Congressional Record—Senate S9464
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MAKING IT HAPPEN in NEW YORK CITY
PURCHASE COLLEGE MAGAZINE | THINK WIDE OPEN FALL/WINTER 2014 MAKING IT HAPPEN in NEW YORK CITY PLUS: 2010 Graduates Talk about the Impact of College ... FOUR YEARS IN AND FOUR YEARS OUT LOOKING GOOD: The Newly Renovated Campus Plaza Boasts Green Grass, Blooming Trees, and Open Pathways. TABLE [THIS MOMENT] OF CONTENTS Pursuits 1 IN TIME By Thomas J. Schwarz Making It Happen in New York City 5 Purchase has a lot to offer, but the value of our location News Briefs 12 and its proximity to New York stand out among our greatest assets. Our students can hop on a train and Four Years In and Four Years Out 17 thirty-five minutes later find themselves in one of the greatest hubs of ideas, culture, and commerce on the Looking Good 22 planet. Equally appealing is the ability to return to our lush campus away from the distractions of New York City to recharge, focus, and apply what’s been absorbed, Alumni in Action 24 whether on stage or in the classroom, studio, or laboratory. In Making It Happen in New York City, Neuberger Museum of Art 29 you’ll find a few of our many New York stories—alumni, students, and faculty and their connections to New York City. The Performing Arts Center 29 Following a recent screening of the documentary film Ivory Tower at the Jacob Burns Film Center, I participated COVER PHOTOGRAPHY in a discussion about the importance in 2014 of earning a college degree. BY KELLY CAMPBELL While student debt is a harsh reality and financial concern for many prospective students, it should not overshadow the benefits a college On the Cover: Dan DeGloria ‘01 and his company degree provides. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Inside Greenwich Village: a New York City Neighborhood, 1898-1918 Gerald W
University of Massachusetts Amherst ScholarWorks@UMass Amherst University of Massachusetts rP ess Books University of Massachusetts rP ess 2001 Inside Greenwich Village: A New York City Neighborhood, 1898-1918 Gerald W. McFarland Follow this and additional works at: https://scholarworks.umass.edu/umpress_books Part of the History Commons, and the Race and Ethnicity Commons Recommended Citation McFarland, Gerald W., "Inside Greenwich Village: A New York City Neighborhood, 1898-1918" (2001). University of Massachusetts Press Books. 3. https://scholarworks.umass.edu/umpress_books/3 This Book is brought to you for free and open access by the University of Massachusetts rP ess at ScholarWorks@UMass Amherst. It has been accepted for inclusion in University of Massachusetts rP ess Books by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Inside Greenwich Village This page intentionally left blank Inside Greenwich Village A NEW YORK CITY NEIGHBORHOOD, 1898–1918 Gerald W. McFarland University of Massachusetts Press amherst Copyright ᭧ 2001 by University of Massachusetts Press All rights reserved Printed in the United States of America LC 00-054393 ISBN 1–55849-299–2 Designed by Jack Harrison Set in Janson Text with Mistral display by Graphic Composition, Inc. Printed and bound by Sheridan Books, Inc. Library of Congress Cataloging-in-Publication Data McFarland, Gerald W., 1938– Inside Greenwich Village : a New York City neighborhood, 1898–1918 / Gerald W. McFarland. p. cm. Includes bibliographical references (p. ) and index. ISBN 1–55849-299–2 (alk. paper) 1. Greenwich Village (New York, N.Y.)—History—20th century. 2. Greenwich Village (New York, N.Y.)—Social conditions—20th century. -
Viewed Through the UAF Web Site
Report to the U.S.Congress for the Year Ending December 31,2006 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage April 6, 2007 Dr. James H. Billington The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Billington: In accordance with Public Law 109-9 (Title IIIB), The National Film Preservation Foundation Reauthorization Act of 2005, I submit to the U.S. Congress the 2006 Report of the National Film Preservation Foundation. As you know, the 2005 legislation increased the annual federal funding for our national preservation programs to $530,000. These resources have made a significant difference. This past year, we were able not only to assist more institutions but also to support larger, more complex projects, such as the restoration of the silent-era classic Huckleberry Finn and newly discovered small-town portraits by itinerant filmmaker H. Lee Waters. All told, the NFPF has now helped 150 archives, libraries, and museums across 38 states to save historically and culturally significant films that might otherwise have been lost to the public. The Library of Congress took extraordinary steps to secure full funding for our first year under the reauthorization, and we are deeply grateful for your leadership. This past year also marked a watershed for cooperative access projects. We published The Field Guide to Sponsored Films, the first introduction to the motion pictures commissioned by businesses, charities, and advocacy groups over the past century, and began work on two more DVD sets of long-unavailable films. -
Of Thetheatre Morton Dacosta’S Production of Meredith Willson’S
VOICE Journal of the Alex Film Society Vol. 12, No. 2 July 29, 2006, 2 pm & 8 pm 07/06 of theTHEATRE Morton DaCosta’s production of Meredith Willson’s Perspective: ROBERT PRESTON By Linda Harris Imagine The Music Man without he is efficient, inventive and a help to the authors,’’ the Robert Preston as Professor Harold Hill! critic Walter Kerr wrote of his work. Preston remarked, “The critics all came to see the Hollywood actor fall It almost happened. on his butt, I guess. Just the fact that I didn’t got me First some background. While appearing in ‘’Idiot’s decent notices.” Delight” at the Pasadena Community Theatre, Robert In 1951, stage producers Martin and Feuer Preston was spotted by a talent scout and signed to a suggested that Meredith Willson write a musical motion-picture contract with comedy about his Iowa boyhood. With his Paramount. His first major role ‘’Preston has energy and he has common touch it was sure to be a hit they was in Cecil B. DeMille’s Union said. Seven years and thirty revisions later, Pacific (1939) playing Barbara reality,’’ the director observed. he finally got what turned out to be, The Stanwyck’s husband. ‘’He’s an actor who can project Music Man, which Willson said was “An ‘’I’d get the best role in himself larger than life”. Iowan’s attempt to pay tribute to his home every B picture and the second state.” best in the A pictures,’’ he later recalled. Important parts Willson’s producers approached Milton Berle, Art in Beau Geste (1939), Northwest Mounted Police (1940) Carney, Danny Kaye, Phil Harris and Ray Bolger was to and This Gun For Hire (1942) found him supporting play the brass, fast-talking con man – Professor Harold Gary Cooper, Alan Ladd and other major stars of the Hill – they all turned it down. -
EX ALDERMAN NEWSLETTER 188 and CHESTERFIELD 133 by John
EX ALDERMAN NEWSLETTER 188 AND CHESTERFIELD 133 By John Hoffmann August 10, 2015 ALDERMEN DON'T LIKE WHAT THEY SEE ON WEBSITE: At the July 27 Board of Aldermen meeting there was the second reading and vote on a conditional use permit allowing the St. Louis Spine and Orthopedic Surgery Center continue operating in the Town and Country Commons (where the Post Office and the Charter Cable customer service office are located) under new ownership. Several alderpersons were upset with a website that was already up and running for the facility. Here is the website and a close up of the problem. In the bill the hours of operation were from 6 am to 9 pm. This is similar to the hours of operation for the new BJC/Children's Hospital hours of operation. Several alderpersons did not like that the website was advertising overnight stays. St. Louis Spine and Orthopedic Surgery Center agreed to remove that from the website. 13 days later it was still on the website. However under "Office policies" it lists "Hours of Operation" as 7am to 5pm, but offers overnight stays. 1 The bill was amended and when voted on read, "Observation stays up to 5 patients for up to 23 hours." This passed on a 6-1 vote with Linda Rallo voting no. It is interesting that the aldermen gave this operation better hours than the St. Louis region's largest hospital group which just opened their new children's surgery center on Mason Road and I-64. TELLING TIME THE SKIP MANAGE WAY: If you remember a couple of weeks ago we wrote how Alderman Skip Mange wrote in the city newsletter a piece on the history of Town and Country. -
HUDSON THEATER, 139-141 West 44Th Street, Manhattan
Landmarks Preservation Commission November 17, 1987; Designation List 196 LP-1340 HUDSON THEATER, 139-141 West 44th Street, Manhattan. Built 1902-04; architects J.B. McElfatrick & Son and Israels & Harder. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 15. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Hudson Theater and the proposed designation of the related Landmark Site (Item No. 36). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-two witnesses spoke or read statements into the record in favor of designation. One witness spoke in opposition to designation. The then owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Hudson Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1902-04, the Hudson was part of a burst in theater construction that shaped the character of Times Square as the new heart of New York's theater district. It survives today as one of the very few turn-of-the-century theaters in the Broadway/Times Square area. The Hudson was bui 1 t for Henry B. Harris, one of the era's top Broadway producers. Harris, who grew up in Boston, worked in theaters in Boston and on the road, managing such stars as Lilly Langtry. -
Report to the U.S. Congress for the Year Ending December 31, 2017 Contents
Report to the U.S. Congress for the Year Ending December 31, 2017 Contents September 3, 2018 Dr. Carla Hayden Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Hayden: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2016 (P.L. 114-217), I submit to the U.S. Congress 02 Twenty Years of Grant Giving the 2017 Report of the National Film Preservation Foundation. 04 Why Preserve Film? Americans have been making films for more than 120 years, but it is only in the last 30 that we have rallied to save those images. In 1996, Congress created the NFPF to help 06 Expanding Access archives, libraries, and museums to rescue this history and share it with the public. Thanks to federal funding secured through the Library of Congress, entertainment 08 Community of Support industry and foundation support, and the unwavering dedication of preservationists, there is much good news to report. 10 Films Preserved through the NFPF As of 2017, the NFPF programs have preserved more than 2,350 motion pictures— 40 Financial Statements newsreels, actualities, cartoons, silent-era productions, avant-garde films, home movies, and other independent works that might otherwise have faded from public 42 Contributors memory. Tremendous credit is due to the 300 public institutions that have taken part in our programs to save culturally significant motion pictures. Once copied to film 44 Board of Directors & Staff stock and safely archived, the works begin a new life through teaching, exhibition, broadcast, DVD, and most especially these days, the Internet.