Oberlin Digital Commons at Oberlin Honors Papers Student Work 2013 The Performance and Perception of Social Identities in Country- Rap Music Rachel Grandstrand Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the Musicology Commons Repository Citation Grandstrand, Rachel, "The Performance and Perception of Social Identities in Country-Rap Music" (2013). Honors Papers. 324. https://digitalcommons.oberlin.edu/honors/324 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact
[email protected]. The Performance and Perception of Social Identities in Country-Rap Music Rachel Grandstrand Honors in Musicology Advisor: Jennifer Fraser April 2013 2 Table of Contents 1. Introduction ............................................................................................................. 3 2. Sounds and Cultural Practices in the Definition of “Genre” ................................... 10 Genre as Musical Style and Generic Space ...................................................... 13 3. Social Constructions of Authenticity ....................................................................... 22 Definitions of Authenticity within Academia ..................................................... 24 Authenticity, Genre, and Semiotics ..................................................................