ART & PHOTO Useful Information PDF File

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ART & PHOTO Useful Information PDF File Useful Websites www.tate.org.uk www.national-gallery.org.uk www.moma.org www.royalacademy.org.uk www.npt.org.uk www.24hourmuseum.org.uk www.artchive.com www.artcyclopedia.com www.gallerywebsites.com www.artrenewal.org www.louvre.fr www.vam.ac.uk Contextual References From this list of artists, craftspeople and designers, you may find some useful starting points for your research and creative ideas, which might relate to your chosen Theme, Visual Assignment or Written Brief. However, you do not have to use this list and may prefer to choose appropriate references of your own. Fine artists and printmakers Anthony Ames, Susan Austin, Russell Bailey, Jean-Michel Basquiat, Vanessa Bell, Pierre Bonnard, Keith Bowen, Charles Burton, Patrick Caulfield, Evan Charlton, David Cox, Ogwyn Davies, Paul Dash, Tim Davies, Edgar Degas, Swci Delic, Emrys Edwards, David Garner, Tony Goble, Andy Goldsworthy, Antony Gormley, Dan Gilliver, Heather Hanson, Amie Haslen, Clive Head, Harry Holland, Edward Hopper, James Dickson Innes, Christo Javacheff, Gwen John, Frida Kahlo, Anish Kapoor, Mary Kelly, Käthe Kollwitz, Wyndham Lewis, Michael Landy, John Macfarlane, Jeremy Mann, Henri Matisse, Tom Mckinley, Claude Monet, Sigrid Muller, David Nash, Philip Nichol, Claes Oldenburg, John Piper, Peter Prendergast, Paula Rego, Ceri Richards, David Roberts, John Singer Sargent, Kevin Sinnott, Joaquín Sorolla, Stanley Spencer, Graham Sutherland, teamLab, Henry Tonks, JMW Turner, Johannes Vermeer, Lois Williams, Motoi Yamamoto or Francisco de Zurbarán. Graphic designers and illustrators Janet Ahlberg, Saul Bass, Marian Bantjes, Andre Bergamin, Benedict Blathwayt, Quentin Blake, Mark Bonner, Raymond Briggs, Neville Brody, Pascal Campion, David Carson, Paul Catherall, Lauren Child, Jean Charle, Caroline Church, Lucille Clerc, Béatrice Coron, Aline Maire, Michael Craig Martin, Elfen Design, Lola Dupre, Sara Fanelli, Alan Fletcher, Milton Glaser, Ernst Haeckel, Mairi Hedderwick, Dan Hillier, Sterling Hundley, David Juniper, Sabeena Karnik, Peter Kennard, Takahiro Kimura, Michael Landy, Emma Levey, Domenic Lippa, Lauren Mortimer, Ian Naylor, James Nunn, Linda Nye, Paul Priestman, Jamie Reid, Eberhard Reimann, Chris Riddell, Gerald Scarfe, Paula Scher, Karolin Schnoor, Maurice Sendak, Jim Sutherland, Tiafi Design, Jessica Walsh or Xue Wawa. Textile and fashion designers Becky Adams, Jeanette Appleton, Piers Atkinson, Cristóbal Balenciaga, Richard Box, Michael Brennand Wood, Caroline Broadhead, Cefyn Burges, Claire Cawte, Alice Fox, Suzie Freeman, Marie-Jeanne Lecca, Valentino Garavani, Julia Griffiths-Jones, Guerrilla Crochet, Anya Hindmarch, Ray Holman, Cas Holmes, Nathan Jenden, Helen Jones, Stephen Jones, Christopher Kane, Rei Kawakubo, Taisiya Kovali, Mariko Kusumoto, Julien Macdonald, Isobel Marant, Marimekko, Sian Martin, Stella McCartney, Alexander McQueen, Sandra Meech, Eleri Mills, Michelle Morin, Alexandra Moura, Serena Partridge, Eleanor Pritchard, Prinkie Roberts, Jenny Rolfe, Carolyn Saxby, Emma J. Shipley, Malone Souliers, Debbie Smyth, Jenny Tiramani, Philip Treacy, Carola Van Dyke, Iris Van Herpen, Sophia Webster, Cynth Weyman, Matthew Williamson or Jessica Zoob. Three-dimensional designers and makers Jonathan Adams, Billy Adams, Celia Allen, Artichoke, Florence Balducci, Jan Beeny, Aude Bourgine, Alexander Calder, Dale Chihuly, Clare Collinson, Simon Costin, Wouter Dam, Lowri Davies, Richard Deacon, Tara Donovan, Ann Catrin Evans, Nora Fok, Norman Foster, Lonneke Gordijn and Ralph Nauta, Christopher Guy, Carol Gwizdak, Zaha Hadid, Molly Hatch, Thomas Heatherwick, Francine Houben, Joris Laarman, Guy Laramée, Shaun Leane, Heesoo Lee, Barkow Leibinger, Sue Lipscombe, Gillian Lowndes, Gordon Matta Clark, Jen Mills, Amanda Moffat, William Morris, Ingrid Murphy, Isamu Noguchi, Ted Noten, Cornelia O’Donovan, Magdalene Odundo, Margaret de Patta, Grayson Perry, Gideon Petersen, Lorenzo Quinn, Frank Roper, Jessica Rosenkrantz and Jesse Louis- Rosenberg, Paula Rylatt, Abeer Seikaly, Pippa Small, Simon Starling, Studio Drift, Julie Taymor, Edmund de Waal, Hans Wegner, Meri Wells or Fred Woell. (C650U20-1) 15 © WJEC CBAC Ltd. Photographers, film-makers and animators Ansel Adams, Eve Arnold, Richard Avedon, Frédéric Back, Mark Baker, Elina Brotherus, Arian Camilleri, Henri Cartier-Bresson, Larry Chait, Chen Chieh-Jen, Gerald Conn, Richard Condie, Nick Danziger, Chris Dorley-Brown, Michael Dudok de Wit, Naoya Hatakeyama, Aaron Huey, David Hurn, Karen Ingham, Jasper James, Dorothea Lange, Caroline Leaf, Annie Leibovitz, Joe Magee, Raffaela Mariniello, Norman McLaren, Don McCullin, Norman McGrath, Stephen McMennamy, Mathew Merrett, Kirsty Mitchell, Hayao Miyazaki, Terry Morris, Mike Mort, Eadweard Muybridge, Kenneth Onulak, Lyle Owerko, Martin Parr, Nick Park, Christopher Payne, Joanna Quinn, Michelle Sank, Helen Sear, Cindy Sherman, Gregory Thielker, Jerry Uelsmann, Levi Van Veluw, Gillian Wearing, David Wilson or Dawn Woolley Photography: Interesting and creative photography methods: https://www.studentartguide.com/articles/creative-photography-ideas Here is a list ofApps/Programmes for digital edits: Snapseed is a complete and professional photo editor developed by Google. It has all the classic photo editing abilities, like turning, cropping, straightening, and adding text, as well as 29 filters. Pixlr - Pixlr is a Photoshop clone that offers a generous treasure trove of image-editing features along with the ability to import photos from Facebook. Pixlr has also been compared to GIMP in terms of functionality and user interface. Although it may be overkill for some, it’s just the right balance of form and functionality for others. Adobe Photoshop Express - Adobe Photoshop Express Editor is a free photo editor. It is jam-packed with features that will allow you to make your images pop. You will be able to remove red-eye, resize images, make colour corrections, and more. Enlight Photofox - One of its most popular features is the ability to blend photos together to create dramatic effects. You can also add graphic elements to your images. While it has many of the same features as Photoshop, such as layers, the learning curve isn’t so steep. That said, to get the most out of Enlight Photofox, you’ll probably need to watch a bunch of its tutorial videos. The downside is that the free version only allows you to use two layers at once. PhotoScape - PhotoScape was designed for the beginner, but don’t let that fool you; it is a powerhouse of features and functionality. Although the layout of PhotoScape is a bit clunky, the tools are solid, and along with retouching features, you can easily add filters to your images, create animated GIFs, batch edit photos, create slideshows and more using dozens of free templates. The list of accolades is impressive for a free photo editor app. .
Recommended publications
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    Wyndham Lewis's Kulturkampf by David William Lafferty, B.A. (Hons), M.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Institute of Comparative Studies in Literature, Art, and Culture: Cultural Mediations Carleton University Ottawa, Canada January, 2009 © 2009, David William Lafferty Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-52094-9 Our file Notre reference ISBN: 978-0-494-52094-9 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nntemet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
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  • Old and New in Modernist Art
    Chapter 2: Old and New in Modernist Art Mr. Thomas T. Baxter presents what appears to be a figure of Christ teaching a dickey-bird to chew worms. This work is labelled "St. Francis" (D‟Asise). I cannot concede his background but the face is remarkable; it is painted with very great skill, and the frenetic modernist who rushes by the picture merely because of the demoded subject-matter will miss one of the best pieces of detail in the exhibition. (Ezra pound, writing as B. H. Dias, in The New Age for January 17, 1918--22.12.235, emphasis added) Among the many kinds of artists, it may be that there are some who are hybrid. Some, that is to say, bore deeper and deeper into the stuff of their own art; others are always making raids into the lands of others. Sickert, it may be, is among the hybrids, the raiders. But . he is probably the best painter now living in England. (Virginia Woolf, writing in 1933, The Captain's Death Bed and Other Essays, 201-202, emphasis added) In 1918, we find Ezra Pound worrying about "the frenetic modernist" who will miss something of great beauty because its subject matter, which Pound himself has mocked, is "demoded." And, as late as 1933, we find Virginia Woolf, reporting on a conversation in "Bloomsbury" about Walter Sickert, in which a consensus is reached that this derivative painter, whose work is often naturalistic in its content, and might well have been associated by Woolf with her despised Edwardians, is the best that England has to offer.
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  • An Early Effect of Wyndham Lewis' Pituitary Tumour on His Art: an Inquiry Prompted by a Note in the World Through Blunted Sight
    Eye (1988) 2, 677-681 An Early Effect of Wyndham Lewis' Pituitary Tumour on his Art: An Inquiry Prompted by a Note in The World Through Blunted Sight J, F, CONWAY Nottingham Summary An avenue of research suggested by Patrick Trevor-Roper's 'inquiry into the influence of defec­ tive vision on art and character' provides a possible solution to an art-historical problem. It is proposed that questions raised by Percy Wyndham Lewis' red portraits of 1937 can be answered in terms of his intracranial tumour. The World Through Blunted Sight was pub­ continuing- influence lies in the areas of lished at an interesting moment in the inquiry which it suggests to the medical art­ development of modern art-historical historian. theory. 1 The traditional view, which A case in point concerns Percy Wyndham regarded the visual appearance of a work of Lewis (1882-1957), the prime mover of Vor­ art as significantly determined by some ticism, an avant-garde art movement in Eng­ relationship between the individual artist's land which was influenced by both Cubism will and previous artistic styles, was under and Futurism. Interest in Lewis was encour­ attack. An alternative, competing theory saw aged by the Exhibition British Art in the this appearance as determined more by the Twentieth Century at the Royal Academy, social, political and economic conditions sur­ London, in 1987 which afforded an oppor­ rounding its production. Different initial tunity to view his work in considerable assumptions could now lead to different number. forms of inquiry into, and thus to different Art-historians seek to establish, inter alia, interprative conclusions about, a given work why paintings look as they do and two of the of art.
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  • A Chronology of Wyndham Lewis
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