SHARKEY, Richard

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RICHARD SHARKEY PRODUCER/UPM FEATURES/TELEVISION (Producer) SHANTARAM (Season 1) Paramount/Apple Prod: Nicole Clemens, Steve Golin Dir: Justin Kurzel (Executive Producer/UPM) WARRIOR (Seasons 1 & 2) Cinemax/HBO Prod: Justin Lin, Shannon Lee, Danielle Woodrow Dir: Justin Lin (Executive Producer/UPM) MARCO POLO (Seasons 1 & 2) The Weinstein Co./ Prod: Harvey Weinstein, Sam Grey, Dir: John Fusco (Producer/UPM) Netflix Collin Creighton THE FIFTH ESTATE DreamWorks SKG Prod: Steven Spielberg, Michael Sugar Dir: Bill Condon (Executive Producer/UPM) IN SECRET Liddell Entertainment/ Prod: William Horberg, Mickey Liddell Dir: Charlie Stratton (Executive Producer) Wonderful Films CHERNOBYL DIARIES Alcon Entertainment Prod: Oren Peli, Brian Witten, Aaron Ryder Dir: Brad Parker (Executive Producer/UPM - Serbia, Hungary) THE RAVEN (Serbia, Hungary) FilmNation/Intrepid Prod: Trevor Macy, Marc Evans, Aaron Ryder Dir: James McTeigue JOHN ADAMS (Hungary) Playtone/HBO Prod: Tom Hanks, Gary Goetzman Dir: Tom Hooper *2009 Golden Globe - Best Mini Series FANTASTIC 4: RISE OF THE 20th Century Fox Prod: Kevin Feige, Ralph Winter, Chris Columbus, Dir: Tim Story SILVER SURFER (Producer/UPM - UK Unit) Ross Fanger FEATURES/TELEVISION (UPM) SEASON OF THE WITCH Atlas Entertainment Prod: Alex Gartner, Charles Roven Dir: Dominic Sena (Hungary, Austria, Croatia) THE PACIFIC (Australia) Playtone/DreamWorks/HBO Prod: Tom Hanks, Steven Spielberg, Gary Goetzman Dir: Various *2010 Emmy Award – Outstanding Mini Series *2011 Golden Globe Nominee - Best Mini-Series or Motion Picture Made for Television THE BROTHERS BLOOM Endgame Ent./Summit Ent. Prod: James D. Stern, Ram Bergman Dir: Rian Johnson (Serbia, Montenegro, Romania, Czech Rep. – prep only) ERAGON (Hungary) 20th Century Fox Prod: Chris Symes, Gil Netter Dir: Stefen Fangmeier DOOM (Czech Rep.) Universal Pictures Prod: John Wells, Lorenzo di Bonaventura Dir: Andrzej Bartkowiak THE BROTHERS GRIMM Dimension Films/Miramax Prod: Jon Gordon, Charles Roven Dir: Terry Gilliam (Czech Rep.) FEATURES (Supervising Location Manager) TIMELINE (Montreal) Paramount Pictures Prod: Lauren Shuler Donner, Gary Levinsohn Dir: Richard Donner ALI (Africa) Columbia Pictures Prod: Graham King, Jon Peters Dir: Michael Mann THE LORD OF THE RINGS: New Line Cinema Prod: Robert Shaye, Barrie Osborne Dir: Peter Jackson THE RETURN OF THE KING (New Zealand) THE LORD OF THE RINGS: New Line Cinema Prod: Robert Shaye, Barrie Osborne Dir: Peter Jackson THE TWO TOWERS (New Zealand) THE LORD OF THE RINGS: New Line Cinema Prod: Robert Shaye, Barrie Osborne Dir: Peter Jackson THE FELLOWSHIP OF THE RING (New Zealand) MISSION TO MARS (Jordan) Walt Disney Studios Prod: Sam Mercer, Justis Greene Dir: Brian De Palma THE WORLD IS NOT ENOUGH MGM/United Artists Prod: Barbara Broccoli, Michael Wilson Dir: Michael Apted (England, Wales, Germany) STAR WARS: EPISODE 1 20th Century Fox Prod: George Lucas, Rick McCallum Dir: George Lucas PHANTOM MENACE (UK) ENTRAPMENT (UK, Malaysia) 20th Century Fox Prod: Arnon Milchan, Iain Smith Dir: Jon Amiel TOMORROW NEVER DIES MGM/United Artists Prod: Barbara Broccoli, Michael Wilson Dir: Roger Spottiswoode (England, Scotland, Spain) FAIRYTALE: A TRUE STORY Paramount Pictures Prod: Bruce Davey, Wendy Finerman Dir: Charles Sturridge (England, Wales, Germany) MISSION: IMPOSSIBLE (UK) Paramount Pictures Prod: Tom Cruise, Paula Wagner Dir: Brian De Palma 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .

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DRESSING a GALAXY 10/25/05 5:25 PM Page 46
000-000_29.1 DRESSING A GALAXY 10/25/05 5:25 PM Page 46 Dressing a Galaxy The Costumes of Star Wars Patt Diroll “You know, sometimes I even amaze myself.” — Han Solo hat famous line from the first Star Wars film might well serve as the mantra for the imaginative genius who leads the costume design team for George Lucas’s blockbuster space operas. Whipping up duds worn a long time ago by the denizens of galaxies far, far away twould be a daunting challenge for any designer, but for the amazing Trisha Biggar, it is all in a day’s work. “Her ability to manage, move, design, build, locate and scrounge was a rare find,”says Star Wars producer, Rick McCallum. The unflappable Glasgow native takes it all in stride, crediting Lucas’s own vision and hands-on involvement with her success. Having trained at Wimbledon School of Art, Biggar worked in the United Kingdom in noted theater companies such as the Glasgow Citizens’ Theatre and Opera North in Leeds. Her film credits include Silent Scream, Wild West, and The Magdalene Sisters. She has also designed for numerous television series; among them Moll Flanders for which she received a BAFTA nomination for Best Costume Design, and The Young Indiana Jones ANAKIN SKYWALKER AND PADMÉ AMIDALA in Wedding Ensembles, from Attack of the Clones. Photographs courtesy of © 2005 Lucasfilm Ltd. & TM, except where noted. All Rights Reserved. Used under authorization. 000-000_29.1 DRESSING A GALAXY 10/25/05 5:25 PM Page 47 Chronicles. However, she was unknown to Lucas and McCallum For an alien species, the costumes proved to be much until she was discovered quite by happenstance.
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
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Notes De Production
Notes de production Red Tails est un film d’action et d’aventure inspiré par les exploits de la première unité de combat aérien afro-américaine de la Seconde Guerre mondiale. Ce film emmène tour à tour le public dans les cockpits des avions de combat au beau milieu des combats aériens, dans les couloirs tendus du Pentagone où les pontes de l’armée débattent du risque de l’utilisation de pilotes noirs au combat, et révèle la camaraderie des jeunes héros de Tuskegee qui servirent leur nation avec bravoure et excellence. C’est un hommage exaltant à un fait réel de l’histoire américaine, raconté dans un style rythmé et passionnant. « C’est l’histoire d’une bande de jeunes hommes qui se retrouvent dans une situation incroyable et qui, malgré les dangers, font un travail extraordinaire et reviennent en héros… Ce sont de vrais chevaliers des temps modernes », raconte George Lucas. Le producteur délégué, George Lucas, a mis 23 ans à développer cette histoire, accompagné au fil du temps des producteurs Rick McCallum et Charles Floyd Johnson, des scénaristes John Ridley et Aaron McGruder, du réalisateur Anthony Hemingway et d’acteurs talentueux incluant Cuba Gooding Jr. (lauréat aux Oscar®), Terrence Howard (nominé aux Oscar®), David Oyelowo et Nate Parker. Dans la tradition des aventures époustouflantes et intrigues passionnantes dont Lucasfilm a le secret, Red Tails peut se vanter d’une production détaillée, d’effets spéciaux high-tech et d’un son à couper le souffle. Red Tails est un hommage passionnant à de véritables héros, un film créé par des centaines de gens talentueux, dont l’équipe de Skywalker Sound et celle d’Industrial Light & Magic qui a supervisé sept studios d’effets spéciaux autour du monde.
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Der Polarexpress
Filmheft Ideen und Materialien für den Unterricht mit didaktisch-methodischen Anregungen für die Filmbesprechung Autor: Holger Twele Der Polarexpress CGI-Weihnachtsfilm von Robert Zemeckis, USA 2004 Filmheft DER POLAREXPRESS IMPRESSUM Herausgeber: Kinderkinobüro der JugendKulturService gGmbH, gefördert von der Medienboard Berlin-Brandenburg Autor: Holger Twele Redaktion: Katya Janho (Kinderkinobüro der JugendKulturService gGmbH Berlin) Satz und Layout: Holger Twele Bildnachweis: Warner Bros. Pictures Germany © September 2018 (Holger Twele, Kinderkinobüro der JugendKulturService gGmbH Berlin) Kontakt: Kinderkinobüro der JKS gGmbH Obentrautstr. 55 10963 Berlin Fon: 030 / 2355 6251 Fax: 030 / 2355 6220 [email protected] www.kinderkinobuero.de Holger Twele www.holgertwele.de Schulvorstellungen buchen: Bei der Suche nach einem geeigneten Kino hilft Ihnen gerne der Vertrieb des Films: Warner Bros. Entertainment GmbH Humboldtstraße 62 22083 Hamburg Tel.: 040-226 500 www.warnerbros.de – 2 – Filmheft DER POLAREXPRESS CREDITS Der Polarexpress (OT: The Polar Express) USA 2004 Regie: Robert Zemeckis Drehbuch: Robert Zemeckis & William Broyles jr. nach dem Buch von Chris Van Allsburg Kamera: Don Burgess, Robert Presley Schnitt: Jeremiah O‘Driscoll & R. Orlando Duenas Sounddesign: Randy Thom Musik: Alan Silvestri, mit Originalsongs von Glen Ballard und Alan Silvestri Produktionsdesign: Rick Carter, Doug Chiang Visual Effects: Ken Ralston, Jerome Chen Darsteller: Tom Hanks (Der kleine Held, Vater, Schaffner, Weihnachtsmann, Landstreicher), Michael Jeter (Zugführer Smokey, Heizer Steamer), Leslie Zemeckis (Schwester Sarah, Mutter), Eddie Deezen (Der Besser- wisser), Nona Gaye (Das Mädchen), Peter Scolari (Der Einsame/Billy), Charles Fleischer (General der Elfen) u. a. Produktion: Castle Rock Entertainment, Shangri-La Entertainment, Playtone, Imagemovers, Golden Mean-Production Produzenten: Steve Starkey, Robert Zemeckis, Gary Goetzman, William Teitler Länge: 100 Min.
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JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
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Awards / Nominations
STEVEN PRICE COMPOSER CREDITS AWARDS & NOMINATIONS BAFTA TV CRAFT AWARD 2016 THE HUNT Original Music ACADEMY AWARD 2013 GRAVITY Best Original Score BAFTA AWARD 2013 GRAVITY Original Music GOLDEN GLOBE AWARD GRAVITY NOMINATION 2013 Best Original Score CRITICS CHOICE AWARD 2013 GRAVITY Best Score WORLD SOUNDTRACK AWARD GRAVITY NOMINATIONS Film Composer of the Year and Best Original Film Score of the Year FEATURE FILMS ARCHIVE Philip Herd, Luc Roeg, prods. Independent Film Company Gavin Rotherty, dir. OPHELIA Daniel Bobker, Paul Hanson, Sarah Curtis, Bobker / Kruger Films Ehren Kruger, prods. Claire McCarthy, dir. WONDERLAND Karen Rosenfelt, Kendra Haaland, prods. Paramount Pictures Dylan Brown, dir. AMERICAN ASSASSIN Lorenzo Di Bonaventura, Nick Wechsler, Di Bonaventura Pictures / CBS Films prods. Michael Cuesta, dir. BABY DRIVER Tim Bevan, Eric Fellner, Nina Park, prods. TriStar / Working Title Edgar Wright, dir. SUICIDE SQUAD Charles Roven, Richard Suckle, prods. Warner Bros. David Ayer, dir. FURY Bill Block, John Lesher, Ethan Smith, prods. Columbia Pictures David Ayer, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 STEVEN PRICE GRAVITY David Heyman, Geyer Kosinski, prods. Warner Bros. Alfonso Cuaron, dir. THE WORLD’S END Tim Bevan, Eric Fellner, prods. Working Title Edgar Wright, dir. MARLEY Charles Steel, prod. Cowboy Films Kevin Macdonald, dir. ATTACK THE BLOCK Nira Park, James Wilson, prods. Big Talk Joe Cornish, dir. SCOTT PILGRIM VS THE WORLD Eric Glitter, Nira Park, Marc Platt, Universal Edgar Wright, prods. *Additional Music Edgar Wright, dir. THE BOAT THAT ROCKED Hilary Bevan Jones, Tim Bevan, Working Title Eric Fellner, prods. *Additional Music Richard Curtis, dir. MR. BEANS HOLIDAY Peter Bennett-Jones, Tim Bevan, Working Title Eric Fellner, prods.
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Lee Percy Editor
LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo
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Productions in Ontario 2013
SHOT IN ONTARIO 2013 Feature Films – Theatrical A DAUGHTER’S REVENGE Company Name: NB Thrilling Films 5 Inc. Producer: Don Osborne Exec. Producers: Pierre David, Tom Berry, Neil Bregman Director: Curtis Crawford Production Manager: Don Osborne D.O.P.: Bill St. John Key Cast: Elizabeth Gillies, Cynthia Stephenson, William Moses Shooting Dates: Nov 30 – Dec 12/13 A FIGHTING MAN Company: Rollercoaster Entertainment Producers: Gary Howsam, Bill Marks Exec. Producer: Jeff Sackman Line Producer: Maribeth Daley Director: Damian Lee Production Manager: Anthony Pangalos D.O.P.: Bobby Shore Key Cast: Famke Janssen, Dominic Purcell, James Caan, Kim Coates, Michael Ironside, Adam Beach, Louis Gossett Jr., Sheila McCarthy Shooting Dates: Apr 15 – May 15/13 A MASKED SAINT Company: P23 Entertainment Producers: Cliff McDowell, David Anselmo Director: Warren Sonoda Line Producer/Production Manager: Justin Kelly D.O.P.: James Griffith Key Cast: Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll Shooting Dates: Nov 4 – Nov 22/13 BEST MAN HOLIDAY Company: Blackmailed Productions / Universal Pictures Producer: Sean Daniel Exec. Producer: Preston L. Holmes Director: Malcolm Lee Production Manager: Dennis Chapman D.O.P.: Greg Gardiner Key Cast: Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Taye Diggs Shooting Dates: Apr 8 - May 22/13 BERKSHIRE COUNTY Company: Narrow Edge Productions Producer: Bruno Marino Exec. Producers: Tony Wosk, David Miller Director: Audrey Cummings Production Manager: Paul Roberts D.O.P.: Michael Jari Davidson Key Cast: Alysa King, Madison Ferguson, Cristophe Gallander, Samora Smallwood, Bart Rochon, Aaron Chartrand Shooting Dates: Apr 4 - May 16/13 December 2013 1 SHOT IN ONTARIO 2013 BIG NEWS FROM GRAND ROCK Company: Markham Street Films Producer: Judy Holm, Michael McNamara Director: Daniel Perlmutter Production Manager: Sarah Jackson D.O.P.: Samy Inayeh Key Cast: Aaron Ashmore, Kristin Booth, Art Hindle, Ennis Esmer Shooting Dates: Sep 30 – Oct 24/13 BLUR Company: Black Cat Entertainment Producer: Bruno Marino Exec.
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Awards and Nominations
BLAKE NEELY AWARDS AND NOMINATIONS EMMY NOMINATION (2012) PAN AM Outstanding Music for Series HOLLYWOOD MUSIC IN MEDIA THE MENTALIST NOMINATION (2011) Best Music for a Television Series EMMY NOMINATION (2010) THE PACIFIC Outstanding Music for a Mini-Series BSO GOLDSPIRIT AWARD (2010) THE PACIFIC Outstanding Main Title Theme BMI AWARDS LIFE AS WE KNOW IT Music for Top Film BMI AWARDS BROTHERS & SISTERS Music for Top Television Series BMI AWARDS THE MENATLIST Music for Top Television Series ASCAP AWARDS BROTHERS & SISTERS Music for Top Television Series ASCAP AWARDS THE MENTALIST Music for Top Television Series EMMY NOMINATION (2003) EVERWOOD Outstanding Main Title MOTION PICTURES ASSASSINS Jessica Hargrave, Ryan White, prods Tripod Media Ryan White, dir. GREYHOUND Tom Hanks, Gary Goetzman, prods. Columbia Pictures Aaron Schneider, dir. ASK DR. RUTH Zoe Morrison, prod. Hulu Ryan White, dir. SERENA Brandon Carroll, Ryan Schiavo, prods. Film 45 Ryan White, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 BLAKE NEELY AN ARTICLE OF HOPE Dan Cohen, prod. Herzog & Company Dan Cohen, dir. HE HAS SEEN WAR Christopher G Cowen, Kirk Saduski, prods. Herzog & Company Mark Herzog, dir. LIFE AS WE KNOW IT Paul Brooks, Barry Josephson, prods. Warner Bros. Greg Berlanti, dir. ELVIS AND ANNABELLE Carolyn Pfeiffer, Nick Quested, prods. Warner Bros. Will Geiger, dir. THE GREAT BUCK HOWARD Gary Goetzman, Tom Hanks, prods. Walden Media / Playtone Sean McGinly, dir. THE WORK TO COME: TRIBUTE TO Ken Burns, dir. EDWARD KENNEDY DNC DAVID MCCULLOUGH: PAINTING Gary Goetzman, Tom Hanks, prods. WITH WORDS Mark Herzog, dir. HBO / Playtone STARTER FOR TEN Gary Goetzman, Tom Hanks, prods.
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A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information.
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Steve Aaron CAS Resume
Steve C. Aaron, C.A.S. - Production Sound Mixer - Page 1 of 6 Professional sound mixing for the motion picture industry for over 35 years. Complete equipment packages to accommodate all aspects of location, stage and remote recording, as well as sync music playback, wireless ear wig prompting & ‘Voice Of God’ PA systems. Comprehensive background in ‘Post Production’ processing to include final mixing to ADR. “Solid sound tracks back up my body of work”. All credits listed are ‘actual worked’ credits. Feature film credits “Clover“ (aka She Hulk) MARVEL Studio Productions “Architect“ (aka LOKI) MARVEL Studio Productions Producers: Kevin Feige, Wendy Jacobson, Brad Winderbaum, Producers: Kevin Feige, Michael Waldron, Victoria Alonso, Victoria Alonso, Louis D’Esposito, Producer / Writer: Jessica Gao Louis D’Esposito, Tom Hiddleston Supervising Prod: Kevin Wright Line Producer: Trish Stanard Production Super: Amy Chance Line Producer: Trish Stanard Production Super: Amy Chance Director: Kat Coiro, Anu Valia Director: Kate Herron “Fear Street“ (Trilogy features 1994, 1666 & 1978) 20th Century Fox “Goosebumps 2“ – Sony Pictures Producers: Timothy Bourne, Peter Chernin, David Ready, Kori Adelson Producers: Timothy Bourne, Tania Landau, Neal Moritz, Deborah Forte Prod. Supervisor: Heath Howard Director: Leigh Janiak Prod. Supervisor: Heath Howard Director: Ari Sandel “MILE 22“ – STX Entertainment “The Hate U Give“ – 20th Century Fox Producers: Peter Berg, Mark Wahlberg, Stuart Besser, Stephen Levinson Producers: Tim Bourne, Wick Godfrey, Robert Teitel, Marty Bowen, Prod. Supervisor: Sharyn Shimada Director: Peter Berg Prod. Supervisor: Heath Howard Director: George Tillman Jr. “The Best of Enemies“ – Peachtree Cinema 2 “Simon vs The Homo Sapien Agenda“ – 20th Century Fox Prodrs: Jeremiah Sanders, Fred Bernstein, Dominique Telson, Matt Berenson Prodrs: Wyck Godfrey, Marty Bowen, Tim Bourne, Pouya Shahbazian Prod.
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Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
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