Barbara Eckstein

Total Page:16

File Type:pdf, Size:1020Kb

Barbara Eckstein curriculum vitae BARBARA ECKSTEIN Business Address: Department of English, 308 English-Philosophy Building University of Iowa, Iowa City, IA 52242 Phone: (319) 335-2789 E-Mail: [email protected] EDUCATIONAL AND PROFESSIONAL HISTORY 1. Higher Education University of Cincinnati, Critical Theory and American Literature, Ph.D. M.A. (honors) Ohio Northern University, English major and Philosophy minor, B.A., First in Class 2. Professional and Academic Positions 2011- Professor, International Programs 2010- Faculty, UI Center for Global and Regional Environmental Research 2009-10 Associate Provost for Academic Administration 2008-09 Interim Associate Provost for Academic Administration 2006- Professor of English, University of Iowa 1993-05 Associate Professor of English, University of Iowa 1990-93 Assistant Professor of English, University of Iowa 1988-89 Visiting Assistant Professor, Tulane University 1985-87 1980-85 Instructor, University of New Orleans 1978-79 Instructor, University of Cincinnati 3. Honors and Awards (since tenure) 2013-15 Obermann Symposium: “Energy Cultures in the Age of the Anthropocene,” conceiver and planner with Tyler Priest, History, and Bradley Cramer, Earth and Environmental Sciences 2013 International Programs grant for “Energy Cultures in the Age of the Anthropocene” 2012 Digital Studio for the Public Humanities Research Grant for the People’s Weather Map (with Mark NeuCollins and Jim Giglierano) Career Development Award; Obermann Fellow (fall) 2007-08 Perry A. and Helen Judy Bond Fund for Interdisciplinary Interaction for the project “An Endangered River Runs Through Us: Three Iowa River Journeys” 2007-08 Arts and Humanities Initiative (AHI) Award 2006 Brody Award for Excellence in Service International Programs Award to develop the service learning course, “Over There and Coming Home: Stories of U.S. Veterans from World War II to the Wars in Iraq” College of Liberal Arts and Sciences (CLAS) award to develop the course “Over There and Coming Home” 2005 Career Development Award 2003-04 Arts and Humanities Initiative (AHI) Award 2003 College of Liberal Arts and Sciences (CLAS) Interdisciplinary Research Award 2000 CLAS Award to develop interdisciplinary course, “Storytelling and Urban Engagement,” with James Throgmorton*** Humanities Iowa Award, with James Throgmorton*** Obermann Symposium with James Throgmorton*** Semester Assignment 1999-2000 Arts and Humanities Initiative Award 1997-98 CIC Academic Leadership Fellow 1997 Discretionary Research Funds, University of Iowa 1996 CIFRE, University of Iowa Research Funds 1994 UI Developmental Assignment 4. Memberships Association for the Study of Literature and Environment (ASLE) Society for Literature, Science and the Arts (SLSA) Modern Language Association (MLA) Oral History Association (OHA) American Association of University Professors (AAUP) American Comparative Literature Association (ACLA) SCHOLARSHIP (since tenure) 1. Publications or Creative Works (all refereed) ***designates equally shared work Books Sustaining New Orleans: Literature, Local Memory, and the Fate of a City. New York: Routledge, 2005. Story and Sustainability: Planning, Practice, and Possibility for American Cities. Co- edited with James Throgmorton. Cambridge, MA: MIT Press, 2003.*** The Language of Fiction in a World of Pain: Reading Politics as Paradox. Cultural Studies Series. Philadelphia: University of Pennsylvania Press, 1990. Articles or Book Chapters (since tenure) “Child’s Play: Nature-Deficit Disorder and Mark Twain’s Mississippi River Youth,” American Literary History 24.1 (spring 2012): 16-33. “Fate and Redemption in New Orleans; Or, Why Geographers Should Care about Narrative Form,” Geohumanities: Art, History, and Text at the Edge of Place, Eds. Michael Dear, Sarah Luria, and Doug Richardson. London: Routledge, 2011: 95-106. “The University of Iowa Response” with Rod Lehnertz in A Watershed Year: Anatomy of the Iowa Floods of 2008. Ed. Cornelia Mutel. Iowa City: UI Press, 2010. “An Endangered River Runs through Us,” The Iowa Review, 39 (fall 2009): 193-196. “Spectres of the City,” review essay, Journal of Urban History, 34 (March 2008): 541- 551. “The Legacy of Laveau in the Practice of Helen Prejean: The Tradition and Territory of New Orleans Spiritual Advisors,” in The Catholic Church and Unruly Women Writers. Eds. Jeana DelRosso, Leigh Eicke, and Anna Kothe. Basingstoke (England): Palgrave MacMillan, 2007: 139-155. “Planning for Diaspora: New Orleans Before and After the Hurricanes,” International Journal of Environmental, Cultural, Economic and Social Sustainability [Common Ground], http: www.sustainability-journal.com 2. 2006. “Making Space: Stories in the Practice of Planning,”in Story and Sustainability. Cambridge,MA: MIT Press, 2003: 12-36. “Planning Blues,”introduction to Story and Sustainability, with James Throgmorton. Cambridge, MA: MIT Press, 2003: 1-7.*** “Nadine Gordimer: Nobel Laureate in Literature, 1991,” reprinted in Twayne Companion to Contemporary World Literature: From the Editors of World Literature Today. New York: Twayne Publishers, 2003: 393-397. "Desire Lines: The Chicago Area Transportation Study and the Paradox of Self in Post- war America." http://www.3cities.org.uk (click on Chicago) with selected proceedings of the 3Cities Conference. Brimingham, England. 2000.*** "Unsquaring the Squared Route in What Maisie Knew." Reprinted in Henry James: Turn of the Screw and What Maisie Knew. Macmillan New Casebooks. Eds. Neil Cornwell and Maggie Malone. London: Macmillan and New York: St. Martin's, 1998. *"Recalcitrant Students and Arts of Resistance." Hypotheses: Neo-Aristotelian Analysis. 22. Summer 1997: 4-7 [large format pages]. "A Conversation about Kwame Anthony Appiah's In My Father's House." With Mahoumbah Klobah, Mawuena Logan, Dean Makaluni, Cherry Muhanji, and Theresa Riffe. Iowa Review 26. Fall 1996: 1-26. "Iconicity, Immersion and Otherness: The Hegelian 'Dive' of J. M. Coetzee and Adrienne Rich. Mosaic 29. March 1996: 57-79. "Ethnicity Matters." [review essay] American Literary History 7. Fall 1995: 572-81. "Strategy for Seeing White: Patricia Williams's Polar Bears." North Dakota Quarterly 62. Summer 1994-95: 108-19. "Nadine Gordimer: Nobel Laureate in Literature, 1991," World Literature Today. Winter 1992: 7-10 [large format pp.]. Translated into Chinese by Yongxiong Mai for Oriental Culture Studies, Guangxi, P.R. China. 1994: 293-302. Digital Humanities Project PI for The People’s Weather Map (PWM), in process, with Mark NeuCollins, Intermedia Artist with The Studio for the Public Digital Humanities and Arts; Eric Tate, Geographical and Sustainability Sciences; Graduate RAs 2012-13 Erica Damman (Interdisciplinary/Environmental Humanities PhD) and Kristen DeGree (MFA, Intermedia Art); Nathan Otjen (English), ICRU Fellow 2014-; formerly with Jim Giglierano, formerly with the Geological Survey: 2012- PWM is a digital map of severe weather in Iowa. It displays historical and contemporary severe weather stories county-by-county with links to planetary wide climate science, and climate art. It is, therefore, both a display of digital rhetoric in the choosing and framing of local severe weather stories (narratives and images), and it is inquiry-based learning in that it makes available many links to different kinds of weather and climate change information. Its goals are to use local interest and experiences to elicit empathy with severe weather victims across the state and, by extension, the planet and to open up an emotional space that makes possible curiosity about and response to climate change as a challenging set of significantly altered earth conditions. Presently, the foundational historical research on all 99 counties is complete and the platform for the state and county maps is built. March 2014 PWM is applying for major funding from OVPRED to perfect and use the methodologies necessary to 1) work with select public partners to begin composing more of the severe weather stories of the 99 counties and 2) work with the geography lab and an RA to ready the map to receive easily the stories from 99 counties. The result will be a pilot available as an exhibit for the Pentacrest Museums and as part of a UI travelling museum in 2014-15. The PWM will, in 2014, also apply for external funds to complete all 99 counties, put in place an editor for a set period, and launch the map on-line. Editing Guest editor. “Genres of Climate Change.” Special Issue of Philological Quarterly. Ed. Eric Gidal. CFP 2013. Forthcoming 2014. Reviews (all solicited) Of Brendon Larson’s Metaphors for Environmental Sustainability: Redefining Our Relationship with Nature (2011), Philological Quarterly (Winter 2012): 129-132. of Lola Vollen and Dave Eggers’s (Eds.) Surviving Justice: America’s Wrongfully Convicted and Exonerated (2007), The Oral History Review 36 (2009): 107-110. of Victoria Coulson’s Henry James, Women and Realism (2007) and Kendall Johnson’s Henry James and the Visual (2007), American Literature 81.4 (2009): 847-849. of Sam Durrant’s Postcolonial Narrative and the Work of Mourning: J. M. Coetzee, Wilson Harris, and Toni Morrison, Modern Fiction Studies 51:3. 2005: 714-717. of McKay Jenkins's The South in Black and White: Race, Sex and Literature in the 1940s, American Literature 73. December 2001: 879. Earlier reviews in American Literature, Critique, Journal of American Culture, Modern Fiction Studies, The Review of Contemporary Fiction, World Literature Today Interview (of me) By Catherine Fenollosa about public memorials and
Recommended publications
  • Stages Vol. 2
    STAGESOfficial Magazine of the Englert Theatre Spring 2015 Featuring The Sound of Things to Social Brand Mission Creek Come from the Past Forum Festival SAVING MUSIC HISTORY ONE A PEEK INTO THE MIDWEST’S FATHER JOHN MISTY & MORE TO RECORD AT A TIME PREMIER DIGITAL MARKETING EVENT PLAY THE ENGLERT STAGE PAGE 10 PAGE 18 PAGE 28 M Y L A G O S M Y WAY CAVIAR COLLECTIONS 110 East Washington Street Iowa City, IA 52240 319.351.1700 www.mcginsberg.com lagos_coleco_bscene_8-5x11.indd 1 1/29/2015 2:06:05 PM Welcome to The Englert Theatre Dear Friends & Patrons, I am writing this letter as we face the long tunnel of winter. After a few quiet weeks around the holidays, winter is always a remarkably busy time at the theater as we prepare for Mission Creek Festival (full disclosure: I am a co-founder but many people have their hands in making this event work). This year marks the tenth installment of Mission Creek Festival in Iowa City, and we at the Englert are proud to be the producer of the festival. The lineup often reminds me of the programmatic vision that drives my work at the theater: to present the known and unknown side-by-side, to find a balance between the traditional and the experimental, to be reminded of a familiar feeling and to be rewarded by a new experience. Indeed, part of my job is to bring old favorites like Joan Baez, hot new bands like Lake Street Dive, or an institution of comedy like The Second City.
    [Show full text]
  • June & July 2020 • Iowa City, Iowa
    The 34th June & July 2020 • Iowa City, Iowa a Welcome The Workshop The Festival Experience Registration Information Registration Form About Us Dear Writer Contents About Us Welcome . 1. Amy Margolis, Director, has been with the About Us Festival since 1990, as a graduate assistant, an instructor, 2 Dear Writer an assistant director, and, since 2001, as the program’s director. Amy is a graduate of the Iowa Writers’ Workshop, The Workshop . 2. 2 The Workshop where she was a Teaching-Writing Fellow in fiction. She’s Method taught fiction and nonfiction writing in the Festival, at The 2 Choosing a University of Iowa, and elsewhere. Her short fiction appears Workshop in The Iowa Review. She is currently at work on a memoir- 3 Workshops by Date in-shards about her life as a dancer in the late seventies, at 7 Workshops by the onset of the AIDS crisis. Instructor The Festival Joanna Eyanson, Program Coordinator, Experience . .76 . graduated in 2018 with a B.A. in English from the University 76 Your Day, Weekend, of Northern Iowa, and worked as a writing coach and a Week: Schedules bassoonist there. She now lives in Iowa City with a feline 77 The Eleventh Hour roommate who reads almost as much as she does. This is her 77 Goings-On fifth year with the Festival. 77 Getting Here 78 Where to Stay Registration Information . .80 . 80 How to Register 80 Fees and Deadlines 81 Cancellation & Transfer Policies Registration Form . 82. Photos by Tom Langdon and Svetlana Jovanovic Design by Benson & Hepker Design, Iowa City b Welcome The Workshop The Festival Experience Registration Information Registration Form About Us Dear Writer Dear Writer, Here in Iowa City, we are preparing for the 34th Iowa Summer Writing Festival.
    [Show full text]
  • STAGES Official Magazine of the Englert Theatre
    STAGES Official Magazine of The Englert Theatre Fall 2019 In this special edition of Stages, The Englert Theatre and FilmScene are proud to share more about our current impact on the community, our major goals, and what building the greatest small city for the arts means. On page 4 - 15, we invite you to engage and learn more about Strengthen Grow Evolve, the collaborative capital campaign between our two Iowa City-based nonprofit arts organizations. FRIENDS OF ENGLERT ENGLERT HISTORY OF AUDIENCE THE ENGLERT VOLUNTEERS COMMISSIONS THE ENGLERT GUIDELINES Page 20 Page 29 Page 32 Page 39 Page 42 PREMIER SEASON SPONSOR This Premier Season Sponsor helped make tonight’s event possible. Thanks to their generous support, the Englert is able to bring the best locally and nationally known performers to the Iowa City/Coralville area. Playbill printed by Playbill designed by Goodfellow Printing. Little Village Creative Services. Fall 2019 | 3 We believe that a great city runs on In many ways, this project began back when local citizens “Saved three powerful engines: a strong, innovative education the Englert” which, in turn, paved the way for FilmScene to open system; a robust, equitable economy; and a rich, accessible its own doors. Many other arts and cultural groups have helped culture. It is that culture that determines our town’s forge a path to become the vibrant city we are today. Now, we character. It is why people live here, what people remember believe that path leads to a 2020 vision for our community to be when they come to visit, and the charm that attracts new the Greatest Small City for the Arts in America.
    [Show full text]
  • 2001 Session Brought 31 Writers from 26 Nations to the University of Iowa, Many of Them First-Time Visitors to the United States
    The International Writing Program resumed its full stature during this millennial year, in the program’s thirty-fourth year of continued service to the world’s writers. The IWP’S 2001 session brought 31 writers from 26 nations to the University of Iowa, many of them first-time visitors to the United States. This was a banner year for the program, because twenty-two of the writers came through the International Visitor Program of the US Department of State, marking a significant increase, over the past four years, in federally-supported participation. The events of September 11, which occurred three weeks into the writers’ residency, underlined the IWP’s crucial mission to create a community of dialogue and cultural exchange. The increased level of State Department participation had a tremendous impact on this year’s program, notably in the dynamic generated by the writers’ shared energy, enhanced programming, and the financial support represented by the federal funds. During the 83 days the writers were in residence to work on their own writing, a full program of activities was offered to them, both within the university and at other institutions. The participants were diverse in their talents, and they brought a consistently high level of literary and professional accomplishment to the program. Two new countries were added to the IWP’s roster of member-nations: Laos and Cuba. This year also saw the restored participation of countries that had not been represented for many years, including Italy and Norway, from which the State Department sent writers for the first time since 1970 and 1980, respectively.
    [Show full text]
  • STAGES Official Magazine of the Englert Theatre
    STAGES Official Magazine of The Englert Theatre Summer 2018 In Conversation with In Rotation How It All Happens Here Bridget Kearney of FOUNDER OF FEED ME WEIRD CELEBRATING TEN YEARS WITH Lake Street Dive THINGS LISTENING SERIES AND EVENTS DIRECTOR JESSICA EGLI DANIEL BOSCALJON INTERVIEWS FESTIVAL PROGRAMMER CHRIS PAGE 22-23 NATIVE IOWA-CITIAN BASSIST WIERSEMA REVIEWS FOUR RECENT BRIDGET KEARNEY AHEAD OF LAKE LARGELY-INSTRUMENTAL ALBUMS STREET DIVE’S RETURN TO THE PAGE 18-19 ENGLERT STAGE. PAGE 10-11 STACK like you’ve never stacked before. In Conversation with Bridget Kearney of Lake Street Dive DANIEL BOSCALJON INTERVIEWS NATIVE IOWA-CITIAN BASSIST BRIDGET KEARNEY AHEAD OF LAKE STREET DIVE’S RETURN TO THE ENGLERT STAGE PAGE 10 - 11 Becoming An Active Audience Member IN THE SECOND OF THE SERIES, BOSCALJON ENCOURAGES US ALL TO TAKE A CHANCE ON SOMETHING NEW PAGE 14 - 15 In Rotation FOUNDER OF FEED ME WEIRD THINGS LISTENING SERIES AND FESTIVAL PROGRAMMER CHRIS WIERSEMA REVIEWS FOUR RECENT LARGELY-INSTRUMENTAL ALBUMS PAGE 18 - 19 How It All Happens Here CELEBRATING TEN YEARS WITH EVENTS DIRECTOR JESSICA EGLI PAGE 22 - 23 Beyond the Stage HOW THE ENGLERT WORKS TO INSPIRE AND ACTIVATE GROWTH IN THE COMMUNITY THROUGH THE ARTS PAGE 26 - 27 FRESH FOOD Friends of Englert History of Audience CONCEPTS the Englert Commissions the Englert Guidelines Page 12-13 Page 28 Page 48 page 50 page 56 Cover photo by Jonah Lorsung Summer 2018 | 3 Welcome to The Englert Theatre I stood in front of a packed room at Prairie Lights Bookstore. The people sat and waited patiently.
    [Show full text]
  • Iowa City Unesco City of Literature Presents
    OCTOBER 4-9, 2016 IOWACITYBOOKFESTIVAL.ORG IOWA CITY UNESCO CITY OF LITERATURE PRESENTS iowacitybookfestival.org 1 ICBF Kids Events All events are free and open to the public. Events subject to change. For the most complete schedule, please visit iowacitybookfestival.org “The Man Who Planted Trees” Oct. 2, 2 p.m.; Oct. 5, 6:30 p.m., and Oct. 6, 4 p.m. A family friendly play presented by Hancher Auditorium Oct. 4-9 in partnership with the Book Festival. This production of the Puppet State Theatre 2016 Company of Scotland is based on the book by Jean Giono. Walk the countryside with a man STAFF Welcome to Iowa City, the third UNESCO City and his dog, changing the world with every Executive Director of Literature, and one of 20 in the world. The step in a heartwarming performance that offers John Kenyon Iowa City UNESCO City of Literature organization delights for the entire family. Tickets at hancher. is proud to offer you six days of literary programing as uiowa.edu/tickets Director of part of the 2016 Iowa City Book Festival. Operations An Evening with Rick Riordan, 7 p.m., Friday, Rachael Carlson UNESCO conferred the City of Literature Englert Theatre SOLD OUT Rick Riordan, the designation on Iowa City in 2008. We are joined by New York Times best-selling author of Percy Program Design: Edinburgh, Scotland; Melbourne, Australia; Dublin, Jackson and the Olympians, presents The Hammer Little Village Ireland; Reykjavik, Iceland; Norwich, England; of Thor the second book in the Magnus Chase Krakow, Poland; Heidelberg, Germany; Prague, and the Gods of Asgard trilogy, which is based on Czech Republic; Dunedin, Australia; Granada, Spain; Norse mythology.
    [Show full text]
  • Application for Iowa City, Iowa, Usa to the Unesco Creative Cities Network
    APPLICATION FOR IOWA CITY, IOWA, USA TO THE UNESCO CREATIVE CITIES NETWORK submitted on december 19, 2007 by the literary community of iowa city The Iowa Writers’ Workshop developed out of an idea, originally implemented in 896 at the University of Iowa, to teach “Verse Making.” By the 90s, the university had taken the radical step of granting graduate student credit for creative work. In 94, the first Master of Fine Arts degree in Creative Writing was awarded. By the end of that decade, Flannery O’Connor was a member of the Workshop, which was fast becoming a national institution… . The Workshop jettisoned genius and ignored literary theory because, like the centuries-old tradition of rhetoric, it believed in the words of Paul Engle, that writing was a “form of activity inseparable from the wider social relations between writers and readers,” and that the nurture and love of literature could “materially affect American culture.” Tom Grimes, The Workshop creative theme: Literature point person: Christopher Merrill Director International Writing Program Shambaugh House 430 N. Clinton Iowa City, Iowa 52242 management team: Christopher Merrill, Director, International Writing Program Russell Valentino, Director, Autumn Hill Books Amy Margolis, Director, Iowa Summer Writing Festival Steering Committee: Ethan Canin, Novelist and Professor, Writers Workshop, UI Jim Harris, Owner, Prairie Lights Bookstore Susan Shullaw, Vice President, UI Foundation Jonathan Wilcox, Chair, English Department, UI James Elmborg, Chair, School of Library Science Alan MacVey, Director, Theater Department, UI Robin Hemley, Director, Nonfiction Writing Program, UI Ross Wilburn, Mayor, Iowa City Dale Helling, Interim City Manager, Iowa City Joshua Schamberger, President, Iowa City/Coralville Convention and Visitors Bureau Contents i.
    [Show full text]
  • 2018 Annual Report Iwp 2018 Iwp 2018
    2018 ANNUAL REPORT IWP 2018 IWP 2018 TABLE OF CONTENTS IWP STAFF MISSION STATEMENT IWP PUBLICATIONS Director The mission of the International Writing Program (IWP) is to Christopher Merrill promote mutual understanding by providing writers from every 8 part of the world the necessary space, physical or imaginative, Associate Director Hugh Ferrer for creative work and collaboration in an intercultural setting. NEW PROJECTS Senior Program Officer Our mission is anchored in the values of freedom of expression Lines & Spaces Coordinator and inclusiveness, and in the belief that creativity has the power 10 Kelly Bedeian to shape the world. We execute this mission by building enduring creative communi- Between the Lines Coordinator IWP-INSPIRED Cate Dicharry ties, encouraging cross-cultural dialogue, and supporting writers at all stages of their careers. PROGRAMS Accountant Angela Dickey 11 Editor Nataša Ďurovičová FALL RESIDENCY Fall Residency Assistant Sarah Elgatian 12 Admin. Services Coordinator Meggan Fisher UNIVERSITY ANNUAL BETWEEN THE LINES Communications Coordinator Allison Gnade WRITING CAMP Digital Learning Coordinator OF IOWA REPORT 24 Pamela Marston Editor, Design, Photography Allison Gnade Housing Coordinator Mary Nazareth STUDENTS Managing Editor DIGITAL LEARNING Undergraduate Research Fellows Hugh Ferrer Senior Program Advisor Cindy Garcia 28 Peter Nazareth Joey Ho Additional Editing Austin Hughes Nataša Ďurovičová Between the Lines Assistant Claire Jacobson Fall Residency Transportation Assistant Caroline Meek Consultant LINES
    [Show full text]
  • (Iowa City, Iowa), 2006-08-29
    THE INDEPENDENT DAILY NEWSPAPER FOR THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 The Daily Iowan TUESDAY, AUGUST 29, 2006 WWW.DAILYIOWAN.COM 50¢ HURRICANE KATRINA Not 1 year later, Katrina’s marks remain exactly a grind The Princeton Review ranks UI students no. 1 in studying the least BY BRYCE BAUER THE DAILY IOWAN When it comes to doing stuff, UI students aren’t, well, actually doing much. At all. A recent report from the The Princeton Review ranked UI students first in the nation for “(Almost) Never” studying but rated the university No. 9 for partying — the only other activity-related category in which the UI placed. While such reviews and other sur- veys that measure quality of life may lure media attention Rachel Mummey/The Daily Iowan around the Steven Parrott Karen Blomme on Monday sits in the kitchen of her Davenport home, where she and her husband moved after Hurricane Katrina destroyed their New Orleans home. The UI grad- country, many local Director of uate student is working on an M.F.A. in printmaking; she also teaches art at Bettendorf High School. officials University Relations BY ERIC RODRIGUEZ adjust quickly. dead and relocated more than 1 The couple escaped to Iowa say the CHECK OUT Her art was “simpler, more million families from the Gulf after Katrina hit, leaving rankings really don’t mat- THE DAILY IOWAN ter much overall. TODAY’S DITV focused, because I had less stuff Coast. behind a life built while NEWSCAST — Hurricane Katrina made Blomme studied art at the Uni- “I think they get people’s around me,” she said.
    [Show full text]
  • Iowa City, Iowa - Monday, August 30, 2010 News Dailyiowan.Com for More News
    WHO’S NEXT? The Klinefelter sisters improve to a combined 14-0 career record after two fights on Aug. 27. SPORTS, 1B MONDAY, AUGUST 30, 2010 2 hospitalized after crash Home The two UI students were struck late Friday by a vehicle at Governor and College. football By HAYLEY BRUCE University of Iowa Hospitals and Clinics Overland Park, Kan. [email protected] with what police described as “incapacitat- Five people were at the Alpha Phi soror- ing” injuries. Both were unconscious but ity house, at 906 E. College St., when they Two University of Iowa students were breathing when police arrived. heard a screech, thud, and scream outside. means $$$ hospitalized after being hit by a car Aug. 27. UI spokesman Tom Moore said Hunter “When I drove my car around, there was According to police, Brittany Lambert is listed in good condition at UI Hospitals a puddle of blood around her head. I came and Christopher Hunter, both 19, were and Clinics. His roommate, Tyler Brogla, in the house and felt sick to my stomach,” Report: $100 million crossing Governor Street at the intersec- who lives in Mayflower with Hunter, said said Tabitha Scott, a UI junior who was a flows into Johnson tion with College Street around 11:55 p.m. the Marion-native is a photography major few cars behind the accident. “It’s engraved when they were struck by a car driven by who is “spontaneous and full of life.” in my mind.” County during each Jamie Ellis, 28. Moore said he could not divulge any Both were taken by ambulance to information about Lambert, who is from SEE CRASH, 3 football season.
    [Show full text]
  • Iswf Catalog 2019 5 Print.Pdf
    a Welcome The Workshop The Festival Experience Registration Information Registration Form About Us Dear Writer Contents Our Staff Welcome . 1. Director Amy Margolis (M.F.A., University of Iowa Writers’ Workshop) has been with the The Workshop . 2. 2 The Workshop Festival since 1990, as a graduate assistant, an instructor, Method an assistant director, a co-director and, since 2001, as the 2 Choosing a program’s director. Amy is a graduate of the Iowa Writers’ Workshop Workshop, where she was a Teaching-Writing Fellow in 3 Workshops by Date fiction. She’s taught fiction and nonfiction writing in the 7 Workshops by Festival and to undergraduates at The University of Iowa Instructor and elsewhere. Her short fiction appears in The Iowa Review and was nominated for the PEN/Robert J. Dau Short Story The Festival Prize for Emerging Writers. She is currently at work on Experience . .80 . a memoir-in-shards about her life as a dancer in the late 80 Your Day, Weekend, seventies, at the onset of the AIDS crisis. Week: Schedules 81 The Eleventh Hour 81 Goings-On Joanna Eyanson, Program Coordinator, 81 Getting Here 82 Where to Stay graduated in 2018 with a B.A. in English from the University of Northern Iowa, and worked as a writing coach and a Registration bassoonist there. She now lives in Iowa City with a feline Information . .84 . roommate and moonlights as a writing instructor for the 84 How to Register Parks & Recreation department. This is her fourth year with 84 Fees and Deadlines the Festival. 85 Cancellation & Transfer Policies Registration Form .
    [Show full text]
  • 2018 Iowa Summer Writing Fest
    Welcome The Workshop The Festival Experience Registration Information Registration Form Dear Writer About Us Contents Our Staff Welcome . 1. Amy Margolis, Director, has been with the Festival since 1990, as a graduate The Workshop . 2. assistant, a program assistant, an assistant director, a 2 The Workshop co-director and, since 2001, as the program’s director. Method Amy received her M.F.A. from the Iowa Writers’ 2 Skill Levels/Choosing Workshop, where she was a Teaching-Writing Fellow. a Workshop She’s taught fiction and nonfiction writing as part of 3 Workshops by Date the Festival and to undergraduates at The University of 7 Workshops by Iowa. Her short fiction appears in The Iowa Review and Instructor was nominated for the PEN/Robert J. Dau Short Story Prize for Emerging Writers. She recently collaborated The Festival with writer and violinist Tricia Park, along with the Experience . .68 . 68 The Eleventh Hour Solera Quartet and writers Robin Hemley, Daniel 68 Summer in Iowa City Khalastchi, and Sabrina Orah Mark, on “Mendelssohn 68 Getting Here as Muse,” a performance piece of music and original 69 Your Day, Weekend, writing inspired by the work of Felix Mendelssohn. She Week: Schedules is currently at work on a memoir-in-shards about her 70 Where to Stay life as a dancer in the late seventies, at the onset of the AIDS crisis. Registration Information . 72. 72 How to Register 72 Fees and Deadlines: Kate Aspengren, Weeklong & Weekend Workshops Weekend Coordinator, 73 Fees, Deadlines, and oversees the weekend sessions for the Festival and Timeline: Two-Week is a long-time faculty member in the program.
    [Show full text]