SGA Meeting Marked by Infighting
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19STCV40934 Assigned for all purposes to: Stanley Mosk Courthouse, Judicial Officer: Holly Fujie Electronically FILED by Superior Court of California, County of Los Angeles on 11/14/2019 08:36 AM Sherri R. Carter, Executive Officer/Clerk of Court, by M. Barel,Deputy Clerk 1 David M. deRubertis, State Bar No. 208709 Garen R. Nadir, State Bar No. 285394 2 The deRubertis Law Firm, APC 4219 Coldwater Canyon Avenue 3 Studio City, California 91604 4 Telephone: (818) 761-2322 Facsimile: (818) 761-2323 5 E-Mail: [email protected] E-Mail: [email protected] 6 7 Alan I. Schimmel, State Bar No. 101328 Michael W. Parks, State Bar No. 154531 8 Arya Rhodes, State Bar No. 299390 Schimmel & Parks, APLC 9 15303 Ventura Blvd., Suite 650 Sherman Oaks, California 91403 10 Telephone: (818) 464-5061 11 Facsimile: (818) 464-5091 E-Mail: [email protected] 12 Attorneys for Plaintiff 13 Monique Hicks 14 SUPERIOR COURT OF THE STATE OF CALIFORNIA 15 IN AND FOR THE COUNTY OF LOS ANGELES – CENTRAL DISTRICT 16 17 MONIQUE HICKS, an individual, Case No.: 18 Plaintiff, COMPLAINT FOR: 19 vs. 1. Race Discrimination (Disparate Treatment) in Violation of the Fair Employment and 20 NETFLIX, INC., a Delaware corporation; and Housing Act (Gov. Code § 12940, et seq.); DOES 1 through 50, inclusive,Deadline 2. Race Discrimination (Disparate Impact) in 21 Violation of the Fair Employment and 22 Defendants. Housing Act (Gov. Code § 12940, et seq.); 3. Sex/Gender Discrimination (Disparate 23 Treatment) in Violation of the Fair Employment and Housing Act (Gov. Code 24 § 12940, et seq.); 25 4. -
The Performance of Intersectionality on the 21St Century Stand-Up
The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage © 2018 Rachel Eliza Blackburn M.F.A., Virginia Commonwealth University, 2013 B.A., Webster University Conservatory of Theatre Arts, 2005 Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Nicole Hodges Persley Dr. Katie Batza Dr. Henry Bial Dr. Sherrie Tucker Dr. Peter Zazzali Date Defended: August 23, 2018 ii The dissertation committee for Rachel E. Blackburn certifies that this is the approved version of the following dissertation: The Performance of Intersectionality on the 21st Century Stand-Up Comedy Stage Chair: Dr. Nicole Hodges Persley Date Approved: Aug. 23, 2018 iii Abstract In 2014, Black feminist scholar bell hooks called for humor to be utilized as political weaponry in the current, post-1990s wave of intersectional activism at the National Women’s Studies Association conference in San Juan, Puerto Rico. Her call continues to challenge current stand-up comics to acknowledge intersectionality, particularly the perspectives of women of color, and to encourage comics to actively intervene in unsettling the notion that our U.S. culture is “post-gendered” or “post-racial.” This dissertation examines ways in which comics are heeding bell hooks’s call to action, focusing on the work of stand-up artists who forge a bridge between comedy and political activism by performing intersectional perspectives that expand their work beyond the entertainment value of the stage. Though performers of color and white female performers have always been working to subvert the normalcy of white male-dominated, comic space simply by taking the stage, this dissertation focuses on comics who continue to embody and challenge the current wave of intersectional activism by pushing the socially constructed boundaries of race, gender, sexuality, class, and able-bodiedness. -
Sunday Morning Grid 1/26/20 Latimes.Com/Tv Times
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Owners Expand, Upgrade Olympic Restaurant
C M Y K www.newssun.com Holiday hoops Devils roll EWS UN through N -S opening Highlands County’s Hometown Newspaper Since 1927 rounds of Sunday, December 29, 2013 Volume 94/Number 155 | 75 cents Taveniere SPORTS, A bit of bubbly Still a mystery B1 A festive guide to sparkling Newtown shooter remains wines for New Yearʼs enigma despite investigation LIVING, B12 INSIDE ON A6 Talk about BEND sheriff’s building Enterprise YOUR delayed zones to Benton asks expand for more time By BARRY FOSTER Two stretches of BRAIN News-Sun correspondent U.S. 27 to get SEBRING — It has been Bank of Brain Benders, revamped ‘store’ a long and winding road for designation Highlands County commis- sioners over the past eight By BARRY FOSTER help Children’s Museum usher in new year years as they have attempted News-Sun correspondent to deal with the space needs SEBRING – Officials of of the Highlands County the Highland County sheriff’s office. Industrial Development Following an unsuccessful Authority/Economic suggestion by commissioner Development Commission Ron Handley earlier this are working to enlarge the month that the commission county’s enterprise zone in simply refurbish the county- an effort to aid a pair of owned Kenilworth Plaza, business locations on U.S. commissioners set a Jan. 14 27. workshop to “The state of Florida has talk it over told us we could extend our again with enterprise zone another three Highlands square miles,” said IDA- County EDC Executive Director Sheriff Stephen Weeks. “So we are Susan moving in that direction.” Benton. Benton The first location is in However, Sebring just north of the following a meeting with Fairmount Cinema Square county staff members, shopping complex. -
Corporeal (Isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures
Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Shannon M. Cochran, B.A., M.A., M.A. Graduate Program in Women‘s Studies The Ohio State University 2010 Dissertation Committee: Dr. Valerie Lee, Advisor Dr. Linda Mizejewski, Co-Advisor Dr. Judith Mayne Dr. Terry Moore Copyright By Shannon M. Cochran 2010 ABSTRACT This project investigates the ways that the Black female body has been constructed using corpulence as a central narrative that reflects anxieties about race, gender, class, sexuality, and national identity. It identifies how the performance of corpulence through the Black female body has particular ideological meanings that have been articulated through visual and narrative cultures. Corpulence is operative in defining rigid boundaries in regards to identity, which are built on constructed notions of whiteness and Blackness. Moreover, this study identifies corpulence as a facet of identity and illuminates how it intersects with race, gender, class, and ethnicity to render Black women non-existent and relegate them to the bottom of American society. Through an intertextual analysis of several popular texts, this study illuminates the varied ways that the discourse involving corpulence reflects narratives that deploy race, gender, and class as signifiers of ―authentic‖ American identity and restrict the social, economic, and political mobility of the Black female body. The analysis begins with a historical examination of how pertinent size has been to the construction of the Black female body in visual and narrative cultures and how this particular construction has worked to establish ideals regarding difference.