DOCSLIB.ORG

The Mary Griggs Burke Collection IMAGE IDENTIFICATION

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Mary Griggs Burke Collection IMAGE IDENTIFICATION News Release The Metropolitan Museum of Art Communications Department 1000 Fifth Avenue, New York, NY 10028-0198 tel (212) 570-3951 fax (212) 472-2764 [email protected] Contact: Elyse Topalian Naomi Takafuchi Celebrating the Arts of Japan: The Mary Griggs Burke Collection Exhibition: October 20, 2015–January 22, 2017 Rotation 1: October 20, 2015–May 15, 2016 Rotation 2: May 28, 2016–January 22, 2017 IMAGE IDENTIFICATION 1 葡萄蝉図 Bokurin Guan, Japanese, active late 14th century Cicada on a Grapevine Japan, Muromachi period (1392–1573), late 14th century Hanging scroll; ink on paper Image: 25 1/4 × 12 1/8 in. (64.2 × 30.8 cm) Overall with mounting: 57 5/16 × 15 1/2 in. (145.5 × 39.3 cm) Overall with knobs: 57 5/16 × 17 5/16 in. (145.5 × 44 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 2 「神橋」志野橋文茶碗 Shino Teabowl with Bridge and House, known as “Bridge of the Gods” (Shinkyō Japan, Momoyama period (1573–1615), late 16th century Glazed stoneware with design painted in iron oxide (Mino ware, Shino type) H. 4 1/8 in. (10.5 cm); Diam. 5 1/2 in. (14 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 10/16/2015 1 3 厳島吉野花見図屏風 Cherry Blossom Viewing at Itsukushima and Yoshino Japan, Edo period (1615–1868), first half of the 17th century Pair of six-panel folding screens; ink, color, and gold leaf on paper Image (each): 60 1/2 in. × 11 ft. 5 1/4 in. (153.6 × 348.6 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 4 愛染明王像 Aizen Myōō Japan, Nanbokuchō period (1336–92), 14th century Hanging scroll; ink, color, gold, and cut gold leaf on silk 53 5/16 x 32 7/16 in. (135.4 x 82.4 cm) Purchase, Mary Griggs Burke Gift, 1966 Photo: courtesy of The Metropolitan Museum of Art 5 四季花鳥図屏風 Birds and Flowers of the Four Seasons Japan, Momoyama period (1573–1615), second half of the 16th century Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper Image: 63 1/4 x 142 in. (160.7 x 360.7 cm) Overall: 69 3/8 x 148 1/2 in. (176.2 x 377.2 cm) Purchase, Mrs. Jackson Burke and Mary Livingston Griggs and Mary Griggs Burke Foundation Gifts, 1987 Photo: courtesy of The Metropolitan Museum of Art 6 春日鹿曼荼羅 Deer Mandala of the Kasuga Shrine (Kasuga shika mandara) Japan, Nanbokuchō period (1336–92), late 14th century Hanging scroll; color on silk Image: 33 15/16 × 13 7/8 in. (86.2 × 35.2 cm) Overall with mounting: 66 15/16 × 20 15/16 in. (170 × 53.2 cm) Overall with knobs: 66 15/16 × 22 15/16 in. (170 × 58.2 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 10/16/2015 2 7 桜幔幕文織部手付水注 Ewer (Suichū) with Cherry Blossoms and Picnic Curtain Japan, Momoyama (1573–1615) or Edo (1615–1868) period, early 17th century Glazed stoneware (Mino ware, Narumi Oribe type) H. (including handle) 8 1/8 in. (20.7 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 8 古清水銹絵染付桂籠水指 Freshwater jar (Mizusashi) Japan, Edo period (1615–1868), late 17th–18th century Stoneware with iron oxide and underglaze cobalt-blue decoration (Ko-Kiyomizu ware) H. (incl. lid) 7 1/4 in. (18.4 cm); Diam. 7 1/2 in. (19.1 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 9 Hanae Mori, Japanese, born 1926 Evening dress Japanese, ca. 1978 silk L. at center back 56¼ in. (142.7 cm) Gift of Mary Griggs Burke, 1996 Photo: courtesy of The Metropolitan Museum of Art 10 不動明王坐像 Kaikei, Japanese, active 1183–1223 Fudō Myōō Japan, Kamakura period (1185–1333), early 13th century Lacquered Japanese cypress, color, gold, cut gold (kirikane), and inlaid crystal eyes H. 21 in. (53.3 cm); H. to top of sword 21 1/2 in. (54.6 cm); W. 16 3/4 in. (42.5 cm); D. 15 in. (38.1 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 10/16/2015 3 11 飛天像 Apsaras Japan, Heian period (794–1185), late 11th to early 12th century Lacquered and gilded Japanese cypress a: 21 in. (53.3 cm) b: 21 in. (53.3 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 12 Hanae Mori, Japanese, born 1926 Evening ensemble Japanese, 1974 silk a) L. at center back: 55 in. (139.7 cm). b) L. at center back: 56 ½ in. (143.5 cm). Gift of Mary Griggs Burke, 1996 Photo: courtesy of The Metropolitan Museum of Art 13 Illustrated Legends of the Origins of the Kumano Shrines (Kumano engi emaki) Japan, Momoyama period (1573–1615), late 16th–early 17th century Set of three handscrolls; ink and color on paper Image (a): 9 1/2 in. × 33 ft. 5 5/8 in. (24.1 × 1020.2 cm) Image (b): 9 1/2 in. × 20 ft. 2 5/16 in. (24.1 × 615.5 cm) Image (c): 9 1/2 in. × 13 ft. 9 3/4 in. (24.1 × 421 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 14 信楽自然釉壺 Shigaraki Jar (Tsubo) Japan, Edo period (1615–1868), 17th century Stoneware with natural ash glaze and gold lacquer repairs (Kyoto ware, Shigaraki type) H. 10 1/4 in. (26 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 10/16/2015 4 15 千鳥松蒔絵香合 Incense Box (Kogo) with Pines and Plovers Japan, Nanbokuchō period (1336–92), early 14th century Lacquered wood with gold togidashimaki-e on nashiji (“pear-skin” ground) H. 1 1/2 in. (3.9 cm); W. 2 3/4 in. (6.9 cm); D. 3 3/4 in. (9.5 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 16 備前押印波状文甕 Widemouthed Jar (Kame) with Wave Pattern Japan, Momoyama period (1573–1615), late 16th–early 17th century Stoneware with incisions and fire marks (Bizen ware) H. 10 1/8 in. (25.7 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 17 寛文美人図 Beauty of the Kanbun Era Japan, Edo period (1615–1868), late 17th century Hanging scroll; ink, color, and gold on paper Image: 24 1/8 × 9 5/8 in. (61.3 × 24.4 cm) Overall with mounting: 55 × 15 7/16 in. (139.7 × 39.2 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 18 里芋菊蒔絵重箱 Shibata Zeshin, Japanese, 1807–1891 Stacked Food Box (Jūbako) with Taro Plants and Chrysanthemums Japan, late Edo (1615–1868)–early Meiji (1868–1912) period, mid-19th century Lacquered wood, gold and silver hiramaki-e, takamaki-e, and colored togidashimaki-e H. 16 1/2 in. (41.9 cm); W. 9 in. (22.9 cm); D. 9 5/8 in. (24.4 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 10/16/2015 5 19 古清水色絵桐七宝繋文透手焙 Lidded Brazier (Te-aburi) with Paulownia and Geometric Design Japan, Edo period (1615–1868), 18th century Stoneware with overglaze enamels and gold (Ko-Kiyomizu ware) H. 8 1/4 in. (21 cm); Diam. of mouth. 5 1/8 in. (13 cm); Diam. of foot: 5 5/8 in. (14.3 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 20 四季山水図 Keison, Japanese, active late 15th– early 16th century Landscapes of the Four Seasons Japan, Muromachi period (1392–1573), late 15th–early 16th century Pair of hanging scrolls; ink on paper Image (a): 38 5/16 × 19 9/16 in. (97.3 × 49.7 cm) Overall with mounting (a): 75 13/16 × 25 11/16 in. (192.5 × 65.3 cm) Overall with knobs (a): 75 13/16 × 27 1/2 in. (192.5 × 69.8 cm) Image (b): 38 3/8 × 19 5/8 in. (97.4 × 49.8 cm) Overall with mounting (b): 75 9/16 × 25 11/16 in. (192 × 65.3 cm) Overall with knobs (b): 75 9/16 × 28 1/8 in. (192 × 71.4 cm) Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015 Photo: courtesy of The Metropolitan Museum of Art 21 見立寒山拾得図 Kinpūsha Toyomaro, Japanese, active early 19th century Courtesans Parodying Kanzan and Jittoku Japan, Edo period (1615–1868), late 18th–early 19th century Hanging scroll; ink, color and gold on paper Image: 48 1/4 × 22 1/4 in. (122.5 × 56.5 cm) Overall with mounting: 85 1/4 × 27 13/16 in. (216.5 × 70.7 cm) Overall with knobs: 85 1/4 × 30 5/16 in.
Load more

Recommended publications
  • JAPAN SOCIETY PRESENTS from HERE to THERE Online Exhibition and Programming Showcases Creation of New Works by Three Emerging Artists
    Media Contacts: Allison Rodman, Japan Society, 914-715-9794 [email protected] Asako Sugiyama, Japan Society, 212-715-1249 [email protected] Julia Guiheen, Brunswick Arts, 646-266-9272 [email protected] JAPAN SOCIETY PRESENTS FROM HERE TO THERE Online Exhibition and Programming Showcases Creation of New Works By Three Emerging Artists September 24, 2020 – January 21, 2021 Exhibition website goes live September 24, 2020 at 10 am EST Left to Right: Nobutaka Aozaki, Grocery Portraits #3 (Dekalb Ave & Wyckoff Ave, Ridgewood, Queens, NY), 2019. Photography by Tom Starkweather Image courtesy of Ulterior Gallery, New York; Hanako Murakami, Imaginary Landscapes Untitled (Heliobrom #7), 2020. Image courtesy of the artist; Aki Sasamoto, Phase Transition, January 2020, Danspace Project, NYC. Photography by Ian Douglas NEW YORK, September 10, 2020— From Here to There is Japan Society's first online, visual arts commissioned project initiated as a testing ground for artistic practice, dialogue, and production. Within the extraordinary context of 2020, this dynamic platform reflects upon the current moment and responds to our collective resilience through artistic expression, presenting a new series of disciplinary intersections and encounters that includes performance, drawing, photography, and installation. Informed by the present cultural conditions, From Here to There introduces new online commissions by three contemporary artists, Nobutaka Aozaki (New York), Hanako Murakami (Paris), and Aki Sasamoto (New York), whose projects reckon with time, place, and context. Unfolding over the exhibition’s run of four months, each project takes its own direction and interpretation through its respective medium, and attempts to collapse the distinctions particularly resonant today: isolation/community; physical/digital; illusions of control/agency.
    [Show full text]
  • PDF of Harris Article
    St. Paulí s Mary Griggs Burke, Abby Weed Grey, and Aimee Mo! Butler Three Extraordinary Women Who Supported Art and Artists moira f. harris ost histories of the visual arts in the Twin all gave their collections away. Although a num- MCities celebrate the contributions of two ber of other women have given art to various men: James J. Hill (1838ñ 1916) of St. Paul and institutions in the Twin Cities or elsewhere Thomas B. Walker (1840ñ 1927) of Minneapo- since the time of Hill and Walker, the size of lis. As industrialists, one in railroads, the other the collections given by these three women was in lumber, they made their fortunes and then truly extraordinary. In addition they le+ mon- chose ways in which to spend their wealth. Both ies for scholarships, endowed curatorial posts collected art, displayed it in their mansions, and that have ensured continued interest and study invited the public to view the treasures. The Hill of the art donated. Two of them, Mary Griggs and Walker homes, with their galleries, thus be- Burke and Abby Weed Grey, are included in the came the rst local art museums. list begun by the Frick Art Reference Library in Historian William Wa)s Folwell (1833ñ1 929), New York City in 2007. Maintained by The Cen- who knew both men well, called Walker an ter for the History of Collecting (see www.frick According to friends who ì Apostle of Artî in his history of Minnesota and .org/research/ center) this list includes biographi- knew her, Mary Griggs appreciated Hill and Walkerí s roles in advocating cal information on collectors, male and female, Burke (1916–2012) loved this 1985 portrait of her for and supporting the arts.¹ Their descendants of art from the Renaissance onward.
    [Show full text]
  • 826 SCHERMERHORN 5 Schermerhorn Renovations
    COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER FALL 2018 826schermerhorn 1 from the chair’s office NEW FACULTY Dear Students, Colleagues, and Friends, The last months have been a dynamic period for the department. The fall brought the arrival of several remarkable new colleagues. Zeynep Çelik Alexander is a scholar of modern architecture, though her work also crosses into a number of other fields. Her first book,Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, appeared last year from University of Chicago Press. Before moving to Columbia, she was a professor and associate dean at the University of Toronto. Lisa Trever arrives as our new Bernard and Lisa Selz Associate Professor of Pre-Columbian Art. An expert in the art of the ancient Andes, she exemplifies the department’s joint commitment to the history of art and archaeology. She was the primary author of The Archaeology of Mural Painting at Pañamarca, Peru, published in 2017 by Dumbarton Oaks. She GREGORY BRYDA ZEYNEP ÇELIK ALEXANDER LISA TREVER comes to Columbia from the University of California, Berkeley, where she Assistant Professor of Western Medieval Associate Professor of Architectural Lisa and Bernard Selz Associate Professor in had taught since 2013. The Barnard Art History Department welcomes Art and Architecture History since 1800 Pre-Columbian Art History and Archaeology Gregory Bryda, a specialist in German medieval art. Greg completed his I am delighted to join Barnard’s Department I am thrilled to be joining Columbia’s Columbia University has been one of the PhD at Yale in 2017; he spent the last year teaching in Hong Kong.
    [Show full text]
  • ADC Report to CULCON XXVIII Contents Contents
    ADC Report to CULCON XXVIII Contents Contents ...................................................................... 1 Executive Summary ..................................................... 1 Background ................................................................. 2 Accomplishments ....................................................... 6 The Future of the ADC .............................................. 15 Recommendations..................................................... 17 CULCON XXVII Goals .............................................. 18 Conclusion ................................................................. 18 Executive Summary At CULCON XXIV (2010), CULCON established the Arts Dialogue Committee (ADC) to examine obstacles to artistic exchange between Japan and the United States and explore new areas of cooperation among artists. The CULCON ADC has allowed representatives from U.S. and Japanese private and public institutions to air differing points of view on arts promotion, to encourage access and collaboration through U.S. and Japanese arts exchanges, and to reach greater understanding on important issues such as the critical need for support for a new generation of Japanese art specialists in the United States. The forum allows arts specialists to share information more effectively and efficiently, and provides broader access to Japanese art. The Arts Dialogue Committee is an example of CULCON’s incubator strategy for creating real and lasting advances in the U.S.-Japan relationship by identifying an issue of
    [Show full text]
  • Mary Griggs Burke Papers, 1895, 1922-2016 (Bulk, 1950S-2012)
    Mary Griggs Burke papers, 1895, 1922-2016 (bulk, 1950s-2012) Finding aid prepared by Angela Salisbury Processing of this collection was funded by a generous grant from the Mary Livingston Griggs and Mary Griggs Burke Foundation This finding aid was generated using Archivists' Toolkit on March 08, 2019 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Mary Griggs Burke papers, 1895, 1922-2016 (bulk, 1950s-2012) Table of Contents Summary Information .......................................................................................................3 Biographical note.................................................................................................................4 Scope and Contents note.....................................................................................................9 Arrangement note.............................................................................................................. 11 Administrative Information ............................................................................................ 11 Related Materials ............................................................................................................ 12 Controlled Access Headings............................................................................................. 12 Works Consulted............................................................................................................... 14 Collection Inventory..........................................................................................................15
    [Show full text]
  • Museum Archivist
    Newsletter of the SAA Museum Archives Section Museum Archivist Volume 28, Issue 1 Winter 2018 From the Chair While there is reason to take satisfaction and comfort in a system The proposed change would not affect the annual election of the that we are familiar with and works well-enough, it never hurts to Vice Chair/Chair-elect, but would extend the terms of the other review that system and make tweaks to increase its performance or offices to two years. The Newsletter Editor will be elected in odd efficiency. There will be a proposal on the 2018 Museum Archives years and the Recording Secretary and Web Liaison will be elected Section (electronic) ballot to change a part of the Museum Archives in even years. A more precise explanation of how the proposed rule Section’s “Standing Rules.” The Standing Rules are similar to the change phases in follows the new rule below. Society for American Archivists bylaws, but concern only the conduct of the Museum Archives Section. The proposed change This is the change that you should see on the 2018 election ballot: concerns the length of terms for some members of the Steering “All officers shall serve a term of two years. The Chair-elect shall serve Committee and is intended to improve continuity. a term of one year, and then shall succeed the Chair for a total of a two-year term. Elections for the Chair-elect shall take place every year. Currently, the offices of Recording Secretary, Newsletter Editor The election for Newsletter Editor shall take place in odd years and and Web Liaison are elected for one year—the election being elections for Recording Secretary and Web Liaison shall take place in held each year prior to the SAA Annual Meeting.
    [Show full text]
  • THE TALE of GENJI a ­Japanese ­Classic ­Illuminated the TALE of GENJI a Japanese Classic Illuminated
    THE TALE OF GENJI a japanese classic illuminated THE TALE OF GENJI a japanese classic illuminated With its vivid descriptions of courtly society, gar- dens, and architecture in early eleventh-century Japan, The Tale of Genji—recognized as the world’s first novel—has captivated audiences around the globe and inspired artistic traditions for one thou- sand years. Its female author, Murasaki Shikibu, was a diarist, a renowned poet, and, as a tutor to the young empress, the ultimate palace insider; her monumental work of fiction offers entry into an elaborate, mysterious world of court romance, political intrigue, elite customs, and religious life. This handsomely designed and illustrated book explores the outstanding art associated with Genji through in-depth essays and discussions of more than one hundred works. The Tale of Genji has influenced all forms of Japanese artistic expression, from intimately scaled albums to boldly designed hanging scrolls and screen paintings, lacquer boxes, incense burners, games, palanquins for transporting young brides to their new homes, and even contemporary manga. The authors, both art historians and Genji scholars, discuss the tale’s transmission and reception over the centuries; illuminate its place within the history of Japanese literature and calligraphy; highlight its key episodes and characters; and explore its wide-ranging influence on Japanese culture, design, and aesthetics into the modern era. 368 pages; 304 color illustrations; bibliography; index THE TALE OF GENJI THE TALE OF GENJI a japanese classic illuminated John T. Carpenter and Melissa McCormick with Monika Bincsik and Kyoko Kinoshita Preface by Sano Midori THE METROPOLITAN MUSEUM OF ART, NEW YORK Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with “The Tale of Genji: A Japanese Classic Jacket: Tosa Mitsuyoshi, “Butterflies”Kochō ( ), Chapter 24 of The Tale of Genji, late Illuminated,” on view at The Metropolitan Museum of Art, New York, from March 5 16th–early 17th century (detail, cat.
    [Show full text]
  • Japan Society 2018–19 Chronology of Events
    JAPAN SOCIETY 2018–19 CHRONOLOGY OF EVENTS SPECIAL EVENTS by H.E. Kanji Yamanouchi, Ambassador and The Changing Geopolitical Landscape in Consul General of Japan in New York. TV anchor Asia: U.S.-Japan Alliance Today 2018 Bash + Benefit Auction and journalist Junko Kubo served as Master of 14 JANUARY 1 NOVEMBER Ceremonies. With Koichi Isobe, Senior Fellow, Harvard Proceeds from Japan Society’s sixth annual benefit University Asia Center and former Lieutenant auction support Japan Society’s Arts & Culture General, Japan Self-Defense Force; and David programming. The 33 lots consisted of artworks, BUSINESS & POLICY Petraeus, Member & Chairman, KKR Global experiences, memorabilia and items showcasing Institute, former U.S. Army General and former the best in Japanese and Japan-inspired arts CONFERENCES, PANEL DISCUSSIONS, Director, Central Intelligence Agency. Takako and culture. Guest of honor Ushio Shinohara SEMINARS & SYMPOSIA Hikotani, Gerald L. Curtis Associate Professor performed his signature boxing painting, which of Modern Japanese Politics and Foreign Policy, The Rise of Fintech: Integrating Finance was presented in the live auction conducted by Columbia University, moderating. Christy Williams Coombs of Sotheby’s. Pianist with Technology Rina Yamazaki performed throughout the evening. 10 OCTOBER Blockchain Technology: How Will It Auction powered by Artsy. With Usman Ahmed, Head of Global Public Transform the Business Sector? Policy, Paypal; Natalie Shiori Fleming, Founding 4 MARCH Supporters: Bash Co-Chairs Joseph & Amy Perella and Board Member, Fintech Association of Japan; Doug & Teresa Peterson; Vice Chairs Thierry Porté & With Michael Casey, Senior Advisor, Digital Director, Banking & Regulatory Relations-Asia Yasko Tashiro, William K. Tomita and Kazumi Yanai; Currency Initiative, MIT Media Lab; Charley and Committee members Ariel & Cathy Deckelbaum, Pacific, Payoneer; Maria Gotsch, President & Cooper, Managing Director, R3; and Marie Wieck, The Globus Family, Yosuke J.O.
    [Show full text]
  • The Burbank-Livington-Griggs House; Historic Treasure on Summit Avenue
    THE BURBANK- LIVINGSTON-GRIGGS HOUSE Historic Treasure on Summit .Avenue Christina H. Jacobsen SITUATED high on a bluff commanding a view of European period rooms, complete with original panel­ St. Paul and the Mississippi River is Minnesota's most ing and matching antique furnishings. Nevertheless, elaborate example of mid-nineteenth century "Italian- her daughter, Mary Griggs Burke, gave the property ate'' architecture. The house, built at 432 Summit to the Minnesota Historical Society in 1968 with the Avenue by James C. Burbank in 1862-63, is a three- hope that the home would be preserved as a "living story gray limestone mansion crowned by a low- house" rather than a museum. Assisted by the Junior pitched roof and a wooden cupola. The bracketed League of St. Paul and the Minneapolis Institute of cornice, round-arched windows, and handsomely pro­ Arts, the society has opened the mansion, now known portioned belvedere are typical of the villa style so as the Burbank-Livingston-Griggs House, to the public. popular in America between 1850 and 1870. It was one It is intended that it will serve not only as a showpiece of the first homes erected along the tree-lined carriage­ but as a uniquely gracious setting for certain com­ way that threaded the bluffs above the frontier com­ munity events and social activities. mercial center, and for more than a century its owners have contributed, each in his own fashion, to the THE BUILDER whose social as­ growth of St. Paul and to the way of life that came pirations the house once embodied to be symbolized by Summit Avenue.^ was James Crawford Burbank.
    [Show full text]
  • Masterpieces from the Renowned Mary Griggs Burke Collection to Be Celebrated at the Minneapolis Institute of Arts This Fall in Newly-Installed Japanese Galleries
    Press Release Masterpieces from the Renowned Mary Griggs Burke Collection to be celebrated at the Minneapolis Institute of Arts this fall in Newly-Installed Japanese Galleries SEPTEMBER 27, 2015, TO MAY 8, 2016 Ogata Kenzan (1663–1743), Plum Trees and Hollyhocks, Edo period, first half 18th century, pair of six-panel folding screens, ink and color on gilded paper, each 43 5/8 in. × 9 ft. 4 5/8 in. (110.8 × 286 cm), Minneapolis Institute of Arts, Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation MINNEAPOLIS, JULY 31, 2015 Highlights from the magnificent collection of Japanese and Korean art assembled by Mary Griggs Burke and formally gifted to the Minneapolis Institute of Arts (MIA) goes on view September 27, 2015, through May 8, 2016, in the exhibition “Gifts of Japanese and Korean Art from the Mary Griggs Burke Collection.” This special exhibition will be shown in 16 newly installed galleries devoted to Japanese art and Korean art. At 11,000 square feet, the Japanese galleries are some of the most expansive of any museum in North America and tangibly demonstrate the museum’s commitment to the arts of East Asia. The Burke bequest to the MIA comprises nearly 700 objects, from prehistoric to contemporary times, adding depth to the museum’s existing collection of Japanese and Korean art. The exhibition will include various media spanning the prehistoric era to the late 1800s, with paintings from the Edo period (17th–19th centuries) at the core of the 175 objects featured in the exhibition. Matthew Welch, PhD, Deputy Director & Chief Curator at the MIA, who knew Mrs.
    [Show full text]
  • 2015-2016-Course-Catalogue.Pdf
    The Curriculum . 3 Lesbian, Gay, Bisexual, and Transgender Africana Studies . 3 Studies . 59 Anthropology . 3 Literature . 61 Architecture and Design Studies . 7 Mathematics . 74 Art History . 7 Middle Eastern and Islamic Studies . 77 Asian Studies . 11 Modern and Classical Languages and Biology . 14 Literatures . 77 Chemistry . 17 Music . 78 Chinese . 18 Philosophy . 89 Classics . 19 Physics . 92 Cognitive and Brain Science . 20 Political Economy . 93 Computer Science . 20 Politics . 94 Dance . 23 Psychology . 98 Development Studies . 27 Public Policy . 107 Economics . 28 Religion . 109 Environmental Studies . 31 Russian . 112 Ethnic and Diasporic Studies . 33 Science and Mathematics . 113 Film History . 34 Pre-Health Program Filmmaking, Screenwriting and Media Social Science . 114 Arts . 36 Sociology . 114 French . 37 Spanish . 118 Games, Interactivity, and Playable Theatre . 121 Media . 40 Urban Studies . 135 Gender and Sexuality Studies . 40 Visual Arts . 135 Geography . 41 Architectural Design German . 42 Drawing Greek (Ancient) . 44 Filmmaking Health, Science, and Society . 45 New Media History . 45 Painting International Studies . 54 Photography Italian . 55 Printmaking Japanese . 56 Sculpture Latin . 57 Visual Fundamentals Latin American and Latino/a Studies . 58 Writing . 152 Faculty . 165 THE CURRICULUM 3 African Diasporic Dance (p. 26), Efeya Ifadayo M THE CURRICULUM Sampson Dance African American Sports History and Black Cultural The Curriculum of the College as planned for Revolution (p. 48), Komozi Woodard History 2015-2016 is described in the following pages. All Education and Social Change in Africa (p. 52), Mary courses are planned as full-year courses, except as Dillard History otherwise indicated. Where possible, seminar The City and the Grassroots: The Urban Crisis and descriptions include examples of areas of study in Social Movements (p.
    [Show full text]
  • 826 Schermerhorn
    826 schermerhorn COLUMBIA UNIVERSITY DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY MIRIAM AND IRA D. WALLACH FINE ARTS CENTER FALL 2016 from the chair’s office Dear Students, Colleagues, and Friends, 826 schermerhorn We proudly start the 2016–2017 academic year with a newly strengthened faculty in the Early COLUMBIA UNIVERSITY Modern European fields. In addition to Meredith Gamer and Michael J. Waters, whose arrival was DEPARTMENT OF ART HISTORY AND ARCHAEOLOGY announced a year ago but who both began teaching with us this fall, we are joined by Eleonora MIRIAM AND IRA D. WALLACH FINE ARTS CENTER Pistis. A specialist in seventeenth- and eighteenth-century architecture and urban planning, FALL 2016 Eleonora took her PhD at the Università Iuav in Venice, where she wrote a dissertation on Nicholas Hawksmoor, also the subject of her first book. One of her primary interests is in the education of 4 16 architects and the architectural education of amateurs, a topic that has led her to study a community New Faculty Introductions Diane Bodart named to the of letters that extended across Europe. Before moving to Columbia, she taught at Oxford University MEREDITH GAMER, ELEONORA PISTIS, David Rosand Professorship and at Grinnell College. MICHAEL J. WATERS 17 We are also delighted to report that our 5 Professor Kellie Jones named colleague Ioannis Mylonopoulos has been Renowned Barnard Professor MacArthur Fellow awarded tenure. Ioannis anchors a curriculum Keith Moxey Retires ANNE HIGONNET ALEXANDER ALBERRO in architectural history that now stretches 18/19 from antiquity through the middle ages to the 6 Biennale Cultures in Africa The Mary Griggs Burke Center Z.
    [Show full text]