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Offrez Une Photographie De Collection /////// “LA CULTURE EST UNE RÉSISTANCE À LA DISTRACTION” /////// PASOLINI *** PARUTION JUIllET 2011 100 000 EXEMPlaIRES, VOIR P. 58 Le journal de référence de la vie culturelle 2010 / N° 182 NOVEMBRE • Paru le jeudi 4 novembre 2010 / 19e saison / 80 000 ex. / www.journal-laterrasse.fr / Sommaire en page 2. © Caroline Ablain © Caroline © Elizabeth Carecchio théâtre / SELECTION P. 3-38 / Quinze ans après avoir mis en danse / SELECTION P. 39-45 / Le neutre comme force active : scène Franziska de Frank Wedekind, Stéphane Braunschweig revient à Boris Charmatz, directeur du Musée de la danse à Rennes, met en actes l’auteur allemand avec Lulu. cette notion en un canon chorégraphique de vingt-quatre danseurs © Fred Briard © Fred classique / SELECTION P. 46-58 / Les Paris de la musique, jazz / musique du monde / chanson / festival entre répertoire et musique contemporaine. Le compositeur SELECTION P. 58-67 / Le saxophoniste Pierre Bertrand en leader, le choc Marc-André Dalbavie. world AfroCubism (photo) et Fabien Bœuf, animal solitaire de la chanson. René Martin et Jean-Pierre Onoratini focus 1. LE TNBA À BORDEAUX, UN THÉÂTRE POUR SE PENSER ET PENSER LE MONDE, VOIR P. 16-17 ///// 2. LE AULNAY ALL BLUES FESTIVAL, ÉMUlatEUR DE PROJETS INÉDITS, VOIR P. 61 Dominique Pitoiset, Christophe Ubelman, directeur du TNBA directeur de l’Espace Jacques Prévert La Terrasse / 4 avenue de Corbéra 75012 Paris / Tél 01 53 02 06 60 / Fax 01 43 44 07 08 / email : [email protected] / Prochaine parution le mercredi 1 décembre / Directeur de la publication : Dan Abitbol OFFREZ UNE PHOTOGRAPHIE DE COLLECTION André Kertész, Izis, Willy Ronis, Jean François Jonvelle, Henri Cartier Bresson, Robert Doisneau, Jean Loup Sieff, Edouard Boubat, Michel Giniès, Marc Riboud... PLUS DE 3000 PHOTOGRAPHIES ET LIVRES EN VENTE SUR LE SITE : www.argentic.fr Le plus grand site européen de vente de tirages et livres photographiques de collection. 2 / N°182 / NOVEMBRE 2010 / la terrasse la terrasse / NOVEMBRE 2010 / N°182 / 3 théâtre N° 182 • SOMMAIRE terrasseNov_Mise en page 1 21/10/10 12:51 Page1 théâtre théâtre / cirque entretien / LAURENCE FÉVRIER TOUTES NOS CRITIQUES… P. 3-26 Laurence Février choisit de faire entendre La Passion corsetée, adaptée « RESPIRER UN AUTRE ÉTHER » du chef-d’œuvre de Madame de La Fayette P. 3 9 – 13 nov 2010 François Rancillac, Le Roi s’amuse : mélodrame « bling-bling » P. 6 Une langUe magnifiqUe, Un amoUr absolU, Une femme qUi se dépasse : Direction Olivier Py Théâtre de l’Odéon 6e Stéphane Braunschweig revient à l’auteur allemand Frank Wedekind avec Lulu P. 7 comment ne pas aimer la princesse de clèves ? laUrence février, Rachid Akbal clôt sa trilogie sur l’Algérie avec Alger Terminal 2 P. 10 aU parcoUrs théâtral exigeant et passionné, adepte d’Un théâtre- Grand admirateur de l’écriture de Peter Handke Etienne Pommeret met en scène docUmentaire pertinent et éclairant, choisit aUjoUrd’hUi de faire Bienvenue au Conseil d’administration P. 10 entendre la passion corsetée, adaptée dU chef-d’œUvre de madame DE WILLIAM SHAKESPEARE Laurent Gutmann met en scène Pornographie P. 11 de la fayette. en hongrois surtitré Magali Léris crée Roméo et Juliette dans une mise en scène dépouillée P. 14 Pour quelles raisons avez-vous voulu porter toujours pour parler d’une femme à qui elle donne de & mise en scène Valère Novarina Cécile Tournesol et Les Échelles de nuages de Dominique Paquet, à la scène La Princesse de Clèves ? Et com- le premier rôle, mais c’est elle-même qui apparaît mêlant le jeu et la manipulation marionnettique P. 14 auteur européen au cœur de la saison 2010-2011 ment avez-vous envisagé ce texte en tant en creux et de façon magistrale. Ses héros sont Agnès et Michel Marietta auscultent l’amour, le bonheur et le désir P. 15 que metteure en scène et comédienne ? très jeunes, ils se débattent au premier plan dans José Pliya et la question si ordinaire du Mal P. 20 Laurence Février : Je suis « tombée » dans les affres de leur passion, mais elle leur donne une Le collectif Mondoral célèbre le conte et les arts de la parole. Entretien avec Michel Jolivet, La Princesse de Clèves quand j’étais gamine et maturité d’analyse qui est bien au-dessus de leur directeur de la Maison du Conte de Chevilly-Larue P. 20 que je l’étudiais à l’école. J’ai continué à porter âge, et c’est sa conception du monde à elle, qui Richard Brunel, hommes et femmes chez Feydeau : une relation très mouvementée ! P. 21 ce roman, en secret, comme un de ceux qu’on apparaît. C’est elle qui nous donne accès à un Le metteur en scène Marc Prin s’empare de Klaxon, trompettes… et pétarades de Dario Fo P. 24 M ISE EN SCÈNE ARTHUR NAUZYCIEL emporterait sur une île déserte… Ma prédilection ailleurs, par une construction romanesque vertigi- Gérard Mordillat, la face politique de la littérature P. 24 pour ce texte, je n’en parlais donc pas, mais à neuse, elle nous fait respirer un autre éther, respirer L’Odéon installe Novarina au cœur de sa saison P. 27 AVEC SARA KATHRYN BAKKER / GARDINER COMFORT / Archaos recrée In Vitro P. 27 Les Fourberies de Scapin avec le talent éclatant d’Omar Porras P. 28 « Pour moi, remettre ISMA'IL IBN CONNER / JARED CRAIG / THOMAS DERRAH / Les Théâtrales Charles Dullin : un champ d’expérimentations et de rencontres P. 29 en lumière cette ROY FAUDREE / JIM TRUE-FROST / THOMAS KELLEY / Théâtre en CieS permet de découvrir à Paris des artistes reconnus en Belgique P. 31 MARK L. MONTGOMERY / DANIEL LÊ / DANIEL PETTROW / Sous le titre Les visages et les corps, Patrice Chéreau nous convie au musée du Louvre P. 31 œuvre, qui est KUNAL PRASAD / NEIL PATRICK STEWART / La Fabrique à théâtre illustre et consacre la beauté savante du théâtre baroque P. 33 traversée par la Le Festival théâtrale du Val-d’Oise fête sa 28e édition, Vents d’ailleurs P. 35 JAMES WATERSTON / Shun-kin, Simon McBurney retrouve la troupe du Théâtre Setagaya de Tokyo P. 36 grandeur et le TRIO DE JAZZ – MARIANNE SOLIVAN (CHANT) / Cirkipop de Coline Serreau P. 37 dépassement de soi, SÉLECTION, Suite… P. 26-38 24 nov – 19 déc 2010 BLAKE NEWMAN (CONTREBASSE) ERIC HOFBAUER (GUITARE) / c’est comme un retour Ateliers Berthier 17e danse du sublime. » Laurence Février spectacle pour tous, à partir de 8 ans Entretien Boris Charmatz, le neutre comme force active P. 39 © Margot Simonney l’air d’un autre paysage. Ce qu’elle nous montre, 2010 - Photo : Frédéric Nauczyciel Gardenia, Vanessa Van Durme mène la revue dans un étrange cabaret P. 39 d’après Carlo Collodi / de & mise en scène Joël Pommerat / c’est une femme capable de choisir l’absolu, quitte Marion Lévy a imaginé un spectacle en collaboration avec l’auteur Fabrice Melquiot P. 40 cause, ou grâce à des événements récents, je me à le payer d’un prix exorbitant. Pour moi, remettre DU 15 AU 28 NOV 2010 Les Inaccoutumés, le rendez-vous de l'avant-garde chorégraphique P. 42 suis dit qu’il fallait passer du secret à la révélation. en lumière cette œuvre, qui est traversée par la Instances 8, le festival de danse de l’Espace des Arts de Chalon-sur-Saône P. 43 Je me suis dit qu’il y allait de ma responsabilité grandeur et le dépassement de soi, c’est comme La première Nocturne de la saison, au Théâtre Louis-Aragon P. 44 d’artiste, de proposer au public d’entendre ce un retour du sublime. Bien sûr, les valeurs de notre Temps fort hip hop à Chaillot P. 45 chef-d’œuvre, que les gens l’aient lu ou pas. C’est société de confort immédiat nous rendent captifs SÉLECTION, Suite… P. 39-45 l’angle premier de mon projet : dire et redire cette de « petits plaisirs », mais nous avons aussi besoin langue magnifique, notre patrimoine littéraire, et de sentiments extrêmes… classique / opéra éviter par tous les moyens qu’on ne mette ce chef- d’œuvre aux oubliettes. Mettre en scène ce texte, Pourquoi avoir intitulé le spectacle La pas- Bruno Mantovani, compositeur omniprésent P. 46 c’est aussi dire au grand jour une passion secrète. sion corsetée ? “La Fabrique d’images” - Emmanuelle Roule Hommage à Jean-Louis Barrault P. 49 Ce qui m’a ravie, c’est de voir que cette passion L. F. : Ce titre s’est imposé au cours des répéti- Marlon Titre, découverte d’un jeune guitariste hollandais au Théâtre des Abbesses P. 50 est partagée par beaucoup… Quand il y a eu les tions, à cause de la tenue qu’exige le texte pour Folle nuit Mirare, une mini-Folle journée « de Nantes » à la Salle Gaveau P. 50 mouvements de protestation à la Sorbonne, j’ai vu être « dit » à haute voix, il impose un souffle ath- Le Beethoven romantisant de Christian Thielemann avec l’Orchestre philharmonique de Vienne P. 52 que les grévistes portaient des roses jaunes – du létique, c’est une langue profondément articulée, 1007518 & 1007519 spectacles de d’entrepreneur Licences Dans la famille Järvi : Kristjan, invité de l’Orchestre national de France P. 52 jaune, pour des grévistes… – parce que c’est la comme le vers racinien. C’est la langue de l’élo- Quatuor Ebène : classique-fiction et invitées stars P. 53 couleur secrète de la Princesse de Clèves, elle dit quence et il est exclu de la dire mollement, il faut © element-s / / © element-s Paris de la musique, septième édition du festival P. 55 aimer passionnément cette couleur mais ne pas être « corseté ». C’est aussi l’expression de ce que OPÉRA pouvoir la porter, parce qu’elle est blonde, et que vivent les trois personnages principaux, pour qui il Antti Puuhaara, un conte musical présenté par l’ensemble Musicatreize P.
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