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Sculpture Northwest Nov/Dec 2015 Ssociation a Nside: I “Conversations” Why Do You Carve? Barbara Davidson Bill Weissinger Doug Wiltshire Victor Picou Culptors
Sculpture NorthWest Nov/Dec 2015 ssociation A nside: I “Conversations” Why Do You Carve? Barbara Davidson Bill Weissinger Doug Wiltshire Victor Picou culptors S Stone Carving Videos “Threshold” Public Art by: Brian Goldbloom tone S est W t Brian Goldbloom: orth ‘Threshold’ (Detail, one of four Vine Maple column wraps), 8 feet high and 14 N inches thick, Granite Sculpture NorthWest is published every two months by NWSSA, NorthWest Stone Sculptors Association, a In This Issue Washington State Non-Profit Professional Organization. Letter From The President ... 3 CONTACT P.O. Box 27364 • Seattle, WA 98165-1864 FAX: (206) 523-9280 Letter From The Editors ... 3 Website: www.nwssa.org General e-mail: [email protected] “Conversations”: Why Do We Carve? ... 4 NWSSA BOARD OFFICERS Carl Nelson, President, (425) 252-6812 Ken Barnes, Vice President, (206) 328-5888 Michael Yeaman, Treasurer, (360) 376-7004 Verena Schwippert, Secretary, (360) 435-8849 NWSSA BOARD Pat Barton, (425) 643-0756 Rick Johnson, (360) 379-9498 Ben Mefford, (425) 943-0215 Steve Sandry, (425) 830-1552 Doug Wiltshire, (503) 890-0749 PRODUCTION STAFF Penelope Crittenden, Co-editor, (541) 324-8375 Lane Tompkins, Co-editor, (360) 320-8597 Stone Carving Videos ... 6 DESIGNER AND PRINTER Nannette Davis of QIVU Graphics, (425) 485-5570 WEBMASTER Carl Nelson [email protected] 425-252-6812 Membership...................................................$45/yr. Subscription (only)........................................$30/yr. ‘Threshold’, Public Art by Brian Goldbloom ... 10 Please Note: Only full memberships at $45/yr. include voting privileges and discounted member rates at symposia and workshops. MISSION STATEMENT The purpose of the NWSSA’s Sculpture NorthWest Journal is to promote, educate, and inform about stone sculpture, and to share experiences in the appreciation and execution of stone sculpture. -
Methods for Sculpting Digital Topographic Surfaces
Methods for Sculpting Digital Topographic Surfaces Dissertation zur Erlangung der naturwissenschaftlichen Doktorwürde (Dr. sc. nat.) vorgelegt der Mathematisch-naturwissenschaftlichen Fakultät der Universität Zürich von Caroline Young Westort aus den Vereinigten Staaten von Amerika Begutachtet von Prof. Dr. Robert Weibel Dr. Stephen Ervin Prof. Dr. Kurt Brassel Zürich 1998 Die vorliegende Arbeit wurde von der Mathematisch-naturwissenschaftlichen Fakultät der Universität Zürich auf Antrag von Prof. Dr. R. Weibel und Prof. Dr. K.Brassel und als Dissertation angenommen. Curriculum Vitae Name: Westort Vorname: Caroline, Young Date of Birth: 26. September 1964 in Massachusetts, USA Hometown: Massachusetts, USA Education 1973 – 1979 Primary and Secondary School in Amherst, Massachusetts 1979 – 1982 Amherst Regional High School Diploma 1982 – 1986 Bachelor of Arts, Bowdoin College, Brunswick, Maine, ma jor: Chemistry, minor: English. 1993 Masters Degree, Landscape Architecture (M.L.A.) Advisor: Prof. Stephen Ervin, Harvard University, Graduate School of Design. Thesis Title: “Designing Digital Topography”. 1994 – 1998 Research Assistant and Doctoral Candidate with Prof. Dr. R. Weibel, Dept. of Geography, University of Zürich, Dr. Stephen Ervin, Harvard University Graduate School of Design, Prof. Dr. K. Brassel and . Dept. of Geography, University of Zürich. Lecturers K. Steinitz, W. Mitchell, M. McCullough, S. Ervin, K. Brassel, R. Weibel, M. Heller, R. Forman, M. Benes, M. Binford, D. Schodek, M. Hays, P. Walker, G. Hargreaves, E. Meyer, M. VanValkenburgh, M. Wethli, G. Bruno, D. Page, E. DeLamotte, P. Litvak, M. Reizbaum. Copyright Copyright ©1998 Caroline Young Westort All Rights Reserved. i ii Abstract Abstract This investigation offers an argument and demonstration of how two seemingly different graphic representations of terrain are formally equivalent, and how when they are coupled with a data structure and computer algorithm for convert- ing from one to the other new kinds of digital sculpting may be undertaken. -
“Integrated Design and Technical Development Project” for Stone
INTEGRATED DESIGN & TECHNICAL DEVELOPMENT PROJECT IN STONE CARVINGS AS ARTWORK BHUBANESWAR,ODISA ORGANIZED BY EXPORT PROMOTION COUNCIL FOR HANDICRAFT SUPPORTED BY O/O DEVELOPMENT COMMISSIONER (HANDICRAFTS), MINISTRY OF TEXTILE, GOVT.OF INDIA Acknowledgment---------------------------------------------5 Preface-----------------------------------------------------------6 Company overview -------------------------------------------7 Meeting DC(H) official, Bhubaneswar--------------------8 One month preliminary survey Documentation and report-------------------------------- 9-10 (Background, Project Background, Proposal) Objectives----------------------------------------------------11-12 Implementation of Design & Technology Development Project--------- 13 Market for the products-----------------------------------14 Important crafts in the Region----------------------------15 Contents Carving on sand stone---------------------------------------17 Stone work of Odisha----------------------------------------17 Online Research and References------------------------18 The Product planned for IDTP, Bhubaneswar---------19 Minutes of the selection committee 24.11.16--------20 List of Artisan selected for the program----------------21 Waiting listed---------------------------------------------------21 Final selection 40 No’s Artisan photo--------------------22 Waiting list 06 No’s artisan photo-------------------------23 Minutes of the selection Artisan details-----------------24-36 Waiting list-------------------------------------------------------37-38 -
Digitally-Assisted Stone Carving on Canada's Parliament Hill
Digitally-Assisted Stone Carving on Canada's Parliament Hill James Hayes1, Stephen Fai2, Phil White3 1,2Carleton Immersive Media Studio 3Public Works and Government Services Canada 1,2cims.carleton.ca 1,2{jhayes|sfai}@cims.carleton.ca [email protected] In this paper, we discuss the results of a collaboration between the Carleton Immersive Media Studio (CIMS), the Dominion Sculptor of Canada, and the Heritage Conservation Directorate (HCD) of Public Works and Government Services Canada (PWGSC), on the development of a digitally-assisted stone carving process. The collaboration couples the distinguished skill of the Dominion Sculptor with digital acquisition and digital fabrication technologies in the reconstruction of a stone relief sculpture on the façade of the East Block building of the Canadian Parliament in Ottawa, Canada. A variety of digital technologies were used including, hand-held laser scanning, digital photogrammetry, 3d-printing, CNC milling, and robotic stone milling, in initial research for the fabrication of maquettes and the collaboration with the Dominion Sculptor. Keywords: Digital Heritage, Digital Fabrication, Masonry Conservation While there is much interest in the use of digital tended that these new methods of working will not fabrication technologies in the design and construc- only contribute to heritage conservation, but more tion of new buildings, there is little research being un- generally undermine the hegemony of standardiza- dertaken for the application of these same technolo- tion that currently dominates the architecture, engi- gies in the conservation and rehabilitation of her- neering and construction (AEC) industry. To that end, itage buildings. At the same time, the digital datasets we are developing protocols for meaningful collabo- generated by laser scanners and photogrammetry, ration between architects and the craftspeople and which can be utilized by digital fabrication equip- fabricators that actually construct the elements of a ment, have become integral to heritage documenta- building. -
Polychrome Sculpture: Tool Marks, Construction Techniques, Decorative Practice and Artistic Tradition
POLYCHROME SCULPTURE: TOOL MARKS, CONSTRUCTION TECHNIQUES, DECORATIVE PRACTICE AND ARTISTIC TRADITION Edited by Kate Seymour POLYCHROME SCULPTURE: TOOL MARKS, CONSTRUCTION TECHNIQUES, DECORATIVE PRACTICE AND ARTISTIC TRADITION Papers and Posters Proceedings of three Interim Meetings of ICOM-CC Working Group Sculpture, Polychromy, and Architectural Decoration Maastricht, October 2010 ~ Hosted by SRAL, Maastricht Glasgow, April 2012 ~ Hosted by Glasgow Life, Glasgow Tomar, May 2013 ~ Hosted by Instituto Politécnico de Tomar, Tomar Kate Seymour (Editor) Front Cover Photograph: Niklaus Weckmann, workshop (active in Ulm) St. George ca. 1510, limewood (tilia sp.), Suermondt-Ludwig-Museum, Aachen Polychrome Sculpture: Artistic Tradition and Construction Techniques 1 ICOM-CC Interim Meeting, Working Group Sculpture, Polychromy, and Architectural Decoration, Glasgow 13-14 April 2012 Proceedings of three Interim Meetings of ICOM-CC Working Group Sculpture, Polychromy, and Architectural Decoration Polychrome Sculpture: Tool Marks and Construction Techniques (Maastricht, 2010) Polychrome Sculpture: Artistic Tradition and Construction Techniques (Glasgow, 2012) Polychrome Sculpture: Decorative Practice and Artistic Tradition (Tomar, 2013) Selection of papers: Kate Seymour: Coordinator ICOM-CC Working Group Sculpture, Polychromy, and Architectural Decoration (Maastricht, October 2010; Glasgow, April 2012; Tomar, May 2013) Arnold Truyen: Assistant Coordinator ICOM-CC Working Group Sculpture, Polychromy, and Architectural Decoration (Maastricht, October