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2001 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 2001 2001 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "2001 Illinois Shakespeare Festival Program" (2001). Illinois Shakespeare Festival. 19. https://ir.library.illinoisstate.edu/isf/19 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ILLINOIS S HAKESPEARE FESTIVAL Folto LOVE'S LABOUR'S LOST• OTHELLO• CORIOLANUS THE THEATRE AT EWING MANOR - 2001 Freshly Prepared Authentic Italian Cuisine luNCH • DINNER • TAKE OUT BANQUET f ACILITIES ··....,___ I •,,1' '" • Pim. Fresh Fish • Chicken • Veal • Steaks _... ~· Open Daily at 11 :00 am • RESERVATIONS ACCEPTED Phone 661-8322 . biaggis.com 1501 N. VETERANS PARKWAY - JUST OFF OF G.E. ROAD ILLINOIS SHAKESPEARE FESTIVAL i0o1 LovE's LABouR's Losr BY WILLIAM SHAKESPEARE JUNE 20, 22, 28, 30, JULY 6, 8, 14, 17, 22, 25, AUGUST 2, 4 ~ OTHELLO BY WILLIAM SHAKESPEARE JUNE 21, 23, 29, JULY 1, 5, 7, 15, 19, 20, 26, 28, AUGUST 1, 5 ~ CORIOLANUS BY WILLIAM SHAKESPEARE JULY 12, 13, 18, 21, 24, 27, 29, 31, AUGUST 3 EWING MANoR, BLOOMINGTON • WESTHOFF THEATRE, NoRMAL CALVIN MAcLEAN FERGUS G. CURRIE Artistic Director Managing Director The 200 I Illinois Shakespeare Festival is made possible in part by funding and support provided by the Illinois State University Foundation; the Illinois Arts Council - a state agency; the Illinois Department of Commerce and Community Affairs, Bureau of Tourism; State Farm Companies Foundation; and Illinois State University, the College of Fine Arts, the Department of Theatre; as well as through the generous con­ tributions of Illinois Shakespeare Society members. 3 A message from the Artistic Director 2001 Season - Love's Labour's Lost, Othello, Coriolanus This summer we present three plays that demonstrate the wide range of Shakespeare's imagination and skill. Perhaps one of his first plays, Love's Labour's Lost gives us a glimpse of the youthful Shakespeare: energetic, romantic and bursting with poetry. Othello, written around the same time as all of the great tragedies, shows us Shakespeare in his prime: with language that is full-blooded, action that is lean and efficient, and characters that are CALVIN MACLEAN unforgettable. And then, from later in his career, Artistic Director there is the dynamic theatricality and dark brutality Calvin MacLean has directed King John (2000), Wild Oats (1999), Measure for of Coriolanus. Measure (1998), Rosencrantz and Guildenstern Are Dead (1997), The Tri­ In our twenty-four years this season offers the umph of Love (1996), Cymbeline (1995), Festival's third crack at the great Othello, only our Two Gentlemen of Verona (1994), As You Like It (1992), and The Rivals (1990) for second production of Love's Labour's Lost, and the the Festival. Professionally active in first time we have ever produced the ferocious Chicago, Cal is a resident director of The Coriolanus - and it is a wonderful play to welcome Famous Door Theatre Ensemble where he has directed Joshua Sobol 's Ghetto back former Artistic Director, John Sipes. (Joseph Jefferson awards for Production and Direction), Anthony Clarvoe's The But as we welcome back old friends and greet new Living (Joseph Jefferson awards for Pro­ ones, this season is also the first without our dear duction and Direction), Greenland, Salt of the Earth (Joseph Jefferson citations for friend John Stevens. John was a former president of Production and Direction), and The Con­ the Illinois Shakespeare Society and one of the quest of the South Pole (Joseph Jefferson Festival's most enthusiastic supporters. We will miss citations for Production and Direction). him and dedicate our efforts this summer to his Head of Directing and Professor of The- ' atre at Illinois State University, Cal is the memory. recipient of the Outstanding Researcher award given by the College of Fine Arts Welcome to our 24th season. for excellence in scholarly and creative work. He has been Artistic Director of the Festival since 1995. - Cal Maclean THE 2001 ILLINOIS SHAKESPEARE FESTIVAL is dedicated to the memory of JOHN N. STEVENS 1953 - 2000 Former President of the Illinois Shakespeare Society and Festival Friend 4 "A bed, a bed, my kingdom for a bed ... " You'll fall in love with our beds and a whole lot more at the Hampton Inn Bloomington-Normal. Guaranteed. With com­ plimentary breakfast buffet, free local calls, an outdoor heat­ ed pool, and your choice of smoking or non-smoking rooms, plus the opportunity to earn Hilton HHonors hotel points and airline miles. All backed by our 100% Satisfaction Guarantee. If you're not completely satisfied, your night's stay is free. Hampton Inn Bloomington/Normal 604 ½ I.A.A. Drive Bloomington, IL 61701 The closest hotel to the Festival. For reservations call (309) 662-2800 or 1-800 HAMPTON For cellular reservations, call #INN. 5 ~ove's WILLIAM SHAKESPEARE'S ~aboui's ~OS SYNOPSIS At the play's opening, King Ferdinand of Navarre is trying to persuade three of his lords, Berowne, Longaville and Dumaine, to enter into a scholarly contract with him. They solemnly swear to seclude themselves for three years in little "Academe" to l study, fast, sleep only three hours a night and forego all contact with women. Berowne finds these Jl-----/~~ requirements too strict and bound ~ -/!_J,._,,._.;_, to be broken, but agrees to them, ,n ......... .L predicting that he will be the last to break the rules. Immediately their to complain to them of their "odd visitors." oath is jeopardized by the arrival of the Princess The gentlemen do return and ultimately con­ of France who, with three ladies-in-waiting and fess, but to their horror, the ladies describe the her courtier Boyet, has come to discuss affairs folly of each man choosing the wrong lady of State with the King. The four gentlemen and then mock the men for having vainly promptly fall in love with the four ladies, and foreswom to vows of love. each secretly sends a vow of love. They find Meanwhile, the local inhabitants have each other out in turn, and the "little Academy" been echoing this dilemna on a more human is in ruins. The gentlemen in return resolve to level. In the last scene they begin the pageant woo their ladies with "dances, masks, and of the Nine Worthies despite the mocking of merry hours." their royal audience. The entertainment is The ladies, however, are not so easily won. interrupted when a messenger arrives with Hearing that the men plan to visit them dis­ word that the King of France is dead. The guised as Muscovites, the ladies switch jewelry mood of gaiety is broken, and the Princess and all plan to wear masks to confuse the men prepares to depart. The men are told to test and mock them for their game. The women vow, their constancy; they must wait a full twelve too, not to listen or dance with the men. The months to learn if their love remains true. men depart in frustration while the ladies relish Shakespeare's play ends with the completion in their actions. Upon hearing that the gentle­ of the pageant, before the men set out on their men will return undisguised, the ladies decide respective pilgrimages. 6 CAST Boyet .................................. ROBERT GERARD ANDERSON£ Longaville . BRANDON BREAULT Dull ............................................. WALTER BRODY Mercade ............................................PHILLIP BURGESS Maria ..... ............ .. ......... .. ........ CRYSTAL A. DICKINSON Katherine ............................. .. ............. HEATHER FREER Ensemble ............................................. ABBY GERDTS Ensemble ................................................ ANDY GIBB Moth ................................... THOMAS CLINTON HAYNES£ Berowne ...................................... PHILLIP EARL JOHNSON£ Don Armado ..................................... DAVID KORTEMEIER£ Navarre .................................................. RYAN LEE Rosaline ........................................ REBECCA MACLEAN£ Costard ....... .. ........... .......... ............. ANDY SINCLAIR Jaquenetta .....................................REBECCA McGRAW Holofemes .................................. JACK McLAUGHLIN-GRAY£ Princess ...................................... CARRIE LEE PATTERSON1 Dumaine . .JASON SCHIESSL t Nathaniel .......................................NED SCHMIDTKE£ Ensemble .................................... JENNIFER SCHNEIDERMAN Ensemble ........................................... HUNTER STIEBEL Ensemble ........................................BUCK ZACHARY Understudies: LARRY McDONALD£ (Berowne), HUNTER STIEBEL (Don Armado), THOMAS CLINTON HAYNES£ (Boyet), BUCK ZACHARY (Holofemes), ANDY SINCLAIR (Nathaniel), HOLLY ROCKE1 (Rosaline), MICHAEL RAUSA (Moth), HALEY RrcE (Princess) £denotes member of Actors' Equity Association ............. ....1 denotes Equity Membership Candidate Director ................................... ....... SANDRA ZIELINSKI Scenic Designer .......... .. .......... ............... PETER BEUDERT Costume Designer ...... .............................. KATHRYN RoHE Lighting Designer .......................................
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