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Choral Incorporation in the Homeric Hymn to Apollo
Amy Hendricks CAMWS 116 Redux [email protected] May 29, 2020 Leading from Within: Choral Incorporation in the Homeric Hymn to Apollo 1. HhA 1–13 µνήσοµαι οὐδὲ λάθωµαι Ἀπόλλωνος ἑκάτοιο, I will remember and not forget Apollo the far-shooter, ὅντε θεοὶ κατὰ δῶµα Διὸς τροµέουσιν ἰόντα: At whose arrival the gods in the house of Zeus tremble: καί ῥά τ᾽ ἀναΐσσουσιν ἐπὶ σχεδὸν ἐρχοµένοιο And they dart up at his approach, πάντες ἀφ᾽ ἑδράων, ὅτε φαίδιµα τόξα τιταίνει. Everyone up from their seats, when he stretches his shining bow. Λητὼ δ᾽ οἴη µίµνε παραὶ Διὶ τερπικεραύνῳ, But Leto alone remains alongside Zeus, who delights in the ἥ ῥα βιόν τ᾽ ἐχάλασσε καὶ ἐκλήισσε φαρέτρην, thunderbolt; καί οἱ ἀπ᾽ ἰφθίµων ὤµων χείρεσσιν ἑλοῦσα For she unstrings the bow and puts away the quiver, τόξα κατεκρέµασε πρὸς κίονα πατρὸς ἑοῖο And taking the bow from his strong shoulders with her hands πασσάλου ἐκ χρυσέου: τὸν δ᾽ ἐς θρόνον εἷσεν She hangs it on a pillar in the house of his father, ἄγουσα. From a golden peg: and leading him she sets him at his seat. τῷ δ᾽ ἄρα νέκταρ ἔδωκε πατὴρ δέπαϊ χρυσείῳ And his father gives him nectar in a golden cup, δεικνύµενος φίλον υἱόν: ἔπειτα δὲ δαίµονες ἄλλοι Setting it before his son: and then the other gods ἔνθα καθίζουσιν: χαίρει δέ τε πότνια Λητώ, Sit there; and queenly Leto rejoices οὕνεκα τοξοφόρον καὶ καρτερὸν υἱὸν ἔτικτε. That she bore a strong, bow-bearing son. 2. HhA 45–49 τόσσον ἔπ᾽ ὠδίνουσα Ἑκηβόλον ἵκετο Λητώ, So many places did Leto approach while in labor with the εἴ τίς οἱ γαιέων υἱεῖ θέλοι οἰκία θέσθαι. -
Amphitrite - Wiktionary
Amphitrite - Wiktionary https://en.wiktionary.org/wiki/Amphitrite Amphitrite Definition from Wiktionary, the free dictionary See also: amphitrite Contents 1 Translingual 1.1 Etymology 1.2 Proper noun 1.2.1 Hypernyms 1.3 External links 2 English 2.1 Etymology 2.2 Pronunciation 2.3 Proper noun 2.3.1 Translations Translingual Etymology New Latin , from Ancient Greek Ἀµφιτρίτη ( Amphitrít ē, “mother of Poseidon”), also "three times around", perhaps for the coiled forms specimens take. Amphitrite , unidentified Amphitrite ornata species Proper noun Amphitrite f 1. A taxonomic genus within the family Terebellidae — spaghetti worms, sea-floor-dwelling polychetes. 1 of 2 10/11/2014 5:32 PM Amphitrite - Wiktionary https://en.wiktionary.org/wiki/Amphitrite Hypernyms (genus ): Animalia - kingdom; Annelida - phylum; Polychaeta - classis; Palpata - subclass; Canalipalpata - order; Terebellida - suborder; Terebellidae - family; Amphitritinae - subfamily External links Terebellidae on Wikipedia. Amphitritinae on Wikispecies. Amphitrite (Terebellidae) on Wikimedia Commons. English Etymology From Ancient Greek Ἀµφιτρίτη ( Amphitrít ē) Pronunciation Amphitrite astronomical (US ) IPA (key): /ˌæm.fɪˈtɹaɪ.ti/ symbol Proper noun Amphitrite 1. (Greek mythology ) A nymph, the wife of Poseidon. 2. (astronomy ) Short for 29 Amphitrite, a main belt asteroid. Translations ±Greek goddess [show ▼] Retrieved from "http://en.wiktionary.org/w/index.php?title=Amphitrite&oldid=28879262" Categories: Translingual terms derived from New Latin Translingual terms derived from Ancient Greek Translingual lemmas Translingual proper nouns mul:Taxonomic names (genus) English terms derived from Ancient Greek English lemmas English proper nouns en:Greek deities en:Astronomy en:Asteroids This page was last modified on 27 August 2014, at 03:08. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Leto - Wikipedia, the Free Encyclopedia
Leto - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Leto Leto From Wikipedia, the free encyclopedia In Greek mythology, Leto (/ˈliːtoʊ/; Greek: Λητώ Lētṓ; Λατώ , Lātṓ in Dorian Greek, etymology and that meaning disputed) is a daughter of the Titans Coeus and Phoebe and the sister of Asteria.[1] The Leto island of Kos is claimed as her birthplace. [2] In the Olympian scheme, Zeus is the father of her twins, [3] Apollo and Artemis, the Letoides , which Leto conceived after her hidden beauty accidentally caught the eyes of Zeus. Classical Greek myths record little about Leto other than her pregnancy and her search for a place where she could give birth to Apollo and Artemis, since Hera in her jealousy had caused all lands to shun her. Finally, she finds an island that isn't attached to the ocean floor so it isn't considered land and she can give birth. [4] This is her one active mythic role: once Apollo and Artemis are grown, Leto withdraws, to remain a dim [5] and benevolent matronly figure upon Olympus, her part already played. In Roman mythology, Leto's equivalent is Latona , a Latinization of her name, [6] influenced by Etruscan Letun . The Rape of Leto by Tityos c. 515 BC. From Vulci. Leto is third from left. In Crete, at the city of Dreros, Spyridon Marinatos uncovered an eighth-century post-Minoan hearth house temple in which there were found three unique figures of Apollo, Artemis and Leto made of Abode Island of Delos brass sheeting hammered over a shaped core ( sphyrelata ). -
Divine Genealogies: a Sourcebook for Greek and Roman Mythology
Divine Genealogies: A Sourcebook for Greek and Roman Mythology E. Edward Garvin, Editor ©2015 What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Divine Riddles: a Sourcebook for Greek Religion and Mythology
Divine Riddles: A Sourcebook for Greek Religion and Mythology E. Edward Garvin, Editor © 2013 What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Gaudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Chapter 5 Regional Cults
CHAPTER 5 REGIONAL CULTS In this chapter, I discuss eight regional cults. Those cults that have been selected meet the following basic criteria: 1) The cults are attested, numismatically, literarily, archaeologically or epigraphically, in at least two different sites in tetradic Thessaly. Since my intention is to recover a regional perspective on Thessalian religion within the tetrads, not, e.g., Larisan or Pheraian religion, I have excluded cults which are attested at only one location in tetradic Thessaly. The geographic limit of the study, tetradic Thessaly, i.e., the plains of the region,1 acknowledges the considerable evidence that the Thessalians were socially and politically distinct from their perioikic neighbors in antiquity. This observation cuts both ways, however, for there is also evidence that tetradic Thessaly and the periokoi shared some common religious traditions.2 I therefore admit evidence from the perioikoi when a cult has a regional distribution with tetradic Thessaly and is also present in perioikic territory. Some methodological limitations to criterion 1): The evidentiary record is neither perfect nor necessarily representative and many cults only attested in one location in tetradic Thessaly were doubtless more widespread. On the other hand, some cults to which I have accorded a regional status may have actually been present only in two locations. These are the same types of challenges that face all who write regional histories of religion: They cannot be surmounted, only acknowledged. 2) The cults do not have a panhellenic or near panhellenic distribution outside of tetradic Thessaly. I do not examine, e.g., Athena Polias or Zeus Melichios, both of whom appear in multiple locations in tetradic Thessaly and throughout the Greek 1 I refer to the Archaic tetrads, not the expanded tetrads of the late Hellenistic and Roman period. -
Homeric Hymns
Homeric Hymns The Hymns were translated by Hugh G. Evelyn- White (published by the Loeb Classical Library in 1914). This document is in the public domain. platonic-philosophy.org I. TO DIONYSUS (1-9) [...] For some say, at Dracanum; and some, on windy Icarus; and some, in Naxos, O Heaven- born, Insewn1; and others by the deep-eddying river Alpheus that pregnant Semele bare you to Zeus the thunder-lover. And others yet, lord, say you were born in Thebes; but all these lie. The Father of men and gods gave you birth remote from men and secretly from white-armed Hera. There is a certain Nysa, a mountain most high and richly grown with woods, far off in Phoenice, near the streams of Aegyptus... (10-12) “[...] and men will lay up for her2 many offerings in her shrines. And as these things are three3, so shall mortals ever sacrifice perfect hecatombs to you at your feasts each three years.” (13-16) The Son of Cronos spoke and nodded with his dark brows. And the divine locks of the king flowed forward from his immortal head, and he made great Olympus reel. So spake wise Zeus and ordained it with a nod. (17-21) Be favorable, O Insewn, Inspirer of frenzied women! we singers sing of you as we begin and as we end a strain, and none forgetting you may call holy song to mind. And so, farewell, Dionysus, Insewn, with your mother Semele whom men call Thyone. II. TO DEMETER (1-3) I begin to sing of rich-haired Demeter, awful goddess — of her and her trim-ankled daughter whom Aidoneus [Hades] rapt away, given to him by all-seeing Zeus the loud-thunderer. -
Ancient Greek Gods and Lore Revisited
Ancient greek gods and lore revisited Continue Who were the ancient Greek gods? Learn about ancient Greek beliefs - their gods, heroes, myths, and legends in this BBC Bitesize KS2 History guide. The ancient works of Greek civilization had almost been obliterated by the human consciousness until the Renaissance took it up again. In the early 1800s, when Greece rebelled against Turks after 400 years. Cruel and fickle, passionate and vengeful, jealous and insecure, petty and insane: the inhabitants of Olympus represent an attempt by the ancient Greeks to explain the chaos of the universe through human nature. Thus, like any deity invented before and since, these gods and goddesses are the embodiments of human solipsism. (Of course lightning is caused by a giant, angry man in the sky... obvi. I mean, what else could it be?) The stories of their struggles, quarrels and sexual conquests have indelibly influenced the course of Western language and narrative. Here's a selection of some of the A-list names on the Greek panteon. Aphrodite was the goddess of love, sex and beauty. Not surprisingly for a love goddess, she was said to have come out of the foam generated when the severed testicles of her father, Uranus, were thrown into the sea by her son, Titan CRONUS. (Or is it surprising?) Kind of makes Botticelli's surreally lovely Birth of Venus-which depicts Aphrodite's Roman counterpart emerging from the waves-a little more visceral, doesn't it? Athena was the goddess of reason, wisdom and war. She famously skipped fully formed from the forehead of Zeus.