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The Tricky Part
Don’t Miss The Tricky Part at Mondavi by Chris Narloch f you are a fan of meaty, moving theater, you won’t want to miss the highly acclaimed, OBIE Award-winning play The ITricky Part, coming to the Mondavi Center this June, courtesy of the UC Davis Department of Theatre and Dance. A true story of sexuality, spirituality and the mystery of human experience, The Tricky Part is one of the most heralded one-man plays in recent memory. Between the ages of 12 and 15, Martin Moran had a sexual relationship with an older man. Many years later, Moran found and confronted his abuser. Moran, a New York-based actor and author, has transformed his story into a riveting, often funny and always surprising journey through the complexities of Catholicism, desire and human trespass. The New York premiere of ‘The Tricky Part’ received a 2004 Obie Award and two Drama Desk nominations including Outstanding Play. The New York Times hailed the work as “a translucent memoir of a play … shattering.” Martin Moran was awarded a 2013 Lucille Lortel Award for Outstanding Off-Broadway Solo Show for All the Rage. His Broadway and off-Broadway credits include: Spamalot, Cabaret, Titanic, Bells Are Ringing, and How To Succeed in Business…. Film and television credits include The Newsroom, The Big C, and Law & Order. See Martin Moran in his acclaimed production of The Tricky Part this June 1-3 at 7 p.m. in the Vanderhoef Studio Theatre at the Robert and Margrit Mondavi Center for the Performing Arts. Tickets are $20 for adults and $10 for students and may be purchased through MondaviArts.org, by phone at 530-754-2787 or at the door. -
''What Lips These Lips Have Kissed'': Refiguring the Politics of Queer Public Kissing
Communication and Critical/Cultural Studies Vol. 3, No. 1, March 2006, pp. 1Á/26 ‘‘What Lips These Lips Have Kissed’’: Refiguring the Politics of Queer Public Kissing Charles E. Morris III & John M. Sloop In this essay, we argue that man-on-man kissing, and its representations, have been insufficiently mobilized within apolitical, incremental, and assimilationist pro-gay logics of visibility. In response, we call for a perspective that understands man-on-man kissing as a political imperative and kairotic. After a critical analysis of man-on-man kissing’s relation to such politics, we discuss how it can be utilized as a juggernaut in a broader project of queer world making, and investigate ideological, political, and economic barriers to the creation of this queer kissing ‘‘visual mass.’’ We conclude with relevant implications regarding same-sex kissing and the politics of visible pleasure. Keywords: Same-Sex Kissing; Queer Politics; Public Sex; Gay Representation In general, one may pronounce kissing dangerous. A spark of fire has often been struck out of the collision of lips that has blown up the whole magazine of 1 virtue.*/Anonymous, 1803 Kissing, in certain figurations, has lost none of its hot promise since our epigraph was penned two centuries ago. Its ongoing transformative combustion may be witnessed in two extraordinarily divergent perspectives on its cultural representation and political implications. In 2001, queer filmmaker Bruce LaBruce offered in Toronto’s Eye Weekly a noteworthy rave of the sophomoric buddy film Dude, Where’s My Car? One scene in particular inspired LaBruce, in which we find our stoned protagonists Jesse (Ashton Kutcher) and Chester (Seann William Scott) idling at a stoplight next to superhunk Fabio and his equally alluring female passenger. -
Jews Control U.S.A., Therefore the World – Is That a Good Thing?
Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10. -
King, Michael Patrick (B
King, Michael Patrick (b. 1954) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2014 glbtq, Inc. Reprinted from http://www.glbtq.com Writer, director, and producer Michael Patrick King has been creatively involved in such television series as the ground-breaking, gay-themed Will & Grace, and the glbtq- friendly shows Sex and the City and The Comeback, among others. Michael Patrick King. He was born on September 14, 1954, the only son among four children of a working- Video capture from a class, Irish-American family in Scranton, Pennsylvania. Among various other jobs, his YouTube video. father delivered coal, and his mother ran a Krispy Kreme donut shop. In a 2011 interview, King noted that he knew from an early age that he was "going to go into show business." Toward that goal, after graduating from a Scranton public high school, he applied to New York City's Juilliard School, one of the premier performing arts conservatories in the country. Unfortunately, his family could not afford Juilliard's high tuition, and King instead attended the more affordable Mercyhurst University, a Catholic liberal arts college in Erie, Pennsylvania. Mercyhurst had a small theater program at the time, which King later learned to appreciate, explaining that he received invaluable personal attention from the faculty and was allowed to explore and grow his talent at his own pace. However, he left college after three years without graduating, driven, he said, by a desire to move to New York and "make it as an actor." In New York, King worked multiple jobs, such as waiting on tables and unloading buses at night, while studying acting during the day at the famed Lee Strasberg Theatre Institute. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
GREGG HESCHONG, ASC Director of Photography
GREGG HESCHONG, ASC Director of Photography PROJECTS DIRECTORS STUDIOS/PRODUCERS KIDS MATTER NOW Chris Gernon ABC / 20TH TELEVISION / CBS STUDIOS Pilot Grant Johnson, Shana Goldberg-Meehan FULLER HOUSE Mark Cendrowski NETFLIX / WARNER HORIZON Series Katy Garretson Robert L. Boyett, Jeff Franklin, Kelly Sandefur Joel Zwick Steve Sandoval, Coral Hawthorn ABBY’S Pamela Fryman NBC Pilot & Series Josh Malmuth, Mike Schur, David Miner Suzy Greenberg, Franco Bario BABY DADDY Michael Lembeck FREEFORM Series Dan Berendsen, John Ziffren, Michael Lembeck Scott Hartle A BRONX LIFE Phill Lewis NBC / WARNER BROS. TV Pilot Adam Sztykiel, Bill Lawrence, Jeff Ingold Mark Greenberg UNDATEABLE Scott Ellis NBC / WARNER BROS. TV Pilot & Series Linda Mendoza Adam Sztykiel, Bill Lawrence, Jeff Ingold Randall Ted Wass Winston ONE BIG HAPPY Scott Ellis NBC / WARNER BROS. TV Pilot & Series Shelly Jensen Ellen DeGeneres, Liz Feldman, Jeff Kleeman David Trainer Jay Kleckner, Jay O’Connell Linda Mendoza PARTNERS Various Directors FX / LIONSGATE Series Bob Boyett, Robert Horn GROUND FLOOR Gail Mancuso TBS / WARNER HORIZON Pilot Bill Lawrence, Greg Malins, Jeff Ingold Randall Winston, Mark Greenberg NIC & JEN Scott Ellis FX / LIONSGATE Pilot Kari Lizer, Lisa Helfrich-Jackson UNPROFESSIONAL Craig Zisk ABC / WARNER BROS. TV Pilot Kari Lizer, Lisa Helfrich-Jackson S#*! MY DAD SAYS Ted Wass CBS / WARNER BROS. TV Series Steve Zuckerman David Kohan, Max Mutchnick, Tim Kaiser Gail Mancuso OLD CHRISTINE Andy Ackerman CBS / WARNER BROS. TV Series Various Directors Kari Lizer, Jeff Astrof, Adam Barr, Sherry Bilsing Nomination – Best Cinematography Jack Burditt, Jennifer Crittenden, Ellen Kreamer Emmys Jonathan Goldstein, Lisa Helfrich-Jackson HITCHED Rob Greenberg CBS / WARNER BROS. -
Changing Perception of LGBT People Through Performances – Theater and Television in America and in Japan
Changing Perception of LGBT People Through Performances – Theater and Television in America and in Japan Atsushi Fujita+ (Japan) Abstract This paper examines how LGBT representations in popular media have changed people’s perception and is eventually changing society. American TV programs and theater have played significant roles in terms of advancement of LGBT issues. I look at three TV shows that made LGBT people visible in American society, and three revival theatrical productions on Broadway that urge us to look back at the history and keep fighting for equality. Compared to the U.S., Japan has a long way to go in terms of LGBT issues. However, social and political changes are happening especially in recent years. I analyze three recent TV shows shedding positive light on LGBT characters and argue that the change in Japan has been happening in a similar way which demonstrates how important these cultural representations are for the change. Keywords: LGBT, LGBT Characters on American TV, LGBT Characters in American Theater, LGBT Characters on Japanese TV + Atsushi Fujita, Associate Professor, Aichi Gakuin University, Japan. email: [email protected]. Changing Perception of LGBT People… | 55 Introduction America’s dynamism in politics and social change is like a pendulum especially as it relates to the LGBT (Lesbian, Gay, Bisexual, and Transgender) advancement in U.S. history. Just to look at it briefly, at least superficially, the lives of gay people improved as a result of gay liberation in the late 1960s and 1970s. During the AIDS crisis in the 1980s and the 1990s, there was a lot of discrimination and prejudice against people literally struggling for life. -
Jay O'connell
JAY O’CONNELL Producer / UPM I MOM SO HARD (multi-cam pilot; UPM) – CBS/WBTV; Prods: Michelle Nader, Rob Thomas, Kristin Hensley, Jen Smedley; Dir: Don Scardino; w/ Freddie Prinze, Jr, David Fynn LIVING BIBLICALLY (multi-cam series; UPM) – CBS/WBTV; Prods: Patrick Walsh, Johnny Galecki, Spencer Medof, Andrew Haas; Dir: Andy Ackerman; w/ Jay Ferguson, Ian Gomez, David Krumholtz RELATIVELY HAPPY (multi-cam pilot; UPM) – CBS/WBTV; Prods: Max Mutchnick, Jeff Astrof; Dir: James Burrows; w/ Jane Lynch, Genevieve Angelson, Jon Rudnitsky, Stephen Guarino TWO BROKE GIRLS (multi-cam pilot and series, Co-Producer/UPM) – CBS / WBTV; Prods: Michael Patrick King, Whitney Cummings; Dir: Jim Burrows, Ted Wass, Scott Ellis, John Fortenberry, Fred Savage, Julie Anne Robinson, Thomas Kail, Michael McDonald, Don Scardino; w/ Kat Dennings, Beth Behrs MAN WITH A PLAN (multi-cam pilot; UPM) – CBS/CBSP; Prods: Jackie Filgo, Jeff Filgo, Michael Rotenberg, Matt LeBlanc; Dir: James Burrows; w/ Matt LeBlanc, Jenna Fischer, Grace Kaufman HAPPY LIFE (multi-cam pilot, UPM) – CBS / WBTV; Prods: Bill Wrubel; Dir: James Burrows; w/ Steven Weber, Duane Martin, Eric Petersen, Rita Moreno, Bill Smitrovich, Minnie Driver ONE BIG HAPPY (multi-cam pilot and series, UPM) – NBC/WBTV; Prods: Ellen DeGeneres, Liz Feldman, Jeff Kleeman; Dir: Scott Ellis; w/ Nick Zano, Elisha Cuthbert BIG BANG THEORY (multi-cam series, UPM) – CBS/WBTV; Prods: Chuck Lorre, Lee Aronsohn, Bill Prady; Dir: Mark Cendrowski; w/ Johnny Galecki, Jim Parsons, Kaley Cuoco, Simon Helberg, Kunal Nayyar PARTNERS -
The Paley Center Salutes the Best of Will & Grace’ Brings Cast and Producers Together to Share Favorite Moments of Iconic Series
‘THE PALEY CENTER SALUTES THE BEST OF WILL & GRACE’ BRINGS CAST AND PRODUCERS TOGETHER TO SHARE FAVORITE MOMENTS OF ICONIC SERIES Audiences Relive and Relish All Things Will, Grace, Jack and Karen in NBC’s Hourlong Special on Tuesday, Sept. 19 at 10 P.M. as Excitement Builds for the New Season That Begins Thursday, Sept. 28 at 9 P.M. UNIVERSAL CITY, Calif. – Aug. 30, 2017 – In anticipation and celebration of the triumphant Sept. 28 return of “Will & Grace” on NBC, the network and The Paley Center for Media are collaborating on the hourlong special “The Paley Center Salutes the Best of Will & Grace,” scheduled to air Tuesday, Sept. 19 at 10 p.m. ET/PT. Comprised of the best moments from the show’s original eight seasons in which it received 16 Emmy Awards from among 83 nominations, “The Paley Center Salutes the Best of Will & Grace” will also feature new and exclusive interviews with the show’s stars – Debra Messing, Eric McCormack, Sean Hayes and Megan Mullally – as well as creators Max Mutchnick and David Kohan, and legendary director James Burrows. Also included is never-seen-before behind-the-scenes footage of the landmark series that altered the television landscape with its brilliant comedy and groundbreaking focus on gay characters and their life experiences. “Throughout the eight years it aired, ‘Will & Grace’ was critically acclaimed, beloved by audiences and often credited with moving the social/cultural needle, but most of all ‘Will & Grace’ was really, really funny,” said Robert Greenblatt, Chairman, NBC Entertainment. “Teaming up with the wonderful people at the Paley Center, who are the experts at curating the best of television, is the perfect way to celebrate these witty, crazy characters and their incisive, hilarious take on the world before we’re back in people’s living rooms every week.” “‘Will & Grace’ not only made television history, but educated and delighted audiences with its positive portrayal of the LGBTQ community,” said Maureen J. -
Is Back 2 X 3.5" Ad the Series Revival of “Will & Grace” Premieres Thursday on NBC
Looking for a way to keep up with local news, school happenings, sports events and more? 2 x 2" ad 2 x 2" ad September 22 - 28, 2017 We’ve got you covered! waxahachietx.com A M B E D N D A P S H E M D O 2 x 3" ad T X A L V O I C E C H O A U R Your Key A R R W G M O A R X Q I R P E To Buying M L B E E S Y A R E U M Y E H 2 x 3.5" ad S P E S C F H D Y M A X A Z E and Selling! A H R X I C U F E G I F T E D L P E R A W E S U Y N T P Y I B A R L A R X N W A W H A R X Q C A M D X P O T T S E R G O Z U E O F O V F A R G P S A E P E T T H S N A J O I H O L B M W O E N C X M A X A C N U M G E X I X V U I A K T E S W G E F W J C A K L G E O R G E V O T U V C K S Y I X B I V A H “Young Sheldon” on CBS (Words in parentheses not in puzzle) Sheldon (Iain) Armitage (East) Texas Place your classified Solution on page 13 Mary (Zoe) Perry Gifted ad in the Waxahachie Daily 2 x 3" ad George (Sr.) (Lance) Barber Eccentric Light, Midlothian Mirror and ‘Will & Grace’ 1 x 4" ad Meemaw (Annie) Potts Twins Ellis County Trading Post! Word Search Voice (of Sheldon) (Jim) Parsons Family Call (972) 937-3310 © Zap2it is back 2 x 3.5" ad The series revival of “Will & Grace” premieres Thursday on NBC. -
Rank Series T Title N Network Wr Riter(S)*
Rank Series Title Network Writer(s)* 1 The Sopranos HBO Created by David Chase 2 Seinfeld NBC Created by Larry David & Jerry Seinfeld The Twilighht Zone Season One writers: Charles Beaumont, Richard 3 CBS (1959)9 Matheson, Robert Presnell, Jr., Rod Serling Developed for Television by Norman Lear, Based on Till 4 All in the Family CBS Death Do Us Part, Created by Johnny Speight 5 M*A*S*H CBS Developed for Television by Larry Gelbart The Mary Tyler 6 CBS Created by James L. Brooks and Allan Burns Moore Show 7 Mad Men AMC Created by Matthew Weiner Created by Glen Charles & Les Charles and James 8 Cheers NBC Burrows 9 The Wire HBO Created by David Simon 10 The West Wing NBC Created by Aaron Sorkin Created by Matt Groening, Developed by James L. 11 The Simpsons FOX Brooks and Matt Groening and Sam Simon “Pilot,” Written by Jess Oppenheimer & Madelyn Pugh & 12 I Love Lucy CBS Bob Carroll, Jrr. 13 Breaking Bad AMC Created by Vinnce Gilligan The Dick Van Dyke 14 CBS Created by Carl Reiner Show 15 Hill Street Blues NBC Created by Miichael Kozoll and Steven Bochco Arrested 16 FOX Created by Miitchell Hurwitz Development Created by Madeleine Smithberg, Lizz Winstead; Season One – Head Writer: Chris Kreski; Writers: Jim Earl, Daniel The Daily Show with COMEDY 17 J. Goor, Charlles Grandy, J.R. Havlan, Tom Johnson, Jon Stewart CENTRAL Kent Jones, Paul Mercurio, Guy Nicolucci, Steve Rosenfield, Jon Stewart 18 Six Feet Under HBO Created by Alan Ball Created by James L. Brooks and Stan Daniels and David 19 Taxi ABC Davis and Ed Weinberger The Larry Sanders 20 HBO Created by Garry Shandling & Dennis Klein Show 21 30 Rock NBC Created by Tina Fey Developed for Television by Peter Berg, Inspired by the 22 Friday Night Lights NBC Book by H.G. -
The Rhetorical Construction of Difference in Will & Grace
Producing Containment: The Rhetorical Construction of Difference in Will & Grace DANIELLE MITCHELL The same hip public that revels in genderfuck also lauds Eminem, convinced by critics that there's something heroic about his ha- rangues, something playful in the standing ovation he gets for shouting: "Hate fags? The answer's yes!" Here, the feelings liberals have taught themselves to deny are fully exercised. Whatever guilt might attend that release is defused by the queer who attests to its harmlessness. -Richard Goldstein, The Attack Queers OW WOULD YOU CHARACTERIZE A NATION IN WHICH CONSERVATIVES fume over the Supreme Court's refusal to sustain the crim- inalization of same-sex relations while celebratory lesbian, gay, bisexual, and transgender (LGBT) groups work to parlay the rul- ing into the legalization of same-sex marriage? A nation in which "Kill the Fags" is inscribed on the nose of a U.S. bomb being sent into war while programs such as Will & Grace and Queer Eye for the Straight Guy become hits? This is more than a nation confused about or divided by sexual politics. It is, in fact, a nation in the throes of ideological passion. The frenzy has been building for quite some time and is the result of an amalgamation of factors, social conflicts, and political efforts. Before Stonewall, for instance, gays and lesbians established activist and sup- port groups like the Mattachine Society and The Daughters of Bilitis to challenge the cult of heterosexuality that produced shame and The Journal of Popular Culture, Vol. 38, No. 6, 2005 ( 2005 Blackwell Publishing, 350 Main Street, Maiden, MA 02148, USA, and PO Box 1354, 9600 Garsington Road, Oxford OX4 2DQ, UK 1050 Producing Containment 1051 privileged invisibility.