Eminem: Esce a Sorpresa Il Nuovo Album Del Rapper "Music to Be Murdered By

Total Page：16

File Type：pdf, Size：1020Kb

Eminem: Esce a Sorpresa Il Nuovo Album Del Rapper

VENERDì 18 DICEMBRE 2020 E' uscito a sorpresa questa notte il nuovo album di EMINEM, "Music To Be Murdered By - Side B". Il disco è il proseguimento del precedente album "Music To Be Murdered By", uscito lo scorso 17 gennaio e che Eminem: esce a sorpresa il nuovo includeva il singolo "Godzilla (feat. Juice WRLD)", certificato oro nel album del rapper "Music To Be nostro Paese. Murdered By - Side B" Acquista ora l'album Digitale: https://amzn.to/3aopQte Non si tratta quindi di una normale 'deluxe edition', ma di un vero e proprio nuovo progetto che contiene 16 tracce inedite. Tra le collaborazioni troviamo Skylar Grey, Dr. Dre, Ty Dolla $ign, Sly Piper, ANTONIO GALLUZZO MAJ e White Gold. In contemporanea è già disponibile anche il video del primo estratto dal disco, "GNAT", diretto da @_ColeBennett e in cui il rapper parla del COVID-19 e di politica. [email protected] Eminem è considerato il più grande MC di sempre con all'attivo oltre 250 SPETTACOLINEWS.IT milioni di dischi venduti nel mondo e 15 Grammy Awards in bella mostra sulla libreria di casa. A confermare il suo status nel mondo i risultati del suo ultimo tour mondiale, tour che lo ha portato per la prima volta in concerto anche in ITALIA davanti ad una folla di oltre 80 mila persone, risultato mai raggiunto da un rapper nel nostro paese. Il rapper di Detroit, inserito da Rolling Stone USA tra i 100 migliori artisti di tutti i tempi è stato nominato da Billboard Artista del Decennio per il periodo 2000-2009 e vanta in curriculum anche un Oscar per la colonna sonora del film "8 mile". "MTBMB Side B" Deluxe Album Tracklisting: Premonition (Intro) Unaccommodating (Young M.A.) Alfred (Interlude) Those Kinda Nights (Ed Sheeran) In Too Deep Godzilla ( Juice WRLD) Darkness Leaving Heaven (Skylar Grey) Pag. 1 / 2 Stepdad (Intro) Stepdad Marsh Never Lose Again Little Engine Lock It Up (Anderson .Paak) Farewell No Regrets (Don Toliver) I Will (KXNG Crooked, Royce da 5'9" & Joell Ortiz) Alfred (Outro) Alfred (Interlude) Black Magic (Skylar Grey) Alfred's Theme Tone Deaf Book of Rhymes Favorite Bitch (Ty Dolla $ign) Guns Blazing (Dr. Dre, Sly Pyper) Gnat Higher These Demons (MAJ) Key (Interlude) She Loves Me Killer Zeus (White Gold) Thus Far (Interlude) Discombobulated Pag. 2 / 2.

Copy Link

Recommended publications

Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
[Show full text]
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Jugadores del parque: Immigrants, play, and the creation of social ties Permalink https://escholarship.org/uc/item/6k3748jw Author Trouille, David Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Jugadores del parque: Immigrants, play, and the creation of social ties A dissertation submitted in partial satisfaction of the requirements of the degree of Doctor of Philosophy in Sociology by David Alexander Trouille ABSTRACT OF THE DISSERTATION Jugadores del parque: Immigrants, play, and the creation of social ties by David Alexander Trouille Doctor of Philosophy in Sociology University of California, Los Angeles, 2013 Professor Jack Katz, Chair This dissertation examines the social uses and meanings of a public park for a group of primarily working-class Latino immigrant men who regularly gather there to socialize and play soccer. Based on over five years of in-depth participant observation, the findings shed light on the men’s everyday experiences in and away from the park and uncover social processes and human concerns that resonate well beyond the particulars of the case. Specifically, the dissertation shows how a group of primarily immigrant men make and sustain social ties through their regular involvement in park life. The social life of the park works effectively as a site of network formation and resource exchange because it is made fun, compelling, and revealing. The findings show that people require shared commitments, in this case, a fascination with soccer and beer drinking, to create new relations.
[Show full text]
Worldcharts TOP 75 + Album TOP 30 Vom 30.01.2020
CHARTSSERVICE – WORLDCHARTS – TOP 75 SINGLES NO. 1050 – 30.01.2020 PL VW WO PK ARTIST SONG 1 1 12 1 DUA LIPA don't start now 2 2 27 1 TONES & I dance monkey 3 4 8 3 WEEKND blinding lights 4 3 3 3 JUSTIN BIEBER yummy 5 5 17 1 MAROON 5 memories 6 - 1 6 EMINEM ft. JUICE WRLD godzilla 7 7 4 7 RODDY RICCH the box 8 6 10 4 BILLIE EILISH everything i wanted 9 9 12 7 ARIZONA ZERVAS roxanne 10 12 2 10 FUTURE ft. DRAKE life is good 11 10 19 6 REGARD ride it 12 8 21 2 POST MALONE circles 13 11 13 6 BLACK EYED PEAS ft. J BALVIN ritmo (bad boys for life) 14 14 9 11 LEWIS CAPALDI before you go 15 15 14 11 MEDUZA, BECKY HILL & GOODBOYS lose control 16 17 7 14 HARRY STYLES adore you 17 16 9 12 TREVOR DANIEL falling 18 13 14 4 SELENA GOMEZ lose you to love me 19 23 4 19 CAMILA CABELLO ft. DABABY my oh my 20 18 9 15 STORMZY ft. ED SHEERAN & BURNA BOY own it 21 21 10 21 KAROL G & NICKI MINAJ tusa 22 19 31 1 SHAWN MENDES & CAMILA CABELLO señorita 23 70 2 23 HALSEY you should be sad 24 20 2 20 SELENA GOMEZ rare 25 22 52 8 LEWIS CAPALDI someone you loved 26 24 13 13 COLDPLAY orphans 27 25 20 13 ED SHEERAN ft. CAMILA CABELLO & CARDI B south of the border 28 - 1 28 JONAS BROTHERS what i man gotta do 29 - 1 29 EMINEM ft.
[Show full text]
BTS Blasts Onto Hot 100 at No. 1 with 'Permission To
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JULY 19, 2021 Page 1 of 31 INSIDE BTS Blasts Onto Hot 100 • Olivia Rodrigo’s at No. 1 With ‘Permission to Dance,’ ‘Sour’ Spends Fourth Week at No. The Kid LAROI & Justin Bieber 1 on Billboard 200 Albums Chart Bow at No. 3 With ‘Stay’ • Billboard’s U.S. Money Makers: BY GARY TRUST The Top Paid Musicians of 2020 TS bounds onto the Billboard Hot top. Here’s a deeper look at its entrance. 100 songs chart at No. 1 with its new Streams, airplay & sales: Following its July 9 • Billboard’s 2020 Global Money single “Permission to Dance.” The South release, “Dance” drew 15.9 million U.S. streams and Makers: The 5 Korean septet supplants itself at the top 1.1 million radio airplay audience impressions and sold Top Highest Bspot, as the group’s own “Butter” falls to No. 7 after 140,100 downloads (via its original and instrumental Paid Musicians seven weeks at No. 1. “Dance” launches as the group’s digital versions, each on sale for 69 cents) in the week • Bill Ackman SPAC fifth Hot 100 leader. ending July 15, according to MRC Data. Drops Plan to Buy Plus, The Kid LAROI and Justin Bieber debut on The track debuts atop the Digital Song Sales chart, 10% UMG Stake the Hot 100 at No. 3 with “Stay.” The song marks the where it’s BTS’ eighth No. 1, extending the act’s record former’s second top 10, and a new career high, and the for the most among groups.
[Show full text]
Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund
Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Haverty Rugg, Chair Professor Mark Sandberg Professor Mel Y. Chen Spring 2018 © Christian Mark Gullette 2018 Abstract Challenging Swedishness: Intersections of Neoliberalism, Race, and Queerness in the Works of Jonas Hassen Khemiri and Ruben Östlund by Christian Mark Gullette Doctor of Philosophy in Scandinavian Languages and Literatures and the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Linda Haverty Rugg, Chair This dissertation explores the work of author Jonas Hassen Khemiri and filmmaker Ruben Östlund, examining the ways both artists consistently negotiate racial identification and “Swedishness” in neoliberal economic contexts that are often at odds with other Swedish, exceptionalist discourses of social justice. Khemiri and Östlund represent contrasting perspectives and tonalities, yet both artists identify the successful competition for capital as a potentially critical component in achieving access to “Swedishness.” Khemiri and Östlund recognize that race and economics are intertwined in neoliberal arguments, even in Sweden, something their works help to elucidate. The implications of such similar observations from very different artists might go overlooked if discussed in isolation. I argue that it is crucial to analyze the negotiation of identity in these works not merely in abstract economic terms, but through their use of a very specific neoliberal economic discourse.
[Show full text]
Warrior Bards
WARRIOR BARDS by Kevin McCarthy & Michael E. Tigar A Performance in Six Scenes [Note: This play was originally performed in San Francisco by Kevin McCarthy. It is written for performance by one actor who portrays all five lawyers, using changes of dress, demeanor and style to mark their differences, while preserving the theme that their work is unified. It could be done by a series of actors.] COPYRIGHT (C) 1989 KEVIN MCCARTHY & MICHAEL E. TIGAR ALL RIGHTS RESERVED. Warrior Bards, Page 1 [The curtain rises on a stage set with a standup writing desk, a comfortable chair, a lectern, a hall tree, and an easel. On the easel is set a large portrait of Dan O'Connell, in the costume in which we will first see him. The hall tree has hooks to hang coats and hats and a mirror, in order to permit the actor to check his appearance when changing characters. There will also be a low railing to represent a jury rail. Among the props will be a copy of the New York Times for Malone, a copy of a book of judicial decisions, a schoolhouse ruler, and other items.] Scene One [Daniel O'Connell enters, wearing a cloak and shovel hat as depicted in pictures of him. Under the cloak he may have on a barrister's robe, and may then put on a wig. He is large, robust, energetic. He would probably have a habit of running his hands through his hair, which was curled and unruly. He has a gentle, cajoling voice. He may roll his eyes to emphasize a point.] [A lawyer who saw O'Connell (Sheil) describes O'Connell as "five-feet eleven and one- half inches, with a high forehead.
[Show full text]
XS March 2020 Update
XS March 2020 Update Artist Song Title Artist Song Title 3 Seconds of Summer Teeth What I Know Now 311 Creatures (For A While) Beyonce Spirit AJR Sober Up Bieber, Justin Yummy Alaina, Lauren Other Side, The Blue, Jonas & Theresa Rex What I Like About You Other Side, The Bridges, Leon Beyond (Instrumental Version) Brightman, Sarah & Hot I Lost My Heart to a Aldean, Jason Camouflage Hat Gossip Starship Trooper Camouflage Hat Brothers Osbourne 21 Summer (Instrumental Version) Brown, James Payback, The Got What I Got Brown, Kane For My Daughter Got What I Got For My Daughter (Instrumental Version) (Instrumental Version) Andress, Ingrid Both Bryan, Luke Cold Beer Drinker Both (Instrumental What She Wants Tonight Version) What She Wants Tonight Lady Lake (Instrumental Version) Lady Lake (Instrumental Buble, Michael Fever Version) Cabello, Camila Living Proof Arizona Zervas Roxanne Cabello, Camilla Shameless Arthur, James You Deserve Better Capaldi, Lewis Before You Go Ballerini, Kelsea Better Luck Next Time Someone You Loved Club Cash, Johnny I Won't Back Down Club (Instrumental Cassidy, Eva & David Gray You Don't Know Me Version) Cave, Nick & the Bad Henry Lee Banderas, Antonio Cancion Del Mariachi Seeds & PJ Harvey Bareilles, Sara I Choose You Celeste Strange Sweet as Whole Chesney, Kenny Tip of my Tongue Barrett, Gabby I Hope Cinnamon, Gerry Bonny, The Bastille Quarter Past Midnight Clarkson, Kelly Underneath the Tree Bastille & Alessia Cara Another Place Clean Bandit & Demi Solo Batey, Joey Toss a Coin to Your Lovato Witcher Clemmons, Riley
[Show full text]
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
[Show full text]
Abstract One Love: Collective Consciousness in Rap and Poetry
Abstract One Love: Collective Consciousness in Rap and Poetry of the Hip-Hop Generation by Austin Harold Hart April, 2012 Thesis Director: John Hoppenthaler Major Department: English (Literature and Poetry) This study aims to offer an understanding of hip-hop culture through which three concepts are elucidated: (1) the existence and dimensions of a collective consciousness within rap and poetry of the hip-hop generation (Allison Joseph, A. Van Jordan, Terrance Hayes, Major Jackson, Taylor Mali, and Kevin Coval); (2) a poetics of rap—to parallel the influence seen/suggested among the selected poets; and (3) an analysis of the manner(s) in which the poetry of these more serious, academic artists reflects an influence of hip-hop culture. My thesis suggests that these poets are indeed influenced by the culture in which they grew up, and in their verse, this influence can be seen through linguistic playfulness, sonic density, layered meaning and usage through form and content, and the connection to a larger cultural, collective consciousness fed by specific social bodies. Poetic analysis, as well as studies of vernacular and oral traditions, has allowed me to explore these concepts and theories from a wider spectrum, and with regard to the work of the poets, an original perspective. Providing a deeper understanding of artists, their identities, places, and dreams within their work, this study begins to offer some insight into notions of the ways in which individuals might participate in cultural conservation. One Love: Collective Consciousness
[Show full text]
Eminem Unaccommodating
Unaccommodating Eminem Oh, this what we doin'? Alright M.A I like a bitch that like to wobble, wobble Shake it, shake it, break it, break it Nigga, we made it, made it, they hate it, hate it Pro professional, pure persistent, I'm paper chasing I hate complaining, I hated waiting, I'll pay for patience But I hate to pay a bill (Hate that) And I made a mil without a major deal (I made that) Yeah, her ass fake, but she came for real (She came, uh) Money ain't a thing, that ain't a thing for real It's the broke lingo (Huh) And no, ain't nothing Saweetie, this is no Quavo (Migo) Man, I just get high, let my hoes lay low (Ooh) I just want some face but this is no facial (Ooh) Do right and kill er'body, Drake mode (Hello) Bitch, I'm tryna eat out, take your plate mode (Hello) Disrespect that life and I'm in gang mode (Grrr) You can leave this earth, bitch, I'm in rake mode (Huh) I'm in cake mode (Huh), I'm in brave mode, uh What up Marshall? I'm a martian, I'm in Wayne mode (Facts) Neck wet, big drip, I'm in rain mode (Drip, drip, drip) Eight niggas, eight hittas, take eight souls (Brrr) Collect pesos (Huh), and I'm paid, so? (Paid) Self-made goals (Hey) When the pain leaves (Huh) Where does the pain go? (Where?) Tip of the backwood is where the flame goes (There) To the sky is where my brain goes (Wow) Same pack, same fiend, sellin' the same clothes (Wow) Pinocchio and my pistol, they got the same nose Me and my niggas gotta eat, we share the same stove (What?) Case closed, bodies in my lane, bitch, lane closed Game over, Thanos on you H-O's
[Show full text]
THE NAME and NATURE of POETRY [This Text Prepared from an E-Book Edition At
[p. 4] The question should be fairly stated, how far a man can be an adequate, or even a good (so far as he goes) though inadequate critic of poetry, who is not a poet, at least in posse. Can he be an adequate, can he be a good critic, though not commensurate? But there is yet another distinction. Supposing he is not only not a poet, but is a bad poet! What then? COLERIDGE, Anima Poetae, pp. 127 f. [p. 5] THE NAME AND NATURE OF POETRY [This text prepared from an e-book edition at http://symmachus.wordpress.com/2008] It is my first duty to acknowledge the honour done me by those who have in their hands the appointment of the Leslie Stephen Lecturer, and to thank them for this token of their good will. My second duty is to say that I condemn their judgment and deplore their choice. It is twenty-two years to-day since I last, and first, spoke in this Senate-House; and in delivering my inaugural lecture, and telling this University what it was not to expect from me, I used these words. Whether the faculty of literary criticism is the best gift that Heaven has in its treasuries I cannot say; but Heaven seems to think so, for assuredly it is the gift most charily bestowed. Orators and poets, sages and saints and heroes, if rare in comparison with blackberries, are commoner than returns of Halley’s comet: literary critics are less common. And when, once in a century, or once in two centuries, the literary critic does appear–will some one in this home of mathematics tell me [p.
[Show full text]
The Lose-Lose Situation : Identity Prioritization and Gendered Communication in Co-Recreational Intramural Basketball
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2017 The lose-lose situation : identity prioritization and gendered communication in co-recreational intramural basketball. Megan Robinson University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Gender and Sexuality Commons, and the Sports Studies Commons Recommended Citation Robinson, Megan, "The lose-lose situation : identity prioritization and gendered communication in co- recreational intramural basketball." (2017). Electronic Theses and Dissertations. Paper 2727. https://doi.org/10.18297/etd/2727 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE LOSE-LOSE SITUATION: IDENTITY PRIORITIZATION AND GENDERED COMMUNICATION IN CO-RECREATIONAL INTRAMURAL BASKETBALL By Megan Robinson B.A., Hanover College, 2015 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements For the Degree of Masters of Arts in Sociology Department of Sociology University of Louisville Louisville, Kentucky May 2017 Copyright 2017 by Megan Robinson All Rights Reserved THE LOSE-LOSE SITUATION: IDENTITY PRIORITIZATION AND GENDERED COMMUNICATION IN CO-RECREATIONAL INTRAMURAL BASKETBALL By Megan Robinson B.A., Hanover College, 2015 A Thesis Approved on March 29, 2017 By the following Thesis Committee: _________________________________ Thesis Director Dr.
[Show full text]