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Applied Anatomy in Music: Body Mapping for Trumpeters
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Applied Anatomy in Music: Body Mapping for Trumpeters Micah Holt University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Music Commons Repository Citation Holt, Micah, "Applied Anatomy in Music: Body Mapping for Trumpeters" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2682. http://dx.doi.org/10.34917/9112082 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. APPLIED ANATOMY IN MUSIC: BODY MAPPING FOR TRUMPETERS By Micah N. Holt Bachelor of Arts--Music University of Northern Colorado 2010 Master of Music University of Louisville 2012 A doctoral project submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas May 2016 Dissertation Approval The Graduate College The University of Nevada, Las Vegas April 24, 2016 This dissertation prepared by Micah N. -
2302.Jerome Dretzka Papers
Title: Dretzka, Jerome Papers Reference Code: Mss-2302 Inclusive Dates: 1909-1963 Quantity: 10 cu. ft. Location: NE, Sh. 048-051 OS LG “D” Abstract: Jerome C Dretzka (1881-1963) served on the Milwaukee County Parks Commission from 1920-1963. During that tenure, from 1926-1952, he served as the Executive Secretary of the Commission and expanded the area of Milwaukee parks considerably. He also served as an officer for the American Institute of Park Executives. He retired in 1952. He was born on December 5, 1881 in Pozen, Poland. His family moved to America when he was five years old and they settled on the south side of Milwaukee. In 1893, his family moved to Cudahy where he continued to reside until his death. He served as the city of Cudahy’s city clerk from 1912-1916. He left this position to manage the real estate holdings of Patrick Cudahy. This knowledge served him well during his time on the Commission and during his tenure the Commission went from owning 680 acres to over 7,000 acres of parks. He also served on the boards of the Milwaukee County Historical Society, New Zoo Conference Committee, Wisconsin Park and Recreation Society, as well as many others. Scope and Content: The bulk of the collection consists of material pertaining to Milwaukee County Park Commission and some of the material pertains to his participation in the American Institute of Park Executives (AIPE).In the form of correspondence, newspaper clippings, meeting minutes and official papers from the Commission. This collection also includes information about various projects that he was involved with including the zoo, Mitchell Conservatory, the Braves, and the Milwaukee County Stadium. -
Soho Arts Network Soho Arts Network Map of Nonprofit Art Spaces
SoHo Arts Network 1 apexart 291 Church St. 11 International Center 250 Bowery 212 . 431 . 5270 of Photography Museum 212 . 857 . 0000 Tue – Sat: 11am – 6pm Tues – Sun: 10am – 6pm apexart.org *Thu open until 9pm $14, $12 for seniors, 2 Artists Space 55 Walker St. $10 for students, free for members Books & Talks 212 . 226 . 3970 and children under 14 Wed – Sun: 12 – 6pm icp.org artistsspace.org 12 Judd Foundation 101 Spring St. 3 Center for Architecture, 536 LaGuardia Pl. 212 . 219 . 2747 AIA New York Chapter 212 . 683 . 0023 Visits by appointment Mon – Fri: 9am – 8pm, Tue, Thu, and Fri: 1pm, 3pm, and 5pm Sat: 11am – 5pm Sat: 11am, 1pm, 2pm, and 4pm centerforarchitecture.org $24, $11.50 for students and seniors, free for high school students 4 CIMA – Center for Italian 421 Broome St., 4th fl. juddfoundation.org Modern Art 646 . 370 . 3596 Fri – Sat 13 Leslie-Lohman Museum 26 Wooster St. Tours: 11am and 2pm, of Gay and Lesbian Art 212 . 431 . 2609 Open hours: 1 – 6pm Wed – Sun: 12 – 6pm $10, free for members and students *Thu open until 8pm *Advance registration recommended $9 suggested donation italianmodernart.org leslielohman.org 5 Dia: The Broken 393 West Broadway 14 Museum of Chinese 215 Centre St. Kilometer 212 . 925 . 9397 in America 212 . 619 . 4785 Wed – Sun: 12 – 6pm (closed 3 – 3:30pm) Tue – Sun: 11am – 6pm diaart.org *Thu open until 9pm $10, $7 for seniors and students, free 6 Dia: The New York 141 Wooster St. for members and cool culture families SoHo Arts Network Earth Room 646 . -
Your Concise New York Art Guide for Spring 2018
Your Concise New York Art Guide for Spring 2018 February 28, 2018 Events Your list of 45 must-see, fun, insightful, and very New York art events this season. Leonard Fink, “Self-Portrait on Pier 46 (“This is Serious Too”)” (1979), silver gelatin print, 8 x 10 in (collection and © of the LGBT Community Center National History Archive) We’re back with our yearly spring guide of must-see, fun, insightful, and very New York art events. From museum shows to air fairs to film festivals, you’ll have plenty to keep you busy with this season. Please note that some of the exhibitions listed here opened in January and February, but lucky for us they continue through the spring. January The Beautiful Brain: The Drawings of Santiago Ramon y Cajal and Baya: Woman of Algiers When: January 9–March 31 Where: Grey Art Gallery (100 Washington Square East, Greenwich Village, Manhattan) The Grey Art Gallery is putting on two fascinating and very distinct exhibitions this season. One displays neuroscientist Santiago Ramon y Cajal’s drawings of the brain, which are not only beautiful but remarkably clear and accurate. Eighty of his drawings, which date to the late 19th and early 20th centuries, will be shown alongside contemporary visualizations of the brain. The gallery’s second exhibition is devoted to Baya Mahieddine (known as Baya), an Algerian artist who has yet to gain international recognition. Her vibrant, patterned gouaches Baya, “Femme et enfant en bleu (Woman and child in blue)” (1947) and ceramics drew the attention gouache on board, 22 3/4 x 17 7/8 in (Collection Isabelle Maeght, Paris © of André Breton, Henri Matisse, Photo Galerie Maeght, Paris) and Pablo Picasso. -
News of the Strange
Target Margin Theater 232 52nd Street Brooklyn, NY 11220 718-398-3095 Targetmargin.org @targetmargin Founding Artistic Director: David Herskovits Associate Artistic Director: Moe Yousuf General Manager: Liz English Space Manager: Kelly Lamanna Arts Management Fellow: Frank Nicholas Poon Box Office Manager: Lorna I. Pérez Financial Consultants: Michael Levinton, Patty Taylor Graphic Designer: Maggie Hoffman Interns: Sarah McEneaney, Matt Hunter Press Representation: John Wyszniewski/Everyman Agency BOARD OF DIRECTORS NEWS OF THE Hilary Alger, Matt Boyer, David Herskovits, Dana Kirchman, Kate Levin, Matt McFarlane, Jennifer Nadeau, Adam Weinstein, Amy Wilson. STRANGE LAB ABOUT US Target Margin is an OBIE Award-winning theater company that creates innovative productions of classic plays, and new plays inspired by history, literature, and other art forms. In our new home in Sunset Park we energetically expand the possibilities of live performance, and engage our community at all levels through partnerships and programs. TMT PROGRAMS INSTITUTE The Institute is a year-long fellowship (January – December) that provides five diverse artists space, support and a $1,000 stipend to challenge themselves and their art-making practice. 2019 Fellows: Sarah Dahnke, Mashuq Mushtaq Deen, Yoni Oppenheim, Gabrielle Revlock, and Sarah K. Williams. ARTISTS-IN-RESIDENCE The Artist Residency Program provides established, mid-career and emerging artists up to 100 hours of dedicated rehearsal and developmental space. Each residency is shaped to meet the specific needs of each artist and will include a work-in-progress free to the public. 2019 Artists-in-Residence: Tanisha Christie, Jesse Freedman, Sugar Vendil, Deepali Gupta, Sarah Hughes, and Chana Porter. SPACE RENTALS THE DOXSEE THEATER Our SPACE program provides long term / short term studio nd space for all artists to gather and engage in their creative / 232 52 Street, BK 11220 cultural practices. -
Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Robert Rauschenberg and James Rosenquist Graphics Rosenquist
RAUSCHENBERG PAST POP: ROBERT RAUSCHENBERG AND JAMES ROSENQUIST GRAPHICS ROSENQUIST KEAN UNIVERSITY !CKNOWLEDGEMENTS We would like to recognize the many individuals and institutions who generously provided assistance in this process. Bard Graduate Center: Olga Valle Tetkowski; Graebel Movers International Inc.: Jim Wilderotter; Kean University: Dr. Dawood Farahi, Holly Logue, John Maso, and Kenneth Kimble; The Montclair Art Museum: Gail Stavitsky and Erica Boyd; The Newark Museum: Amber Woods Germano, Olivia Arnone; O’Hara Gallery: Ruth O’Hara and Lauren Yen; Prudential Insurance Company of America: Carol Skuratofsky and Joseph Sabatino; the Estate of Robert Rauschenberg: Gina C. Guy and Thomas Buehler; James Rosenquist and Beverly Coe at the Rosenquist Studio; Universal Limited Art Editions: Bill Goldston and Marie Allen; The Whitney Museum of American Art: Donna DeSalvo, Barbie Spieler and Matt Heffernan; Visual Artists and Galleries Association (VAGA): Robert Panzer and Kimberly Tishler. Rich Russo for the photographs of prints in the Kean and Prudential collections. Special thanks to Barbara Burn for her remarkable editing ability and unique kindness. Without her diligence, this catalog would not have been possible. Copyright © 2009 by Kean University, Union, New Jersey Catalog essay, Past Pop: Robert Rauschenberg and James Rosenquist Graphics of the 1970s © 2009 Lewis Kachur All rights reserved. No part of this book may be reproduced in any form including electronic or mechanical means, photocopying, information storage and retrieval systems, except in the case of brief extracts for the purpose of critical articles and reviews, without permission in writing from Kean University. Art © James Rosenquist /Licensed by VAGA, New York, NY Art © Estate of Robert Rauschenberg/Licensed by VAGA, New York, NY U.L.A.E. -
Soho Arts Network
Downtown Culture Walk is a self-guided walking tour SoHo Arts Network SoHo Arts Network presented by the SoHo Arts Network (SAN), highlighting 1 the nonprofit art spaces in the SoHo and downtown Downtown Culture Walk neighborhoods. SAN celebrates the rich history of our nyartmaps.com unique creative community and collectively shares our Saturday, April 27, 2019 distinct cultural contributions with neighborhood residents 12 – 6pm and visitors. On April 27, members of SAN will open their doors for Downtown Culture Walk, inviting participants 3 2 to discover the nonprofit art spaces in the neighborhood. Walkthroughs, talks, open hours, and other programming 4 will be offered that day for free or reduced admission. Map courtesy of NY Art Maps, NY of Map courtesy 5 6 1. Swiss Institute 11. Dia: The Broken 38 St. Marks Pl. Kilometer 7 8 393 West Broadway 9 2. The Sylvia Wald DOWNTOWN & Po Kim Art Gallery 12. Storefront for Art 417 Lafayette St., 4th floor and Architecture 97 Kenmare St. CU LT UR E 3. Grey Art Gallery New York University 13. The Drawing Center 100 Washington Sq. East 35 Wooster St. 10 WA LK 4. 80 Washington 14. CIMA - Center for 11 Square East Italian Modern Art 12 New York University 421 Broome St., 4th floor 5. AIA New York | Center 15. Leslie-Lohman Museum for Architecture of Gay and Lesbian Art 536 LaGuardia Pl. 26 Wooster St. 14 13 6. The Renee & Chaim 16. Museum of Chinese Gross Foundation in America 526 LaGuardia Pl. 215 Centre St. 17 15 7. Dia: The New York 17. -
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
T H E N E I G H B O R H O O D : V a R I C K S T R E E T S O H O / H U D S O N
150 FOOD USES NOW ACCEPTED! VARICK STREET SOHO/HUDSON SQ Powerful presence at the gateway THE NEIGHBORHOOD: to Hudson Square and Soho. This dramatic ground floor industrial space • Transportation: The entrance to the C/E subway line is on is being repositioned and will feature the same block which has 3.4 million riders annually 60’ of new, customizable frontage on • Offices: Hudson Sq is home to over 53,000 office workers Varick Street. who populate the 2.4 million SF of office space • Residents: Over 10,000 current residents with another Ground Level.......................2,750 SF 3,500 units planned to be built over the next 9 years Frontage......................................60’ following the re-zoning of Hudson Square Ceiling Height..............................14’ • Hudson Square BID: Spring Street west of 6th Avenue will Term................................Negotiable receive $27 million to revitalize the streetscape and Possession.........................Immediate solidify this corridor as the central shopping destination of Asking Rent...................Please Inquire Hudson Square Avenue Of The Americas *Additional 5,350 SF possible *All logical divisions considered 50’ Spring Street Vandam Street Vandam 60’ Varick Street NEIGHBORING RETAILERS INCLUDE: • Trader Joe’s (soon) • The Dominick Hotel • Starbucks • City Winery • La Colombe • Aveda • Cafe Altro Paradiso • Ducati • Essen • TD Bank PLEASE CONTACT: Christopher Owles 212.604.9002 l [email protected] Randy Kornblatt 646.673.8772 l [email protected] WEST 4TH STREET WEST 4TH -
WEDNESBURY (Inc
HITCHMOUGH’S BLACK COUNTRY PUBS WEDNESBURY (Inc. Kings Hill, Mesty Croft) 3rd. Edition - © 2014 Tony Hitchmough. All Rights Reserved www.longpull.co.uk INTRODUCTION Well over 40 years ago, I began to notice that the English public house was more than just a building in which people drank. The customers talked and played, held trips and meetings, the licensees had their own stories, and the buildings had experienced many changes. These thoughts spurred me on to find out more. Obviously I had to restrict my field; Black Country pubs became my theme, because that is where I lived and worked. Many of the pubs I remembered from the late 1960’s, when I was legally allowed to drink in them, had disappeared or were in the process of doing so. My plan was to collect any information I could from any sources available. Around that time the Black Country Bugle first appeared; I have never missed an issue, and have found the contents and letters invaluable. I then started to visit the archives of the Black Country boroughs. Directories were another invaluable source for licensees’ names, enabling me to build up lists. The censuses, church registers and licensing minutes for some areas, also were consulted. Newspaper articles provided many items of human interest (eg. inquests, crimes, civic matters, industrial relations), which would be of value not only to a pub historian, but to local and social historians and genealogists alike. With the advances in technology in mind, I decided the opportunity of releasing my entire archive digitally, rather than mere selections as magazine articles or as a book, was too good to miss.