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MIPT V PRODUCTPRODUCT GUIDEGUIDE LOVE CRUISE 2001CHRIS COLORADO 2 222 FBC A AAA Animation (6x26’) Reality Series (7 x 60min.) Language: French (original version), Cast: Sixteen Eligible Singles Dubbed English, 20TH CENTURY FOX Exec. Prods. Jonathan Murray, Mary- A&E Director: Franck Bertrand, Thibaut INTERNATIONAL Ellis Bunim Arts & Entertainment, A&E Television Chatel, Jacqueline Monsigny Audiences will cruise through the south- Network / The History Channel, 235 East Produced by: AB Productions and TELEVISION ern Caribbean and visit exotic enezuelan 45th Street, New York, NY 10017 USA. Studios Animage 20th Century Fox International ports with eighteen eligible single men Tel: 212.210.1400. Fax: 212.983.4370. Co-producers: MEDIASET /CANAL + / Television, P.O. Box 900, Beverly Hills, and women who are in competition to find At MIP-TV: Carl Meyer (Regional France 3 / AB PRODUCTIONS CA 90213-0900. Tel 310.369.1000. love and to gain an extraordinary grand Managing Director, Asia), Chris O’Keefe Delivery Status: Completed Australia Office: 20th Century Fox prize. (Regional Managing Director, Latin Budget: 43 MF International TV, Level 5, Frank Hurley KATE BRASHER America), Shelley Blaine Goodman (VP, Danger lurks, group of 666’ agents, have Grandstand, Fox Studios Australia. CBS Affiliates Sales, Canada), Maria infiltrated the higher levels power of the Driver Avenue, Moore Park NSW 1363, Drama (6 x 30 min.) Komodikis (SVP, International Managing world federation. Chris Colorado becomes Australia. Tel 61.2.8353.2200. Fax Cast: Mary Stuart Masterson, Rhea Director) the President’s man to save democracy and 61.2.8353.2205. Brazil Office: Fox Film Perlman, and Hector Elizondo Office: E3-08 peace. -
Download Full Program (PDF-8Mb)
— 1 — The 25th Annual Society for Animation Studies Conference USC School of Cinematic Arts John C. Hench Division of Animation and Digital Arts Los Angeles, California, USA The SAS conference REDEFINING ANIMATION Keynote talks are proudly sponsored by June 23-27 2013 DreamWorks Animation http://anim.usc.edu/sas2013.html Got a smart phone? Scan the QR codes throughout this Program to view the content online. — 2 — — 3 — The John C. Hench Division of Animation & Digital Arts (Hench-DADA) is proud to host REDEFINING ANIMATION the 25th Annual Society for Animation Studies (SAS) Conference 2013. Honoring the tradition of classical animation while also addressing the convergent aspect of the art form across new media formats and technologies, this year’s conference focuses on bringing together scholars, artists and practitioners at the intersection of industry, academia and the arts. USC’s School of Cinematic Arts (SCA) has a long tradition of animation practice and theory starting in 1941 with the first class taught in animation at the school by artist and large format film pioneer Les Novros entitled Filmic Expressions. Today SCA houses seven divisions dedicated to the cinematic arts. Besides Hench-DADA, the school includes the prestigious Bryan Singer Critical Studies Division, Interactive Media & Games Division, Production for Film & Television, Writing, Peter Stark Producing and the new- est division Media Arts and Practice. Keynotes, faculty, students and staff from all of these programs will be participating at the con- ference alongside our special guest keynote speakers Geena Davis (Actor and gender equality advocate), David Hanson (Robotics Artist/Engineer) and Davide Quayola (Artist Italy). -
A Critical Re-Analysis of the Business Philosophies, Production Values and Studio Practices of Animator-Producer Paul Houlton Terry
“DISNEY IS THE TIFFANY’S AND I AM THE WOOLWORTH’S OF THE BUSINESS”: A CRITICAL RE-ANALYSIS OF THE BUSINESS PHILOSOPHIES, PRODUCTION VALUES AND STUDIO PRACTICES OF ANIMATOR-PRODUCER PAUL HOULTON TERRY A dissertation submitted for the degree of Doctor of Philosophy By Wynn Gerald Hamonic School of Arts, Brunel University June 2011 Abstract of the Dissertation ―Disney is the Tiffany‘s and I am the Woolworth‘s of the Business‖: A Critical Re-Analysis of the Business Philosophies, Production Values and Studio Practices of Animator-Producer Paul Houlton Terry by Wynn Gerald Hamonic Doctor of Philosophy Brunel University, 2011 Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re- evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices. Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk- averse financial behaviour, extreme saving behaviour through precaution, and shrewd money management practices. Based on Terry‘s historical responses to twelve major economic, technological, or institutional forces of change for the period 1929-1955, the psychodynamic factors were found to provide accurate explanations for his studio practices and production decisions. There was no evidence to support the conclusion that three early career disappointments undermined Terry‘s intrinsic motivation to create animated cartoons. -
Animation Nations the State of America S Toon Boom Korea S 21St Century Goals
February 1997 Vol. 1 No. 11 Animation Nations The State of America s Toon Boom Korea s 21st Century Goals Piet Kroon on Animating in Two Worlds Jackie Leger on Suzan Pitt Table of Contents 3 Editor’s Notebook by Harvey Deneroff 5 Where the Action Is Harvey Deneroff sums up the current state of America’s animation industry, with an emphasis on recent mergia mania, feature films and prime time shows.. 10 The Lyon Conference (English & French - Anglais et Français) Jean-Luc Ballester talks how a 1983 government proposal changed the French animation industry and how the major entertainment union used it to improve working conditions for animation artists. 22 The Changing Winds of Korean Animation Chung-bae Park explains why South Korea is turning its attention to animation as part of its economic strategy for the 21st century. 25 Shin Dong Mun, an Old Warrior in Korean Animation John A. Lent interviews one of the pioneers of Korean animation, who had a profound effect on the course of the nation’s indigenous production. 28 Staying Ahead of the Game Jerry Hibbert, drawing from his own experience, provides some thoughts on the need for production companies to embrace change. 32 Animation in Singapore Gigi Hu reports on the current attempt by the island nation to bolster its fledgling animation industry. 36 Don’t Quit Your Day Job,Work the Night Shift Dutch filmmaker Piet Kroon contributes the first in an occasional series devoted to a day in the life of an animation artist. Herein, Kroon explores the whys and wherefors of how he balances working as an independent filmmaker while holding down a full-time job at Warner Bros.