Horse AadenJones Lt. Brannigan Joel Rogier A.rvide Abernathy Jacob Sturgeon*' General Matilda Cartwright Cami Willis* Agatha: Save-a-Soul Missionary Nicole Mattson* tnstt\~lt t\tt\~tRs Calvin: Save-a-Soul Missionary Tyler Wisdom Martha: Save-a-Soul Missionary Kayla Walker Catherine: Save-a-Soul Missionary Jessica Smith Joey Baltimore, -
Guys and Dolls Short
media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONTINUES FIFTH SEASON WITH “GUYS AND DOLLS” March 21-April 28, 2013 Music and Lyrics by Frank Loesser Book by Jo Swerling and Abe Burrows Based on “The Idyll of Miss Sarah Brown” and “Blood Pressure” by Damon Runyon Berkeley, CA (February 11, 2013) – Berkeley Playhouse continues its fifth season with the Tony Award- winning GUYS AND DOLLS. Jon Tracy (Berkeley Playhouse, Aurora Theatre Company, Shotgun Players, San Francisco Playhouse, Magic Theatre) helms this musical from the Golden Age of Broadway, featuring a cast of 22, and choreography by Chris Black (Berkeley Playhouse, Aurora Theatre Company). GUYS AND DOLLS plays March 21 through April 28 (Press opening: March 23) at the Julia Morgan Theatre in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. This oddball romantic comedy, about which Newsweek declared, “This is why Broadway was born!,” finds gambler Nathan Detroit desperate for money to pay for his floating crap game. To seed his opportunity, he bets fellow gambler Sky Masterson a thousand dollars that Sky will not be able to make the next girl he sees, Save a Soul Mission do-gooder Sarah Brown, fall in love with him. While Sky eventually convinces Sarah to be his girl, Nathan fights his own battles with Adelaide, his fiancé of 14 years. Often called “the perfect musical,” GUYS AND DOLLS features such bright and brassy songs as “A Bushel and a Peck” “Luck Be a Lady,” and “Adelaide's Lament.” GUYS AND DOLLS premiered on Broadway in 1950; directed by renowned playwright and director George S. -
Twenty Years of Fine Performing Arts at Your Washington Pavilion
Twenty Years of Fine Performing Arts at Your Washington Pavilion s we celebrate our 20th season we’d like to take a look back at where we’ve been and what has gotten us to where we are now. In the playbill for ASPAMALOT we covered the first ten years of shows presented in the Pavilion Performance Series at the Washington Pavilion and the extremely diverse and vastly entertaining roster. The ten years that followed were no exception and expanded our tradition of presenting educational, enriching and entertaining live experiences. In 2009, we launched our 11th season with the hit Broadway musical, MAMMA MIA! Aquila Theatre Company’s AS YOU LIKE IT told the story of power hungry men exiling their brothers, girls playing guys and finding love in unexpected places. The hilarious new musical, THE CHURCH BASEMENT LADIES featuring Bill Christopher, also known as M*A*S*H’s Father Mulcahy, was presented in October. Royal Winnipeg Ballet kicked off 2010 with their performance of A Cinderella Story. The season wrapped up with Melissa Gilbert performing in eight shows of LITTLE HOUSE ON THE PRAIRIE-THE MUSICAL. We presented more Broadway than ever starting with our 12th season in 2010. LEGALLY BLONDE THE MUSICAL, MONTY PYTHON’S SPAMALOT, AVENUE Q and DISNEY’S BEAUTY AND THE BEAST all took to the stage of the Mary W. Sommervold Hall and amazed audiences with a very diverse spectrum of what Broadway has to offer. Dance company, Philadanco, also made a stop in Sioux Falls with their electrifying fusion of cultural dance and modern storytelling.