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The Indian Cashmere Shawl and Social Status in British Art, 1760-1870
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The Indian cashmere shawl and social status in British art, 1760-1870 https://eprints.bbk.ac.uk/id/eprint/40406/ Version: Full Version Citation: Van Schoor, Jennifer Ann (2019) The Indian cashmere shawl and social status in British art, 1760-1870. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Indian Cashmere Shawl and Social Status in British Art, 1760–1870 Jennifer Ann van Schoor VOLUME 1: TEXT Submitted for the degree of Doctor of Philosophy Birkbeck College, University of London Department of History of Art March 2019 THE INDIAN CASHMERE SHAWL AND SOCIAL STATUS IN BRITISH ART, 1760–1870 DECLARATION I hereby declare that the work submitted is my own and that appropriate credit has been given where reference has been made to the work of others. Jennifer Ann van Schoor 14/02/2019 Copyright The copyright of this thesis rests with the author, who asserts her right to be known as such according to the Copyright Designs and Patents Act 1988. No dealing with the thesis contrary to the copyright or moral rights of the author is permitted. 2 THE INDIAN CASHMERE SHAWL AND SOCIAL STATUS IN BRITISH ART, 1760–1870 ACKNOWLEDGEMENTS I would first and foremost like to thank the Arts and Humanities Research Council (AHRC) for funding this Doctoral Award, without which it would not have been possible. -
Robert Prescott Stewart As a Music Educator in Dublin in the Latter-Half of the Nineteenth Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library Robert Prescott Stewart as a music educator in Dublin in the latter-half of the nineteenth century Lisa Parker Robert Prescott Stewart’s professional career as a music educator was greatly enhanced in 1862 when he was offered the music professorship at Trinity College Dublin.1 Nine years later his association with the Royal Irish Academy of Music commenced when he was appointed professor of piano and harmony and composition. This article will discuss contributions made by Stewart as professor of music at Trinity College to the area of the examination of the music degree candidates and will consider similar practices at Oxford and Cambridge in order to evaluate these contributions in a wider context. Accounts and opinions of Stewart as a teacher at the Royal Irish Academy of Music and as music professor at Trinity College will also be observed. Some of Stewart’s lectures will be discussed in relation to how they reflect Stewart’s awareness of and interest in current trends and opinions. The first professor of music at Trinity College Dublin was Garret Wesley, the Earl of Mornington (1735-1781), and the honorary position of professor that he held for ten years from 1764 carried a stipend of £100 per annum. Mornington was not expected to teach or examine as part of this sinecure but he was required to compose suitable music for occasions at the university such as the installation of the Duke of Bedford, John Russell, as chancellor of the university in 1765.2 Trinity 1 For further information on Robert Prescott Stewart see Olinthus Vignoles: Memoir of Sir Robert P. -
Mechanics' Magazine
Documents pour l’histoire des techniques Nouvelle série 19 | 2e semestre 2010 Les techniques et la technologie entre la France et la Grande-Bretagne XVIIe-XIXe siècles Carriages, coffee-cups and dynamometers : representing French technical cultures in the London Mechanics’ Magazine,1823-1848 Calèches, tasses à café et dynamomètres : représentations de la culture technique française dans le Mechanics’ Magazine de Londres, 1823-1848 Ben Marsden Édition électronique URL : http://journals.openedition.org/dht/1486 DOI : 10.4000/dht.1486 ISSN : 1775-4194 Éditeur : Centre d'histoire des techniques et de l'environnement du Cnam (CDHTE-Cnam), Société des élèves du CDHTE-Cnam Édition imprimée Date de publication : 1 décembre 2010 Pagination : 243-254 ISBN : 978-2-9530779-5-7 ISSN : 0417-8726 Référence électronique Ben Marsden, « Carriages, coffee-cups and dynamometers : representing French technical cultures in the London Mechanics’ Magazine,1823-1848 », Documents pour l’histoire des techniques [En ligne], 19 | 2e semestre 2010, mis en ligne le 22 juin 2011, consulté le 08 septembre 2020. URL : http://journals.openedition.org/dht/1486 ; DOI : https://doi.org/10.4000/ dht.1486 © Tous droits réservés Carriages, coffee-cups and dynamometers: representing French technical cultures in the London Mechanics’ Magazine, 1823-1848 Ben Marsden University of Aberdeen ntroduction: national stereotypes artisans are said to have been reluctant; and in the early Iof contrasted practice nineteenth century British works tended, according Contemporary British discussions of French technical to Donald Cardwell, to be ‘elementary’ or ‘feebly culture in the second quarter of the nineteenth century descriptive’.4 and beyond have often assumed, if not explicitly stated, But why should British engineers and artisans have contrasting ‘national styles’ and modes of ‘organization’. -
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Early British Railway System/Casson Counterfactual THE EARLY BRITISH RAILWAY SYSTEM, THE CASSON COUNTERFACTUAL, AND THE EFFECTIVENESS OF CENTRAL PLANNING Andrew Odlyzko School of Mathematics University of Minnesota [email protected] How large is the “first mover disadvantage,” in which a pioneer in deployment of new technologies incurs costs due to the immature state of that technology and to lack of knowledge about its application? And to what extent can those costs be mitigated by central planning? Mark Casson's book, The World's First Railway System, demonstrataes that the British rail system on the eve of World War I could have been replaced by a much more efficient one, with reductions of cost and mileage in the 25-35 percent range. Much of that inefficiency can be attributed to the early days of British railways, in the 1830s and 1840s. It was due to incorrect notions about the nature of demand for railway service and about economic growth--notions that were recognized by only a few contemporary observers as incorrect. Since the correct views were rare and contrarian, it is likely (as was claimed by some experts in the early 1850s) that central planning in the 1840s would have led to an even less efficient system than the one produced by the decentralized, competitive, and admittedly wasteful historical process. Introduction Britain was the world leader in the development of railways. Much of the development of the British rail network occurred in the early days, when little was known either of how far the technology would improve or how much demand for it would exist. -
1870 a Thesis Submitted to the University of London F
- 731 THE ROLE OF STRUCTURAL MODELS IN THE DESIGN OF BRITISH BRIDGES-1800 - 1870 A Thesis submitted to the University of London for the award of the degree of Doctor of Philosophy by DENIS PATRICK SMITH Department of History of Science and Technology IMPERIAL COLLEGE OF SCIENCE AND TECHNOLOGY NOVEMBER 1 9 7 6 CONTENTS Chapter 1: INTRODUCTION 1. Bridge Design before the Railway Era. 1. Structural Models and Railway Bridge Design. 5. Theory and Practice. 7. The Source of Capital. 10. Structural Model Types. 11. The Decline of Structural Model Testing. 13. Chapter 2: ARCH BRIDGES 19. Proposed rebuilding of London Bridge - 1801. 21. Atwood's Treatise on Arches - 1804. 31. Laminated Timber Arches. 33. W.H. Barlow's Paper on Arches 1846. 34. Model Experiments on Metal Arch Ribs. 37. Biographical Notes. 48. Chapter 3: SUSPENSION BRIDGES 50. Proposed Suspension Bridge at Runcorn. 51. Proposed Suspension Bridge at Montrose. 57. Menai Suspension Bridge - Chain Geometry Model. 58. Wood as a Material for Suspension Chains. 59. James Dredge and the Taper Chain Controversy: 61. The Dredge and Clive Correspondence. 70. The Ballee Mal Bridge, Calcutta. Suspension Bridges and Railways: 77. P.W. Barlow's Experiments - 1857. 80. G.B. Airy's Experiments - 1867. 88. Wind Loads on Suspension Bridges. 92. Biographical Notes. 102. Chapter 4: BEAM AND GIRDER BRIDGES 103. Wrought Iron Tubular Girders: 104. The Conway and Britannia Bridges: Experiments in London and Manchester 1845-1847. 111. Apparatus and Experimental Techniques: Fairbairn's.Preliminary Tests at Millwal1.115. Hodgkinson's Experiments in Manchester. 116. Experiments on the Large Tube at Millwal1.118. -
Biographical Index of Former RSE Fellows 1783-2002
FORMER RSE FELLOWS 1783- 2002 SIR CHARLES ADAM OF BARNS 06/10/1780- JOHN JACOB. ABEL 19/05/1857- 26/05/1938 16/09/1853 Place of Birth: Cleveland, Ohio, USA. Date of Election: 05/04/1824. Date of Election: 03/07/1933. Profession: Royal Navy. Profession: Pharmacologist, Endocrinologist. Notes: Date of election: 1820 also reported in RSE Fellow Type: HF lists JOHN ABERCROMBIE 12/10/1780- 14/11/1844 Fellow Type: OF Place of Birth: Aberdeen. ROBERT ADAM 03/07/1728- 03/03/1792 Date of Election: 07/02/1831. Place of Birth: Kirkcaldy, Fife.. Profession: Physician, Author. Date of Election: 28/01/1788. Fellow Type: OF Profession: Architect. ALEXANDER ABERCROMBY, LORD ABERCROMBY Fellow Type: OF 15/10/1745- 17/11/1795 WILLIAM ADAM OF BLAIR ADAM 02/08/1751- Place of Birth: Clackmannanshire. 17/02/1839 Date of Election: 17/11/1783. Place of Birth: Kinross-shire. Profession: Advocate. Date of Election: 22/01/1816. Fellow Type: OF Profession: Advocate, Barrister, Politician. JAMES ABERCROMBY, BARON DUNFERMLINE Fellow Type: OF 07/11/1776- 17/04/1858 JOHN GEORGE ADAMI 12/01/1862- 29/08/1926 Date of Election: 07/02/1831. Place of Birth: Ashton-on-Mersey, Lancashire. Profession: Physician,Statesman. Date of Election: 17/01/1898. Fellow Type: OF Profession: Pathologist. JOHN ABERCROMBY, BARON ABERCROMBY Fellow Type: OF 15/01/1841- 07/10/1924 ARCHIBALD CAMPBELL ADAMS Date of Election: 07/02/1898. Date of Election: 19/12/1910. Profession: Philologist, Antiquary, Folklorist. Profession: Consulting Engineer. Fellow Type: OF Notes: Died 1918-19 RALPH ABERCROMBY, BARON DUNFERMLINE Fellow Type: OF 06/04/1803- 02/07/1868 JOHN COUCH ADAMS 05/06/1819- 21/01/1892 Date of Election: 19/01/1863. -
William Poel: His Theatre Work and Lectures in the United States in 1916. Gonnie Michaeloff Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1967 William Poel: His Theatre Work and Lectures in the United States in 1916. Gonnie Michaeloff Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Michaeloff, Gonnie, "William Poel: His Theatre Work and Lectures in the United States in 1916." (1967). LSU Historical Dissertations and Theses. 1307. https://digitalcommons.lsu.edu/gradschool_disstheses/1307 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 67-14,002 MICHAELOFF, Gonnie, 1930- WILLIAM POEL: HIS THEATRE WORK AND LECTURES IN THE UNITED STATES IN 1916. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1967 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan v— Copyright by GONNIE MICHAELOFF 1967 WILLIAM POEL: HIS THEATRE WORK AND LECTURES IN THE UNITED STATES IN 1916 A Dissertation Submitted to the Graduate- Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Gonnie Michaeloff A.A., William Woods College, 1950 B.S., University of Illinois, 1955 M.A., University of Illinois, 1960 May, 1967 ACKNOWLEDGMENTS The writer wishes to express her sincere appreciation to Professor Claude L. -
The Runaway Train: the Railways and Social Anxiety in Victorian Britain
The runaway train: The railways and social anxiety in Victorian Britain Item Type Thesis or dissertation Authors Price, Valerie Publisher University of Chester Rights Images used with permission or out of copyright. Download date 05/10/2021 15:31:14 Link to Item http://hdl.handle.net/10034/310874 This work has been submitted to ChesterRep – the University of Chester’s online research repository http://chesterrep.openrepository.com Author(s): Valerie Price Title: The runaway train: The railways and social anxiety in Victorian Britain Date: 2013 Originally published as: University of Chester MA dissertation Example citation: Price, V. (2013). The runaway train: The railways and social anxiety in Victorian Britain. (Unpublished master’s thesis). University of Chester, United Kingdom. Version of item: Submitted version Available at: http://hdl.handle.net/10034/310874 UNIVERSITY OF CHESTER DEPARTMENT OF ENGLISH MA NINETEENTH-CENTURY LITERATURE AND CULTURE EN7204 DISSERTATION THE RUNAWAY TRAIN: The Railways and Social Anxiety in Victorian Britain STUDENT ASSESSMENT NUMBER - G23676 THE RUNAWAY TRAIN: The Railways and Social Anxiety in Victorian Britain ABSTRACT This essay examines whether the concerns and anxieties expressed over the railways in nineteenth-century Britain are in reality an expression of the wider concerns of the time. The Chester to Holyhead line, including the branch line from Llandudno to Blaenau, was taken as the basis for the essay as it encapsulates many of the points under consideration. Chapter one explores the physical problems of the railway looking at the apprehension over the speed of the locomotives and lack of control over expansion of the network as it destroyed housing and seized land.