9 Fantastical Worlds and Futures at the World's
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Out of This World
TURANGALÎLA OPERA’S MESSIAEN’S ANTIHERO THE AGE OF ADÈS MASTERPIECE DON GIOVANNI’S DISCOVERING COMES TO NEW RELEVANCE BOLD NEW MUSICAL AUCKLAND I N 2019 HORIZONS SUMMER 2019 VOL.42 NO.1 your free copy OUT OF THIS WORLD APO CONCERTMASTER ANDREW BEER PREPARES TO PUSH THE LIMITS OF VIRTUOSITY We’re taking you behind the headlines Get the inside story from our journalists bringing you all the news that matters. Watch now at nzherald.co.nz/journalists apo.co.nz 3 UPFRONT WITH BARBARA GLASER 15 Bach and Beyond 4 APO NEWS Swedish conductor Sofi Jeannin talks about the demands of a unique Easter concert 7 Auckland Philharmonia Redefining Nature Orchestra 16 PO Box 7083 The orchestra takes you up close Wellesley St to the Animal Kingdom Antihero for the Ages Auckland 1141 ‘The opera of all operas’ in 2019 Phone (09) 638 6266 APO Ticketing (09) 623 1052 [email protected] 18 apo.co.nz aporchestra Chauffeur to the Stars @aporchestra Tony Waring drives APO guests aporchestra in style Patrons Dame Kiri Te Kanawa, DBE, ONZ Dame Catherine Tizard, GCMG, GCVO, DBE, ONZ, QSO 8 19 Sir James Wallace, KNZM, ONZM Dame Rosanne Meo, DNZM The Nature of Love Vice Patron Sonic Riches Composer Ken Young discusses Dame Jenny Gibbs, DNZM, OBE A deep dive into Messiaen’s his new collaboration with Witi Auckland Philharmonia masterpiece Turangalîla Ihimaera Orchestra Board Geraint A. Martin (Chair) Symphony Leigh Auton DEVELOPMENT NEWS Richard Ebbett 20 Lope Ginnen CONTENTS Pare Keiha 11 21 CONNECTING NEWS Kieran Raftery QC Eric Renick Soloist on a High-Wire Julian Smith -
Classical Myth and Margaret Mahy’S Young Adult
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington 1 Classical Myth and Margaret Mahy’s Young Adult Fiction By Michael Pohl A thesis Submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2010 2 Contents Acknowledgements…………………………………………………………………...iii Abstract……………………………………………………………………………….iv Introduction……………………………………………………………………………1 I. Other-worlds and Under-worlds I: Dangerous Spaces …………..............11 II. Other-worlds and Under-worlds II: The Changeover ……………………20 III. Dionysian Imagery in The Tricksters …………………………………….33 IV. Myth, Fiction and Lying in The Catalogue of the Universe ……………..62 V. Heroes and Authors in The Other Side of Silence ………………………..74 Conclusion……………………………………………………………………………87 Works Cited…………………………………………………………………………..92 3 Acknowledgements First and foremost I would like to thank my supervisors, Geoff Miles and Kathryn Walls, without whose invaluable support and advice this thesis could never have been written. I would also like to thank other members of the English programme at Victoria University of Wellington for the help and support they have offered me, especially Heidi Thomson, whose tireless energy and enthusiasm never failed to re- ignite mine when I felt it flagging, and whose knowledge of the technical hoop- jumping required of thesis students helped me negotiate the Byzantine university bureaucracy. Among my friends I would especially like to thank Sylvia, who was kind enough to put in the time and effort to proofread the (nearly-)finished article for me, and innumerable other friends who commiserated with me or gave me a kick up the bum when I needed one. -
A History of Music Education in New Zealand State Primary and Intermediate Schools 1878-1989
CHRISTCHURCH COLLEGE OF EDUCATION LIBRARY A HISTORY OF MUSIC EDUCATION IN NEW ZEALAND STATE PRIMARY AND INTERMEDIATE SCHOOLS 1878-1989 A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the University of Canterbury by Susan P. Braatvedt B.A. (Natal), Dip.Arts (Auckland), B.A.Rons (Canterbury) VOLUME II University of Canterbury 2002 Chapter Five 1950-1968 266 The growth ofschool music Chapter Five 1950 -1968 The growth of school music "music is fmnly established as an integral part of the school curriculum."l 5.1 Introduction This 18-year period was dominated by the National Party except for one term when Labour was voted back into office from 1958? When the National Party took office in December 1949, they inherited an educational system in which school music had not been particularly well served. Robert Chapman comments: The underlying changes in the golden 1960s were social rather than political, technological rather than legislative, individual rather than public ....The tertiary education boom, television, and the contraceptive pill were transforming family and personal relationships as well as the method by which politics were perceived. Government expenditure underwrote the surging development of health and education ... 3 In chapter one section 1.2 it was pointed out that the influence of English music education endured for many years. It is in this period that we begin to see a development of a more innovative approach which was more eclectic in its character. 1 AE. Campbell, Director-General of Education, AJHR. E-1, 1966, p.17. 2 R Chapman, 'From Labour to National,' The Oxford History ofNew Zealand, W.H. -
Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Chatterton 64 Ackroyd, Peter
Index Abacus 47, 62 Aussiecon 2 (World Science Baxter, Stephen: Traces 47 Broderick, Damien: Reading by Ace 46, 73 Fiction Convention, Baxter, Stephen: Voyage 47 Starlight 49 Acker, Cathy 49 Melbourne, September 1985) BCSFAzine 45 Broderick, Damien: ‘Signposts Ackroyd, Justin 14 36 Bear, Greg: Foundation and back to the Future’ 32–3 Ackroyd, Peter: Chatterton 64 Aussiecon 3 (World Science Chaos 63 Broderick, Damien, and Barnes, Ackroyd, Peter: Dan Leno and the Fiction Convention, Bear, Greg: Moving Mars 72–3 Rory: Zones 47 Limehouse Golem 64 Melbourne, September 1999) Bear, Greg: Slant 76 Brookmyre, Christopher: Boiling Ackroyd, Peter: Hawksmoor 64 13–14, 24, 32, 36, 43 Benford, Gregory 29 a Frog 43 Ackroyd, Peter: House of Doctor Australian 14, 32 Benford, Gregory: Foundation’s Brooks, Ned 43 Dee, The 64–5 Australian and New Zealand Fear 63 Brosnan, John 30, 33 Acnestis 12–14 Journal of Serials Librarianship Benford, Gregory: Matter’s End Brosnan, John: Damned and Adams, Douglas 49 48 74 Fancy 69 Adams, Phillip 12 Australian Literary Studies 48 Benford, Gregory: Timescape 16 Brosnan, John: Future Tense 30 Adelaide University Science Australian National University Benford, Gregory: ‘We Could Brosnan, John: Opoponax Fiction Association 39 48 Do Worse’ 74 Invasion, The 53 Aikin, Jim: Wall at the End of the Australian Science Fiction Berry, John 12 Brosnan, John: Primal Screen 29 World, The 73 Foundation 19 Bertrand, Frank 31 Brunner, John 12, 48 Airlie Beach convention 44 Australian Science Fiction Review Bester, Alfred 39 Brunner, John: Stand on Aldiss, Brian 15, 32, 48–9, 57–8, (ASFR) (first series) 12, 33 Bester, Alfred: Demolished Man, Zanzibar 11 61, 64 Avon Books 46, 52 The 34–5 Brust, Steven: To Reign in Hell Aldiss, Brian: ‘Foam’ 56 AvoNova Morrow 47 Bibby, James: Ronan the 21 Aldiss, Brian: ‘God Who Slept Bailey, K. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Exhibition Hall
exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom. -
SF COMMENTARY 101 February 2020 129 Pages
SF COMMENTARY 101 February 2020 129 pages JAMES ‘JOCKO’ ALLEN * GEOFF ALLSHORN * JENNY BLACKFORD * RUSSELL BLACKFORD * STEPHEN CAMPBELL * ELAINE COCHRANE * BRUCE GILLESPIE * DICK JENSSEN * EILEEN KERNAGHAN * DAVID RUSSELL * STEVE STILES * TIM TRAIN * CASEY JUNE WOLF * AND MANY MANY OTHERS Cover: Ditmar (Dick Jenssen): ‘Trumped!’. S F Commentary 101 February 2020 129 pages SF COMMENTARY No. 101, February 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. DISTRIBUTION: Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: http://efanzines.com or from my email address: [email protected]. FRONT COVER: Ditmar (Dick Jenssen): ‘Tumped!’. BACK COVER: Steve Stiles (classic reprint from cover of SF Commentary 91.) PHOTOGRAPHS: Elaine Cochrane (p. 7); Stephen Silvert (p. 11); Helena Binns (pp. 14, 16); Cat Sparks (p. 31); Leigh Edmonds (pp. 62, 63); Casey Wolf (p. 81); Richard Hyrckiewicz (p. 113); Werner Koopmann (pp. 127, 128). ILLUSTRATIONS: Steve Stiles (pp. 11, 12, 23); Stephen Campbell (pp. 51, 58); Chris Gregory (p. 78); David Russell (pp. 107, 128) Contents 30 RUSSELL BLACKFORD 41 TIM TRAIN SCIENCE FICTION AS A LENS INTO THE FUTURE MY PHILIP K. DICK BENDER 40 JENNY BLACKFORD 44 CASEY JUNE WOLF INTERVIEWS WRITING WORKSHOPS AT THE MUSLIM SCHOOL EILEEN KERNAGHAN 2 4 I MUST BE TALKING TO MY 20 BRUCE GILLESPIE FRIENDS The postal path to penury 4 BRUCE GILLESPIE The future is now! 51 LETTERS OF COMMENT 6 BRUCE GILLESPIE AND ELAINE COCHRANE Leanne Frahm :: Gerald Smith :: Stephen Camp- Farewell to the old ruler. Meet the new rulers. -
A Conference for Science Fiction Writers
#sci4scifi A Conference for Science Fiction Writers Proudly supported by the A Conference for Science Fiction Writers Sunday, 10th September, 2017 8:30am to 5:00pm The Royal Society of Victoria 8 La Trobe Street, Melbourne “I was in China in 2007, at the first party-approved science fiction and fantasy convention in Chinese history. And at one point I took a top official aside and asked him Why? SF had been disapproved of for a long time. What had changed?” “It’s simple, he told me. The Chinese were brilliant at making things if other people brought them the plans. But they did not innovate and they did not invent. They did not imagine. So they sent a delegation to the US, to Apple, to Microsoft, to Google, and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.” Neil Gaiman, Lecture for the Barbican in London, 14 October 2013 Our first ever “Science for Science Fiction” writers’ conference kicks off this year at the historic Royal Society of Victoria. We will provide current and aspiring authors with expert insights on the finer points of the writer’s craft from some of Australia’s finest SF authors and editors. Spend a day learning new techniques for honing your craft and learn to pitch your big idea to literary agents and publishers. In Chinese author Liu Cixin's “Three We will also get your imagination firing from a foundation of solid Body” trilogy, the entire solar system is flattened into a two-dimensional science. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
22Nd Annual Aurealis Awards
22nd Annual Aurealis Awards Metro Hotel Perth 14 April, 2017 Table of Contents From the Judging Coordinator …………………………………………1 From Chimaera Publications ……………………………………………3 Best Children’s Fiction ………………………………………………………4 Best Illustrated Work / Graphic Novel ………………………………5 Best Young Adult Short Story ……………………………………………6 Best Young Adult Novel ……………………………………………………7 Best Horror Short Story ……………………………………………………8 Best Horror Novella …………………………………………………………9 Best Fantasy Short Story ……………………………………………… 10 Best Fantasy Novella …………………………………………………… 11 Best Science Fiction Short Story …………………………………… 12 Best Science Fiction Novella ………………………………………… 13 Best Collection ……………………………………………………………… 14 Best Anthology ……………………………………………………………… 15 Best Horror Novel ………………………………………………………… 16 Best Fantasy Novel………………………………………………………… 18 Best Science Fiction Novel …………………………………………… 19 The Convenors’ Award for Excellence …………………………… 20 Meet the Judges …………………………………………………………… 21 From the Judging Coordinator… And so the Aurealis Awards have come to Perth for the first time since 2004, when Chronopolis hosted the 2003 Aurealis Awards ceremony. Back then the awards list would have been much shorter, not containing categories for Anthology, Collection, or Illustrated Work, and certainly not our newish novellas! The Golden Aurealis has come and gone, as has the Sara Douglass Book Series Award (which we do hope to run again—perhaps in 2018. This year we saw over 800 entries, with high numbers of electronic submission, holding consistent with previous years in all areas. -
Sf Commentary 76
SF COMMENTARY 76 30TH ANNIVERSARY EDITION October 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION SF COMMENTARY No. 76 THIRTIETH ANNIVERSARY EDITION OCTOBER 2000 THE UNRELENTING GAZE GEORGE TURNER’S NON-FICTION: A SELECTION COVER GRAPHICS Ditmar (Dick Jenssen) Introductions 3 GEORGE TURNER: THE UNRELENTING GAZE Bruce Gillespie 4 GEORGE TURNER: CRITIC AND NOVELIST John Foyster 6 NOT TAKING IT ALL TOO SERIOUSLY: THE PROFESSION OF SCIENCE FICTION No. 27 12 SOME UNRECEIVED WISDOM Famous First Words 16 THE DOUBLE STANDARD: THE SHORT LOOK, AND THE LONG HARD LOOK 20 ON WRITING ABOUT SCIENCE FICTION 25 The Reviews 31 GOLDEN AGE, PAPER AGE or, WHERE DID ALL THE CLASSICS GO? 34 JOHN W. CAMPBELL: WRITER, EDITOR, LEGEND 38 BACK TO THE CACTUS: THE CURRENT SCENE, 1970 George and Australian Science Fiction 45 SCIENCE FICTION IN AUSTRALIA: A SURVEY 1892–1980 George’s Favourite SF Writers URSULA K. LE GUIN: 56 PARADIGM AND PATTERN: FORM AND MEANING IN ‘THE DISPOSSESSED’ 64 FROM PARIS TO ANARRES: ‘The Wind’s Twelve Quarters’ THOMAS M. DISCH: 67 TOMORROW IS STILL WITH US: ‘334’ 70 THE BEST SHORT STORIES OF THOMAS M. DISCH GENE WOLFE: 71 TRAPS: ‘The Fifth Head of Cerberus’ 73 THE REMEMBRANCE OF THINGS PRESENT: ‘Peace’ George Disagrees . 76 FREDERIK POHL AS A CREATOR OF FUTURE SOCIETIES 85 PHILIP K. DICK: BRILLIANCE, SLAPDASH AND SLIPSHOD: ‘Flow My Tears, the Policeman Said’ 89 LETTERS TO THE EDITOR: ‘New Dimensions I’ 93 PLUMBERS OF THE COSMOS: THE AUSSIECON DEBATE Peter Nicholls and George Turner George and the Community of Writers 100 A MURMURATION OF STARLING OR AN EXALTATION OF LARK?: 1977 Monash Writers’ Workshop Illustrations by Chris Johnston 107 GLIMPSES OF THE GREAT: SEACON (WORLD CONVENTION, BRIGHTON) AND GLASGOW, 1979 George Tells A Bit About Himself 111 HOME SWEET HOME: HOW I MET MELBA 114 JUDITH BUCKRICH IN CONVERSATION WITH GEORGE TURNER: The Last Interview 2 SF COMMENTARY, No.