S. Fflicbael's Chronicle Michaelhouse October, 1972
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FAHRENHEIT 451 “The Story of Fahrenheit 451” by Jonathan R
Thank you for downloading this Simon & Schuster eBook. Join our mailing list and get updates on new releases, deals, bonus content and other great books from Simon & Schuster. CLICK HERE TO SIGN UP or visit us online to sign up at eBookNews.SimonandSchuster.com Contents Epigraph Introduction by Neil Gaiman one The Hearth and the Salamander two The Sieve and the Sand three Burning Bright History, Context, and Criticism PART ONE: THE STORY OF FAHRENHEIT 451 “The Story of Fahrenheit 451” by Jonathan R. Eller From “The Day After Tomorrow: Why Science Fiction?” (1953) by Ray Bradbury Listening Library Audio Introduction (1976) by Ray Bradbury “Investing Dimes: Fahrenheit 451” (1982, 1989) by Ray Bradbury “Coda” (1979) by Ray Bradbury PART TWO: OTHER VOICES The Novel: From a Letter to Stanley Kauffmann by Nelson Algren “Books of the Times” by Orville Prescott From “New Wine, Old Bottles” by Gilbert Highet “New Novels” by Idris Parry “New Fiction” by Sir John Betjeman “1984 and All That” by Adrian Mitchell From New Maps of Hell by Sir Kingsley Amis Introduction to Ray Bradbury’s Fahrenheit 451 by Harold Bloom “Fahrenheit 451” by Margaret Atwood The Motion Picture: “Shades of Orwell” by Arthur Knight From “The Journal of Fahrenheit 451” by François Truffaut About Ray Bradbury This one, with gratitude, is for Don Congdon Introduction Sometimes writers write about a world that does not yet exist. We do it for a hundred reasons. (Because it’s good to look forward, not back. Because we need to illuminate a path we hope or we fear humanity will take. -
Conversations with Ray Bradbury Steven Louis Aggelis
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 Conversations with Ray Bradbury Steven Louis Aggelis Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES CONVERSATIONS WITH RAY BRADBURY By STEVEN AGGELIS A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2003 Copyright © 2003 Steven Aggelis All Rights Reserved The members of the Committee approve the dissertation of Steven Aggelis defended on 22 September 2003. __________________________ R. Bruce Bickley, Jr. Professor Directing Dissertation __________________________ Leo Sandon Outside Committee Member __________________________ William T. Lhamon, Jr. Committee Member __________________________ Joseph McElrath, Jr. Committee Member Approved: __________________________ Hunt Hawkins, Chair, Department of English __________________________ Donald Foss, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above-named committee members. ii TABLE OF CONTENTS Introduction v Chronology xxiv Abstract xxxii Preface 1 The Market Is Not the Story: An Interview with Ray Bradbury (1948) R. Walton Willems 3 Sum and Substance: With Ray Bradbury and Herman Harvey (1962) Herman Harvey 6 A Portrait of Genius: Ray Bradbury (1964) Show 12 Ray Bradbury: Cassandra on a Bicycle -
16Th Century Shakespeare and 21St Century Students
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2017 16th Century Shakespeare and 21st Century Students Sheridan Lynn Steelman Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Education Commons, and the English Language and Literature Commons Recommended Citation Steelman, Sheridan Lynn, "16th Century Shakespeare and 21st Century Students" (2017). Dissertations. 3183. https://scholarworks.wmich.edu/dissertations/3183 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. 16TH CENTURY SHAKESPEARE AND 21ST CENTURY STUDENTS by Sheridan Lynn Steelman A dissertation submitted to the Graduate College in partial fulfillment of the requirements for the degree of Doctor of Philosophy English Western Michigan University December 2017 Doctoral Committee: Allen Webb, Ph.D. Jonathan Bush, Ph.D. Margaret Dupuis, Ph.D. Jo Miller, Ph.D. 16TH CENTURY SHAKESPEARE AND 21ST CENTURY STUDENTS Sheridan Lynn Steelman Western Michigan University, 2017 Drawing on examples from the author’s and colleagues classrooms, -
Don’T Ask, Don’T Tell’ Will End on Sept
NEIL GIULIANO TALKS WITH WCT WINDY CITY THE VOICE OF CHICAGO’S GAY, LESBIAN, PAGE 8 BI AND TRANS COMMUNITY SINCE 1985 SEPT. 14, 2011 TIMES VOL 26, NO. 49 www.WindyCityMediaGroup.com ‘Don’t Ask, Don’t Tell’ will end on Sept. 20 CHRISTINA BY CHUCK COLBERT tribute to their service and sacrifice as we look forward foot flag raising, the singing of the national anthem, and SANTIAGO to this new era of military service—an era that honors the playing of “Taps.” Within a week’s time, “Don’t Ask, Don’t Tell (DADT),” the the contributions of all qualified Americans who wish to Darby said the event, scheduled 6-7 p.m. in the Baran REMEMBERED ban on openly gay military service, will officially end, serve.” Library at the Center on Halsted, would also include a PAGE 11 closing an ugly and costly chapter of blatant governmen- SLDN alone has more than 50 repeal-day celebrations couple of speakers giving five-minute talks on how the tally sanctioned discrimination against gay Americans. scheduled nationwide and around the world, everywhere end of DADT and new era of open service will affect peo- Repeal of the nearly 18-year old federal law Sept. 20, from one planned at the legendary Stonewall Inn, a gay ple now and in the future. means that gay, lesbian and bisexual troops can no lon- bar in New York City, to another set for Philadelphia During a telephone interview Darby, a Korean War vet- ger be discharged from the armed forces solely on the where former U.S. -
The Great Night by Chris Adrian
PICADOR Reading Group Gold The Great Night by Chris Adrian Chris Adrian’s magical third novel is a mesmerizing reworking of Shakespeare’s A Midsummer Night’s Dream. On Midsummer’s Eve 2008, three broken- hearted people become lost in San Francisco’s Buena Vista Park, the secret home of Titania, Oberon, and their court. On this night, something awful is happening in the faerie kingdom: in a fit of sadness over the end of her marriage and the death of her adopted son, Titania has set loose an ancient menace, and the chaos that ensues upends the lives of immortals and mortals alike in a story that is playful, darkly funny, and poignant. 978-1-250-00738-4 | 384 pages $15.00 Questions and T o p i c s for Discussion *Questions courtesy of Farrar, Straus & Giroux 1. The book’s epigraph is taken from lines spoken by Shakespeare’s Titania to the laborer Nick Bottom, who has been magically transformed into an ass. Under a spell, Titania has fallen in love with the donkey-headed Bottom. Is fairy life as comfortable as she says it is? Is mortal love a kind of spell, too, as Molly, Henry, and Will experience it? 2. The grim reality of the pediatric oncology ward illuminates the splendor of Titania and Oberon’s world. What does their experience with the Boy demonstrate about parenting, and about the limits of a parent who seems to have unlimited resources? What is good and bad about Titania and Oberon’s parenting? In what way do Beadle and Blork become like parents to the parents? 3.