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PIAFFE in ENGLISH the Four Big Classical Riding Schools Visit Paris

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PIAFFE in ENGLISH the Four Big Classical Riding Schools Visit Paris PIAFFE IN ENGLISH magazine translation for the international reader 2008/1 magazine page 1 The four big classical riding Schools visit Paris A world premiere By Juergen Kemmler la Frontera and the Cadre Noir in Sau- mur/France. On the following pages the four November 23rd to November 25th, 2007 in schools are presented on one page each. Paris - 45.000 people were able to experience a hippological magic moment live on a No- vember’s weekend in Paris. Which means even more, as it is still written in the stars whether Spanish Riding School Vienna it will be repeated in the future. For a true expert of equine culture this event was like a Year of foundation: 1572 the art of riding’s history in retrospect and a Breed: Lipizzaner moving meeting with the "old masters" in the Horses: 70 saddle. Past became present. But it also was a "Power lies in tranquillity" hommage to Robichon de la Guérinière, the royal chief ecuyer of Louis XIV., the most im- As if they were cast from one mold the Lipiz- portant riding master in history. As is generally zaner-stallions trot through the arena with known, he was the first to put the principles of their black bridle and the golden buckles but horsemanship into written words which are without the elsewhere often used throatlash. still valid today. In combination with the fasci- The riders on their traditional white suede nating music which was played the four saddle, all of them Austrians, wear a brown schools" show was an experience of a special swallowtail, suede riding trousers and high nature - time seemed to be standing still for black boots, their typical hat and a long birch- one evening. tree whip. The photos on the following pages try to con- The ‘spanish" is throughout rightfully famous vey the art and beauty of some classical lec- all over the world. For 4 centuries it has tions. The photos show extracts from the pro- shown thousands of visitors breathtaking gram, on this double page (left to right, please beautiful shows. The audience admires the look inside your Piaffe, first article) the dep- literal harmony between human and horse, loyment of the Royal Portuguese Riding School melted together through years of patient in Lisboa, the Spanish Riding School in Vienna, training. Elegance, control and perfection in the Royal Andalusian Riding School in Jerez de lections like Piaffe, Passage, work at the long Piaffe in English - magazine translation for the international reader - © by WuWei Verlag, Germany. - www.Wu-Wei-Verlag.com Page 1 reins and the "airs above the ground". The The riders of the Cadre Noir demonstrate evening’s highlight is the big school quadrille, French riding in their school quadrille with 8 riders in an unforgettable horse-ballet. their traditional black tight uniforms, their golden epaulettes and the famous Lampion- hat with the tricolour on brilliantly shown horses under the direction of the Ecuyer en Portuguese Riding School Chef. Almost all horses are Selle Francais, which also has a lot of success in international Year of foundation: 1979 competition. These horses" versatility is im- Breed: Alter Real pressive. The rising ‘sauters" in the Levade and Horses: 60 the airs ridden without stirrups, where riders "Elegant, powerful and in natural balance" prove their sit in the saddle, are legendary. They demonstrate their horses" will, courage The Portuguese School of the art and obedience with famous of riding, founded in 1979, jumps over a table, a bench represents the classical Iberian IMPRINT and a pillar - an incredible equitation’s tradition which is show. based on the riding master Mar- Piaffe in English is published by Wu Wei Verlag e.K. quis de Marialva (1713-1789), Isabella Sonntag whose student was De Andrade. Seestr. 54 His teachings had big influence on D-86938 Schondorf am Ammersee Royal Andalusian Riding the training of the horse in Por- GERMANY School tugal and has been vivid until Telefon +49/8192/934192 today. Developed from bullfight- Telefax +49/8192/934257 [email protected] Year of foundation: 1973 riding, perfect movability and Breed: Pura Raza Espanola Légèreté, easiness, are the ALL RIGHTS RESERVED. No reprint or Horses: 130 trademarks of this school. distribution without prior permission. "A dancer’s easiness combined Chief Editor with powerful elegance" The training was adjusted to the Jürgen Kemmler jkemmler @ web.de Portuguese horse, the Lusitano, The Royal Andalusian Riding here in the appearance of the Tel. +49/8807/206839 School’s shows demonstrate genetically brown "Alter-Real- Advertisement Manager classical dressage lections as type", which is especially remark- Karin Wiesner Karin.Wiesner @ wu-wei-verlag.com well as the horses" training in able. His breeding goes back to Tel. +49/8192/934192 the Doma Vaquera. The Anda- 1748 when this breed was bred lusian horse completes its especially for the royal stables. Subscriptions Manager Christina Wunderlich tasks thanks to its character The Alter-Real is made for haute info @ wu-wei-verlag.com and its courage in stock- Tel. +49/8192/934192 école and shows his class in airs farming and bullfight still to- like Croupade, Ballotade and Ca- day. Always riding one- priole in perfect easiness. They are easily col- handed, the riders show extracts of working lected in Piaffe and Passage and explode un- equitation in an impressive show. But also der control in airs above the ground. Piaffe, Passage, Pirouetts or Spanish Walk belong to the basic work. The compact Anda- lusian horse’s ability for Levades, Caprioles and Courbettes goes back to baroque times. Le Cadre Noir de Saumur At this time, in the 16th century, Philipp II, King of Spain, founded a stable in Cordoba and Year of foundation: 1825 fixed the principles for breeding. He wanted to Breed: Selle Francais, Anglo-Arabians, Tho- breed the noblest, most beautiful and most roughbreds deployable horse. The Andalusian still embo- Horses: 350 dies the "Royal Horse" with its harmonic pro- "Artful elegance and majestic school airs" portions today. Piaffe in English - magazine translation for the international reader - © by WuWei Verlag, Germany. - www.Wu-Wei-Verlag.com Page 2 magazine page 8 Legendary horses and riders: Ahlerich Series by Arnim Basche "I have always trained my horses myself. But never did a horse challenge me like AHLERICH "Dressage in equitation is nothing else than did. Genius and insanity where very close to higher gymnastics of the horse and a careful one another with this horse. Everyone knows training based on natural gaits. We never what this means. Furthermore, he had a want it to become a show spectacle by train- strong personality and was very hard to ride. ing it to complete artificial movements, but But exactly this was why it never got boring rather make the horse become more beautiful with him. Above all, I was impressed by his by training its individual abilities systematical- brains. This is why there was never a limit for ly. The rightly trained dressage horse should him regarding performance", Dr. Klimke de- move freely and without being forced and scribed his dressage-ace. should melt with its rider to true unity in years of trustful work. It should show its whole per- sonality and complete the different lections with easiness, joy and expression. Therefore, a The attorney from Münster was a early called good dressage show is a piece of art which and early completed. Already in 1956, he was also the layman responds to - up to enthu- at the peak of the German dressage-scene as siasm, the more mature and beautiful the 20year-old. Still he was only called as a back- show is." up rider for the Olympic team which com- peted in the same year at the Olympic Games These remarks about dressage which make it in Stockholm - but they did not take him with clear that it has nothing to do with drilling or them to the Swedish capital! This made Rainer circus shows were said by Rainer Klimke - a Klimke furious so that he changed to eventing. man, who was not only intelligent in the head Success stayed with the highly gifted man. As but also in the part of the body which is nor- already in 1959 he became European Cham- mally used for sitting. If it was not like that, he pion with FORTUNAT and the German team in would not have a record as sportsman in swal- British Harwood and in 1960 national cham- lowtail and top hat which makes him the most pion. This was also the year of his debut at the successful in the industry. His career started Olympic Games. Then, he made 18th in Rome with AAR and ARCADIUS, followed by DUX and in one of the most difficult eventing competi- MEHMED - and culminated with AHLERICH at tions ever held with WINZERIN who had not a heigth where the air is too thin for most yet reached her performance peak. But fate dressage riders. Even more: They stayed there meant him for dressage. So, he put the swal- - similar to a fixed star by which you could lowtail back on soon after the Olympic Games orientate yourself - longer than everyone else in Rome and has ridden only in the quadrangle before them. from this time on. And with results which made him the most successful rider in tour- Dr. Klimke rode AHLERICH to Olympic victo- naments" history. Nine German Champion- ries, World and European Championships. ships, eleven European Championships, six With him, he collected seven German titles World Championship titles - as well as half a and made it to 129 dressage competitions, dozen Olympic gold medals and two bronze including 77 Grand Prix and Grand Prix Special, ones - are proof for this.
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    u Sde11ce a11tl 'Cedt1t(J/Q6II 0 M GUIDE \G°' Tltf" ll•M ,, ,,-., C••,., C P11bli1/tetl b11 tlte U11iversit11 "I )lissQ11ri - e"/11111bia 8Kte11sio11 DivisiQJt~DucAl\~ Pre-Bit Hackamore Training B. F. Yeates, Texas A&M University, and Melvin Bradley Department of Animal Husbandry College of Agriculture Hackamores are used to start colts in training. An un­ Headstall trained colt makes many mistakes and the trainer needs to correct. A hackamore doesn't injure sensitive tissue in the colt's mouth, yet it provides firm, safe control. Use of a hackamore is based on the simple principle that the horse learns to respond to pressures on h is nose and under his chin. Parts Of A Hackamore Reins Hackamores came from Spanish culture, and the name probably was derived fro m the Spanish word jaquima (hak­ kee-mah). The major parts are: Bosa I ( boz-al )-This part around the horse's nose is Figure 1. Hackamore with reins. If a Mecate is used instead of reins, most commonly made of braided rawhide, but it can be made it attaches to Bosa I at the hackamore knot. of leather, horsehair, or rope. Diameter of the bosal can vary from pencil size to broom handle size, and the bosal may vary in length and rigidity. A bosal may have a cable o r rawhide core, but rawhide is preferred to make it pliable and - fit closely to the horse's nose. Parts of the bosal are the nose button and cheek buttons, cheeks or shanks, and the heel knot. Mee ate ( meh-kah-teh )-This is a continuous horse­ hair rope that is wrapped around the cheeks of the bosal in a manner to provide both reins and lead line.
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