SHE SAYS with Chee-Yun, Violin

Total Page:16

File Type:pdf, Size:1020Kb

SHE SAYS with Chee-Yun, Violin SHE SAYS with Chee-Yun, violin April 10, 2021 | 7:30 PM Welcome to OMP's Virtual Concert Hall! Dear friends of OMP, In the past 13 months since I was last asked to write a letter for an Oregon Mozart Players program book, OMP has been fortunate to continue making music during the pandemic. From chamber music recitals to our intimate holiday and Candlelight concerts and expanded string orchestra concerts with outstanding guest soloists, we have steadily maintained our mission to bring chamber orchestra music to the greater Eugene-Springfield community via streamed high-definition videos made available through Pay-What-You-Can donations. In doing so, I'm happy to relay that we have so far reached over 2,000 households with our performances; 50% of which had no previous association with OMP! In April, on the heels of Women’s History month, we present a program centered on the musical contributions of women past and present. Jessie Montgomery, whose fresh and exciting “Starburst” opens our concert, represents the new generation of self-empowered composers who have made it their imperative to use their voices as artists to amplify important social messages through their work. The music of composer Emilie Mayer has only recently made a comeback after a century of lying dormant, despite Mayer having been the most prolific female German composer of the Romantic period, and I’m thrilled that my own arrangement of her G Minor quartet for string orchestra will receive its premiere on this program. In between, our effervescent and dynamic guest soloist Chee-Yun spins a charming account of Haydn’s C Major Violin Concerto. I look forward to hearing your feedback about the important music in this concert! Musically yours, Kelly Kuo THANK YOU TO THESE GENEROUS GRANTING ORGANIZATIONS: HAVE YOU HEARD?? Donors who have given $250+ to Oregon Mozart Players receive access to recital content as a donor benefit! This season, patrons in our "Artist's Circle" contributor level and above have enjoyed FREE access to the following recitals: A VIRTUAL RECITAL with John Fawcett, violin & Kelly Kuo, piano 2015 Young Soloist Competition Winner and BRAVO, BE ETHOVEN! with Eric Alterman, cello & Kelly Kuo, piano Join our "Artist's Circle" contributor level to receive access to our final 2020-21 Season recital event: ALL-OUT AMADEUS! ALREADY DONATED, BUT NOT YET REACHED THE $250+ DONOR LEVEL?? Make a donation to join our "Artist's Circle ($250-$499)" contributor level and receive access to "All-Out Amadeus!" as a donor benefit in thanks for your support of the Oregon Mozart Players! Call 541-345-6648 to learn more, or visit oregonmozartplayers.org/donate to make a donation TODAY! THANK YOU for supporting OMP! Upcoming Events ALL-OUT AMADEUS VIRTUAL PREMIERE: May 1, 2021 | 7:30 PM PDT Available ON-DEMAND until May 31, 2021! oregonmozartplayers.org/all-out-amadeus COURAGE with 2020 Young Soloist Competition Winners VIRTUAL PREMIERE: May 15, 2021 | 7:30 PM Available ON-DEMAND until June 14, 2021! oregonmozartplayers.org/courage 3 9 T H A N N U A L A U C T I O N Silent Auction Preview: May 29-31, 2021 Silent Auction Bidding: June 1-5, 2021 More information coming soon! oregonmozartplayers.org/auction Kelly Kuo Artistic Director & Conductor Praised by the Cincinnati Enquirer as “a leader of exceptional musical gifts, who has a clear technique on the podium and an impressive rapport with audiences,” Maestro Kelly Kuo brings a dynamic versatility and nuance to a diverse repertoire, which includes over 90 operas and an expansive symphonic repertoire as well. Recent operatic engagements include Lyric Opera of Chicago, Seattle Opera, Cincinnati Opera, Indianapolis Opera, Kentucky Opera, Anchorage Opera, and the Janiec Opera Company of the Brevard Music Center. In 2008, Maestro Kuo became the first conductor of Asian descent to lead a performance at the Lyric Opera of Chicago, making his company debut with Porgy and Bess. He has since returned to lead the Chicago premiere of Charlie Parker’s Yardbird and performances featuring artists of the Ryan Opera Center. Upcoming engagements include company debuts with Carmen for Opera Orlando, Don Giovanni for Opera Columbus, and concerts with the Reno Chamber Orchestra and Sunriver Music Festival. Regarding Maestro Kuo’s conducting of Charlie Parker’s Yardbird for the Lyric Opera of Chicago and Seattle Opera, the Chicago Sun Times stated, “Conductor Kelly Kuo and his small but superb orchestra are a seamless match for the singers,” and Bachtrack wrote, “Debuting conductor Kelly Kuo skillfully handled the well- selected 24-piece ensemble in the enormously complex score.” Of his production of Macbeth at Anchorage Opera, the Anchorage Daily news noted, “Top honors should probably go to conductor Kelly Kuo. The sound… was full and taut as Kuo brought out the drama and lyricism. The orchestra played with robust enthusiasm and accuracy.” And of his La traviata for Kentucky Opera, critics stated, “Conductor Kelly Kuo led the Louisville Orchestra Friday with considerable verve, and no shortage of idiomatic delicacy…the sound was balanced and quite full.” Maestro Kuo also led critically praised new productions of Philip Glass’ Galileo Galilei for both Madison Opera and Cincinnati Opera and has served as Music Director and Conductor of the Butler Opera Center at The University of Texas at Austin and on the conducting staff of Santa Fe Opera. World premieres conducted by Maestro Kuo include chamber orchestrations for Jake Heggie’s At the Statue of Venus and Daniel Catán’s La hija de Rappaccini, in addition to the premiere of Daron Hagen’s A Woman in Morocco. As Artistic Director of Oregon Mozart Players, Maestro Kuo recently extended his contract through 2024, having “transformed this chamber group into...a band of professional, enthusiastic, and superior musicians, playing confidently as one unit” (The Register Guard). Recent symphonic engagements have included concerts with Memphis Symphony Orchestra, Malta Philharmonic Orchestra, Indianapolis Chamber Orchestra, Lexington Philharmonic, and Ballet Fantastique. Maestro Kuo also curated and conducted the Cincinnati Chamber Orchestra’s inaugural Summermusik festival as Interim Music Director. Maestro Kuo has collaborated with such soloists as Cho-Liang Lin, Mark Kosower, David Shifrin, Mary Dunleavy, Bion Tsang, Anton Nel, Bella Hristova, Inbal Segev, and Elizabeth Rowe. An Oregon native and recipient of a Solti Foundation U.S. Career Assistant Award for young conductors, Kuo continues to concertize as a keyboardist as the only pianist to have studied with two pupils of the Russian virtuoso Vladimir Horowitz. He is the resident pianist for the Zenith Chamber Music Festival and regularly performs recitals with the Kasarah Trio. Maestro Kuo holds a master’s degree in piano performance from the Manhattan School of Music and is an alumnus of the Houston Grand Opera Studio. Orchestra Kelly Kuo, Artistic Director & Conductor VIOLIN Alice Blankenship, concertmaster Sponsored by Theodore W. & Laramie Palmer Yvonne Hsueh, principal 2nd violin Stephen Chong Jenny Estrin Julia Frantz Sponsored by James & Paula Salerno Nathan Lowman Sharon Schuman Sophie Therrell Sponsored by W. Mark & Anne Dean Alwyn Wright* VIOLA Arnaud Ghillebaert principal viola Lauren Elledge Dana Rokosny CELLO Ann Grabe principal cello Eric Alterman Dale Bradley Sponsored by Larissa Ennis & Lindsay Braun BASS Nicholas Burton, principal bass Thank you to our additional musician sponsors: HARPSICHORD/PIANO Nancy & Brian Davies (Della Davies, violin) John Jantzi, Peter & Josephine von Hippel (Jill Pauls, principal flute) principal keyboard Charles & Leslie Wright (Alexis Evers, flute) Sponsored by Linda Korth Sandy Whitaker (Cheryl Wefler, principal oboe & Kris Klavik, oboe) *Substitute musician Emma & John Hartman (Joseph Hartman, bassoon) BOARD OF DIRECTORS ADMINISTRATION Larissa Ennis, President Kelly Kuo, Artistic Director & Conductor Clarissa Parker, Vice President & Secretary Daren Fuster, Executive Director Craig Starr, Treasurer Darlene Mueller, Office & Marketing Manager Sarah Brown, Orchestra Representative Daniel Cho, Assistant Conductor Milton Fernández Nathan Lowman, Librarian David Guy Julia Frantz, Personnel Manager Dhruti Patel Rubi Yan, OMP Intern Hatsue Sato Paul Shang Interested in board service? Email [email protected] for more information. Oregon Mozart Players | 317 Goodpasture Island Rd, Ste A, Eugene, OR 97401 | 541-345-6648 | oregonmozartplayers.org T H I S E V E N T is sponsored by CONCERT SPONSORS CRAIG STARR & SANDY SCHEETZ SOLOIST SPONSORS EUGENE & JUDY KUO ! THANK YOU S H E S A Y S with Chee-Yun, violin Saturday, April 10, 2021 7:30 PM | Central Presbyterian Church Kelly Kuo, conductor Chee-Yun, violin Starburst Jessie Montgomery (b. 1981) Violin Concerto in C Major Joseph Haydn (1732-1809) I. Allegro moderato II. Adagio III. Finale. Presto Chee-Yun, violin String Quartet No. 1 in G Minor, Op. 14 Emilie Mayer (1812-1883) arr. by Kelly Kuo I. Allegro appassionato II. Scherzo: Allegro assai III. Adagio con molta espressione IV. Finale: Allegro molto Soloist Biography Chee-Yun, violin Violinist Chee-Yun’s flawless technique, dazzling tone, and compelling artistry have enraptured audiences on five continents. Charming, charismatic, and deeply passionate about her art, Chee-Yun continues to carve a unique place for herself in the ever-evolving world of classical music. A winner of the Young Concert Artists International Auditions and a recipient of the Avery Fisher Career Grant, Chee-Yun has performed with many of the world’s foremost orchestras and conductors. Orchestral highlights include her tours of the United States with the San Francisco Symphony under Michael Tilson Thomas and Japan with the NHK Symphony, a concert with the Seoul Philharmonic conducted by Myung-Whun Chung that was broadcast on national television, and a benefit for UNESCO with the Orchestra of St. Luke’s at Avery Fisher Hall. Chee-Yun has performed with such distinguished conductors as Michael Tilson Thomas, Jaap van Zweden, Manfred Honeck, Krzysztof Penderecki, Hans Graf, James DePriest, Jesus Lopez-Cobos, Neeme Järvi, Pinchas Zukerman, Giancarlo Guerrero, José Luis Gomez, Miguel Harth-Bedoya, and Carlos Kalmar.
Recommended publications
  • Mark Kosower Joined the Cleveland Orchestra As Principal Cello in 2010
    Mark Kosower joined The Cleveland Orchestra as principal cello in 2010. Described as “a virtuoso of staggering prowess” by the Cleveland Plain Dealer, he is a consummate artist equally at home internationally as a recital and concerto soloist. As an orchestral principal, he was formerly solo cellist of the Bamberg Symphony in Germany (2006-10). His recent and current schedule features Mr. Kosower appearing as GUEST ARTIST soloist with the symphony orchestras of Buffalo, Canton, Columbus, Indianapolis, Naples, Phoenix, Toledo, Columbus Pro Musica, and MARK KOSOWER the Oregon Mozart Players. He also launched Bach for Humanity in 2018, a three-year commitment to the greater Cleveland area bring- ing the cello suites and his arrangements of the violin sonatas and partitas to both conventional and nonconventional venues, including educational institutions, community centers, senior residences, and the concert hall. Mr. Kosower recently recorded the Brahms Cello Sonatas with pianist Jee-Won Oh in the Beethovensaal in Hannover, Germany, and the duo saw the release of works by Strauss, Reger, and Klemmstein with the Ambitus label. Mr. Kosower is a frequent guest at international chamber music festivals, including Santa Fe, Eastern Music, North Shore Cham- ber Music, Japan’s Pacific Music Festival, and Colorado’s Strings Music Festival. In past seasons, he has appeared internationally as soloist with the Rotterdam Philharmonic, Orchestre de Paris, China National Symphony in Beijing, National Symphony Orchestra of Tai- wan, Brazilian Symphony Orchestra, and the Venezuela Symphony Orchestra, in addition to solo performances at the Châtelet in Paris, the Alte Oper in Frankfurt, the Hong Kong Cultural Centre, and the Teatro Municipal in Rio de Janeiro.
    [Show full text]
  • String Competition
    e v e n t s • performances • exhibitions at san francisco state university 26th annual irving m. klein international string competition JUNE 4-5, 2011 semifinals june 4, 10am-4pm finals june 5, 4pm knuth hall college of creative arts san francisco state university creativearts.sfsu.edu welcome from the director from the dean We welcome you to the 26th Annual Irving M. Klein A year ago, after decades of being partners, the Klein International String Competition at the College of Competition became a part of the SF State family. We Creative Arts of San Francisco State University. Last year hope that to anyone who has followed the competition the we celebrated the 25th consecutive year of presenting differences are imperceptible. It is our aspiration that the some of the world’s most extraordinary young musical event, itself, is almost unchanged. artists in exhilarating performances in San Francisco. What is changed, is that both higher education and non- Appropriately for such a milestone event, internationally profit arts are seriously challenged by hard financial times celebrated musicians honored us with their support, and and younger constituencies bringing new expectations. It is many Klein Competition alumni who have established really only possible to do more with less for so long, and then worldwide prominence joined in the celebration. decline begins. SF State and the California Music Center (the We begin the next 25 years of the Klein Competition this weekend, with nine parent group for the Klein Competition) have explored a different route: Rather than remarkable and highly individual musical artists performing a wide variety of music trying to do more with less, we are trying to do more together.
    [Show full text]
  • A NOTE from Johnstone-Music
    A NOTE FROM Johnstone-Music ABOUT THE MAIN ARTICLE STARTING ON THE FOLLOWING PAGE: We are pleased for you to have a copy of this article, which you may read, print or saved on your computer. These presentations can be downloaded directly. You are free to make any number of additional photocopies, for Johnstone-Music seeks no direct financial gain whatsoever from these articles (and neither too the writers with their generous contributions); however, we ask that the name of Johnstone-Music be mentioned if any document is reproduced. If you feel like sending any (hopefully favourable!) comment visit the ‘Contact’ section of the site and leave a message with the details - we will be delighted to hear from you! SPECIAL FEATURE on MARK KOSOWER .. Birth: 17th December 1976 - Eau Claire, Wisconsin, U.S.A. .. .. Universally admired by critics, audiences and fellow musicians, the North American cellist Mark Kosower has earned an extraordinary international reputation for his instrumental mastery, musical integrity and powerfully expressive performances as soloist with orchestras, recitals, chamber music and as an orchestral principal cellist. Mark Kosower is principal cellist of the Cleveland Orchestra and is on the faculty at the Cleveland Institute of Music. He was previously solo cellist of the Bamberg Symphony Orchestra in Germany from 2006 to 2010 and was a Professor of Cello and Chamber Music at the San Francisco Conservatory of Music from 2005 to 2007. .. Kosower is the son of Paul and Janet Kosower. His father was a professor of cello and organ and his mother was an elementary school teacher.
    [Show full text]
  • Download Booklet
    572372bk Ginastera:570034bk Hasse 24/2/11 4:42 PM Page 8 GINASTERA Cello Concertos Mark Kosower, Cello Bamberg Symphony Orchestra Lothar Zagrosek C M Y Mark Kosower (Hyun Kang) • Lothar Zagrosek (Christian Nielinger) Bamberg Symphony Orchestra (Peter Eberts) K 8.572372 8 572372bk Ginastera:570034bk Hasse 24/2/11 4:42 PM Page 2 Alberto Ginastera (1916–1983) Mark Kosower Cello Concertos Mark Kosower began to play the cello at the age of 1½ and later studied with János Starker and Joel Krosnick. As a soloist he has appeared with the Orchestre de Paris, the Bamberg Symphony, the Hong Kong Philharmonic, the China Alberto Ginastera is considered by many music-lovers to Liceo Militar in Buenos Aires. He married pianist Mercedes National Symphony Orchestra, the National Symphony Orchestra of Taiwan, and the Brazilian Symphony Orchestra as be the greatest Latin-American composer of the post-World de Toro, and they had two children in the early 1940s. A well as the Cleveland Orchestra, the Saint Paul Chamber Orchestra, the Ravinia Festival Orchestra, and the symphony War II era, but he is also without question one of the most highlight of his life during this period includes receiving a orchestras of Detroit, Houston, Indianapolis, Milwaukee, Minnesota, and Seattle among many others. He has performed admired and respected musical voices of the twentieth Guggenheim fellowship that funded a trip to the United in recital at the de Doelen in Rotterdam, on the Great Performers Series at Lincoln Center, at the Kennedy Center for the century. His musical vision and language evolved through- States, but the war delayed the project.
    [Show full text]
  • 573537 Bk Stravinsky
    Victor HERBERT Cello Concertos Nos. 1 and 2 Irish Rhapsody Mark Kosower, Cello Ulster Orchestra JoAnn Falletta Victor Herbert (1859-1924) The D major Concerto, composed in 1884, was him with a violin.’ An infinitely more interested observer, in Cello Concertos Nos. 1 and 2 • Irish Rhapsody premièred at Stuttgart in 1885, with Herbert as soloist and the evening, was Herbert’s boss at the National Hofkapellmeister Johann Joseph Abert conducting. A local Conservatory, Antonín Dvořák: he was amazed to hear There was a time, in the last years of the nineteenth New York, where they had both been engaged by the critic commented: ‘Herr Herbert, whose excellent Suite for how Herbert handled a biggish orchestra – the same as in century and the first years of the twentieth, when Victor Metropolitan Opera, she as a soloist – although she stayed Cello and Orchestra was received with great acclaim last the First Concerto, without the harp – and contrived not to Herbert was one of the best-known names in American for little more than a season and soon retired to support her winter, has composed a Cello Concerto which is equally mask the solo cello. Afterwards Dvořák embraced Herbert music. He was lionised in New York society, first as a husband’s career – and he as a cellist. Herbert joined the praiseworthy. It displays the same characteristics as his in the Green Room, exclaiming: ‘Famos! Famos! Ganz cellist, then as a conductor and finally as the composer of string quartet led by the American violinist Sam Franko (later Suite: it is fresh and sensitive with a fine sense of melody.
    [Show full text]
  • June 9, 11 and 12, 2021 the Village Presbyterian Church 1300 Shermer Road, Northbrook, IL NSCMF 2O21 COMMUNITY AMBASSADOR AWARDS
    10th Anniversary season: in-person and online VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI VADIM GLUZMAN ANGELA YOFFE ATAR ARAD WILLIAM WOLFRAM PAUL NEUBAUER ARIEL STRING QUARTET JANICE CARISSA MASHA LAKISOVA KATHERINE AUDAS ILYA SHTERENBERG ROSE ARMBRUST GRIFFIN JOSHUA BROWN ERIC REED JULIAN RHEE JACQUELINE AUDAS MARLENE NGALISSAMY LISA SHIHOTEN WENDY WARNER MARK KOSOWER KURT MUROKI Vadim Gluzman, Artistic Director Angela Yoffe, Executive Director June 9, 11 and 12, 2021 The Village Presbyterian Church 1300 Shermer Road, Northbrook, IL www.nscmf.org NSCMF 2O21 COMMUNITY AMBASSADOR AWARDS Our Community Ambassador Award is given each year to recognize an individual, organization, or corporate partner whose compelling dedication to the arts and support of the North Shore Chamber Music Festival empowers us to enrich the cultural life of Chicago’s North Shore and the State of Illinois. In celebration of our 10th anniversary milestone, this season’s Community Ambassador Awards are gratefully presented to
    [Show full text]
  • String Competition
    s a n f r a n c i s c o s t a t e u n i v e r s i t y the 27th annual Irving M. Klein International String Competition june 9-10, 2012 • knuth hall college of liberal & creative arts san francisco state university creativearts . s f s u . e d u welcome from the dean welcome from the artistic director from the dean Welcome to the 27th annual Irving M. Klein International I am proud of the partnership between the College of Liberal & String Competition, presented by California Music Center and Creative Arts and the California Music Center, and proud to welcome San Francisco State University. During these two days you will you to SF State for our collaborative presentation of the 27th annual encounter young musicians who will shape the future of classical Irving M. Klein International String Competition. music. How do we know this? The collective accomplishments of more than 25 years of Klein winners are substantial, and this year’s This competition embodies principles that thrive at our university: body of talent is more evident here in the Bay Area than an appreciation of artistic excellence and creative exploration, ever before. disciplined craft and global reach. This year we are even more The San Francisco Symphony’s American Orchestra Series brought connected. Our own music professor, internationally renowned Klein laureates to the stage of Davies Hall as members—including composer Richard Festinger, created a new composition suite, giving each participant the six who hold principal chairs—of every one of our country’s most iconic musical institutions.
    [Show full text]
  • Edition 4 | 2018-2019
    2 RENO CHAMBER ORCHESTRA WELCOME PAGE Welcome To The Fifteenth Annual WHAT’S INSIDE BOARD OF DIRECTORS AND STAFF | 5 NCMF FOUNDING MEMBERS | 6 2018 NCMF MUSICIANS | 7 2018 NCMF MUSICIAN BIOGRAPHIES | 8 DECEMBER 26 GREAT BASIN BRASS QUINTET | 17 DECEMBER 27 BAROQUE BY CANDLELIGHT 1: December 26, 2018 - January 1, 2019 VIOLIN VIRTUOSI | 18 BAROQUE BY CANDLELIGHT 2: PERFECT PAIRINGS | 21 Sponsored by: DECEMBER 28 DUETS AND QUINTETS | 25 CHAMBER MUSIC THROUGH THE AGES | 29 DECEMBER 29 A CONTINENTAL TOUR | 33 CENTENNIAL CELEBRATIONS | 37 DECEMBER 30 FANTASY AND FLAIR | 41 UNDISCOVERED GRIEG | 44 DECEMBER 31 PIANO SHOWCASE | 48 NEW YEAR’S NIGHT | 52 JANUARY 1 A VIENNESE NEW YEAR | 55 ADVERTISING Renaissance Reno Hotel Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] Steinway Piano Gallery www.onstagepublications.com This program is published in association with Stuart Murtland Photography Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a Tanglewood Productions division of Onstage Publications, Inc. Contents © 2018. All rights reserved. Printed in the U.S.A. Bill Pearce Motors RENO CHAMBER ORCHESTRA 3 BOARD OF DIRECTORS AND STAFF BOARD OF DIRECTORS Amy Booth STAFF Mark MacDonald Holly Walton-Buchanan Thom Mayes, President Kay Dean Executive Director Cleta Dillard Jennifer Smith William Douglass Bryan Wildman, First Vice President Gail McAllister Office Manager Jane Nichols
    [Show full text]
  • A Beethoven Virtual Mini-Festival
    Welcome to i Cellisti! 2021 The Cleveland Cello Society’s Annual Scholarship Fundraiser: A Beethoven Virtual Mini-Festival The concert will be starting shortly. This presentation is also downloadable from clevelandcello.com Sonata No. 4 in C major, Op. 102, No. 1 1. Andante – Allegro vivace 2. Adagio – Tempo d'andante – Allegro vivace Richard Weiss ❖Richard Weiss is first assistant principal cello of The Cleveland Orchestra. For the 2009-2010 season, he served as acting principal. ❖ A native of Los Angeles he won first prize in the Music Teachers National Association competition. At the Tanglewood Festival, he was the Young Artist contest winner and concerto soloist. While attending the Eastman School on full merit scholarship, he won a position in the Rochester Philharmonic Orchestra. During his senior year, he was appointed to The Cleveland Orchestra. ❖He has appeared as a soloist many times with The Cleveland Orchestra, and his repertoire includes concertos by Beethoven (Triple), Brahms (Double), Dvořák, Haydn, Lalo, Rósza, Saint-Saëns (both A and D minor), Schumann, and Tchaikovsky. He is a member of the Cleveland Orchestra Piano Trio, which performs both locally and on tour. ❖ Mr. Weiss teaches at the Cleveland Institute of Music. He also serves as president of the Cleveland Cello Society. He coaches the cello sections of the CIM Orchestras, the New World Symphony in Miami, and the Cleveland Orchestra Youth Orchestra. Sonata No. 4 in C major, Op. 102, No. 1 1. Andante – Allegro vivace 2. Adagio – Tempo d'andante – Allegro vivace Joela Jones ❖Joela Jones plays piano, organ, harpsichord, celesta, synthesizer, and more with The Cleveland Orchestra.
    [Show full text]
  • July 1-29, 2006
    An Appalachian Summer Festival JULY 1-29, 2006 PRESENTED BY APPALACHIAN STATE UNIVERSITY BOONE, NORTH CAROLINA Gil Morgenstern, Artistic Director 2 On and Around the Campus of Appalachian State University, Boone, NC AN APPALACHIAN SUMMER FESTIVAL’S 2006 CALENDAR OF EVENTS JULY 1- 29, 2006 For tickets or information call 800-841-2787 or 828-262-4046 or visit us online at www.appsummer.org SUNDAY MONDAY TUESDAY WEDNESDAY 2 Page 52 3 Page 55 45 Lunch & Learn: BROYHILL MARCUS COLLABORATIVE CHAMBER BELGRAVE’S PAINTING ENSEMBLE OCTET: noon-1pm, TCVA (Haydn, Beethoven, Brahms) A Louis Armstrong 8pm, RCH Tribute 8pm, FA 9 Page 65 10 11 Page 70 12 Works in Progress Lunch & Learn EASTERN Music-Theatre Series: VITREOGRAPHY PHILHARMONIC THE KREUTZER noon-1pm, TCVA ORCHESTRA Andreas Delfs, conductor SONATA BROYHILL with André Watts, 8pm, VT CHAMBER (Brahms, Rachmaninoff) 8pm, FA ENSEMBLE (Mozart, Chen, Mart 8pm, RCH 16 17 Page 84 18 Page 86 19 Appalachian Retired Lunch & Learn Faculty Seminar: NORTH TWENTY YEARS OF THE ROSEN OUTDOOR SCULPTURE APPALACHIA CAROLINA COMPETITION & EXHIBITION IN THE WORLD SYMPHONY noon-1pm, TCVA 9:30am-3pm, BLIC POPS BROYHILL CHAMBER William Henry Curry, ENSEMBLE conductor (Dohnányi, Schubert, Brahms) 8pm, FA 8pm, RCH 23 Page 94 24 Page 100 25 26 Lunch & Learn: EASTERN BROYHILL HANNA JUBRAN PHILHARMONIC CHAMBER noon-1pm, TCVA ORCHESTRA ENSEMBLE Gerard Schwarz, conductor (Turina, Álvarez, Montsalvatge, BUCKWHEAT with Frederica von Stade Rodrigo, Nin, Dohnányi) ZYDECO (Mendelssohn, Mahler, Bach, Respighi) 8pm, RCH 8pm, FA 8pm, FA Page 7 Silent Auction Closes, 9pm AN APPALACHIAN SUMMER FESTIVAL 2006 1 VENUE KEY: FA = Farthing Auditorium KBS = Kidd Brewer Stadium RCH = Rosen Concert Hall, BICC = Broyhill Inn & Conference Center Broyhill Music Center TCVA = Turchin Center for the Visual Arts CJSG = Catherine J.
    [Show full text]
  • Janos Starker
    CELEBRATING THE LIFE OF Janos Starker A Memorial Event September 22, 2013 | Musical Arts Center One Hundred Twenty-Ninth Program of the 2013-14 Season _______________________ Celebrating the Life of Janos Starker _______________________ Welcome Michael McRobbie, President _______________________ From Sonata No. 2 in D Major, Op. 58 . Felix Mendelssohn Allegro assai vivace (1809-1847) Mark Kosower, Cello Shigeo Neriki, Piano From Sonata in G Major, BWV 1039 . Johann Sebastian Bach Adagio (1685-1750) Allegro ma non presto William Preucil, Violin Alexandra Preucil, Violin Shigeo Neriki, Piano From Trio No. 1 in B Major, Op. 8 . Johannes Brahms Allegro con brio (1833-1897) Shigeo Neriki, Piano William Preucil, Violin Mark Kosower, Cello _________________ Musical Arts Center Sunday Afternoon September Twenty-Second Four O’Clock music.indiana.edu _______________________ Remarks Charles H . Webb, Jr ., Dean Emeritus – Jacobs School of Music _______________________ Audio & Video Selections of Janos Starker From Suite in G Major, BWV 1007 . Johann Sebastian Bach Prelude Once Upon More Beautiful Days . .. David Popper (1843-1913) Shigeo Neriki, Piano Family Remembrances Gabrielle Starker and Gwen Starker Preucil From Sonata in D Major, BWV 1028 . Johann Sebastian Bach Allegro György Sebök, Piano From Sonata, Op. 8 . Zoltán Kodály Allegro molto vivace (1882-1967) Closing Remarks Allen Ketchersid, Executive Vice President – Starker Institute; Minister of Unionville Church of Christ _______________________ For Our Mother “For Rae” Après un rêve . Gabriel Fauré (1845-1924) Shigeo Neriki, Piano At the advice of his physician, Tsuyoshi Tsutsumi was unable to travel to Bloomington for this memorial event, as he is recovering from a recent illness. Mark Kosower joined The Cleveland Orchestra as principal cello in July 2010 .
    [Show full text]
  • Signature Sound
    A modern player with a "signature sound" and distinctive style of playing, Mark Kosower embodies the concept of the complete musician performing as concerto soloist with symphony orchestras, in solo recitals, and as a much sought-after chamber musician. He is Principal Cello of The Cleveland Orchestra and a scholar and teacher of cello. His performance repertoire and recorded discography are testaments to a deep devotion, not only to frequently heard repertoire such as Tchaikovsky's Rococo Variations and the concertos of Haydn, Walton, Elgar and Dvorak but, significantly, to less well-known concertos of Alberto Ginastera, Miklos Rozsa, Frederic Gulda and Victor Herbert. Kosower began cello studies with his father who, upon hearing 1 and 1/2 year-old Mark sing the melodies his father was practicing, recognized Mark's natural musical talent and gave him his first cello. Important academic and life-long influences were Janos Starker who invited him to study at Indiana University and Joel Krosnick with whom he studied with at The Juilliard School. He is a former member of Chamber Music Two, a two-year residency program of the Chamber Music Society of Lincoln Center. He received an Avery Fisher Career Grant, a SONY Grant and was a top prize winner in both the Rostropovich and Pablo Casals International Cello Competitions including special prizes at both competitions for the best interpretation of newly commissioned works by Marco Stroppa and Cristobal Halffter. He was Grand Prize winner of both the Irving Klein International String Competition
    [Show full text]