For the Thrill of It: Leopold, Loeb, and the Murder That Shocked Jazz Age
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Presidential Handwriting File, 1981-1989
PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 – REAGAN LIBRARY COLLECTIONS This collection is available in whole for research use. Some folders may still have withdrawn material due to Freedom of Information Act restrictions. Most frequent withdrawn material is national security classified material, personal privacy, protection of the President, etc. PRESIDENTIAL HANDWRITING FILE: PRESIDENTIAL RECORDS: 1981-1989 The Presidential Handwriting File is an artificial collection created by the White House Office of Records Management (WHORM). The Presidential Handwriting File consists of a variety of documents that Ronald Reagan either annotated, edited, or wrote in his own hand. When documents containing the president's handwriting were received at WHORM for filing, the original was placed in the Presidential Handwriting File and arranged by the order received. A photocopy of the document was placed in the appropriate category of the WHORM: Subject File. The first page of the casefile was stamped Handwriting File, indicating the location of the original documents. However, WHORM often failed to indicate on the original documents the original location (i.e. the six digit tracking number, Subject Category Code). The Presidential Handwriting File, as created by the White House, did not contain handwriting found in staff and office files. The Library will be creating a further series of handwriting material from staff and office files. In order to provide better access to the Presidential Handwriting File, the collection has been arranged into six series. Each series is arranged chronologically by the date of the document. Each document has been marked with the appropriate WHORM: Subject File category and a six digit tracking number. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Loeb-Leopold Murder of Franks in Chicago May 21 1924 Richard Loeb
Journal of Criminal Law and Criminology Volume 15 | Issue 3 Article 4 1925 Loeb-Leopold Murder of Franks in Chicago May 21 1924 Richard Loeb Follow this and additional works at: https://scholarlycommons.law.northwestern.edu/jclc Part of the Criminal Law Commons, Criminology Commons, and the Criminology and Criminal Justice Commons Recommended Citation Richard Loeb, Loeb-Leopold Murder of Franks in Chicago May 21 1924, 15 J. Am. Inst. Crim. L. & Criminology 347 (May 1924 to February 1925) This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Journal of Criminal Law and Criminology by an authorized editor of Northwestern University School of Law Scholarly Commons. THE LOEB-LEOPOLD MIURDER OF FRANKS IN CHICAGO, TMAY 21, 1924 [The kidnapping and murder of Robert Franks by Richard Loeb and Nathan Leopold, Jr., in Chicago, Illinois, on May 21, 1924, aroused worlc-wide interest-at first because of the contrast between the social status of the murderers and the callous cruelty of the deed, but afterwards because of the psychiatric testimony offered by the defense at the hearing for a mitigated sentence. The complete testimony taken fills a thousand or more typewrit- ten pages (the confessions alone, in the stenographic transcript, amount to three hundred pages); and the JOURNAL is not the place for printing this record. But criminologists everywhere are interested in the psychiatrists' reports, for this is probably the first instance of the offer of elaborate psychiatric analyses as the basis for remitting the law's penalty for a calculated, cold-blooded murder, committed by persons not claimed to be insane or defective in any degree recog- nized by the law as making them not legally responsible. -
Suttree-Pdfdrive.Com-1-1.Pdf
Praise for CORMAC McCARTHY “McCarthy is a writer to be read, to be admired, and quite honestly—envied.” —Ralph Ellison “McCarthy is a born narrator, and his writing has, line by line, the stab of actuality. He is here to stay.” —Robert Penn Warren “Mr. McCarthy has the best kind of Southern style, one that fuses risky eloquence, intricate rhythms and dead-to-rights accuracy.” —The New York Times “Cormac McCarthy is a Southerner, a born storyteller, a writer of natural, impeccable dialogue, a literary child of Faulkner … capable of black, reasonable comedy at the heart of his tragedy.” —New Republic “[McCarthy’s] lyrical prose never sacrices necessary economies [and his] sense of the tragic is almost unerring.” —Times Literary Supplement (London) The author wishes to express his gratitude to The American Academy of Arts and Letters, The Rockefeller Foundation, and The John Simon Guggenheim Memorial Foundation. Dear friend now in the dusty clockless hours of the town when the streets lie black and steaming in the wake of the watertrucks and now when the drunk and the homeless have washed up in the lee of walls in alleys or abandoned lots and cats go forth highshouldered and lean in the grim perimeters about, now in these sootblacked brick or cobbled corridors where lightwire shadows make a gothic harp of cellar doors no soul shall walk save you. Old stone walls unplumbed by weathers, lodged in their striae fossil bones, limestone scarabs rucked in the oor of this once inland sea. Thin dark trees through yon iron palings where the dead keep their own small metropolis. -
To Propose Master Recreation Plan
Governor, Legislature read Spartan fans the riot act However MSU nybrook" at Michigan State 2,500 teet of a "tatl' 10ilege or knows a girl who noted after L,m"mg pohce reported few , Umver"lty, Gov John Engler umver"lty Peoplp convicted MSU's laos last year m the an eots after thiS week'" bao- kpthal1l1amp students celebrdte "'I;;"'\.-': :,,&,~:~~,v;, ;:.:: ., ::::!::::: f:,~n h..,,,, ..h,,,,,,,,,t f..,."",.,11 ~tqt<' 1\!C'AA hA"kpthllll tournament • banish noters from Lampus campuoco for up to two year., ~She'o an IdIOt," oald Wilde Scott Taubltz, a St Clalf responsIbly The law could havE' been Opponents of the law Cite ThiS year, campus celebratIOns Shores .ophomore, fears the B Brad U dber used had notmg occurred fol. First Amendment nghts to have cooled LOnsequenGeb should MSU S~ff Writer" 9 lowmg ,Stat",'s victory m freedom of a'lSOClatlOn "People are stili hangmg become known as a breedmg Monday. natIOnal champl' "First Amendment? RlOtmg out," .ald Wilde "They're hav. ground for drunken anarchists Local college students sup' onshlp basketball game IS Illegal," countered Mehosa mg 'beerbeques,' but I haven't "I'm WOl fled aboutjeopardlz- port state efforts to dropkick The meabure target!> anyone Wilde, an MSU ..ophomore heard any rumors about not- mg my future," said Taubltz, campus hoohgans rlOtmg, IllGltmg a not or journahom student from mg, knock on wood " Prompted by laot year's don. assembhng unlawfully Within Grob"e Pomte Park Wilde Wilde's Wish came true East See SPARTANS, page SA Parcells N'hood Club to stage to propose master WEEK AHEAD 'Joseph' Thursday, April 6 Tickets are now on sale recreation plan for the AprU 13 Uld 14 The Grosse Pomte News & By Bonnie Caprara tnct's lugh schools had 2,520 performUlCft of Parcen. -
Unmasking the Übermensch the Evolution of Nietzsche's Overman
Unmasking the Übermensch The Evolution of Nietzsche’s Overman from David Bowie to Westworld _______________________________________________________________________ Siobhan Lyons Abstract Amongst Friedrich Nietzsche’s philosophical concepts – ‘god is dead’, eternal return – his concept of the Übermensch remains the most controversial and also the most debated, with various conflicting opinions on the precise nature (and intentions) of this enigmatic creature. More than a metaphorical concept, Nietzsche envisioned the possibility of such a transcendent figure, who existed beyond the conventional laws of good and evil and who would usher in a new system of values more befitting Nietzsche’s idealistic philosophy. Nietzsche would continually revisit the Übermensch throughout his work and revise its character, which would see the Übermensch evolve from an idealistic figure to a more tyrannical creature. Consequently, Nietzsche’s ambiguous treatment of the Übermensch inspired many dubious beliefs, from the Aryan ideal in Nazism to the perverse philosophy behind the infamous murders committed by Lewis and Loeb. Interpretations of the Nietzschean Übermensch can also be found frequently throughout popular culture, from the music of David Bowie to David Fincher’s Fight Club and the television series Westworld. While Bowie treated the Übermensch as a supernatural figure who abandoned the terrestrial world, the Übermensch was used to endorse underground philosophies predicated on violence in Fight Club, problematically linking the ideal of ‘self-overcoming’ with the oppression of others. A look at Westworld, however, reveals a far more nuanced understanding of the Übermensch’s potential as a figure who, while capable of tyranny, is able to channel their aggression in ways that push society in a new direction, forcing us to reconsider what transcendence truly entails. -
REAGAN Also by Marc Eliot
This book has been optimized for viewing at a monitor setting of 1024 x 768 pixels. REAGAN Also by Marc Eliot Jimmy Stewart A Biography Cary Grant A Biography Song of Brooklyn An Oral History of America’s Favorite Borough Death of a Rebel Starring Phil Ochs and a Small Circle of Friends Rockonomics The Money Behind the Music Down Thunder Road The Making of Bruce Springsteen Walt Disney Hollywood’s Dark Prince The Whole Truth To the Limit The Untold Story of the Eagles Down 42nd Street Sex, Money, Culture, and Politics at the Crossroads of the World REAGAN The Hollywood Years MARC ELIOT Harmony Books New York Copyright © 2008 by Rebel Road, Inc. All rights reserved. Published in the United States by Harmony Books, an imprint of the Crown Pub- lishing Group, a division of Random House, Inc., New York. www.crownpublishing.com Harmony Books is a registered trademark and the Harmony Books colophon is a trademark of Random House, Inc. Library of Congress Cataloging-in-Publication Data Eliot, Marc. Reagan: the Hollywood years / Marc Eliot. Includes bibliographical references and index. 1. Reagan, Ronald. 2. Actors—United States—Biography. I. Title. PN2287.R25E45 2008 973.927092—dc22 [B] 2008014974 eISBN: 978-0-307-44996-2 Design by Lauren Dong v1.0 Previous page: Early publicity photo. Rebel Road Archives For baby cocoa bear CONTENTS Introduction 1 Chapter One THE NEXT VOICE YOU HEAR 11 Chapter Two FROM MUGS TO THE MOVIES 37 Chapter Three THE IRISH MAFIA 55 Chapter Four DUTCH AND BUTTON-NOSE 79 Chapter Five THE GAMUT FROM A TO B 103 Chapter Six KINGS ROW 125 Chapter Seven THIS IS THE ARMY 159 Photo Insert Chapter Eight MR. -
Leopold and Loeb Trial: 1924 Not Ions Ine, Defendants: Nathan F
cu- as a 319. lost Leopold and Loeb Trial: 1924 not Ions ine, Defendants: Nathan F. Leopold, Jr., and Richard Loeb zed Crimes Charged: Murder and kidnapping Chief Defense Lawyers: Clarence Darrow, Benjamin Bachrach, and Walter was Bachrach Chief Prosecutors: Robert E. Crowe, Thomas Marshall, Joseph P. cted Savage, John Sbarbaro, and Milton Smith Judge: John R. Caverly ~ted Place: Chicago, Illinois Dates of Trial: July 23-September 10, 1924 the Verdict: Guilty Sentences: Life imprisonment for murder; 99 years for kidnapping SlGNlFlCANCE Clarence Darrow, America's foremost criminal lawyer at the time, saved the defendants from execution for their "thrill murders" by changing their pleas from not guilty to guilty. The change took the case away from a jury so it was heard only by the judge, giving Darrow the opportunity to plead successfully for mitigation of punishment-life imprisonment rather than execution. The bizarre nature of the crime and the wealth of the victim and the defendants focused the nation's attention on the courtroom for nearly two months. -. n hla)~1924, 18-year-old "Dickie" L,oeb was the youngest graduate of the I University of blichigan and already a postgraduate student at the University of Chicago. "Babe" Leopold, at 19 a law student at Chicago, had earned his Phi Beta Kappa key with his Bachelor of Philosophy degree. Each came from a wealthy and well-known Chicago family. Each believed his mental abilities set him apart as a genius superior to other people. Each dwelt in a fantasy world. The Perfect Murder. for Its Thrill Over several years, Leopold and Loeb had developed a homosexual rela- tionship. -
Convention Speech Material 8/14/80 [1]
Convention Speech Material 8/14/80 [1] Folder Citation: Collection: Office of Staff Secretary; Series: Presidential Files; Folder: Convention Speech material 8/14/80 [1]; Container 171 To See Complete Finding Aid: http://www.jimmycarterlibrary.gov/library/findingaids/Staff_Secretary.pdf . �- . "". ·· . · : . .... .... , . 1980 · DEMOCRATIC PLATFORM SUMMARY .··.. · I. ECONOMY··. Tliis was·· one.of ·the mOst .. dfffibult sections to develop in the way we. wan:ted,.>for there wei�· considerable ··.support among the Platform committee .members for a,' stronger·· ant-i�recession program than we have 'adopted. to date·. senator :Kennedy's $1.2.·bili'ion'·stimulus ·prOpof>al was v�ry · attraeffive to ·many .. CoiiUJlitte.e ine.�bers, but in the . end •We were able to hold our members.' Another major problem q()ri.cerned the frankness with which· we wanted to recognize our current ecohomic situation. we ultimately .decided, co:r-rectly I believe, to recognize that we are in a recession, that unemployment is rising, and that there are no easy solutions.to these problems. Finally, the Kennedy people repeatedly wanted to include language stating that no action would be taken which would have any significant increase in unemployment. We successfully resisted this .by saying no such action would be taken with that .intent or design, but Kennedy will still seek a majority plank at the Convention on this subject. A. Economic Strength -- Solutions to Our Economic Problems 1. Full Employment. There is a commitment to achieve the Humphrey�Hawkins goals, at the cu�rently pre scribed dates. we successfully resi�ted.effdrts:to move these goals back to those origiilally ·prescribed· by this legislation. -
Selections from the Gift Collection of Walter and Leonore
Graduated brass weights cast in the shape of elephants (page 47). Previous page A sampling of decorative boxes that the Annenbergs received as gifts over the decades. TREASURES AT SUNNYLANDS: SELECTIONS FROM THE GIFT COLLECTION OF WALTER & LEONORE ANNENBERG January 25, 2015 through January 17, 2016 by Anne Rowe Text, design, and all images copyright © The Annenberg Foundation Trust at Sunnylands 2014. An illustration of Washington, D.C. from First published in 2014 by The Annenberg Foundation Trust at Sunnylands, the interior of the decoupage presentation 71231 Tamarisk Lane, Rancho Mirage, CA 92270, United States of America. box given to the Annenbergs by All rights reserved. No part of this book may be reproduced or utilized, in any form or by any Jay and Sharon Rockefeller (page 51). means, electronic or mechanical, without prior permission in writing from the publisher. Library of Congress Control Number: 2014951183 ISBN: 978-0-9858429-9-4. Printed in the United States of America. Book and cover design by JCRR Design. Contents The Annenberg Retreat at Sunnylands by Geoffrey Cowan page 6 Walter and Leonore Annenberg by Janice Lyle, Ph.D. page 6 Treasures at Sunnylands by Anne Rowe pages 7 – 17 Gifts from Presidents & First Ladies pages 18 – 27 Gifts from Royalty pages 28 – 33 Gifts from Diplomats pages 34 – 43 Gifts from Business Leaders pages 44 – 53 Gifts from Entertainers pages 54 – 59 Gifts from Family pages 60 – 63 Acknowledgments page 64 This eighteenth-century silver creamer was a gift from David Rockefeller (page 45). 5 The Annenberg Retreat at Sunnylands Walter and Leonore Annenberg For more than forty years, Sunnylands served as Sunnylands was the winter home of Walter and an oasis for presidents of the United States, other Leonore Annenberg. -
The Loeb and Leopold Trial Daniel Hanson Parkland College
Parkland College A with Honors Projects Honors Program 2013 The Loeb and Leopold Trial Daniel Hanson Parkland College Recommended Citation Hanson, Daniel, "The Loeb and Leopold Trial" (2013). A with Honors Projects. 105. http://spark.parkland.edu/ah/105 Open access to this Article is brought to you by Parkland College's institutional repository, SPARK: Scholarship at Parkland. For more information, please contact [email protected]. 1 Daniel Hanson History 105 9th December, 2013 “The Loeb and Leopold Trial” It was summer in Chicago; the year was 1924. Two precocious University of Chicago students, young men from tremendous privilege and possessing of superior intellect, plotted the perfect crime. They would kidnap a boy from a prestigious family, and forge a ransom note. But their motives were so easily explainable; the ransom was worthless to them. This was purely a thrill kill, a crime stemming from the troubled childhoods and misappropriated philosophies that the pair adhered to. Even by the standard of other murders, this was truly senseless crime. To Loeb and Leopold, it represented a triumph of their remarkable aptitudes over the inherent inferiority of the rest of society. This was the act of the ubermensch, the Nietzschean archetype who transcended the bourgeois morality of the commoner. Unfortunately for Loeb and Leopold, their nihilistic aspirations could not supersede the reality of their own arrogance, and “the perfect crime” was not to be. What would ensue from their subsequent arrest, trial, and sentence to “life plus 99 years” would have implications far broader than the crime itself. This trial became the focus of the nascent culture war brewing in the 1920’s, a culture war that pitted radically different philosophies against each other in a battle that would come to forever alter American conceptions of crime and punishment. -
A1the Eye in Detail
A. The Eye A1. Eye in detail EYE ANATOMY A guide to the many parts of the human eye and how they function. The ability to see is dependent on the actions of several structures in and around the eyeball. The graphic below lists many of the essential components of the eye's optical system. When you look at an object, light rays are reflected from the object to the cornea , which is where the miracle begins. The light rays are bent, refracted and focused by the cornea, lens , and vitreous . The lens' job is to make sure the rays come to a sharp focus on the retina . The resulting image on the retina is upside-down. Here at the retina, the light rays are converted to electrical impulses which are then transmitted through the optic nerve , to the brain, where the image is translated and perceived in an upright position! Think of the eye as a camera. A camera needs a lens and a film to produce an image. In the same way, the eyeball needs a lens (cornea, crystalline lens, vitreous) to refract, or focus the light and a film (retina) on which to focus the rays. If any one or more of these components is not functioning correctly, the result is a poor picture. The retina represents the film in our camera. It captures the image and sends it to the brain to be developed. The macula is the highly sensitive area of the retina. The macula is responsible for our critical focusing vision. It is the part of the retina most used.