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Maureen O'connor Mont H.., M T He Ship Repair O'connor Discusses Her Bustness
The UCSDGuar a Unj\(~rsjt~ of Califo,·nia. ~an Dit'go VOIUIlH.' lH, NumlH'1' I:! Thlln,c1a~. Ft'IIt'ual"~ 10, ) HH:~ A 1 I acre plot "oj land t he Del Mar c()a~t has , t hr cent er of a ontn)\ers\ that \\ill Del Mar vote: lmmatr \V-ith a special llot to be held next y. The vote w111 ine whether or not A park or a parking lot land, currently owned the Waterworks Co., ould be purchased by the it\- of Del Mar as the final stallment in it. <.;e nes of stal parks. If the voters rn down the purchase,the evelop(·r.... \\ til go ahead 'th construction of a re .... I<iUrant on the sIte, as \\t'll as ;\ maSSIve, t\\·o .... tore\· parking structure USI ;icro ... s Coast Hh d. TIlt' campaIgn for the purc.ha'-t' of \\ hat has Ix: mw 10 be known as Powt'rhouse Park has ained the \()Clferous upport of Barve) ShapIro, mayor of Del ~1ar and professor of Anesthe...,lOlogy t l lC. [) !\ledical School. ShapIro. along WIth the 700 voters \\hopetitionedlo place I he ISS ue on t he ballot, hoptng for a 'il long voter rnollt tu complete Del 'n's open space prOjeCI nd block the new onstrllctlon, which prum i ".es to pu 11 more (IJUrtSts into (1)(' city's alt l'ad\ cramped streeh 'I he' poll<.; WIll be open from I am to 8 pm Tue<.;day an(, WIll be held 111 special , 'on .... 0 ltd a ted vot tng places. -
Don Banks David Morgan Peter Racine Fricker Violin Concertos
SRCD.276 STEREO ADD Don Banks PETER RACINE FRICKER (1920-1990) David Morgan Concerto for Violin and small Orchestra Op. 11 (1950) (23’25”) 1 1st Movement: Con moto (9’42”) 2 2nd Movement: Andante (5’27”) Peter Racine Fricker 3 3rd Movement: Allegro vivo (8’16”) DAVID MORGAN (1933-1988) Violin Concerto (1966) * (26’02”) 4 1st Movement: Lento – Moderato cantabile – Alla Marcia (11’55”) 5 2nd Movement: Presto energico ma leggieramente (5’07”) Violin Concertos 6 3rd Movement: Lento – Allegro deciso – Con fuoco (9’00”) DON BANKS (1923-1980) Concerto for Violin and Orchestra (1968) (26’55”) 7 1st Movement: Lento – Allegro (9’42”) 8 2nd Movement: Andante cantabile (9’36”) 9 3rd Movement: Risoluto (7’37”) (76’26”) Yfrah Neaman, violin * Erich Gruenberg, violin Royal Philharmonic Orchestra conducted by Norman Del Mar * Vernon Handley The above individual timings will normally each include two pauses. One before the beginning of each movement or work, and one after the end. Erich Gruenberg • Yfrah Neaman ൿ 1974 * ൿ 1978 The copyright in these sound recordings is owned by Lyrita Recorded Edition, England. This compilation and the digital remastering ൿ 2008 Lyrita Recorded Edition, England. Royal Philharmonic Orchestra © 2008 Lyrita Recorded Edition, England. Lyrita is a registered trade mark. Made in the UK LYRITA RECORDED EDITION. Produced under an exclusive license from Lyrita Vernon Handley • Norman Del Mar by Wyastone Estate Ltd, PO Box 87, Monmouth, NP25 3WX, UK PETER RACINE FRICKER was born in Ealing on 5 September 1920. His middle name came from his great-grandmother, a direct descendant of the French dramatist. -
An Examination of Stylistic Elements in Richard Strauss's Wind Chamber Music Works and Selected Tone Poems Galit Kaunitz
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 An Examination of Stylistic Elements in Richard Strauss's Wind Chamber Music Works and Selected Tone Poems Galit Kaunitz Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN EXAMINATION OF STYLISTIC ELEMENTS IN RICHARD STRAUSS’S WIND CHAMBER MUSIC WORKS AND SELECTED TONE POEMS By GALIT KAUNITZ A treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2012 Galit Kaunitz defended this treatise on March 12, 2012. The members of the supervisory committee were: Eric Ohlsson Professor Directing Treatise Richard Clary University Representative Jeffrey Keesecker Committee Member Deborah Bish Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to my parents, who have given me unlimited love and support. iii ACKNOWLEDGEMENTS I would like to thank my committee members for their patience and guidance throughout this process, and Eric Ohlsson for being my mentor and teacher for the past three years. iv TABLE OF CONTENTS List of Figures ................................................................................................................................ vi Abstract -
Download the Clarinet Saxophone Classics Catalogue
CATALOGUE 2017 www.samekmusic.com Founded in 1992 by acclaimed clarinetist Victoria Soames Samek, Clarinet & Saxophone Classics celebrates the single reed in all its richness and diversity. It’s a unique specialist label devoted to releasing top quality recordings by the finest artists of today on modern and period instruments, as well as sympathetically restored historical recordings of great figures from the past supported by informative notes. Having created her own brand, Samek Music, Victoria is committed to excellence through recordings, publications, learning resources and live performances. Samek Music is dedicated to the clarinet and saxophone, giving a focus for the wonderful world of the single reed. www.samek music.com For further details contact Victoria Soames Samek, Managing Director and Artistic Director Tel: + 44 (0) 20 8472 2057 • Mobile + 44 (0) 7730 987103 • [email protected] • www.samekmusic.com Central Clarinet Repertoire 1 CC0001 COPLAND: SONATA FOR CLARINET Clarinet Music by Les Six PREMIERE RECORDING Featuring the World Premiere recording of Copland’s own reworking of his Violin Sonata, this exciting disc also has the complete music for clarinet and piano of the French group known as ‘Les Six’. Aaron Copland Sonata (premiere recording); Francis Poulenc Sonata; Germaine Tailleferre Arabesque, Sonata; Arthur Honegger Sonatine; Darius Milhaud Duo Concertant, Sonatine Victoria Soames Samek clarinet, Julius Drake piano ‘Most sheerly seductive record of the year.’ THE SUNDAY TIMES CC0011 SOLOS DE CONCOURS Brought together for the first time on CD – a fascinating collection of pieces written for the final year students studying at the paris conservatoire for the Premier Prix, by some of the most prominent French composers. -
Kimmo Hakola's Diamond Street and Loco: a Performance Guide
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Kimmo Hakola's Diamond Street and Loco: A Performance Guide Erin Elizabeth Vander Wyst University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fine Arts Commons, Music Commons, and the Theatre and Performance Studies Commons Repository Citation Vander Wyst, Erin Elizabeth, "Kimmo Hakola's Diamond Street and Loco: A Performance Guide" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2754. http://dx.doi.org/10.34917/9112202 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. KIMMO HAKOLA’S DIAMOND STREET AND LOCO: A PERFORMANCE GUIDE By Erin Elizabeth Vander Wyst Bachelor of Fine Arts University of Wisconsin-Milwaukee 2007 Master of Music in Performance University of Wisconsin-Milwaukee 2009 -
A San Diego Symphony Fact Sheet
FACT SHEET Date of First Performance: December 6, 1910 Current Operating Budget: $26 million Musicians: 82 full-time Number of People Attending All Paid Concerts Last Season: 183,409 Learning and Engagement Programming Reach: 60,000 students and adults Music Directors: Rafael Payare (Beginning 2020), Conductor Laureate Jahja Ling (2004–2017), Jung Ho Pak (1998-2002), Yoav Talmi (1989-1996), David Atherton (1980-1987), Peter Eros (1972-1979), Zoltan Rozsnyai (1967-1971), Earl Bernard Murray (1959-1966), Robert Shaw (1955-1958), Fabien Sevitzky (1949- 1952), Nikolai Sokoloff (1938-1941), Nino Marcelli (1936-1937), B. Roscoe Schryock (1912-1920). Principal Home Venues: Copley Symphony Hall at the Jacobs Music Center, from 1985 to present. The Embarcadero Marina Park South for the Bayside Summer Nights series. Number of Performances: More than 100 performances per year including Jacobs Masterworks, City Lights, Chamber Music Series, Family, Film and Bayside Summer Nights. Other concerts and programs: 166 Outreach performances including Linda and Shearn Platt Kinder Koncerts, open rehearsals, outreach, coaching, masterclasses and Berton Family Young People’s Concerts. Free Concerts: Bayside Summer Nights Community Day, The Annual Donor Concert, Linda and Shearn Platt Kinder Koncerts, Star Spangled Pops Salute to the Military and Home for the Holidays. Opera: The Symphony performs during the San Diego Opera’s International Opera season at the Civic Theater. Other Organizations by San Diego Symphony Musicians: Art of Élan, Camera Lucida, Myriad Trio, Westwind Brass, Luscious Noise, San Diego Symphony String Quartet, Mainly Mozart, Hornswaggle, La Jolla Music Society’s SummerFest. Most Recent Tour: 2013 Friendship Tour to Carnegie Hall and China. -
Open Farrand - Under Wagner S Shadow.Pdf
The Pennsylvania State University The Graduate School UNDER WAGNER’S SHADOW: DELIUS’S USE OF WAGNERIAN MODELS IN THE MAGIC FOUNTAIN A Thesis in Music Theory and History by Timothy M. Farrand © 2020 Timothy M. Farrand Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2020 ii The thesis of Timothy M. Farrand was reviewed and approved by the following: Charles Youmans Professor of Music Thesis Advisor Eric McKee Professor of Music David Frego Director of the School of Music iii ABSTRACT After 1900, Frederick Delius’s unique compositional style bears little resemblance to any singular influence. In the thirty-eight year apprentice period that led to the development of this style, Delius drew upon a wide range of references from the Norwegian mountains, to the “Negro” spirituals sung by former slaves in Florida, to the dramatic style of Richard Wagner. Studies have been written detailing the impact that his two years spent in Florida had on Delius as well as the twenty visits that he made to Norway throughout his life, ten of which occurred during his apprentice period. Several scholars have pointed out the similarities between Delius’s early harmonic language and that of Richard Wagner but there has not been a study showing the importance of Wagner’s influence upon the development of Delius’s dramatic style. In the creation of his second opera The Magic Fountain (1894-95), Delius used the operatic works of Richard Wagner, specifically Tristan und Isolde and Parsifal, as musical, dramatic, and philosophical models. The use of Wagner’s works as a model for The Magic Fountain allowed Delius to discover his own artistic voice, which he continued to refine until it was fully formed in 1900. -
PRESS RELEASE Sinfonia Antartica – A
PRESS RELEASE FOR IMMEDIATE RELEASE DATE: 7 DECEMBER 2012 Sinfonia Antartica – A Valiant Story of Man and Nature Retold by the HK Phil and Polar Explorer, Dr Rebecca Lee, in an Exciting Multimedia Experience (18&19 Jan 2013) [7 December 2012, Hong Kong] On 18&19 January 2013, the Hong Kong Philharmonic (HK Phil), under the baton of its former Music Director David Atherton , will take you on an awe-inspiring multimedia journey to Antarctica, through Vaughan William’s Sinfonia Antartica in music, words and pictures. The words will be spoken by renowned polar explorer Rebecca Lee , the first female explorer to reach the three extremes of the Earth (Arctic, Antarctic and Mount Everest Region), who will retell excerpts from the last entries in the ill-fated Captain Scott’s famed diary in Cantonese while Michael MacLeod , Chief Executive of the HK Phil, in English. The important photographs to chronicle this fateful story, projected on two large screens in the Hong Kong Cultural Centre Concert Hall, are by Herbert Ponting digitally restored in high definition. To join the HK Phil on stage to produce the Vaughan Williams’ beautiful scores of Sinfonia Antartica are Hong Kong’s own soprano Yuki Ip and The Hong Kong Children's Choir . Vaughan Williams wrote the music for the 1948 film Scott of the Antarctic inspired by the tragic expedition to the South Pole led by Captain Robert Falcon Scott from 1910 – 1912. Captain Scott and his team endeavoured to become the first to reach the South Pole but all perished on the return journey. -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
Accademia Di Santa Cecilia, Rome 35 Accademia Filarmonica Romana 77
Index Accademia di Santa Cecilia, Rome 35 Australia Ensemble 170 Accademia Filarmonica Romana 77, Australian Ballet 138 90 Adeney, Richard 111 Babbitt, Milton 114, 133, 143, 152, 172 Adler, Oscar 65 Ensembles for Synthesizer 152 Adlington, Robert 141, 151 Philomel 114, 116, 133 Adorno, Theodor W. 79, 81 Bach, Johann Sebastian 148, 160-61 Aeolian Hall, London 73 Ich bin vergnügt mit meinem Glücke, Agrippa, Cornelius 169 BWV 84 160-61 Aldeburgh Festival 87, 110, 114, 131 Meine Seele erhebet den Herrn, BWV Alexandra, John 94 10 147 Alsop, Will 144, 146 Balfe, Michael W. 55, 58, 64, 186 Amis, John 3 ‘I dreamt I dwelt in marble halls’ 55, Anderson, Hedli 68-9, 72, 74, 93, 96-7, 58, 186-89 105-06, 111, 177 The Bohemian Girl 64, 186 Andriessen, Louis 175 Ballet Rambert 123 Anglesey Festival 131 Ballet Russes 27 Anglo-Austrian Music Society 115 Banks, Don 146, 152 Anstey, Edgar 53-4, 59, 61, 63 Equation (Part 1) 152 ApIvor, Denis 99-100, 103 Baptist, Maria 177 Landscapes, Op. 15 100, 103 Pierrot lunaire [with jazz interludes] Aprahamian, Felix 3 177 Aronowitz, Cecil 111, 133 Bath Festival 110 Ars Nova of Cluj 178, 180 Bartók, Béla 95, 97, 134 Arts Council of Great Britain 65, 100, Contrasts, BB116 95, 97 102, 108-09, 132, 140, 172, 179 Barlow, Howard 39 Arts Theatre Club, London 49 Barton, Lionel 61 Ashby, John 94, 101 Bate, Philip 96 Associació de Música de Camara 36 Batstone, Philip 118-19 Associated Realist Film Producers John Street 118 (AFRP) 53-4, 59 Bauer-Schenk, Günther 176 Auden, W. -
Kronos Quartet
TEMPO NEWS SECTION miere)—6 October / Norwood Festival / Harry Sparnaay (bass clarinet). Ku for shakuhachi with Composers tape delay and dancer (premiere)—13 October /Norwood Festival / Yoshikazu Iwamoto. Quite JOHN CAGE. 30 Pieces for String Quartet (UK for percussionist (premiere)—14 November / premiere)—11 August / Reform Club (MusICA) / Melbourne / Peter Neville. Kronos Quartet. HANS WERNER HENZE. Cinque Piccoli ELLIOTT CARTER. Changes (UK premiere)—4 Concerti (UK premiere)—31 July / Royal Albert November / Wigmore Hall / David Starobin. Hall Proms / English Chamber Orchestra c. Sir Riconoscenza per Gqffredo Petrassi (premiere)—12 Alexander Gibson. June / Festival Pontino di Musica, San Felice / Georg Monch (solo violin). HANS-JOACHIM HESPOS. Seiltanz (German premiere)—23 July / Darmstadt / Ensemble 13 c. Manfred Reichert. JOHN CASKEN. Orion over Fame (premiere)—17 September / Glasgow Musica Nova / Scottish National Orchestra c. Matthias YORK HOLLER. Schwarze Halbinsel (UK pre- Bamert miere)—16 November / Royal Festival Hall / BBC Symphony Orchestra c. Hans Zender. EDISON DENISOV. Trio for oboe, cello, and harpsichord (UK premiere)—27 August / ROBIN HOLLOW AY. Serenata Notturna for 4 Edinburgh Festival / Heinz Holliger, Thomas horns and small orchestra (premiere)—9 Demenga, John Constable. December / Queen Elizabeth Hall / City of London Sinfonia c. Richard Hickox. The Blue BRIAN ELIAS. L'Eylah (premiere)—30 August / Doom of Summer (premiere)—27 September / St. Royal Albert Hall Prom / BBC Philharmonic c. John's, Smith Square / Members of Vocem. Edward Downes. ZOLTAN JENEY. Sostenuto (premiere)—31 MORTON FELDMAN. String Quarter No. 2 October / Stuttgart / Suddeutscher Rundfunk c. (UK premiere)—12 August / Reform Club Clytus Gottwald. (MusICA) / Kronos Quartet. BENJAMIN LEES. Portrait of Rodin BRIAN FERNEYHOUGH. -
Bernard Van Dieren Ondelius
Winter 1990, Number 103 The Delius Society Journal The Delius Society Yl JournalJ OUTruAL Winter 1990, Number 103 The Delius Society Full Membership and Institutions £10f 10 per year Students £8f,8 USA and Canada US$21 per year Africa, Australasia and Far East £12f 12 Presidents Eric Fenby OBE, Hon DMus,D Mus, Hon DLitt,D Litt, Hon RAM, FRCM, Hon FfCLFTCL Vice Presidents Felix Aprahamian Hon RCO Roland Gibson MSc, PhD (Founder Member) Sir Charles Groves CBE Meredith Davies CBE, MA, BMus,B Mus, FRCM, Hon RAM Norman Del Mar CBE, Hon DMusD Mus Vernon Handley MA, FRCM, D Univ (Surrey)(Suney) Chairman RBR B Meadows 5 Westbourne House,House. Mount Park Road,Road. Harrow,Harrow. Middlesex HAHAl1 3JT Treasurer Derek Cox Mercers, 6 Mount Pleasant, Blockley, Glos. GL56 9BU Tel: (0386) 700175 Secretary Miss Diane Eastwood 28 Emscote Street South, Bell Hall, Halifax, Yorkshire Tel: (0422) 5053750537 Editor Stephen Lloyd 85a Farley Hill, Luton, Bedfordshire LUILUI5EG 5EG Tel: Luton (0582) 20075 2 CONTENTS Bemard van Dieren on Delius 3 Reviews: DELIUS: Four pieces arranged for piano solo 14 MAY HARRISON: Unpublished recordings 15 DELIUS Florida Suite, Summer Evening 16 THE SPIRIT OF ENGLAND Collection 18 MARGARET HARRISON talking 19 Midlands Branch Report: Delius and Elgar 20 News Round-Up 21 Obituaries: Clive Bemrose 22 Elizabeth Green 23 Forthcoming Events 23 Members paying their subscription by standing order may wish to note that the Society's Bank is: Trustee Savings Bank 8/9 Meer Street Stratford-upon-Avon Warwickshire CV37 6QB Sort Code 77-07-10 Account No.