DOCSLIB.ORG

The Monthly Magazine of the Atlanta Memorial Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Monthly Magazine of the Atlanta Memorial Arts AtlantaTHE MONTHLY MAGAZINE OF THE ATLANTA MEMORIALArts ARTS CENTER JANUARY 1973 American comfort, European handling. They meet in Monte Carlo. Monte Carlo S Coupe at Glen Haven, Michigan. Monte Carlo has always ment panel reflect Monte been a car unlike any other. Carlo's individuality. Yet, our 73 Monte Carlo S The new flow-through is even more unique. power ventilation system Chassis, frame and sus­ adds to its quietness. pension geometry were Power front disc brakes, extensively redesigned to power steering and a big V8 achieve special handling are standard of course. traits like those found in the A power-operated sky roof great road cars of Europe. can be added. Coach windows, molded Monte Carlo S. We think full foam seats, rich uphol­ you'll find it one of the best stery and a classic instru­ road cars you've ever driven. 1973 Chevrolet Building a better way to see the U.SA j’ Chevrolet Art for everyone's sake More than a repository, The Atlanta Memorial Arts Center continues its forward thrust, its dedicated presentation of the arts as a force in today's life, an inspiration for tomorrow's. Rich's salutes the gifted men and women who have made this so. r r I mH 1 . 1 ; ■s-S : JEWELRY COMPANY 195 Mitchell Street, S.W., Phone (404) 522-2150 and now our second location 107 Peachtree Street. N.E., Phone (404) 522-4786 Atlanta. Georgia 30303 Of Special interest AT THE CENTER ALLIANCE THEATRE COMPANY Don’t go "Jacques Brel" is 1973 through Season Opening Play Subscriptions to Alliance Theatre Com­ life pany's 1973 play season are now avail­ without able and can be purchased through Jan­ uary 27. Season subscribers receive a your own number of VIP benefits this year in addi­ personal tion to the savings off regular box office prices — such things as discount parking, life a subscription to “Stage Center” mag­ azine, and invitations to special social events at the theatre. Subscribers may pre-select the evenings they would like to attend and obtain permanent seats, or they may obtain a book of coupons which can be exchanged for the perform­ TOM FLOURNOY, III ances of their choice. Season tickets are $17.50 and $25.00. The opening show will be JACQUES BREL IS ALIVE AND WELL AND LIVING IN PARIS, playing January 11 through January 27. From its thunder­ ously successful opening in New York A NEIGHBOR TO in 1968 “Jacques Brel” continued to draw thronged, delighted audiences for THE ARTS over four years, proving itself to be the most innovative musical of many years. And just who is Jacques Brel and why have so many audiences been interested in his health? He is the chansonnier who became the voice of Paris in the 50’s and 60’s evoking better than any­ one else since Edith Piaf that city’s dim- lit cabarets, the strange, haunting poetry of its night life. Brel wrote and sang his songs, a troubadour-composer, hymning such subjects as love and loneliness and death and hypocrisy and pity and joy. Brel is a poet and a philosopher. In the words of a London critic, he is anti­ militarist and anti-Establishment. “He attacks humbug, small-mindedness and bigotry. What puts him in a class of his own are his vigor, honesty and sym­ pathy even for his victims.” His songs are the most dazzling example of what continued symbol of a quest As surely as lite rose from the sea, the future of life depends on it. It is the salient feature of the globe. Its fate is ours. With population rising, some scientists talk of farming the oceans. Others speak of extracting products from igneous rock and seawater. But whatever men may evolve, the role of the sea in the chemistry and health of our planet is crucial. The better we understand it, the better our chances of protecting the ecological balance among all of earth's creatures—from marine life to man. Yet, even while fact displaces mystery, our awe of the sea endures. The pecten shell is an emblem for companies known around the world. But its beauty is no less in its origin than its form. And it reminds us to keep a sense of urgency in the quest for knowledge of our environment. AT THE CENTER, continued is happening in popular music through­ out the world today. Translators Eric Blau and Mort Shuman captured an au­ thentic, vivid and impassioned poetry in their version of the lyrics and created the most popular and influential musical in recent American stage history. It is a show to stab your conscience, mock your memories and force you to reassess the entire spectrum of human experience. “Jacques Brel” will be directed by Fred Chappel who recently directed the highly successful musical GYPSY at the Springer Opera House in Columbus, Georgia, and also directed the Wit’s End smash hit satirical cabaret, CIRCUS. ATLANTA SYMPHONY ORCHESTRA Cab Calloway to Appear With Symphony Superstar Cab Calloway will join the Atlanta Symphony this month when the orchestra mounts its second effort in the newly established Opera Series presenting a concert version of George Gershwin’s beloved PORGY AND BESS. Most com­ monly referred to as a folk opera and conceived by Gershwin himself as a sort of “Negro Scheherazade,” the three act tale of Negro life stands a perennial favorite of audiences and critics alike throughout the entire world. Porgy and Bess was Gershwin’s last serious work and embraces the hitherto unique Gershwin characteristics of hu­ manity and compassion, and reveals a mature and profound dramatic instinct on the part of the composer. The dom­ inant influence of the Negro spiritual inextricably threaded throughout the score provides a sobering humility and Tours and Cruises ... is contrasted pungently by the spontan­ eity of ethnic chants and virgin di­ by Air and Steamship alogue. The forthcoming Atlanta production features an all black cast with the Spel- man College Choir, Morehouse Glee Club and full symphony orchestra under the direction of Robert Shaw. Reminiscent ATLANTA TRAVEL AGENCY in concept to last year’s highly successful P ' 217 Georgia Life & Health Building revival of the Treemonisha Opera, Porgy 66 Luckie Street, N.W. continued Atlanta, Georgia 30303-Alex Hitz. Jr. You have great ideas about fashion and they come to life at Sears AT THE CENTER, continued stands to be one of the top pleasers of the new year and may be considered indicative of the orchestra’s ever ex­ Spend the day at panding repertory and resolve to provide a fully comprehensive musical influence in the area. Veteran Cab “Sporting Life” Calloway will be supported by Claudia Lindsey as Bess, McHenry Boatwright as Porgy and William Dempsey as Crown. Other prin­ cipals cast at this writing include Janette Moody as Clara, Jerry Laws as Mingo, Phyllis Bash as Serena and Lassaye Van Buren Holmes as Maria. The full-size fashion store at Phipps Plaza —with great clothes for the whole family­ home fashions, too, including interesting antiques. Cab Calloway will appear as Sporting Life in the Atlanta Symphony’s production of PORGY AND BESS. And marvelous gifts we found The January production of PORGY for you all over the world, AND BESS marks Calloway’s Symphony Hall debut and his first Atlanta appear­ many available only at ance since his resounding success here Lord & Taylor. with Pearl Bailey in the HELLO DOLLY company which played the Civic Center Stay for luncheon or tea two years ago. Interestingly, Gershwin had first tailored the role of the swagger­ in our enchanting Bird Cage ing Sporting Life for Calloway, but restaurant, open every conflicts precluded his acceptance, and vaudeville giant John Bubbles opened shopping day. the show in its 1935 Boston test engage­ ment. Finally, with the 1952 revival of Lord & Taylor, Phipps Plaza Porgy, the curtain rose on the perfect Peachtree Road between Wieuca principal trio for this classical master­ piece of Americana: Cab Calloway in and Lenox Roads—266-0600 the coveted role of Sporting Life, Leon­ Open Monday thru Saturday tyne Price as Bess and William Warfield as the ill-fated Porgy. So successful was 9:30 a.m. to 5:30 p.m. this production that it ran four years, Open Monday and Thursday made two tours of the United States, three European tours and one tour of evenings until 9:00 p.m. South America. The Atlanta Symphony production opens Jan. 25 and will be repeated Jan. continued following program notes Concert Season In Europe If you cannot be in Europe this season you can still enjoy the sound of Europe’s greatest musicians performing in the Con­ tinent’s most superb concert halls. London Imports magnifi­ cent recordings offer everything you might hear and more! IMPORTS CARMINA HURANA VOLUME F2 DAS K\NJEYITENVVEEK COMPLETE CANTATAS VOLUME 5 WJS8MK mw. a»«esn MKH. K EUHW stm «« S-CHEIK Bssisa srsEir. FROM DKiscm C«»UH =15 s t ORIGINAL MANUSCRIPT F«AT. Bli arm i c»m» -n EARLY MUSIC QUARTET SAWT 9455 SAWT 9522 SKW 1/1-2 Cantatas 1-4 SKW 2/1-2 Cantatas 5-8 SKW 3/1-2 Cantatas 9-11 SKW 4/1-2 Cantatas 12, 13, 14& 16 CARMINA BURANA VOL. 1 CARMINA BURANA VOL. 2 Also Currently Available Cmrfi B8M IJ CAI.ISTO JANET BAKER • GI.YNDEBOURNE CAST director RAYMOND LEPPARD xferXx * f •>;♦><<■z: •« ZNF 11/12 Cavalli: LA CALISTO SAWT 9584/7 Rameau: CASTOR et POLLUX BEST SELLERS: ZRG 5325 HAYDN: MASS NO 9 “THE NELSON” ZNF 8/10 CAVALLI: L'ORMINDO SAWT 9565 BACH: MUSICAL OFFERING Simon Preston, organ Wakefield; London Philharmonic Concentus Musicus, Vienna ZRG 505 VIVALDI: GLORIA; PERGOLESI: SAWT 9459/60 BACH: BRANDENBURG SKH 21/1-3 MONTEVERDI: L'ORFEO MAGNIFICAT CONCERTI 1-6 Capella Antiqua, Munich Academy of St.
Load more

Recommended publications
  • The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013.
    [Show full text]
  • Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
    Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD.
    [Show full text]
  • 20Th Anniversary Celebration
    THE AFRICAN AMERICAN ART SONG ALLIANCE CONFERENCE 20th Anniversary Celebration February 9 – 12, 2017 Claire Trevor School of the Arts – Music The University of California, Irvine In collaboration with Christ Our Redeemer AME Church 45 Tesla, Irvine, Rev. Mark E. Whitlock, Jr., Pastor Host Hotel Transportation provided by COR AME Church Radisson Hotel Newport Beach via DMCLS, Inc. a minority-owned VIP transportation co. 4545 MacArthur Boulevard Mathurin Daniel, CEO Newport Beach, CA 92660 37 Rincon Way, Aliso Viejo, CA 92656 The African American Art Song Alliance artsongalliance.org Funding for this conference generously provided by: UCI Office of Inclusive Excellence Spirit Award Program; Christ Our Redeemer AME Church, 45 Tesla, Irvine, Rev. Mark E. Whitlock., Pastor; UCI Illuminations, the Chancellor’s Art & Culture Initiative; Hampsong Foundation; UC Consortium for Black Studies in California; COR Community Development Corporation (CORCDC); Chair’s Endowment, UCI Music Department; UCI African American Studies Department CONFERENCE PARTICIPANTS COMPOSERS SINGERS (cont) H. Leslie Adams, Cleveland, OH Kisma Jordan Hunter, University of Michigan, Flint, MI Judith Baity, Los Angeles, CA Albert R. Lee, University of Nevada, Reno, NV Brittney Elizabeth Boykin, Spelman College, Atlanta, GA Marquita Lister, Morgan State University, Baltimore, MD Maria Thompson Corley, Franklin & Marshall Coll., Lancaster, PA Leberta Lorál, Los Angeles, CA Marquez L.A. Garrett, Florida State University, Tallahassee, FL Jennifer Lindsay, Long Beach, CA Adolphus C. Hailstork, Old Dominion University, Norfolk, VA Oral Moses, Kennesaw State University, Kennesaw, GA Lori Celeste Hicks, Claflin University, Orangeburg, SC Marlaina Owens, Los Angeles, CA Charles Ingram, Los Angeles Southwest College, Los Angeles, CA Miranda Paulos, University of California, Irvine, CA Roy Jennings, New York, NY Willis C.
    [Show full text]
  • The Bartered Bride: Cably Controlled) and Szell (More Genial Not Quite As Good As I Had Hoped
    in these pieces, is far from accurate, but the difficult scene with Crown is and this defect makes the gay Scherzo quite convincing (in fact, the lead -in to capriccioso sound rather oafish and "What You Want wid Bess" is one of loose -limbed. (When Kertesz does at- the record's most compelling moments). tempt to be flexible -as in the central She also does well with Serena's lament. portion of that piece -the result is in- darkening her tone color somewhat; I variably contrived.) still find myself wishing though, that a London's engineering is ultravivid. but mezzo or contralto had been given the if you set your volume control to pro- song. duce even reasonable solidity for the Warfield doesn't have this sort of opening horn call of the Scherzo capric- vocal equipment: and if one were to cios() (which sounds disappointingly "off - analyze his actual sound, one would mike"), you will be literally annihilated conclude that it was rather limited by the barrage of decibels you will hear much of the time. But he is a genuine slightly later. artist, who goes straight to the music's I see that the beautiful Talich and message. "I Got Plenty o' Nuttin'" Silvestri editions of the Symphony have swings Szell: Bohemian music a special forte. along easily, unaffectedly. The both disappeared from the domestic lines, "What if there was no Crown? catalogue, and so has the beguiling Sejna What if there was only Porgy." sung DVORAK: Carnival Overture, Op. account of the Scherzo capriccioso. The over a chilling string tremolando, are Sejna and Talich discs, however, might full of pathos and premonition, 92; Slavonic Dances: in C, Op.
    [Show full text]
  • NEW YORK PHILHARMONIC 10,000Th CONCERT
    ' ■ w NEW YORK PHILHARMONIC 10,000th CONCERT NEW YORK PHILHARMONIC 10,000th CONCERT Sunday, March 7,1982, 5:00 pm Mahler Symphony No. 2 (Resurrection) Zubin Mehta, Music Director and Conductor Kathleen Battle, soprano Maureen Forrester, contralto Westminster Choir, Joseph Flummerfelt, director CONTENTS The First 9,999 Concerts.................................... 2 Bernstein, Boulez, Mehta By Herbert Kupferberg.................................................. 5 New York Philharmonic: The Tradition of Greatness Continues By Howard Shanet........................................................ 8 Gustav Mahler and the New York Philharmonic............................... 14 Contemporary Music and the New York Philharmonic............................... 15 AVERY FISHER HALL, LINCOLN CENTER THE FIRST 9,999 CONCERTS The population of New York City in NEW YORK PHILHARMONIC: 1982 is 20 times what it was in 1842; the each of them. To survey them is to Philharmonic’s listeners today are define the current richness of the 10,000 times as many as they were in that organization: THE TRADITION OF GREATNESS CONTINUES The Subscription Concerts au­ dience, though not the largest of the their diversity they reflect the varied en Battle, David Britton, Montserrat aballé, Jennifer Jones, Christa Lud- in Avery Fisher Hall. As for television, it ig, Jessye Norman, and Frederica von is estimated that six million people Stade. (Another whole category across the country saw and heard the like - the < iductors. those chosen Philharmonic in a single televised per­ formance when the celebrated come­ dian Danny Kaye conducted the Or­ chestra recently in a Pension Fund benefit concert; and in a season's quota who is Music Director, of "Live from Lincoln Center" and other telecasts by the Philharmonic 20 are presented elsewhere in this publi million watchers may enjoy the Or­ chestra's performances in their homes.
    [Show full text]
  • The Chairman, Mr
    THE OHIO STATE UNIVERSITY OFFICIAL PROCEEDINGS OF THE ONE THOUSAND THREE HUNDRED AND TENTH MEETING OF THE BOARD OF TRUSTEES Columbus, Ohio, March 3, 1995 The Board of Trustees met at its regular monthly meeting on Friday, March 3, 1995, at The Ohio State University Fawcett Center for Tomorrow, Columbus, Ohio, pursuant to adjournment. ** ** ** Minutes of the last meeting were approved. ** ** ** 601 March 3, 1995 meeting, Board of Trustees The Chairman, Mr. Kessler, called the meeting of the Board of Trustees to order on March 3, 1995, at 10:15 a.m. He requested the Secretary to call the roll. Present: John W. Kessler, Chairman, Milton A. Wolf, Alex Shumate, Theodore S. Celeste, Michael F. Colley, George A. Skestos, David L. Brennan, James F. Patterson, Amira N. Ailabouni, and Thomas C. Smith. --0-- PRESIDENT'S REPORT President Gee: As many of you are aware, 1995 is a special year as we mark the 125th anniversary of this university. One hundred and twenty-five years ago this week, the legislation creating the university was being hotly debated in the Ohio House. After much discussion, it passed the House on March 10. The proposal was passed by the Senate on the 17th of March, and the law establishing the Ohio Agricultural and Mechanical College was signed on March 22, 1870. The law called for trustees to be named, one from each congressional district. Former president Rutherford B. Hayes was governor at the time, and he appointed 19 trustees. The university history reports that, "most of them had filled public office and, although a considerable number of them were lawyers by profession, almost without exception, they were directly interested in practical agriculture." The trustees did not meet until May, and the first charge to the trustees was to find a place for the university to be located and set a curriculum.
    [Show full text]
  • INFORMATION to USERS This Manuscript Has Been Reproduced
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter 6ce, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing In this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 NOTE TO USERS The original manuscript received by UMI contains pages with slanted print. Pages were microfilmed as received. This reproduction is the best copy available UMI JANICE HARSANYI; PROFILE OF AN ARTISTATEACHER D.M.A.
    [Show full text]
  • THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Summer 2019
    THE NEW YORK PHILHARMONIC THIS WEEK Broadcast Schedule – Summer 2019 PROGRAM#: NYP 19‐40 RELEASE DATE: June 26, 2019 Nielsen and Tchaikovsky NIELSEN: Flute Concerto Robert Langevin, flute Alan Gilbert, conductor NIELSEN: Violin Concerto Nikolaj Znaider, violin Alan Gilbert, conductor TCHAIKOVSKY: Symphony No. 2, “Little Russian” Alan Gilbert, conductor PROGRAM#: NYP 19‐41 RELEASE DATE: July 3, 2019 America, the Beautiful IVES: Holidays Symphony Leonard Bernstein, conductor COPLAND: Lincoln Portrait William Warfield, narrator Leonard Bernstein, conductor BLITZTEIN: Airborne Symphony Orson Welles, narrator Andrea Velis, tenor David Watson, baritone Choral Arts Society PROGRAM#: NYP 19‐42 RELEASE DATE: July 10, 2019 Concertos by Copland, Barber, Bolcom, Adolphe, and Mozart COPLAND: Concerto for Clarinet, Strings, Harp, & Piano Anthony McGill, clarinet Jaap van Zweden, conductor BARBER: Violin Concerto, Op. 14 Frank Huang, violin Juraj Valcuha, conductor BOLCOM: Trombone Concerto Joseph Alessi, trombone Alan Gilbert, conductor ADOLPHE: Unearth, Release! Cynthia Phelps, viola Jaap van Zweden, conductor MOZART: Flute Concerto No. 2 in D Major, K. 314 Robert Langevin, flute Bernard Labadie, conductor PROGRAM#: NYP 19‐43 RELEASE DATE: July 17, 2019 Jaap van Zweden Conducts Shostakovich and Beethoven’s Eroica Symphony SHOSTAKOVICH/ BARSHAI: Chamber Symphony Jaap van Zweden, conductor BEETHOVEN: Symphony No. 3, “Eroica” Jaap van Zweden, conductor PROGRAM#: NYP 19‐44 RELEASE DATE: July 24, 2019 Jaap van Zweden Conducts Adams and Brahms ADAMS: The Wound-Dresser Matthias Goerne, baritone Jaap van Zweden, conductor BRAHMS: Tragic Overture, Op. 81 Jaap van Zweden, conductor BRAHMS: Symphony No. 1 in C Minor, Op. 68 Jaap van Zweden, conductor PROGRAM#: NYP 19‐45 RELEASE DATE: July 31, 2019 Phil the Hall! Program to include works by Very Young People’s Concerts (VYPC) composers and works conducted by Jaap van Zweden.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 91, 1971-1972
    BOSTON SYMPHONY UKLncj 1 IvA FOUNDED IN 1881 BY HENRY LEE HIGGINSON TUESDAY B 5 NINETY-FIRST SEASON 1971-1972 M ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS PAUL C. REARDON SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1954-1956
    TANGLEWOOD — . This "New Orthophonic" High Fidelity Album won't be released until September BUT YOU MAY OWN IT NOW! Berlioz THE DAMNATION OF FAUST You may enjoy treasured "encores" of this masterful interpretation without waiting! A limited number of advance copies of this new album are available to Festival patrons only at the Tanglewood Music Shop on the Festival grounds. INVITE MR. MUNCH AND MR. MONTEUX INTO YOUR HOMES! Hear them conduct these *Romeo and Juliet tSymphonle Fantastique other Berlioz Cycle highlights Complete. Boston Symp. Orch. San Francisco Orchestra con- as often as you choose . conducted by Charles Munch. ducted by Pierre Monteux. Hear the RCA Victor Collector's re-issue of "Harold in Italy' Primrose, Viola; Boston Symp. Orch., Koussevitsky, cond. Other Munch Recordings Other Monteux Recordings * Richard Strauss: Don Quixote *Chausson: Poem of Love and with Piatigorsky, Cellist; Bur- the Sea with Gladys Swarthout, gin, Violinist; de Pasquale, Mezzo Soprano Violist. * Mozart: Concerto No. 12, in A, * Brahms: Piano Concerto No. 2 K. 414. Concerto No. 18, in B- with Artur Rubinstein, Pianist Flat, K. 456, with Lili Kraus, t Brahms: Symphony No. 4 Pianist Haydn: "London" Symphony * Liszt: Les Preludes t Munch conducts French Music Scriabin: Poeme d'Extase t Schubert: Symphony No. 2 t Stravinsky: The Rite of Spring t Schumann: "Spring" Symph. Rimsky-Korsakoff: * Tchaikovsky: Violin Concerto Scheherazade, Op. 35 in D Nathan Milstein, Violinist + Franck: Symphony in D Minor * A "New Orthophonic" High Fidelity Recording \ A High Fidelity Recording rca V^7011 FIRST IN RECORDED MUSIC 4 BOSTON SYMPHONY ORCHESTRA CHARLES MUNCH, Music Director ^Berkshire Festival Season ig; TANGLEWOOD, LENOX, MASSACHUSETTS 6 Concerts of Chamber Music in the Theatre-Concert Hall 6 Concerts by Members of the Boston Symphony Orchestra in the Theatre-Concert Hall 12 Concerts by the Boston Symphony Orchestra in the Music Shed SECOND WEEK Concert Bulletin, with historical and descriptive notes by John N.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 91, 1971-1972
    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON FRIDAY -SATURDAY 10 NINETY-FIRST SEASON 1971-1972 ADIVARI created for all time a perfect marriage of precision and beauty for both the eye and the ear. He had the unique genius to combine a thorough knowledge of the acoustical values of wood with a fine artist's sense of the good and the beautiful. Unexcelled by anything before or after, his violins have such purity of tone, they are said to speak with the voice of a lovely soul within. In business, as in the arts, experience and ability are invaluable. We suggest you take advantage of our extensive insurance background by letting us review your needs either business or personal and counsel you to an intelligent program. We respectfully invite your inquiry. CHARLES H. WATKINS & CO., INC. Richard P. Nyquist, President Charles G. Carleton, Vice President 147 Milk Street Boston, Massachusetts 02109 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETY-FIRST SEASON 1971-1972 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY ALLEN G. BARRY HENRY A. LAUGHLIN ERWIN D. CANHAM EDWARD G. MURRAY RICHARD P. CHAPMAN JOHN T. NOONAN ABRAM T. COLLIER MRS JAMES H. PERKINS MRS HARRIS FAHNESTOCK IRVING W. RABB THEODORE P. FERRIS PAUL C. REARDON SIDNEY STONEMAN TRUSTEES EMERITUS HENRY B.
    [Show full text]
  • September 2019
    WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE | WXXI-KIDS PUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER SEPTEMBER 2019 Explore the history of a uniquely American art form: Country Music. From its deep and tangled roots in ballads, blues and hymns performed in small settings, to its worldwide popularity, learn how country music evolved over the course of the twentieth century. The series, directed by Ken Burns, features never-before- seen footage and photographs, plus interviews with more than 80 country music artists. No one has told the story this way before. EIGHT-PART SERIES AIRS AT 8 P.M. ON WXXI-TV: SUNDAY, SEPTEMBER 15 THROUGH WEDNESDAY, SEPTEMBER 18 SUNDAY, SEPTEMBER 22 THROUGH WEDNESDAY, SEPTEMBER 25 < BILL MONROE ON THE GRAND OLE OPRY, NASHVILLE, C.1958. CREDIT: COURTESY OF LES LEVERETT COLLECTION See inside for special WXXI events in celebration of Country Music! DOWNTON ABBEY: THE MOVIE EARLY SCREENINGS AT THE LITTLE THEATRE DETAILS ON PAGE 18 >> LIVE REMOTE FROM THE CLOTHESLINE ARTS FESTIVAL SATURDAY, SEPTEMBER 7 FROM 1-3 P.M. ON CLASSICAL 91.5 DETAILS ON PAGE 16 >> Ken Burns tells the story of Country Music in an eight-part series, premiering Monday, September 15-25 on WXXI-TV. From its deep and tangled roots in ballads, blues and hymns performed in small settings, to its worldwide popularity, Country Music explores how country music evolved over the course of the twentieth century. In anticipation of the series, WXXI celebrates this true American art form with special events and screenings throughout September. A special thank you to our sponsors WBEE 92.5 Rochester’s New Country and Abilene Bar & Lounge for making these events possible.
    [Show full text]