Gregory Nava, EL NORTE (1983, 141 Minutes)
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Latinos En EE.UU. (Desarrollando La Competencia Comunicativa Intercultural)
Latinos en EE.UU. (Desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Latinos en EE.UU. (desarrollando la competencia comunicativa intercultural) Alberto Gineste Llombart Departamento de Lenguas Aplicadas Universidad Antonio de Nebrija Memoria de Master en Español como Lengua Extranjera (MEELE) 2006, Mercedes Álvarez Piñeiro Agradecimientos En esta sección quiero expresar mi gratitud a todas las personas que han hecho posible la realización de esta memoria de MEELE. Ante todo, debo mencionar que este mismo año he finalizado una tesis doctoral en la Freie Universität Berlin, sobre la lengua española en los EE.UU. No hay palabras que puedan expresar mi agradecimiento a todas aquellas personas que colaboraron en el proceso de elaboración de mi tesis doctoral. Especialmente quiero agradecer, a mis dos directoras de investigación: la Dra. Gabriela Knauer del Institut für Romanische Philologie de la Humboldt Universitaet Berlin; y la Dra. Carol W. Pfaff del John F.- Kennedy Institute de la Freie Universitaet Berlin; así como a profesores de diferentes universidades norteamericanas por la inteligencia, sugerencias, el calor y el apoyo durante todo el proceso. Gracias por haber creído en mí, y haberme guiado, apoyado y animado desde del inicio de la investigación. Deseo agradecer a la profesora Teresa Delgado de la Humboldt Universitaet Berlin, y de nuevo, a la Dra. Gabriele Knauer por su colaboración en el seminario de formación para profesores de E/LE celebrado en la Humboldt Universitaet en el 2004, con el tema: El español en los EE.UU. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Roger Ebert's
The College of Media at Illinois presents Roger19thAnnual Ebert’s Film Festival2017 April 19-23, 2017 The Virginia Theatre Chaz Ebert: Co-Founder and Producer 203 W. Park, Champaign, IL Nate Kohn: Festival Director 2017 Roger Ebert’s Film Festival The University of Illinois at Urbana–Champaign The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2017 April 19–23, 2017 Chaz Ebert, Co-Founder, Producer, and Host Nate Kohn, Festival Director Casey Ludwig, Assistant Director More information about the festival can be found at www.ebertfest.com Mission Founded by the late Roger Ebert, University of Illinois Journalism graduate and a Pulitzer Prize- winning film critic, Roger Ebert’s Film Festival takes place in Urbana-Champaign each April for a week, hosted by Chaz Ebert. The festival presents 12 films representing a cross-section of important cinematic works overlooked by audiences, critics and distributors. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. A portion of the festival’s income goes toward on-going renovations at the theatre. The festival brings together the films’ producers, writers, actors and directors to help showcase their work. A film- maker or scholar introduces each film, and each screening is followed by a substantive on-stage Q&A discussion among filmmakers, critics and the audience. In addition to the screenings, the festival hosts a number of academic panel discussions featuring filmmaker guests, scholars and students. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked. -
1 Reunion Alex Cho Pictures Executive Producer; Thelonius
Credits- Casting Director Samuel Warren cast established names, experienced & new talent for all media plate forms in many languages within or outside the USA! Contact: 24/7 Cell: 619-264-4135 & email: [email protected]/ Website: www.samuelwarren.com Feature Films: Reunion Alex Cho Pictures Executive Producer; Thelonius Alexander & Directed by Shawn Shao-Wen-Chou Produced by Alex Chou Pictures (Casting Leads) A video clip link for this project; https://www.youtube.com/watch?v=_GjcrOA8npg EVIL DEAD II DE LAURENTIS ENT. Director: Sam Raimi Producer: Robert Tapper Producer: Dino De Laurentis (Casting leads) A video clip link for this project: https://www.youtube.com/watch?v=XPOYmHqWeJE RETURN OF THE KILLER TOMATOES II NEW WORLD ENT. Director: John De Bello Producer: 4 Square Productions (Casting Stars/Leads & over 500 Extras) A video clip link for this project: https://www.youtube.com/watch?v=PShKWD2NKUE KILLER TOMATOES STRIKE BACK! New World Entertainment Inc. / 20th Century Fox Corporation Inc. Director: John De Bello Producer: 4 Square Productions (Casting Leads & Extras) A video clip of this project: https://www.youtube.com/watch?v=oe3l4uJyghU KILLER TOMATOES GO TO FRANCE IV 20TH CENTURY FOX Director: John De Bello Producer: 4 Square Productions (Casting Stars/Leads & Extras) A video Clip of this project: A video clip of this project: https://www.youtube.com/watch?v=YmOvvVcmIdI 1 BLACK BELT ANGELS SILVER BELL FILMS INC. Director: Hyo Chun Kim Producer: Hyo Chun Kim Producer: Kim Augustine Producer: Chin Kim (Casting Leads & 700 Extras from interviewing 1,500 available talent) A video clip of this project: https://www.youtube.com/watch?v=Q3frds4EZzw HAPPY HOUR (Sour Grapes) 4 SQUARE/MOVIE STORE CO. -
When the Latino Family Goes Hollywood
WHEN THE LATINO FAMILY GOES HOLLYWOOD Jaume Martí-Olivella Allegheny College Prepared for delivery at the 1997 meeting of the Latin American Studies Association, Continental Plaza Hotel, Guadalajara, Mexico, April 17-19, 1997. I. Introduction: Towards a historical and theoretical background I would like to start this paper paraphrasing my own title in the form of a question: Should the Latino Family go Hollywood? Or, from another angle, why is Hollywood interested in the Latino Family? Or even a more urgent question, should historical Latinos still have to rely on the "family metaphor" in order to achieve (mainstream) representation? The response to the second question is arguably the clearest one. The Chicano film critic and scholar Chon A. Noriega provides us with an answer that at the same time restates the question: Between 1987 and 1988, Hollywood released four Chicano-Latino feature films: La Bamba (1987), Born in East L.A. (1987), The Milagro Beanfield War (1988), and Stand and Deliver (1988). The success of these films, and La Bamba in particular, led studio executives and others to predict a "Hispanic Hollywood." The proof of that claim, however, was attributed to "Hispanic" demographics and market studies on "Hispanic" movie attendance, and not to the two-decade Chicano film movement. (147). Hollywood, therefore, had perceived a new market. There was no genuine concern regarding the emergent Chicano culture and its efforts to achieve a filmic representation. My paper will posit the same question almost a decade later. In 1992, three Latino films reached the mainstream: Like Water for Chocolate, El Mariachi and The Mambo Kings. -
Bridging Social Gaps in Gregory Nava's My Family (1995)
BRIDGING SOCIAL GAPS IN GREGORY NAVA’S MY FAMILY (1995) Stylianos Papadimitriou Aristotle University of Thessaloniki, Greece* Abstract The development and transmutation of Chicana/o identity in the American Southwest is a central theme in Gregory Nava’s film narrative My Family (1995). The parents of the titular family represent the traditional, immigrant identity, which entails a hesitation to embrace the American lifestyle while showing a close adherence to their Mexican roots. The children, however, born and/or bred in the ethno-racial ‘battlefield’ of the borderlands in the US, challenge the socio-cultural norms they have inherited from their parents, but also those of white America. This article examines the children’s cultural deviations as endeavors to confront socio-cultural conflicts in the borderlands and to carve a path towards a better individual and, symbolically, collective future for la raza. Keywords: Chicana/o Identity, Borderlands, Cultural Conflict, Machismo, Gender Roles. REDUCIENDO LAS BRECHAS SOCIALES EN MY FAMILY (1995) DE GREGORY NAVA Resumen El desarrollo y la transmutación de la identidad chicana en el Suroeste de Estados Unidos es un tema central en la narrativa de la película My Family (1995) de Gregory Nava. Los padres 231 de la familia a la que se refiere el título de la película representan la identidad tradicional de los inmigrantes, que implica una cierta resistencia a adoptar el estilo de vida americano y, al mismo tiempo, un profundo apego a sus raíces mexicanas. Sin embargo, los hijos nacidos y/o criados en “el campo de batalla” étnico-racial de las zonas fronterizas de los EE. -
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Berlinale 2007 BORDERTOWN Wettbewerb BORDERTOWN BORDERTOWN Regie: Gregory Nava USA 2006 Darsteller Lauren Fredericks Jennifer Lopez Länge 112 Min. Diaz Antonio Banderas Format 35 mm, 1:1.85 Teresa Sonia Braga Farbe Eva Maya Zapata George Morgan Martin Sheen Stabliste Aris Rene Rivera Buch Gregory Nava Elena Kate del Castillo Kamera Rey Villalobos Frank Kozerski Randall Batinkoff Kameraassistenz Tyler Allison Lauren als Kind Karolinah Villarreal Schnitt Padraic McKinley Bill Kellog Bob Morrisey Ton Richard Kitting Angestellter Julio Cesar Cedillo Shawn London Cecilia Tereza Ruiz Tonassistenz John Weitz Eduardo Lopez Jorge Urzua Mischung Bayard Carey Musik Dave Grusin Szenenbild Marcia Calosio Spezialeffekte Randy E. Moore Regieassistenz Ornella Jaramillo Casting Emily Schweber Herstellungsltg. Tony Mark Produktionsltg. Julio Barcenas Tony Mark Aufnahmeleitung Michael Dellheim Produzenten Gregory Nava Simon Fields Jennifer Lopez Co-Produzentinnen Barbara Martinez Jitner Su Jett Ausführende Produzenten David Bergstein Tracee Stanley Cary Epstein Produktion Capitol Films and El Norte Productions 10100 Santa Monica Blvd., Suite 1250 USA-Los Angeles, CA 90067 Tel.: 310-286 72 00 Fax: 310-286 72 10 [email protected] Weltvertrieb Capitol Films 63-65 North Wharf Rd. Jennifer Lopez GB-London W2 1LA Tel.: 20-72 98 62 00 Fax: 20-72 98 62 01 BORDERTOWN [email protected] Lauren Fredericks ist eine ehrgeizige Journalistin beim „Chicago Sentinental“. Sie träumt davon, als Auslandskorrespondentin in den Irak geschickt zu werden. Doch ihr alter Chef und Förderer George Morgan, mit dem sie fast eine Vater-Tochter-Beziehung verbindet, schickt sie lieber nach Mexiko. In Juárez an der amerikanisch-mexikanischen Grenze werden immer wieder junge Frauen umgebracht, die in den Maquillas schuften, mexikanischen Fabriken für billige Unterhaltungselektronik für den nord- amerikanischen Markt. -
BAM Presents a New DCP of Gregory Nava's Beloved Musical Biopic Selena
BAM presents a new DCP of Gregory Nava’s beloved musical biopic Selena (1997), Oct 4—10 September 6, 2019/Brooklyn, NY—From Friday, October 4 through Thursday, October 10, BAM presents a new restoration of Gregory Nava’s classic of Chicano cinema Selena (1997), a star-is-born tribute to the late Tejano singer, starring Jennifer Lopez in her breakout film role. Nava’s biopic, made with the support and input of the subject’s family, traces the rise and tragic death of the singing sensation, whose music made her an icon in the Chicano community. More than just a standard showbiz saga, Selena becomes, in the hands of the acclaimed El Norte director and talented lead actors Lopez and Edward James Olmos, something almost never seen in a major studio movie: a warm, wonderfully observed portrait of Tejano family and culture. Please contact Shelley Farmer at [email protected] with all press requests. Approx. 127 min. | DCP A Warner Brothers Release Writer-Director: Gregory Nava Cinematography: Edward Lachman Music: Dave Grusin With the songs of Selena Quintanilla “The film that made Jennifer Lopez a star and further enshrined Selena Quintanilla in our hearts.”—Manuel Betancourt, Remezcla “Although her career was cut short, [Selena’s] story was immortalized [..,] giving her legacy a second life… Perfectly sum[s] up the double-or-nothing problem facing every immigrant kid on either side of their culture, ‘We have to be more Mexican than the Mexicans and more American than the Americans, both at the same time! It’s exhausting!’”—Monica Castillo, The Village Voice About BAM Film Since 1998 BAM Rose Cinemas has been Brooklyn’s home for film. -
Banc One to Host Gala Premiere of "Selena," Feature Film on the Life of Grammy-Winning Music Star
Banc One to host gala premiere of "Selena," feature film on the life of Grammy-winning music star DENVER, CO, March 14, 1997--Banc One Corp. (NYSE: ONE) will host gala premieres of "Selena," the Warner Bros. feature film which chronicles the life of the highly acclaimed Tejano music star, Selena Quintanilla. The premiere will be held in Denver at Mann's Cherry Creek Theatre in Cherry Creek Mall on March 17 at 7:30 p.m. Proceeds from ticket sales will benefit the National Council of La Raza. The film is scheduled for nationwide release on March 21. At a screening in Corpus Christi, Texas, Banc One presented a $10,000 donation to "Selena" star Edward James Olmos on behalf of the Selena Foundation, an organization which provides resources to children's charities and funds scholarships for children who aspire to join the entertainment industry. Banc One is the exclusive financial sponsor of the film and will have the right to use the film name, logos and images. Next month, the company intends to begin offering checks and a One Card with Selena's image. "BANC ONE has had a long standing presence in Colorado, and we are continually seeking ways to demonstrate our commitment to customers in this area," said Kenneth T. Stevens, chairman and CEO of the Banc One National Retail Group. "BANC ONE's sponsorship of `Selena' underscores its commitment to the Hifontic community and supports the bank's efforts to become a premier national financial services provider." Kenneth Charlton, chairman and CEO of Bank One in Colorado, added: "We are proud that BANC ONE is the exclusive financial partner for the film and we are pleased that Chicago has been selected to host premieres of `Selena.' Our customers have responded enthusiastically to our support of the film." As part of the marketing and promotional campaign surrounding the premieres, Banc One has also sponsored an "Enter to Win" sweepstakes in its branches in Dallas/Fort Worth, Phoenix, Houston, San Antonio, Chicago and Denver. -
Ebertfest 2013 Roger Ebert's Film Festival
The College of Media at Illinois Presents... 15th Annual ebertfestApril 17–21 2013The University of Illinois at Urbana–Champaign Roger Ebert’s Film Festival The College of Media at Illinois Presents... Roger Ebert’s Film Festival 2013 April 17–21, 2013 Roger Ebert, Programmer and Host Chaz Ebert, Executive Producer Nate Kohn, Festival Director Mary Susan Britt, Associate Director More information about the festival can be found at www.ebertfest.com Mission Roger Ebert, 1964 University of Illinois Journalism graduate and Pulitzer Prize-winning film critic, comes to Urbana-Champaign each spring to host Ebertfest. The mission of Roger Ebert’s Film Festival is to praise films, genres and formats that have been overlooked by audiences, critics and distributors. Each year, Mr. Ebert selects 12 films representing a cross-section of important cinematic works. They include films without distributors, independent and studio films that did not win wide audiences, formats such as 70mm, silent films, and overlooked genres like the documentary. The films are screened in the 1,500-seat Virginia Theatre, a restored movie palace built in the 1920s. Festival guests who help showcase the features include producers, writers, actors and directors. Following each screening, Mr. Ebert leads discussions with the filmmakers for general audi- ences, distributors and critics from around the world. There are also a number of campus wide panel discussions featuring Mr. Ebert, festival guests and academic scholars. We work to keep the festival small enough so that a sense of community can develop among the audience, filmmakers, guests, students and scholars. The festival is a non-profit event of the College of Media at Illinois. -
Signs of the Times Continued on Page 20 City, Neighbors Inonitor Billboards
[ IN THIS ISSUE .PZAC Fair a great success_- Page 6 Published Weekly In Allst.on-Brighton Since 1884 Friday, May 6, 1988 Vol. 103, No. 19 35 Cents Hate that dirty water By Jane Braverman Citizen Item Starr The water coming from the Laps of En tern Mll5· sachusett.s homes moy smell fishy. but it's usually clear -unless you live on Niles Stn.>et. For the past two years. residC?nts of the dend end street in Brighton hnve had to contend with dis colored water which varie in color from yellow to dark brown. "At first it's black in the morning, then whim you run the water for a whilt? it gets rusty," comment· ed Eileen Geaney, who has been living at 5 Niles St. fort.he past 28 year:;. "You can't drink the water. It. tastes like dead fish," she said, referring to the unpleasant odor that was detected Inst August in the water of the 46 Massachusetts communities us· ing the Quabbin and ·wachusett Reservoirs in ccn· trnl Massachusett.s. According to a report issued by the MWHA and the MDC this February, the algae developed ns a result of runoff from plants growing near a build· -- ing development adjacent to the Wachusett Rc$er· voir. Attempts hnvc been made to eliminate the odor from t.he water sy<:tern b} adding copJ>l?r !:Ul·~,, fate to the reservoir. "The problem has been troublesomP. It hns not respondt'<i t.o treatment as well a<; we might hnve hoped," commented Paul DiNatale, spokesperson for the Massachu~etl!> Water Resource Authority. -
Film Essay for "El Norte"
El Norte By Matthew Holtmeier Charting the tragic epic of brother and sister Enrique (David Villalpando) and Rosa (Zaide Silvia Gutiérrez), “El Norte” (1983) reveals that be- hind every immigrant is an en- tire history of a people. Re- ferred to by Roger Ebert as the “‘Grapes of Wrath’ of our time,”i “El Norte” follows suit by detail- ing the perilous pursuit of the American Dream, as refugees from the global south move north crossing national borders. The film follows two indigenous Guatemalans in three acts as Rosa (Zaide Silvia Gutiérrez) helps her brother Enrique (David Villalpando) they flee the military regime con- get ready for a job. Courtesy Library of Congress Collection. trolling their nation in the 1980’s, travel through Mexico, and finally arrive in Los Angeles, California with its promise of ther (Ernesto Gómez Cruz) proclaiming, “The poor wealth. are only arms for the rich,” but subsequently acknowledges how populist struggles across Latin Hailed by critics as the first ‘independent epic,’ the America met with extreme violenceiv as Enrique’s film was partially financed for television by the Public father is brutally murdered and beheaded. Without Broadcasting Service in the United States, but after detracting from the brutality of this act, Nava treats its successful debut at the Telluride Film Festival in this material poetically through graphic matches 1983 it received a theatrical release. Subsequently, whereby the father’s visage becomes the moon and filmmaker Gregory Nava and co-writer Anna Thomas then a funeral drum. The treatment of this murder received an Oscar nomination for Best Original sets a precedent for the magical realist aesthetic the Screenplay, and went on to found the Independent rest of the film will employ, as his father’s death con- Spirit Awards, which continue to celebrate independ- tinues to haunt Enrique.