Web-Based Chinese Fanfic of Jane Austen Jin Feng Grinnell College
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UNIVERSITY of CALIFORNIA, SAN DIEGO Domestic
UNIVERSITY OF CALIFORNIA, SAN DIEGO Domestic Dispatches: The Moral Imperative of Modernity, Writing, and the Evolving Role of Female Missionaries A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Anthropology by Emily Frances King Committee in Charge: Professor Suzanne Brenner, Chair Professor Joseph Hankins Professor Saiba Varma 2017 The thesis of Emily Frances King is approved and it is acceptable in quality and form for publication on microfilm and electronically: ________________________________________________________________________ ________________________________________________________________________ ________________________________________________________________________ Chair University of California, San Diego 2017 iii Dedication This thesis is dedicated to my family. Thank you for telling me family stories, and constantly finding new articles and photographs in old boxes that made this thesis longer than I anticipated. Thank you for always making me laugh at horrible puns. Thank you for your unwavering support and love. This thesis wouldn’t have been possible without you. iv Table of Contents Signature Page……………………………………………………………………………iii Dedication……………………………………………………………………...................iv Table of Contents………………………………………………………………………….v List of Figures…………………………………………………………………………….vi Acknowledgements………………………………………………………………………vii Abstract of the Thesis..………………………………………………………………….viii I-Introduction……………………………………...………………………………………1 II-The Myth of Teleological Progress…………………………………………………......6 -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms .......................................................... -
ABOVE AVERAGE MAN by Christopher E
ABOVE AVERAGE MAN By Christopher E. Engler Copyright © MMXX by Christopher E. Engler All rights reserved. ISBN: 978-1-61588-464-3 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing LLC. Questions concerning other rights should be addressed to Heuer Publishing LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Amos Exactlywheretheydfall F
This book is a work of fiction. Names, characters, places, and incidents are a work of the author's imagination and used fictitiously. Any resemblance to actual persons, living or dead, places, or business establishments, is completely coincidental. Copyright © 2012 by Laura Rae Amos Cover photo, art, and design © Laura Rae Amos, 2012. Paperback edition: ISBN-13: 978-0615696072 You are reading a sample version of the novel, Exactly Where They’d Fall, by Laura Rae Amos, which includes the first five chapters in their entirety. All rights are reserved. You have my permission to share this sample – exactly as it is – by email, file sharing, printing, photograph, spoken word, telepathy, or extraterrestrial broadcast. (If you hear back from an alien, please let me know!) You may not modify this file or the text within for any reason. Brief passages may be quoted with citation for review purposes. I hope you enjoy the story. If you decide you do, there are lots of places you can find the full version in both e-book or paperback: look here. Or try Amazon.com, Amazon.co.uk, Smashwords, or Barnes & Noble, among many others. For inquiries, contact: Laura Rae Amos PO Box 150006 Alexandria, Virginia 22315 lauraraeamos.com SEPTEMBER 1.1: a fraction of a sliver of a moment ODIE HATED ADORABLE THINGS: HAPPY COUPLES, CHILDREN, puppies, hugs. Jodie hated favors, she hated generosity, she J hated having to say “thank you.” But Jodie couldn't hate Drew, with those kind, dark eyes, rich as coffee. He was positively adorable. Sweet, even. -
Fanfiction and Imaginative Reading a Dissertation
"I Opened a Book and in I Strode": Fanfiction and Imaginative Reading A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Ashley J. Barner April 2016 © 2016 Ashley J. Barner. All Rights Reserved. 2 This dissertation titled "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading by ASHLEY J. BARNER has been approved for the Department of English and the College of Arts and Sciences by Robert Miklitsch Professor of English Robert Frank Dean, College of Arts and Sciences 3 ABSTRACT BARNER, ASHLEY J., Ph.D., April 2016, English "I Opened a Book and in I Strode": Fanfiction and Imaginative Reading Director of Dissertation: Robert Miklitsch This dissertation studies imaginative reading and its relationship to fanfiction. Imaginative reading is a practice that involves engaging the imagination while reading, mentally constructing a picture of the characters and settings described in the text. Readers may imaginatively watch and listen to the narrated action, using imagination to recreate the characters’ sensations and emotions. To those who frequently read this way, imagining readers, the text can become, through the work of imagination, a play or film visualized or entered. The readers find themselves inside the world of the text, as if transported to foreign lands and foreign eras, as if they have been many different people, embodied in many different fictional characters. By engaging imaginatively and emotionally with the text, the readers can enter into the fictional world: the settings seem to them like locations they can visit, the many characters like roles they can inhabit or like real people with whom they can interact as imaginary friends and lovers. -
Web Serial Toolbox
Web Serial Toolbox Why & How To Serialize Your Fiction Online (for almost no money) by Cecilia Tan ctan.writer @ gmail.com Twitter @ceciliatan #serialtoolbox What is a web serial? What is a web serial? Serialized storytelling is already the norm in ● What is a web serial? Serialized storytelling is already the norm in ● comic books What is a web serial? Serialized storytelling is already the norm in ● comic books ● television series What is a web serial? Serialized storytelling is already the norm in ● comic books ● television series ● web comics Charles Dickens (The Pickwick Papers) and Alexandre Dumas (Three Musketeers) used the emergent mass media of their era (broadsheet printing & early newspapers) to serialize to mass audiences. Now we have the Internet. What is a web serial? ● Text fiction telling a continuing story that is posted online What is a web serial? ● Text fiction telling a continuing story that is posted online – may or may not have a set length/ending ● closed serials are like a novel but split up ● open serials are like a soap opera What is a web serial? ● Text fiction telling a continuing story that is posted online – may or may not have a set length/ending ● closed serials are like a novel but split up ● open serials are like a soap opera – may or may not be posted free to read ● most are free to read on the web ● some are to subscribers only, or are “freemium” going first to subscribers and then free to read for all later Why write a web serial? Why write a web serial? Find readers as addicted to reading as you are to writing. -
A Cultural Theory of Mary Sue Fan Fiction As Fair
Everyone's a Superhero: A Cultural Theory of "Mary Sue" Fan Fiction as Fair Use Anupam Chander t Madhavi Sunder tt Lieutenant Mary Sue took the helm of the Starship Enterprise,saving the ship while parrying Kirk's advances. At least she did so in the unofficial short story by Trekkie Paula Smith. "Mary Sue" has since come to stand for the insertion of an idealized authorial representative in a popular work. Derided as an exercise in narcissism, Mary Sue is in fact a figure ofsubaltern critique, challenging the stereotypes of the original.The stereotypes of popular culture insinuate themselves deeply into our lives, coloring our views on occupations and roles. From Hermione Granger-led stories, to Harry Potter in Kolkata, to Star Trek same-sex romances, Mary Sues re-imagine our cultural landscape,granting agency to those denied it in the popular mythology. Lacking the global distribution channels of traditional media, Mary Sue authors now find an alternative in the World Wide Web, which brings their work to the world. Despite copyright law's grant of rights in derivative works to the original's owners, we argue that Mary Sues that challenge the orthodoxy of the originallikely constitutefair use. The Mary Sue serves as a metonym for all derivative uses that challenge the hegemony of the original. Scholars raise three principal critiques to such fair use: (1) why not write your own story rather than borrowing another's? (2) even ifyou must borrow, why not license it? and (3 won't "recoding" popular icons Copyright © 2007 Anupam Chander and Madhavi Sunder. -
Free-E-Day Brochure Nov 1 V2
DISCOVER SOMETHING AMAZING www.freeeday.wordpress.com What’s going on here? Welcome to the free e-brochure for Free-e-Day, the online celebration of independent culture. Here you’ll find a bit about Free-e-day and what it’s about. Not so much as to be boring, though. If you REALLY want to know more, head over to our website at www.freeeday.wordpress.com ; sign up for the Free-e-day group on Facebook; and friend Freeedayfestival on Myspace. At the back, you’ll find a directory of all the amazing creative people who have signed up so far, and links to where you can find out more, and pick up your free downloads on December 1 st . You’ll also find a list of events that we’re running live on the day. And you’ll find details of how you can join in . Here in fact. It’s pretty simple, really. If you write, sing, play, draw, or anything else cool like that, just send us a link, through any of our websites, to somewhere you’ll be offering fans a free download on December 1 st , and we’ll add you to the directory. If you like what we’re doing and have a website that does amazing stuff with creative people, let us know and we’ll add you to our fellow traveller section. And if you like literature, music, art, film and want free downloads, just hang around the websites, join the Facebook group, and turn up on December 1 st . -
History of the Future
History of the Future: www.soundcloud.com/jepilkin/hotf By: Brittney McKoy, Catherine Studer, and Johnathan Pilkington Key: B: Brittney J: Johnny C: Catherine *Intro Music* J: Like I was saying, before we get into things let’s once again define science fiction to our B: Hey everyone, welcome back to History of listeners. the Future - where three nerds talk about the sci-fi stuff they love. I’m Brittney. C: We know you guys have heard it about a million times, but just in case we have some J: I’m Johnny. new listeners, we’d like to lay it out for you again. C: And I’m Catherine. J: New listeners? Unrealistic. B: And we’re so excited to welcome you back for our topic of the week. B: Hey, be positive! You know, sci-fi in its broadest definition is “literature that makes J: Before we jump into things- the improbable possible.” B: Jump through time and space? C: So hello, improbable new listeners. 66 | RhetTech B: You too? J: Introducing the mother of sci-fi and the monster story you all know and love- J: So the definition of sci-fi we’re working with is the one we found from the good old C: Come on, every time. Please. encyclopedia britannica. It says, “science fiction is a form of fiction that deals primarily J: Mary Shelley and Frankenstein. with the impact of actual or imagined science upon society or individuals.” C: Why does she come up every time? We don’t need to keep doing this. -
Blog Fiction: the Relational Poetics of a Distributed Narrative Form
Blog Fiction: The Relational Poetics of a Distributed Narrative Form by Emma Segar A thesis submitted in partial fulfilment for the requirements for the degree of Doctor of Philosophy at Edge Hill University. Submitted October 2015 1 Abstract This analysis explores blog fiction as a distributed narrative form, and the relational nature of the reading and writing processes that shape its poetics. It does this primarily through the analysis of Bad Influences1, the blog fiction that forms the creative part of this thesis. Bad Influences tells a disaster story distributed over four separate fictional blogs, exploring online identities, friendships, and how our relations to the world and our communities are shaped by the stories we tell about ourselves. Jill Walker Rettberg’s ideas on distributed narrative2 are used to investigate blog fiction’s distributions in time, space and authorship, and how these affect its narrative time, linearity, interactivity and poetics. The processes of writing and posting Bad Influences, and engaging with its readers, show how the use of the blog as a medium determines the characteristics of blog fiction as a form, and how the relations that emerge between readers, writers and the text produce, in Aukje van Rooden’s term, a relational poetics.3 This analysis concludes with an application of relational poetics to blog fiction and digital interactive fiction in general, touching upon emerging forms of fiction on social media platforms (e.g. Twitter fiction and interactive multiplayer narrative apps), in which relational processes are an essential component of the text, rather than simply a means to its access. -
LEGAL STUDIES RESEARCH PAPER SERIES UC DAVIS SCHOOL of LAW Vol
SOCIAL SCIENCE RESEARCH NETWORK LEGAL SCHOLARSHIP NETWORK: LEGAL STUDIES RESEARCH PAPER SERIES UC DAVIS SCHOOL OF LAW Vol. 9, No. 3: June 12, 2007 Editor: KEVIN R. JOHNSON Associate Dean for Academic Affairs, School of Law, and Mabie/Apallas Professor of Public Interest Law and Chicana/o Studies, University of California, Davis [email protected] _________________________________________________________________ BROWSE all abstracts in this subject: http://www.ssrn.com/link/uc-davis-legal-studies.html SEARCH entire eLibrary at: http://ssrn.com/search _________________________________________________________________ T A B L E O F C O N T E N T S "Is Nozick Kicking Rawls's Ass? Intellectual Property and Social Justice" ANUPAM CHANDER, University of California, Davis - School of Law MADHAVI SUNDER, University of California, Davis - School of Law "Everyone's a Superhero: A Cultural Theory of 'Mary Sue' Fan Fiction as Fair Use" ANUPAM CHANDER University of California, Davis - School of Law MADHAVI SUNDER University of California, Davis - School of Law "Closely-Held Firms and the Common Law of Fiduciary Duty: What Explains the Enduring Qualities of a Punctilio?" ROBERT W. HILLMAN, University of California - Davis School of Law "The Populist Safeguards of Federalism" ROBERT A. MIKOS, University of California, Davis - School of Law _________________________________________________________________ 2 "Is Nozick Kicking Rawls's Ass? Intellectual Property and Social Justice" UC Davis Legal Studies Research Paper No. 108 UC Davis Law Review, Vol. 40, 2007 Contact: ANUPAM CHANDER, University of California, Davis - School of Law Email: [email protected] Auth-Page: http://ssrn.com/author=275458 Co-Author: MADHAVI SUNDER, University of California, Davis - School of Law Email: [email protected] Auth-Page: http://ssrn.com/author=280597 Full Text: http://ssrn.com/abstract=982981 ABSTRACT: Is the libertarian vision of Nozick in ascendance in intellectual property, overshadowing Rawls's egalitarianism? Yes, and rightly so, some intellectual property scholars suggest. -
Twilight Fan Fiction
This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Author(s): Lehtonen, Sanna Title: Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction Year: 2015 Version: Please cite the original version: Lehtonen, S. (2015). Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction. Fafnir : Nordic Journal of Science Fiction and Fantasy Research, 2(2), 7-18. http://journal.finfar.org/articles/316.pdf All material supplied via JYX is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. ISSN: 2342-2009 Fafnir vol 2, iss 2, pages 7–18 Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Writing Oneself into Someone Else’s Story – Experiments With Identity And Speculative Life Writing in Twilight Fan Fiction Sanna Lehtonen Abstract: Fan fiction offers rich data to explore readers’ understanding of gendered discourses informing the narrative construction of fictional and real-life identities. This paper focuses on gender identity construction in self-insertion fan fiction texts – stories that involve avatars of fan writers – based on Stephenie Meyer’s Twilight novels.