Exhibition Brochure
Detroit Photographs I Detroit Photographs 1 RUSS MARSHALL Detroit Photographs, 1958–2008 Nancy Barr Like a few bars of jazz improvisation, Russ James Pearson Duffy Curator of Photography Marshall’s photographs of city nights, over- time shifts, and solitary moments in a crowd resonate in melodic shades of black and white. In his first museum solo exhibition, we experience six decades of the Motor City through his eyes. Drawn from his archive of 50,000 plus negatives, the photographs in the exhibition celebrate his art and represent just a sample of the 250 works by Marshall acquired by the Detroit Institute of Arts since 2012. Russ Born in 1940 in South Fork, Pennsylvania, Marshall settled in Detroit Detroit Naval aviation still camera photographer. He returned to Detroit Marshall with his family in 1943 and began to pursue photography as a Photographs after military service and continued to photograph throughout the hobby in the late 1950s. Some of his earliest photographs give a city. Ambassador Bridge and Zug Island, 1968, hints at his devel- 2 rare glimpse into public life throughout the city in the post-World 3 oping aesthetic approach. In a long shot looking toward southwest War II years. In Construction Watchers, Detroit, Michigan, 1960, he Detroit, Marshall considers the city’s skyline as an integral part photographed pedestrians as they peer over a barricade to look of the post-industrial urban landscape, a subject he would revisit north on Woodward Avenue, one of Detroit’s main thoroughfares. In throughout his career. The view shows factory smokestacks that other views, Marshall captured silhouetted figures, their shadows, stripe the horizon, and the Ambassador Bridge stretches out over the atmosphere, and resulting patterns of light and dark.
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