Word Counts of Famous Short Stories (Organized) – Commonplacebook.Com
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Guy De Maupassant and the World of the Norman Peasant
MAUPASSANT AND THE NOlli~AN PEASk~T GUY DE YiliUPASSANT AND THE WORLD OF THE NORMAN PEASANT by ALAN HEAP, B.A., (HULL UNIVERSITY) A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree .Master of Arts McMaster University November 1971 MASTER OF ARTS "(1971) McMASTER UNIVERSITY (Romance Languages) Hamilton, Ontario TITLE: GUy de Maupassant and the World of the Norman Peasant AUTHOR: Alan Heap, B.A., Hull University SUPERVISOR: Dr. B. S. Pocknell NUMBER OF PAGES: iv, 188 SCOPE AND CONTENTS: The thesis examines in detail the nature of the contes paysans written by Maupassant and the literary techniques which made this section the most successful in his work. The paper indicates and explains Maupassant's particular affection for the Norman peasant, then examines the different aspects of the peasant's character and the role he plays in the stories. An analysis is also made of other features of the peasant tales, such as the language, the decor, and the social events, while illustrating throughout the literary function of these elements. In the Conclusion, a comparison with other writers serves to demonstrate the reasons for the particular success of the contes paysans. ii -:.' ACKNOWLEDGEMENTS I would like to express my sincere gratitude and appreciation to Dr. B. S. Pocknell, whose constant guidance and attention both to the organisation and to the writing of this thesis were greatly appreciated. iii TAB LE o F CON TEN TS Page CHAPTER I - INTRODUCTION 1 CHAPTER II - CHARACTERISATION OF THE PEASANTS 39 CHAPTER III - THE DECOR AND ITS LITERARY VALUE 125 CHAPTER IV - CONCLUSION 157 BIBLIOGRAPHY 180 iv CHAPTER I INTRODUCTION Most of the critical works on Maupassant's short stories refer at some point to the success of his portrayal of the Norman peasant and to the artistic merits of the peasant contes themselves. -
On Horseback and Other Stories Foreword Guy
On Horseback and other Stories Foreword Guy de Maupassant (1850-93) wrote some 340 stories, at a headlong rate following his eruption on the literary scene in France in 1880 with the publication of virtually the first of them, the famous Boule de Suif. The following nine years were immensely productive, and included two novels and many articles. He wrote for the money and geared the stories and their subject matter to the varied journals he offered them to; and they were high and low. Yet he was an unerring craftsman and his eye for the required detail, his unflinching and pitiless, yet never moralizing, account of the human condition, and his sense of form, never deserted him. He was, and is, a master of the genre. Flaubert, conveniently a childhood friend of his mama, had guided him; Zola championed him. Fame ensued on the instant; he was handsome, urbane and sought after, yet he barriered himself against intrusion into his privacies, even to this very day. He remained close to this mother, whom his father left when he was 13. Known-of lovers notwithstanding, he never married. Edmund Howard’s selection for Capuchin exemplifies these gifts and the range of his themes; and the stories reveal fragments of his life. On Horseback (A Cheval) surely draws upon some figure of his own acquaintance during his early employment in the civil service, following the sudden impoverishment of his by no means undistinguished family, where the descendant of long-faded aristocracy working for a pittance in the Ministry of Drudge is grotesquely penalized for his pretensions as a chevalier. -
William Sydney Porter)
A C~4PARATIVE ANALYSIS OF SELECTED SHORT STORIES OF GUY DE MAUPASSANT AND OF 0. HENRY (WILLIAM SYDNEY PORTER) A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY MATTYE B. ROSS WILLIAMS DEPARTMENT OF FRENCH ATLANTA, GEORGIA JULY 1970 — TABLE OF CONTENTS Chapter Page I.INTRODUCTION 1 Maupassant: A Biographical Sketch 5 0. Henry: A Biographical Sketch 11 II. ANALYSES OF SELECTED WORKS OF MAIJPASSANT 16 III. AN~4LYSES OF SELECTED WORKS OF 0. HENRY 32 S COMPARISON OF THE STYLES OF MAUPASSANT AND 0 • HENRY . 41 BIBLIOGRAPHY 52 11 CHAPTER I INTRODUCTION Guy de Maupassant and 0. Henry are two of the best loved writers of the short story. Both were masters of achieving the designs in tended. Their works are concise, inventive and intriguing. But there are noticeable differences in the humor and philosophy of their works. Before a detailed comparison of the works of the two artists is attempt ed, a definition and some background information of the short story as a literary genre must be given. Brevity, the most obvious characteristic of the short story, is not the only distinctive characteristic of this genre for there are other forms of which brevity is also characteristic. The novelette or condensed novel lacks the preciseness and singleness of effect which are characteristic of the short story; the episode, the sketch and the tale usually contain no plot. Th.e one characteristic of all these lit erary forms is brevity. The short story differs from the other forms in that it is: A brief, imaginative narrative, unfolding a single pre dominating incident and usually a single chief character; contains a plot, the details of which are so compressed and the whole treatment so organized as to produce a single im pression •1 Short prose narrative is the form used in the Story of Ruth, the Tales of the Arabian Nights and other works dating from the early 1 J. -
A Night of Terror and Other Strange Tales, 1992, 105 Pages, Guy De Maupassant, 0195854640, 9780195854640, Oxford University Press, 1992
A night of terror and other strange tales, 1992, 105 pages, Guy de Maupassant, 0195854640, 9780195854640, Oxford University Press, 1992 DOWNLOAD http://bit.ly/1YNVkzx http://goo.gl/RE1q8 http://en.wikipedia.org/wiki/A_night_of_terror_and_other_strange_tales This popular series of readers has now been completely revised andupdated, using a new syllabus and new word structure lists. Readability has beenensured by means of specially designed computer software. Words that are abovelevel but essential to the story are explained within the text, illustrated, andthen reused for maximum reinforcement. DOWNLOAD http://is.gd/98O8Tj http://bit.ly/1vT10EI Sentimental education , Gustave Flaubert, Ferdinand Brunetière, Guy de Maupassant, Robert Arnot, 1904, , . Butterball , Guy de Maupassant, 2003, Fiction, 106 pages. Set during the Franco–Prussian war, Butterball is a sympathetic portrayal of a prostitute's mistreatment at the hands of a cold–hearted bourgeoisie. It is published here with a. Monsieur Parent and Other Stories , Guy de Maupassant, 2006, Fiction, 252 pages. A selection of 31 of Guy de Maupassant's finest short stories, including "Monsieur Parent," "An Unfortunate Likeness," "Madame Tellier's Establishment," and many more!. The Viaticum and Other Stories , Guy de Maupassant, Feb 1, 2008, Games, 420 pages. Includes "The Viaticum," "The Relics," "The Thief," "A Rupture," "A Useful House," and 49 other stories.. Short Stories of de Maupassant Including The Necklace, A Passion, The Piece of String, Babette, and The Wedding Night, Guy de Maupassant, 1941, Short stories, French, 502 pages. The Odd Number Thirteen Tales, Guy de Maupassant, 1889, France, 226 pages. A Selection from the Writings of Guy de Maupassant, Volume 6 , Guy de Maupassant, Paul Bourget, 1903, , .