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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Englehart Steve
AE103Cover FINAL_AE49 Trial Cover.qxd 6/22/11 4:48 PM Page 1 BOOKS FROM TWOMORROWS PUBLISHING Roy Thomas’ Stainless Comics Fanzine $7.95 In the USA No.103 July 2011 STAN LEE UNIVERSE CARMINE INFANTINO SAL BUSCEMA MATT BAKER The ultimate repository of interviews with and PENCILER, PUBLISHER, PROVOCATEUR COMICS’ FAST & FURIOUS ARTIST THE ART OF GLAMOUR mementos about Marvel Comics’ fearless leader! Shines a light on the life and career of the artistic Explores the life and career of one of Marvel Comics’ Biography of the talented master of 1940s “Good (176-page trade paperback) $26.95 and publishing visionary of DC Comics! most recognizable and dependable artists! Girl” art, complete with color story reprints! (192-page hardcover with COLOR) $39.95 (224-page trade paperback) $26.95 (176-page trade paperback with COLOR) $26.95 (192-page hardcover with COLOR) $39.95 QUALITY COMPANION BATCAVE COMPANION EXTRAORDINARY WORKS IMAGE COMICS The first dedicated book about the Golden Age Unlocks the secrets of Batman’s Silver and Bronze OF ALAN MOORE THE ROAD TO INDEPENDENCE publisher that spawned the modern-day “Freedom Ages, following the Dark Knight’s progression from Definitive biography of the Watchmen writer, in a An unprecedented look at the company that sold Fighters”, Plastic Man, and the Blackhawks! 1960s camp to 1970s creature of the night! new, expanded edition! comics in the millions, and their celebrity artists! (256-page trade paperback with COLOR) $31.95 (240-page trade paperback) $26.95 (240-page trade paperback) $29.95 (280-page trade -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
MAY 4 Quadracci Powerhouse
APRIL 8 – MAY 4 Quadracci Powerhouse By David Bar Katz | Directed by Mark Clements Judy Hansen, Executive Producer Milwaukee Repertory Theater presents The History of Invulnerabilty PLAY GUIDE • Play Guide written by Lindsey Hoel-Neds Education Assistant With contributions by Margaret Bridges Education Intern • Play Guide edited by Jenny Toutant Education Director MARK’S TAKE Leda Hoffmann “I’ve been hungry to produce History for several seasons. Literary Coordinator It requires particular technical skills, and we’ve now grown our capabilities such that we can successfully execute this Lisa Fulton intriguing exploration of the life of Jerry Siegel and his Director of Marketing & creation, Superman. I am excited to build, with my wonder- Communications ful creative team, a remarkable staging of this amazing play that will equally appeal to theater-lovers and lovers of comic • books and superheroes.”” -Mark Clements, Artistic Director Graphic Design by Eric Reda TABLE OF CONTENTS Synopsis ....................................................................3 Biography of Jerry Siegel. .5 Biography of Superman .....................................................5 Who’s Who in the Play .......................................................6 Mark Clements The Evolution of Superman. .7 Artistic Director The Golem Legend ..........................................................8 Chad Bauman The Übermensch ............................................................8 Managing Director Featured Artists: Jef Ouwens and Leslie Vaglica ...............................9 -
Cross Fire: an Original Companion Novel (Batman Vs. Superman: Dawn of Justice) Free
FREE CROSS FIRE: AN ORIGINAL COMPANION NOVEL (BATMAN VS. SUPERMAN: DAWN OF JUSTICE) PDF Michael Kogge | 144 pages | 16 Feb 2016 | Scholastic Inc. | 9780545916301 | English | United States Cross Fire: An Original Companion Novel of Batman v Superman: Dawn of Justice – DC Comics Movie It was released on February 16, After saving Metropolis from an alien invasion, Superman is now famous around the world. Meanwhile Gotham City 's own guardian, Batman, would rather fight crime from the shadows. But when the devious Doctor Aesop escapes from Arkham Asylumthe two very different heroes begin investigating the same case and a young boy is caught in the cross fire. The book also includes a full-color insert with images from the feature film. Two weeks after the Battle of Metropolisschoolboy Rory Greeley has been searching for his mother, who has been missing since the Black Zero Event. Instead of informing the authorities of this, he has for the past two weeks been working on a remote controlled drone to search the rubble for her. Superman has been assisting rescue workers by clearing rubble and rescuing trapped civilians since General Zod was defeated. Also a telethon run by the Metropolis News Network is happening that night, to raise money for Cross Fire: An Original Companion Novel (Batman vs. Superman: Dawn of Justice) victims of the attack and help with rebuilding the city. Since the attack, criminals had moved from Metropolis to Gotham out of fear for their lives. Bruce was going to the telethon that night, hoping to raise money for the victims of the event. -
Read Book Smallville: Season 5 : the Official Companion
SMALLVILLE: SEASON 5 : THE OFFICIAL COMPANION PDF, EPUB, EBOOK Craig Byrne | 160 pages | 25 Jan 2008 | Titan Books Ltd | 9781845765422 | English | London, United Kingdom Smallville: Season 5 : The Official Companion PDF Book Cassandra rated it it was amazing Jul 05, Every episode is well examined, and some episodes, like the popular "Memoria," were treated with extended sections. According to writers Kelly Souders and Brian Peterson, "Reckoning" had been chosen as the episode's title before the script had been finalized. Karen A. One faction of fans was unhappy with the choice of Jonathan, however, as they would have preferred Lana dying instead. Volume 5 - 1st printing. Alongside E4 broadcasting the new series of the show, Sci-Fi were also broadcasting all the older episodes, which ran all the way up to the end of Season 7. However, the show was not able to afford the special effects to pull the scene off, and so, the sequence was re-written to feature a bus crash. Leslie rated it it was amazing Jun 26, This authorized companion with a stunning page full-color section takes you through Season Four, which achieved the highest ratings of any season! Since then, she has headlined shows like Bitten and the reboot of V. The final version was finished "two-and-a-half [to] three weeks" before production began. It should come as no surprise, then, that Durance was a hit with the viewers and fans and she remains one of the, if not the best incarnation of Lois Lane there ever has been highly contentious though that sentence is. -
Marvel Comics Marvel Comics
Roy Tho mas ’Marvel of a ’ $ Comics Fan zine A 1970s BULLPENNER In8 th.e9 U5SA TALKS ABOUT No.108 MARVELL CCOOMMIICCSS April & SSOOMMEE CCOOMMIICC BBOOOOKK LLEEGGEENNDDSS 2012 WARREN REECE ON CLOSE EENNCCOOUUNNTTEERRSS WWIITTHH:: BIILL EVERETT CARL BURGOS STAN LEE JOHN ROMIITA MARIIE SEVERIIN NEAL ADAMS GARY FRIIEDRIICH ALAN KUPPERBERG ROY THOMAS AND OTHERS!! PLUS:: GOLDEN AGE ARTIIST MIKE PEPPE AND MORE!! 4 0 5 3 6 7 7 2 8 5 6 2 8 1 Art ©2012 Marvel Characters, Inc.; Human Torch & Sub-Mariner logos ™ Marvel Characters, Inc. Vol. 3, No. 108 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) AT LAST! Ronn Foss, Biljo White LL IN Mike Friedrich A Proofreader COLOR FOR Rob Smentek .95! Cover Artists $8 Carl Burgos & Bill Everett Cover Colorist Contents Tom Ziuko With Special Thanks to: Writer/Editorial: Magnificent Obsession . 2 “With The Fathers Of Our Heroes” . 3 Glenn Ald Barbara Harmon Roy Ald Heritage Comics 1970s Marvel Bullpenner Warren Reece talks about legends Bill Everett & Carl Burgos— Heidi Amash Archives and how he amassed an incomparable collection of early Timelys. Michael Ambrose Roger Hill “I’m Responsible For What I’ve Done” . 35 Dave Armstrong Douglas Jones (“Gaff”) Part III of Jim Amash’s candid conversation with artist Tony Tallarico—re Charlton, this time! Richard Arndt David Karlen [blog] “Being A Cartoonist Didn’t Really Define Him” . 47 Bob Bailey David Anthony Kraft John Benson Alan Kupperberg Dewey Cassell talks with Fern Peppe about her husband, Golden/Silver Age inker Mike Peppe. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
What's Your Kryptonite
BUCYRUS UNITED METHODIST CHURCH August 26, 2018 “WHAT’S YOUR KRYPTONITE” Pastor Mike Corwin TEXT: HEBREWS 12:1-3 GOD’S WORD: COLOSSIANS 3:1-11 I – SUPERMAN: Most of you, my age or older, will remember hearing on the radio or the TV – “faster than a speeding bullet…more powerful than a locomotive…able to leap tall buildings in a single bound…Look, up in the sky! It’s a bird, it’s a plane!...It’s superman! And then we knew it was time to sit down to listen or to watch the latest episode of the superhero Superman. He was created by the minds of men in Cleveland, Ohio and made his debut in Action Comics #1 on April 18, 1938 and he has entertained us and amazed generations of people ever since. How could you not like a man who came to earth to avoid destruction, was stronger than any human being, could fly, think faster, run faster, freeze things with his breath, and on top of it all had x-ray vision. He could do anything, especially what we couldn’t. I know he was sometimes given a darker side in the modern movies, but not in the original shows. He was truly a hero who watched over and protected the people of this planet. He was invincible and could not be defeated. He had no weaknesses…except one. Kryptonite! Kryptonite was the radioactive element from his home planet of Krypton. When he got close to its ore form he was sapped of all his strength and super powers. -
Read Book Notebook : Scary Clowns Useful Composition Book For
NOTEBOOK : SCARY CLOWNS USEFUL COMPOSITION BOOK FOR GOTHIC FILM FANS PDF, EPUB, EBOOK Molly Elodie Rose | 112 pages | 21 Dec 2018 | Amazon Digital Services LLC - Kdp Print Us | 9781792080814 | English | none Notebook : Scary Clowns Useful Composition Book for Gothic Film Fans PDF Book Thursday a Oral Composition on topics drawn from current work in other subjects. Why do so many people find it hard to punctuate correctly? Tags: this is fine, animal, on fire, house burning, calm, keep calm, everything is burning, relax, meme, doggy, dog lover, dog with hat, mr dog, dog with a cup of tea, is cold, is warm, is ok, fine, great, flames, fire deparment, fireman, firewoman, firefighter, arsonist, incendiary, pyromaniacal, dad dog, father, fun, funny, funniest meme, famous, hilarious, original, son, daughter, best friend, boyfriend, dog breeder, tea, tea lover, air conditioning, fireplace, winter, bipolar, mad, geek, nerd, vegan. Luckily Batman provides some action, or rather has it provided for him, on this cover by Ross Andru and Mike Esposito. You have already used all of them in the exercises which precede this chapter. The world forgets or overlooks the errors of great men, but remembers their positive achievements. Tags: old, magic, werewolf, moon, book, grimoire, day book, witchcraft, witch, full moon, wolf, spiritual, wicca, book of shadows, magick, vintage, faerytales, fairies, fairy, folk, pagan, dark, witchy, crystals, spells, gothic, magical, spell, stars, wiccan, goddess, modern witch, samhain, candle, goth, occult, leather, author, office, school, memory, notes, paper. Hackneyed "Hackneyed" means "worn out," "battered," 'decrepit," "second-hand," "on the verge of col- lapse. When the type is set in a printing- office, the first impression, called a proof, is sent for correction to an employee called a proof-reader, and then to the editor, or to the author.