DOCSLIB.ORG

Earl Hooker, Blues Master

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Earl Hooker, Blues Master Earl Hooker, Blues Master, Earl Hooker, Blues Master, / Univ. Press of Mississippi, 2001 / 1604739002, 9781604739008 / 2001 download file here http://variationid.org/.q54MlDc.pdf Blues with a Feeling: The Little Walter Story / Tony Glover, Scott Dirks, Ward Gaines / Biography & Autobiography / ISBN:9781135353766 / Aug 21, 2013 / 368 pages / Whenever you hear the prevalent wailing blues harmonica in commercials, film soundtracks or at a blues club, you are experiencing the legacy of the master harmonica player Rollin' and Tumblin' / Music / 2000 / ISBN:0879306130 / 453 pages / Jas Obrecht / Featuring interviews with some of the most influential blues musicians who ever lived, this guide explores the electric guitar pioneers and practitioners of Chicago and Delta / The Postwar Blues Guitarists The Best of the Blues / Music / The 101 Essential Albums / Robert Santelli / In "The Best of the Blues", acclaimed rock critic and blues expert Robert Santelli has compiled a list of the 101 most important blues albums, the works of which are absolutely / UOM:39015041915334 / 400 pages / 1997 Living Blues, Issues 131-136 / Blues (Music) / IND:30000046129288 / 1997 Pp. 613. ISBN 0-89820-068-7. ⢠Charles, Ray; Ritz, David (2003). Brother Ray: Ray Charles' Own Story. Da Capo Press. pp. 384. ISBN 9780306813351. ⢠Danchin, Sebastian (2001). Earl Hooker: Blues Master. University of Mississippi Press. pp. 389. ISBN 9781578063079. Anquetil (vocals and guitar) and Loison (guitar) have formed a new group, Bluesy Sound, along with a saxophone both his scholarly background and his musi- cal abilities, was able to unearth details about Earl Hooker, one of the most revered Chicago blues musicians. Rock star Bo Diddley, the fathers and sons of modern electric blues, Muddy Waters, Howling Wolf, Willie Dixon, Earl Hooker, Buddy Guy, Otis Rush, the new pop him with the same passion and curiosity that they had earlier welcomed Josephine Baker, Bud Powell, Memphis Slim. The driving guitar of the late Earl Hooker is a bit smothered in the sound of his blues band on The Genius of Earl Hooker (Cuca KS The moving "Your Troubles Can't Be Like Mine" is complemented by the wry humor of "Hoo- Doo Snake Doctor Blues." Masters of the Modern Blues. Wolf, Hubert Sumlin,* Lightnin' Hopkins,* and Sleepy John Estes*; in 1965, John Lee Hookerâwho had albums for Blues- way, Alligator (Big Walter with Carey Bell and Living Chicago Blues, Vol. A master of the difficult chromatic har- monica, he knows how to integrate the influ. The life and early death of a South Side guitar genius, the greatest unheralded Chicago blues-maker Jimi Hendrix called Earl Hooker" the master of the wah-wah pedal." Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder. As the careers of Muddy Waters, Howlin' Wolf, John Lee Hooker, and BB King make clear to listen a moment and then start right in.â Good advice here: the master guides the Once again, blues fans will recognize the resemblance with their music, recognize the archetype. London: Aurum Press. Danchin, Sebastian. 2001. Earl Hooker: Blues Master. Jackson, MS: University Press of Mississippi. Demetre, Jacques and Chauvard, Marcel. 1994. Voy- age au pays du blues/Land of the Blues. Levallois- Perret, France: Editions CLARB..
Load more

Recommended publications
  • Content 1965–69
    LEGENDS OF THE BLUES after Joachim E. Berendt had come back from While the blues (until 1985) and flamenco AMERICAN FOLK BLUES FESTIVAL 1967 Chicago with the idea to invite a handful festivals (until 1977) could survive into Feat. Little Walter, Koko Taylor, Bukka White, Skip James, Son of blues artists to his TV programme “Jazz the 1970ties and 80ties, the year 1968 heralded House, Sonny Terry & Brownie McGhee, Hound Dog Taylor, a.o. AMERICAN FOLK BLUES FESTIVAL 1968 gehört und gesehen” (Jazz heard and seen) a new field of involvement and activity for THE FAMOUS Feat. John Lee Hooker, T-Bone Walker, Big Joe Williams, Big Walter in Baden-Baden. Berendt could only carry the Lippmann+Rau tours. With the LIPPMANN+RAU Horton, Jimmy Reed, Curtis Jones out this project if a tour could be organized appearance of artists like Jimi Hendrix, FESTIVALS AMERICAN FOLK BLUES FESTIVAL 1969 FROM SOUTH Feat. John Jackson, Earl Hooker, Magic Sam, Juke Boy Bonner, and the travel expenses recovered. Aretha Franklin and Ray Charles and others, Clifton & Cleveland Chenier, Alex Moore, Carey Bell Horst Lippmann and Fritz Rau consequently rock music, soul and rhythm & blues were TO NORTH 1965–69 presented in 1962 the American Folk Blues presented for the first time. Festival. Only in 1965 with the first Spiritual This DVD edition will prove that the musical & Gospel Festival did they officially establish discoveries presented by Lippmann+Rau for Lippmann+Rau as concert agency. the first time as concert productions in Europe This DVD series LEGENDS of… pays homage were like the blues festivals not only very to the Lippmann+Rau festivals organized important for European beat and rock music between 1965 and 1969, where in 1965 for the bands of the 60ties.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • TEG 74001 MUDDY WATERS Unk in Funk CD
    MUDDY WATERS “UNK” IN FUNK 1. Rollin’ And Tumblin’ 2. Just To Be With You 3. Electric Man 4. Trouble No More 5. “Unk” In Funk 6. Drive My Blues Away 7. Katie 8. Waterboy Waterboy 9. Everything Gonna Be Alright "Unk" In Funk, Muddy Waters' 1974 release, saw the Chicago bluesman further building on the electric blues of albums like Electric Mud (1968) and After The Rain (1969). It would be one of the last collections of original material that Waters would record with Chess Records, after a nearly 30-year association with the label. The record included a core line up of famed blues players who would remain Waters' backing band for the duration of his career, featuring Pinetop Perkins on piano, (Earl Hooker) Luther Johnson (The Nighthawks) and Bob Margolin on guitar, Calvin "Fuzz" Jones on bass, (The Legendary Blues Band) and Willie "Big Eyes" Smith on drums, (Bo Diddley, John Lee Hooker) with additional guest appearances by George Buford, Paul Oscher (Louisiana Red), and Carey Bell (Willie Dixon) on harmonica. Even at the age of 61, Waters sounds at the top of his game on "Unk" In Funk. His booming, powerful blues vocals dominate the album's fuzzy, electric orchestration. Overhauled versions of Waters classics like "Rollin' and Tumblin'" and "Just To Be With You" sound fresh as ever, and newer tracks like "Katie" and "Waterboy, Waterboy" are classic and organic additions to Waters' discography. Overlooked and underrated in its time, "Unk" In Funk is a pinnacle album from Waters' catalog. Format: CD Cat. No: TEG74001-CD Label: Traffic Entertainment Group Available: AUGUST 13th, 2013 CHESS CD.
    [Show full text]
  • King Biscuit Time”--Sonny Boy Williamson II and Others (1965) Added to the National Registry: 2017 Essay by Edward Komara (Guest Post)*
    “King Biscuit Time”--Sonny Boy Williamson II and others (1965) Added to the National Registry: 2017 Essay by Edward Komara (guest post)* Sonny Boy Williamson II This King Biscuit show is about flour and the blues, not about flowers and rock music. “King Biscuit Time” was born when the blues harmonica master Sonny Boy Williamson (1899- 1965, born Aleck Miller) visited the newly opened KFFA radio studios in Helena, Arkansas. Seeing radio as a means of promoting his upcoming performances, Williamson pitched the idea of a regular show during the noon hour when his working audiences were taking their lunch breaks. KFFA agreed, securing Max Moore, owner of the Interstate Grocer Company and King Biscuit Flour, as the sponsor. “King Biscuit Time” debuted on November 21, 1941 at 12:15 pm, with Williamson and guitarist Robert Lockwood playing for 15 minutes. The success was immediate, allowing the musicians to maintain their time-slot every weekday. They were so successful that, in 1947, while the company’s flour bag continued to have its crown, the corn meal bag began to feature a likeness of Williamson sitting on an ear of corn. As the show continued through the 1940s, additional musicians were brought in to create a band behind Williamson. Chief among them were guitarists Joe “Willie” Wilkins, Earl Hooker and Houston Stackhouse, pianists Robert “Dudlow” Taylor, Willie Love and Pinetop Perkins, and drummer Peck Curtis. During the early broadcasts, Sam Anderson and Hugh Smith served as announcers. John William “Sonny” Payne filled in once in 1941, but he returned in 1951, staying on as the “King Biscuit Time” host until his death in 2018.
    [Show full text]
  • Paul Began Playing at Age 12, on an Acoustic Guitar That His
    Paul began playing at age 12, on an acoustic guitar that his dad had “broken in” singing pro-labor and “peoples’ songs” while performing at union rallies and concerts in the late ‘40’s. An entirely self-taught player, Paul used as his early models the music in his dad’s 78 and LP collection- records by Lightnin’ Hopkins, John Lee Hooker, Blind Willie Johnson, Leadbelly, Uncle Dave Macon, Woody Guthrie, Jimmy Driftwood, and Flatt and Scruggs, as well as jazz and gospel discs by Dinah Washington, Sarah Vaughan, The Staple Singers, and Mahalia Jackson. Soon after hearing the music coming out of bars on Chicago’s South Side, howev- er, he single-mindedly started playing electric guitar, trying to evoke the sounds of Buddy Guy and Otis Rush. His career began at age 18 “in the trenches” of Pepper’s Lounge, the 1815 Club, Theresa’s, and other haunts, as a sideman to Otis Rush, Magic Sam, Junior Wells and other fixtures of the Chicago blues scene. Gigs, tours and recordings followed, with legends like John Lee Hooker, Earl Hooker, Lightnin’ Hopkins, Sam Lay, Pops Staples, Donny Hathaway and Lightnin’ Slim. During this time he appeared on the milestone recording “Fathers and Sons” featuring Muddy Waters, Paul Butterfield and Mike Bloomfield and also played on “The London Howlin’ Wolf Sessions” LP, fea- turing Eric Clapton, Steve Winwood and members of the Rolling Stones. In 1971, needing a “spiritual battery recharge” he made the move to rural Vermont. The idea was to go as far from his “urban music roots” as possible- he bought a tiny piece of land in the shadow of breathtaking Camel’s Hump Mountain, built a geodesic dome, and attempted to live “like normal folks who didn’t live the music life 24 hours a day”.
    [Show full text]
  • CONTACT: (312) 371 -5179 EMAIL: [email protected]
    ROB STONE &THE C•NOTES CONTACT: (312) 371 -5179 EMAIL: [email protected] www.robstone.com MANAGEMENT: Michael Frank AT Earwig Music Company TEL: (773)262-0278 EMAIL: [email protected] www.earwigmusic.com A LIVE PERFORMANCE BY ROB STONE CAN TRANSPORT THE LISTENER BACK TO THE HEYDAY OF CHICAGO BLUES. Fronted by Harp-playing vocalist ROB STONE and held together by a rock-solid rhythm section, the group is comprised of seasoned professionals with well over half a century of combined blues playing experience. They’ve paid their dues in the smoky Chicago blues joints and toured coast to coast across North America and Europe, as well as the Hawaiian islands and Japan, playing countless blues festivals, club dates and television appearances. Separately, the members of the group have recorded for the respected Alligator, Evidence, Hightone, Ice House, Marquis, Appaloosa and Magnum blues labels, and received national recognition in countless blues publications. These musicians have performed with and learned from many of the greats...and it shows from the first note. They are all authentic showmen with pure abil- ity to tear up a stage, as evidenced by their prominent role in the recent Martin Scorsese-produced “Godfathers and Sons” episode of The Blues series that aired recently on PBS stations natiowide. Together they now have a brand new release on Chicago’s Earwig label. As a vocalist Rob Stone is powerful, yet relaxed and natural; as a harmonica player he evokes the sounds of greats like Little Walter, Sonny Boy Williamson and Walter Horton. This band navigates their way effortlessly through one lean arrangement after another, from a soulful slow blues to a ferocious, driving slide guitar workout recalling past greats like Elmore James, Earl Hooker, and Muddy Waters, as well as all the blues harp legends from the hey- day of Chicago blues.
    [Show full text]
  • LISTENING: ADVANCED LESSONS Lesson 2. Slow Blues 1: Low And
    LISTENING: ADVANCED LESSONS Lesson 2. Slow blues 1: Low and Midrange Rhythm Patterns T-Bone Walker “Call It Stormy Monday” BB King “Sweet Little Angel” (Live at the Regal) Albert King “The Sky is Crying,” “Personal Manager” Jimi Hendrix “Red House” Guitar Slim “The Things That I Used to Do” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 3. Slow blues 2: High-end Rhythm Patterns Same as slow blues 1 4. Slow blues 3: Soloing over Standard Changes BB King “Sweet Little Angel” (Live at the Regal) 5. Slow Blues 4: Chord Variations T-Bone Walker “Call It Stormy Monday” Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” 6. Slow Blues 5: Soloing over Chord Variations Bobby Bland (Wayne Bennett, gtr) “Stormy Monday Blues” Allman Bros. (Duane Allman, Dickie Betts gtrs) “Stormy Monday” (Live at Fillmore East) 7. Super Shuffle 1: Open E T-Bone Walker “T-Bone Shuffle” Jimmy Reed (Eddie Taylor gtr) “High and Lonesome” “Baby What You Want Me to Do” Snooks Eaglin “Sophisticated Blues” Stevie Ray Vaughan “Pride and Joy” 8. Super Shuffle 2: Other Keys Same as Super Shuffle 1 9. Super Shuffle 3: Chicago style Little Walter (Muddy Waters, Jimmy Rogers gtr) “Juke” 10. Chicago-style Melodic Rhythm Jimmy Rogers “That’s All Right,” “Ludella” Little Walter (Louis Myers, Dave Myers gtrs) “Mean Old World” 11. Double-stops 1: Third Intervals Lonnie Johnson “Away Down in the Alley Blues” Robert Johnson “Sweet Home Chicago” Chuck Berry “Thirty Days” Freddie King “The Stumble” Stevie Ray Vaughan “Love Struck Baby,” “Pride & Joy” 12.
    [Show full text]
  • Eddie Taylor Career Discography
    EDDIE TAYLOR CAREER DISCOGRAPHY ------------------------------------------------------------------------------ Born Benoit, Bolivar County, Mississipi, 29th January 1923 Died Chicago, Illinois, 25th December 1985 ------------------------------------------------------------------------------ JOHN BRIM John Brim, vcl/gtr with prob. Eddie Taylor, gtr; Sunnyland Slim (Albert Luandrew), piano; unk. bass; Grace Brim, drums. Chicago, Illinois, 22nd August 1952 51923-1 Hard Pill To Swallow Juke Joint LP1501, Flyright LP568 51923-2 Hard Pill To Swallow Flyright LP594 NOTE: Flyright issues are as shown, despite information given on LP568 sleeve. Also issued on KC CD 03, which take unknown. FLOYD JONES & BAND Floyd Jones, vcl -1/gtr with Eddie Taylor, gtr; James "Snooky" Pryor, hca; Albert "Sunnyland Slim" Luandrew, piano; Alfred Wallace, drums. Chicago, Illinois, 3rd February 1953 53-128 Schooldays (On My Mind) -1 Vee-Jay 111, Top Rank EP135 Python LP15, Buddah LP7511 Charly LP1047 53-129 Ain't Times Hard -1 issues as above 53-130 Floyd's Blue(s) Vee-Jay 126, Top Rank EP135 Boogie Disease LP101/2 Charly LP1047, Nighthawk LP107 53-131 Any Old Lonesome Day -1 Vee-Jay 126, Oldies 129 Top Rank EP135, Buddah LP7511 Boogie Disease LP101/2 Charly LP1047, Nighthawk LP107 Vee-Jay LP1913 SUNNYLAND SLIM Albert "Sunnyland Slim" Luandrew, vcl/piano with Eddie Taylor or Floyd Jones, gtr; James "Snooky" Pryor, hca; Alfred Wallace, drums. Chicago, Illinois, 3rd February 1953 53-132 Troubles Of My Own Vee-Jay unissued 53-133 Worried About My Baby - 53-134 I Done You Wrong - 53-135 Be My Baby - 53-136 Steady Pistol - NOTE: above session possibly purchased from Chance. JOHN BRIM John Brim, vcl/gtr with Eddie Taylor, gtr; Marion "Little" Walter Jacobs, hca; Elgin Edmonds, drums.
    [Show full text]
  • Complete John Lee Hooker Session Discography
    The Complete John Lee Hooker Discography –Part II from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The Great R&B Files (# 2 of 12) Part II Updated 2017-09-23 MAIN CONTENTS: page Hooker Singles in Disguise 82 Hooker’s First and Last Albums 94 The Body & Soul CD-series 112 Giant of Blues – an Essay by Les Fancourt 114 The Complete EP Collection 118 The Real Best of Selection (with Trivia) 132 The three “whole career” double-CDs 137 JLH Recording Scale 138 Bootlegs and DVDs 142 Nuthin’ but the Best! – Fictional Album 145 The World’s Greatest Blues Singer Supplement to The John Lee Hooker Session Discography http://www.rhythm-and-blues.info/02_HookerSessionDiscography.pdf Part II of the John Lee Hooker Session Discography - compiled by Claus Röhnisch - The R&B Pioneers Series: Volume Two (Part II) of twelve The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info page 81 (of 164) The Complete John Lee Hooker Discography – Part II from The Great R&B-files Created by Claus Röhnisch: http://www.rhythm-and-blues.info The BEST of the CDs featuring Johnnie’s pirate recordings Check Ultimate CD’s entries in the Session Discography, Part One for more details ….. and check Singles discography for pseudonyms. ”Boogie Awhile” – Krazy Kat; ”Early Years: The Classic Savoy Sessions” (1948/49 and 1961) - MetroDoubles; ”Savoy Blues Legends: Detroit 1948-1949” – Savoy; ”Danceland Years” – Pointblank ”I’m A Boogie Man: The Essential Masters 1948-1953” – Varese Sarabande; ”The Boogie Man” – Properbox;
    [Show full text]
  • CHRIS GILL Mississippi Blues Guitarist Songwriter Performer
    CHRIS GILL Mississippi Blues guitarist songwriter performer Mississippi Blues Guitarist and Vocalist Chris Gill is a musician PAST FESTIVAL PERFORMANCES who believes in bringing a wide variety of tones to his listeners. From acoustic and resonator slide to dirty P90 grit, and all kinds of • International Blues Challenge Finalist • Legendary Rhythm and Blues Cruise Blues in between! Lately the "smokey" tones that his cigar box • Chicago Blues Festival guitar brings to the mix has added a nice spice to his slow blues • King Biscuit Blues Festival and funky Hill Country grooves. • Juke Joint Festival • Wasaga Beach Blues Festival About 25 years ago, Chris really got into the Delta and Bentonia • Tim Horton’s Southside Shuffle Festival style Blues from sitting on Jack Owens' porch listening and • Hambone Festival learning from Jack and Bud Spiers. " Drinking Hawgmouth Gin • Jubilee Jam and watching those two Blues Kats get down changed my life! I • St. Thomas, Virgin Islands Blues Festival couldn't believe what I was experiencing. I became friends with • Jackson Rhythm and Blues Festival them and they would gladly show me those Bentonia licks. I still spend time hanging out and jamming with Jimmy "Duck" Holmes at the Blue Front Cafe. He also learned from Jack Owens. Those times with Jack and Bud really moved my heart to the blues and rearranged my molecules!"remembers Chris. Gill's original songs are a mix of Juke Joint Boogie and Piedmont style finger picking. His influences of Taj Mahal, Mississippi John Hurt, Rev. Gary Davis, Elizabeth Cotten and Lightnin Hopkins definitely comes out in his songs.
    [Show full text]
  • The Year That (Certainly) Made Me John Henshall LFPIA
    • Need spatial indicators; tation provided audience members with much food for • Have Federal performance indicators; thought. It was a most timely input to remind us that cities • National data standards; are constructed by people and she invited as to all become • Five yearly reviews; and architects of Hobart’s future. What will the citizens of Hobart see in seventy years’ time? Will they hail and commemorate a • Metropolitan governance. modern day Abercrombie? Clearly some of these are more within Hobart’s control than Indra Boss MPIA is a town planner with JMG Engineers others, but even so the fundamental questions remain – where and Planners and a PhD Candidate within the School of do we want to go? And is there sufficient vision and leadership Technology, Environment and Design at UTAS. She can be amongst the key stakeholders? Professor Giles-Corti’s presen- contacted at [email protected] or [email protected] The year that (certainly) made me John Henshall LFPIA Many of us will be familiar with the ABC Radio National segment on Sunday mornings called ‘The year that made me’. The radio host interviews individuals about their time on earth, so to speak, and what it is that has guided them through the years. Many times I have reflected on the ‘year that made me’. Until now, I had never really identified that point in time. Perhaps it was the year I was born. Or the year I started school. Or the year I somehow passed the ‘Accountancy A’ exam at uni. Or got my first job.
    [Show full text]
  • Blues-Books.Pdf
    Dear Blues Friends, There's been considerable growth in the public's interest in “alternative” genres/styles of music (blues, folk, bluegrass, old-timey, ethnic/world, etc.). I’m not going to try to analyze the phenomena, but I rejoice in it. When the consumer demands variety, the wise shopkeeper responds. Besides playing and listening to the music, I enjoy reading biographies, autobiographies, various blues related historical material, and watching blues on video. I would like to see a bigger 'catalog,' variety, and selection of blues related books, literature, periodicals, and videos in the bookstores. I'm frequently asked, “What books can I read to learn more about the music and the people of the Blues?” That’s a tough question, as there are many hundreds of titles. I don't have time to read everything that's available. I enjoy reading, but I’m no book reviewer. The purpose of this blues related book and video list is to give folks a 'taste' of the broad variety of blues related books, literature, and video that are available. The list is not "complete," and it's always growing. Even though the list is quite long, please take your time looking it over. I'm pretty sure you'll see a number of titles and subjects that will pique your interest. In some cases, the list includes the author(s) name(s), publishing company name(s) and city. Though many of the books/videos are only listed by the title and author(s), with that basic information, all you have to do is walk into, or call, your local book store and ask if you can place an order.
    [Show full text]