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The Terrorism Acts in 2015
THE TERRORISM ACTS IN 2015 REPORT OF THE INDEPENDENT REVIEWER ON THE OPERATION OF THE TERRORISM ACT 2000 AND PART 1 OF THE TERRORISM ACT 2006 by DAVID ANDERSON Q.C. Independent Reviewer of Terrorism Legislation DECEMBER 2016 THE TERRORISM ACTS IN 2015 REPORT OF THE INDEPENDENT REVIEWER ON THE OPERATION OF THE TERRORISM ACT 2000 AND PART 1 OF THE TERRORISM ACT 2006 by DAVID ANDERSON Q.C. Independent Reviewer of Terrorism Legislation Presented to Parliament pursuant to Section 36(5) of the Terrorism Act 2006 December 2016 © David Anderson 2016 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as David Anderson copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to the Independent Reviewer at [email protected] or by post to David Anderson Q.C. at Brick Court Chambers, 7-8 Essex Street, London WC2R 3LD. This publication is available at http://terrorismlegislationreviewer.independent.gov.uk Print ISBN 9781474138871 Web ISBN 9781474138888 ID 14111609 12/16 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office CONTENTS Page EXECUTIVE SUMMARY 2 1. INTRODUCTION 3 2. THREAT PICTURE 9 3. -
ECFG-Somalia-May-19.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the decisive cultural dimension of your assigned location and gain skills necessary for success (Photo: A Somali family, courtesy of IRIN/Moulid Hujale). ECFG The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global environment. Somalia Part 2 presents “Culture Specific” Somalia, focusing on unique cultural features of Somali society and is designed to complement other pre-deployment training. It applies culture- general concepts to help increase your knowledge of your assigned deployment location (Photo: Somali children at a primary school, courtesy of UNHCR/J. Ose). For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. -
An Interview with Prof Lidwien Kapteijns (Ladan) on Somali Arts and Literature Wardheernews June 20, 2014 ______
An Interview with Prof Lidwien Kapteijns (Ladan) on Somali Arts and Literature WardheerNews June 20, 2014 _______________________________________________________________________ Editor’s note: Prof Lidwien Kapteijns (Ladan) is not new to Somalia or Africa. Prof Lidwien teaches African and Middle Eastern history at Wellesley college and is the author of Clan Cleansing in Somalia (2013), Women’s Voices in a Man’s World (with Maryan Omar Ali, 1999) and numerous research papers that have contributed to the Somali scholarship. This interview focuses on Prof Ladan’s work in Somali arts and literature through her book “Women’s Voices in a Man’s World”. The interview was conducted by Abdelkarim A. Hassan for WatrdheerNews. ____________________ WardheerNews: Prof Ladan, first, could you briefly share with WDN your journey and experience with the Somali language? Prof. Ladan: Abdelkarim, that is a long story by now. The short version is that when I wanted to study African history at the University of Amsterdam in the early 1970s, that field did not exist. When I decided to try to attend SOAS in London (School of Oriental and African Studies) to do an M.A. there, I was told that Arabic, which I had taken for several years in Amsterdam, was not considered an African language and that I could not elect it as part of my M.A. in the Area Study of Africa. This is how I came to approach Prof. B.W. Andrzejewski, our beloved “Goosh.” He wrote back to me that I could indeed take Somali Language and Literature with him as my minor, on the condition that I learn Italian before I would show up a few months later. -
TOP Draft 7 Final Draft African Studies MA Thesis
UNIVERSITY OF CALIFORNIA Los Angeles Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa A thesis submitted in partial satisfaction of the requirement for the degree Master of Arts in African Studies by Dexter Gordon Bryan Story 2019 © Copyright by Dexter Gordon Bryan Story 2019 ABSTRACT OF THE THESIS Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa by Dexter Gordon Bryan Story Master of Arts in African Studies University of California, Los Angeles, 2019 Professor Aomar Boum, Chair This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning. ii The thesis of Dexter Story is approved. James Weldon Newton Robin Davis Gibran Kelley Aomar Boum, Committee Chair University of California, Los Angeles 2019 iii This thesis is dedicated to the ancestors; my mother and father Ethel and Benny Story; my wife Annette McClanahan Story; my children Cymone Aba Story, Bryan Yusef Kofi Story and Marissa Linda Starks; my mother-in-law Flora McClanahan; my extended family and friends; the late Dr. -
British-Arab Communities
BASELINE RESEARCH TO ASSESS EXISTING RESEARCH ON BRITISH-ARAB COMMUNITIES JULY 2020 July 2020 The Council for Arab-British Understanding (Caabu) Visit Caabu’s website www.caabu.org, follow us on Twitter @caabu and like our Facebook page. Become a Caabu member and support our work! 1 2 Acronyms and Abbreviations § BAME Black, Asian and minority ethnic § CAABU Council for Arab British Understanding § LA Local Authority § LB London Borough § ONS Office for National Statistics § PLASC Pupil Level Annual School Census § CSO Civil Society Organisation § MENA Middle East and North Africa § GCC Cooperation Council for the Arab States of the Gulf Disclaimer Views expressed in this report represent those of the author and Caabu, and not necessarily the views of the many organisations and British-Arabs that supported this project. 3 BASELINE RESEARCH TO ASSESS EXISTING RESEARCH ON BRITISH-ARAB COMMUNITIES JULY 2020 Figure 1: Family Day event at Liverpool Arab Arts Festival 2019. Photographer: AB Photography. 4 PREFACE Caabu has always believed that British-Arab communities can and will play an even more vital role in British life. Our role is to help accelerate that process. We have for over six months, led by my colleague Kholood Mohammad, been collating existing research on British-Arab communities, and assessing what we might know or not know. It is based on the sincere belief that vibrant, confident, participative British-Arab communities are a huge asset to this country and that as it stands, and the research bears out, we do not know or understand enough about their successes, achievements and also challenges. -
National Endowment for the Arts FY 2017 Fall Grant Announcement
National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program. -
TOP Draft 7 Final Draft African Studies MA Thesis
UCLA UCLA Electronic Theses and Dissertations Title Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa Permalink https://escholarship.org/uc/item/79k7q0tz Author Story, Dexter Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa A thesis submitted in partial satisfaction of the requirement for the degree Master of Arts in African Studies by Dexter Gordon Bryan Story 2019 © Copyright by Dexter Gordon Bryan Story 2019 ABSTRACT OF THE THESIS Diplomacy, Resistance and Jazz: Twentieth Century Meetings of Modern Music and Politics in the Horn of Africa by Dexter Gordon Bryan Story Master of Arts in African Studies University of California, Los Angeles, 2019 Professor Aomar Boum, Chair This paper surveys a collection of music-related interactions, sanctions, circumstances and figures that embodies the spirit of diplomacy and defiance in the Horn of Africa during the twentieth century. The research will examine historic moments of goodwill, propagation, ingenuity and activism that altered the course of modern music culture in Ethiopia, Eritrea, Somalia, and Sudan, where government officials, cultural ambassadors and, most significantly, musicians wield their authority, influence, popularity, instruments and voices beyond the traditional norms of their enterprise. Along these lines, the paper will discuss the expansive concept of jazz as symbolically appropriated and re-purposed by the performing artist and diplomat associated with the region. Although far from being exhaustive, this work engages with musical activity as a vehicle for information, identity, nationalism and broad meaning. -
ECFG-Somalia-2020R.Pdf
About this Guide This guide is designed to prepare you to deploy to culturally complex environments and achieve mission objectives. The fundamental information contained within will help you understand the cultural dimension of your assigned location and gain skills necessary for success (Photo: A Somali family, courtesy of IRIN/Moulid Hujale). ECFG The guide consists of 2 parts: Part 1 introduces “Culture General,” the foundational knowledge you need to operate effectively in any global environment. Somalia Part 2 presents “Culture Specific” Somalia, focusing on unique cultural features of Somali society and is designed to complement other pre-deployment training. It applies culture- general concepts to help increase your knowledge of your assigned deployment location (Photo: Somali children at a primary school, courtesy of UNHCR/J. Ose). For further information, visit the Air Force Culture and Language Center (AFCLC) website at www.airuniversity.af.edu/AFCLC/ or contact AFCLC’s Region Team at [email protected]. Disclaimer: All text is the property of the AFCLC and may not be modified by a change in title, content, or labeling. It may be reproduced in its current format with the expressed permission of the AFCLC. All photography is provided as a courtesy of the US government, Wikimedia, and other sources as indicated. GENERAL CULTURE CULTURE PART 1 – CULTURE GENERAL What is Culture? Fundamental to all aspects of human existence, culture shapes the way humans view life and functions as a tool we use to adapt to our social and physical environments. A culture is the sum of all of the beliefs, values, behaviors, and symbols that have meaning for a society. -
Debut UK Tour – Aar Maanta in Liverpool
Debut UK Tour – Aar Maanta in Liverpool Aar Maanta with full live band plus Guests The new urban sound of Somalia Friday 25 October 2013 Tickets £8adv. M.O.T.D. The Black-E, Liverpool Doors 8pm Launching his debut UK tour and coinciding with Eid al Adha, Aar Maanta is at the forefront of a new generation of Somali singers that mix contemporary urban influences with sounds from the hey day of Somali music in the 70’s when Somalian bands such as Litfin and Dur Dur heavily influenced the music of Ethiopia and Kenya. Considered the voice of the new generation Somalis singer and songwriter Aar Maanta moved to the United Kingdom following Somalia’s civil war of the early 1990’s and set up his own recording studio “Horn 2 Grove” where he mixes Somali music with urban beats known as “Afro Hop.” Frustrated by what he terms the “lack of modern original Somali music”, Aar Maanta set about changing this in early 2009, with the release of his debut album ‘Hiddo & Dhaqan’. Featuring songs written in the traditional Somali poetic form it featured acclaimed Polish jazz guitarist Maciek Pysz and Ahmed ‘Hudeydi’ Ismail Hussein, a master oud player and one of Somalia’s greatest composers. Despite the significant increase of expatriate Somalis in recent years, there were no music bands that play live Somali music outside of Horn of Africa. Realising this need and the need to promote his album, Aar Maanta set up a multinational band that reflected the diversity of his musical influences and his base city of London. -
The Terrorism Acts in 2015
THE TERRORISM ACTS IN 2015 REPORT OF THE INDEPENDENT REVIEWER ON THE OPERATION OF THE TERRORISM ACT 2000 AND PART 1 OF THE TERRORISM ACT 2006 by DAVID ANDERSON Q.C. Independent Reviewer of Terrorism Legislation DECEMBER 2016 THE TERRORISM ACTS IN 2015 REPORT OF THE INDEPENDENT REVIEWER ON THE OPERATION OF THE TERRORISM ACT 2000 AND PART 1 OF THE TERRORISM ACT 2006 by DAVID ANDERSON Q.C. Independent Reviewer of Terrorism Legislation Presented to Parliament pursuant to Section 36(5) of the Terrorism Act 2006 December 2016 © David Anderson 2016 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as David Anderson copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to the Independent Reviewer at [email protected] or by post to David Anderson Q.C. at Brick Court Chambers, 7-8 Essex Street, London WC2R 3LD. This publication is available at http://terrorismlegislationreviewer.independent.gov.uk Print ISBN 9781474138871 Web ISBN 9781474138888 ID 14111609 12/16 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by the Williams Lea Group on behalf of the Controller of Her Majesty’s Stationery Office CONTENTS Page EXECUTIVE SUMMARY 2 1. INTRODUCTION 3 2. THREAT PICTURE 9 3.