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Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
Collection of Television Press Kits, 1958, Ca
http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
A Christmas Story
A CHRISTMAS STORY A Play in Two Acts by PHILIP GRECIAN Based upon the motion picture A Christmas Story ©1983 Turner Entertainment Co., Distributed by Warner Bros. Written by JEAN SHEPHERD, LEIGH BROWN and BOB CLARK and In God We Trust, All Others Pay Cash by JEAN SHEPHERD Dramatic Publishing Woodstock. Illinois· England. Australia· New Zealand © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose permission in writing no performance of it may be given. Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amateur and stock rights should be addressed to: DRAMATIC PUBLISHING P. O. Box 129, Woodstock, Illinois 60098 COPYRlGHT LAW GIVES THE AUTHOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully prolected by copyright No alterations, dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, video tape, fll.m, or any information storage and retrieval system, without permission in writing from the publisher. -
Title Call # Category Lang./Notes
Title Call # Category Lang./Notes K-19 : the widowmaker 45205 Kaajal 36701 Family/Musical Ka-annanā ʻishrūn mustaḥīl = Like 20 impossibles 41819 Ara Kaante 36702 Crime Hin Kabhi kabhie 33803 Drama/Musical Hin Kabhi khushi kabhie gham-- 36203 Drama/Musical Hin Kabot Thāo Sīsudāčhan = The king maker 43141 Kabul transit 47824 Documentary Kabuliwala 35724 Drama/Musical Hin Kadının adı yok 34302 Turk/VCD Kadosh =The sacred 30209 Heb Kaenmaŭl = Seaside village 37973 Kor Kagemusha = Shadow warrior 40289 Drama Jpn Kagerōza 42414 Fantasy Jpn Kaidan nobori ryu = Blind woman's curse 46186 Thriller Jpn Kaiju big battel 36973 Kairo = Pulse 42539 Horror Jpn Kaitei gunkan = Atragon 42425 Adventure Jpn Kākka... kākka... 37057 Tamil Kakushi ken oni no tsume = The hidden blade 43744 Romance Jpn Kakushi toride no san akunin = Hidden fortress 33161 Adventure Jpn Kal aaj aur kal 39597 Romance/Musical Hin Kal ho naa ho 41312, 42386 Romance Hin Kalyug 36119 Drama Hin Kama Sutra 45480 Kamata koshin-kyoku = Fall guy 39766 Comedy Jpn Kān Klūai 45239 Kantana Animation Thai Kanak Attack 41817 Drama Region 2 Kanal = Canal 36907, 40541 Pol Kandahar : Safar e Ghandehar 35473 Farsi Kangwŏn-do ŭi him = The power of Kangwon province 38158 Kor Kannathil muthamittal = Peck on the cheek 45098 Tamil Kansas City 46053 Kansas City confidential 36761 Kanto mushuku = Kanto warrior 36879 Crime Jpn Kanzo sensei = Dr. Akagi 35201 Comedy Jpn Kao = Face 41449 Drama Jpn Kaos 47213 Ita Kaosu = Chaos 36900 Mystery Jpn Karakkaze yarô = Afraid to die 45336 Crime Jpn Karakter = Character -
The BG News December 12, 1994
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-12-1994 The BG News December 12, 1994 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News December 12, 1994" (1994). BG News (Student Newspaper). 5785. https://scholarworks.bgsu.edu/bg-news/5785 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. JQ The BG News "A Commitment to Excellence" Monday, December 12, 1994 Bowling Green, Ohio Volume 80, Issue 74 **£ ^ I ■ _* The Editorial Page Editorial The BG News page two Monday, December 12, 1994 Appreciate holiday The BG News treasures over break "A commitment to Excellence" JL he end of the semester is finally on the horizon. It's Editorial Staff that time when the malls become crowded and the tele- Glen Lubbert Julie Tagliaferro vision overflows with images of toys, gifts and family editor-in-chief managing editor cheer. It's also a time when people tend to remember those who are less fortunate with greater fervor and give ac- cordingly. Michael Zawacki Leah Barnum Sherry Turco Unfortunately, the holiday season is also a time when news editor assistant managing editor editorial editor many people become depressed, whether it is from the often-gray weather, the absence of family and friends to Joe Peiffer Ross Weilzner Mike Kazimore Jim Mericsko share things with or something altogether different. -
About the Cast
ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company. -
View/Download Playbill
Park Square Theatre presents The Daniel Group Production of a highlya highly caeinat caffeinateded ccomedyomedy By Bill Arnold, Michael Pearce Donley & Bob Stromberg Directed by William Partlan Park Square Theatre/Andy Boss Thrust Stage November 9, 2018 - January 13, 2019 www.tripleespresso.com a highly caeinated comedy a highly caeinated comedy A Highly Caffeinated History By Bill Arnold, Michael Pearce Donley & Bob Stromberg “Getting together for pancakes is almost never a bad idea,” says Triple “Butternut & The Beast, Apus No. 1 in C Minor,” and other original music Espresso co-author Bill Arnold. Twenty-plus years ago, while having breakfast by Michael Pearce Donley with Bob Stromberg and Michael Pearce Donley, the three decided it would be fun to write something they could perform together. As motivation to buckle down and write it, they booked a performance for a few weeks later. Directed by William Partlan* Mike remembers that first show well: “My character, Hugh Butternut, began by walking through the audience greeting people with an over-wide smile. Scenic/Costume Design ................ Nayna Ramey I think I even kissed a baby. I was scared to death.” Bob agrees: “The voice in the Lighting Design ............................. Michael Klaers back of my head was screaming, ‘May Day! May Day! Grab the life vests. We’re Technical Sound Design ................ John Markiewicz going down!’” Sound Effects Design .................... Rob Barrett, Scott Malchow But the audience was having a grand time. Mike remembers seeing Stage Managers .............................. Benjamin Netzley, Joelle Coutu people actually falling on the floor laughing. “I’d never seen a response like that Follow Spot Engineers .................. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Blind Boy to Be Special Guest at Jean Shepherdprograjn
'TIL 9 Second C5<es Postate Paid TEN CENTS,- R&DAY, APRIL 13, 1967, t^S, Kew Jemy 07016 3 Sections, 20 Pages Gutting Session Limited MncetaPerimt In Response io Public Demand epai?titient t o Blares Summer Because of public demand^the Upper and Lower Summer Schools will', be conducted this year.by township will conduct a Jj-Ufnited" the Cranford public school system, it was announced yesterday by Dr. spring clean up of. gja-rBeri refuse Clark W. McDermith, superintendent of schools. ; ' Township Action Establishesover the next threj^ef four weeks. Mayor Edwardj^f'Gill announced 'The Board of Education-voted informally „last Thursday evening Under terms of tUthe Upper and Lower Summer Tuesday ijigmT The mayor pnev-i- v at a workshop "meeting to continue"^-"- ~ ""•«"• 'anH -T.nwor S Schools with-the same- programs Tax Foreclosure Precedent bfrti announced that-^lhe nance introduced and.passed as last yearear. ThThee board was con- New law in tax foreclosure and refpreclosure cas.es was made sg jclcanup had been^biTndoned on first reading-Tuesday night sidering,. discontinuindiscontinuig . the sum-recently when the Appellate Division of the Superior Court affirme ' is year as an economy measure. Permanent Pumpingrjstauonby Township' Committee, ap- 768 't•thh e judgment "oof the Chancery Division in sustaining the action of-i£ff He said the cleanup will be con- Flan Meeting mer school to reduce the 1967-68 e ducted by public works depart- pointees 'to the police depart;/" school budget,"as required by thetownship in refusing^fc'rmij: Community Investment .Civ t<v* ideem ment trucks "as timje permits." Planned for Normf0ie Park ment would not hereafter;-be $73,300 cut made by the Township Of Retailers .two: Vacant and unimproved lots in The Ifltswere in- The mayor stressed, that only /*._,. -
Pressive Mark on the Small Screen, Starring in Such
METRO-GOLDWYN-MAYER Presents A BOB CLARK Film CHARLES GRODIN KIERAN CULKIN and MARY STEENBURGEN IT RUNS IN THE FAMILY CHRISTIAN CULKIN ALMANCINI TROY EVANS ROY BROCKSMITH GLENN SHADIX DICK O'NEILL WAYNE GRACE TEDDEMOORE WHIT HERTFORD GEOFFREY WIGDOR DAVID ZAHORSKY DARWYNSWALVE FRANK COLLISON MARILYN PITZER ROBERT DICKMAN IDA LEE WILLIAM PRESTON JOHN VOLDSTAD SCOTT THOMSON and JEAN SHEPHERD as "Ralph as an Adult" Casting by Associate Producer MARCILffiOFF GARYGOCH Music Composed by Costume Designer PAULZAZA BETTY PECHA MADDEN Editor Production Designer STAN COLE HARRY POITLE Director of Photography Executive Producer STEPHEN M. KATZ JEAN SHEPHERD Based on the novels "In God We Trust, All Others Pay Cash" and "Wanda Hickey's Night of Golden Memories and Other Disasters" by JEAN SHEPHERD Screenplay by JEAN SHEPHERD & LEIGH BROWN and BOB CLARK Pro,duced by RENE DUPONT Directed by BOB CLARK THE CAST The Old Man .............................................................. CHARLES GRODIN Ralphie . KIERAN CULKIN Mom ................................................................... MARY STEENBURGEN Randy Parker ............................................................ CHRISTIAN CULKIN Zudoc ............................................................................... AL MANCINI Gertz ................. ............................................................. TROY EVANS Assessor ............. ..................................... ................. ROY BROCKSMITH Leopold Doppler ............................................................ -
A Christmas Story Study Guide
STUDY GUIDE SHOW SYNOPSIS A CHRISTMAS STORY, The Musical is the Broadway musical comedy gift you will cherish all holiday long! In 1940's Indiana, a bespectacled boy named Ralphie has a big imagination and one wish for Christmas—a Red Ryder BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, a cranky department store Santa and a triple-dog-dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream. Based on the classic 1983 movie, A CHRISTMAS STORY, The Musical captures holiday wonder with funny and heartfelt songs, show stopping dancing, delicious wit and a heart of gold. After two triumphant sold-out seasons on Broadway this hilarious musical makes its Philadelphia debut! DISCUSSION QUESTIONS BEFORE THE SHOW AFTER THE SHOW Has anyone ever been to a live play before? How was Did you enjoy this performance? What was your it different from television or a movie? favorite part? What is the difference between a play and a musical? Who was your favorite character? Why? How was the experience seeing A Christmas Story, Have you ever seen the movie A Christmas Story? the Musical live different from watching the Have you ever wanted something as a gift more than movie A Christmas Story? anything in the whole world? What was it and why Identify some similarities you noticed between did you want it? Did you ever end up getting it? And the musical and the movie. Identify some was it as great as you had imagined? differences.