Stardigio Program

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スターデジオチャンネル:４４５モダンジャズ放送日：２０１９/０８/２６～２０１９/０９/０１｢番組案内（３時間サイクル）｣開始時間：4：00～/7：00～/10：00～/13：00～/16：00～/19：00～/22：00～/25：00～楽曲タイトル演奏者名 ■サマージャズセレクション(9) ～夏の終わり聴きたいジャズスタンダード～ YOU AND THE NIGHT AND THE MUSIC （あなたと夜と音楽と） BILL EVANS with PHILLY JOE JONES ORSON'S THEME MICHEL LEGRAND SUMMERTIME MILES DAVIS I SHOULD CARE MILT JACKSON QUARTET (Milt Jackson, Horace Silver, Percy Heath, Connie Kay) NARDIS (take 5) JULIAN ADDERLEY QUINTET Too Young to Go Steady John Coltrane Quartet (John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones) IT COULD HAPPEN TO YOU Jay Jay Johnson IF YOU COULD SEE ME NOW BILL EVANS TRIO (Bill Evans, Chuck Israels, Paul Motian) SUMMER NIGHT MILES DAVIS MY ONE AND ONLY LOVE Horace Silver Quintet I'M JUST A LUCKY SO AND SO WES MONTGOMERY STELLA BY STARLIGHT Bill Evans, Shelly Manne, Eddie Gomez TEMPO DE WALTZ LEE MORGAN THE MORE I SEE YOU HANK MOBLEY ALMOST LIKE BEING IN LOVE CHET BAKER (from Brigadoon) -恋をしてみたい- WHEN SUNNY GETS BLUE DUKE PEARSON THE SUMMER KNOWS [おもいでの夏] ART FARMER EAST OF THE SUN (WEST OF THE MOON) (mono) Zoot Sims Quartet (Zoot Sims, Harry Biss, Clyde Lombardi, Art Blakey) ON GREEN DOLPHIN STREET WYNTON KELLY TRIO & SEXTET ILL WIND THAD JONES THE THRILL IS GONE RAY BRYANT TRIO (Ray Bryant, Ike Isaacs, Specs Wright) ON A CLEAR DAY SONNY CRISS I WISH I KNEW BLUE MITCHELL IN A SENTIMENTAL MOOD Duke Ellington & John Coltrane MY SHIP STANLEY TURRENTINE OLD FOLKS MILES DAVIS I'VE NEVER BEEN IN LOVE BEFORE SONNY RED PENTHOUSE SERENADE JIMMY SMITH HAVE YOU MET MISS JONES? ILLINOIS JACQUET MY MAN'S GONE NOW BILL EVANS & JIM HALL EVERYTIME WE SAY GOODBYE JOHN COLTRANE *著作権法上、番組の録音は個人的に楽しむ場合を除き禁じられています。.

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CONGRESSIONAL RECORD— Extensions of Remarks E1492 HON. DENNIS J. KUCINICH HON. DALE E. KILDEE HON. ROBERT HURT HON. DENNIS J
E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development.
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88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates.
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ART FARMER NEA Jazz Master (1999)
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.
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Buster Williams Biography
Buster Williams Biography Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones, Lee Morgan, Jimmy Rowles, Hampton Hawes, Cedar Walton, Bobby Hutcherson, Billy Taylor, Sonny Rollins, Count Basie, Errol Garner, Kenny Barron, Charlie Rouse, Dakota Staton, Kenny Dorham, and Freddie Hubbard, to name a few. Mr. Williams has recorded soundtracks for movies including Les Choix des Armes; McKenna’s Gold with Gregory Peck; David Lynch’s, Twin Peaks ”Fire Walk With Me”; Spike Lee’s Clockers, and more. Television commercials include Coca-Cola, Old Spice, Tott’s Champagne, Prudential Insurance, Chemical Bank, Alpo Dog Food, HBO, and Budweiser Beer. TV shows include an appearance on the Johnny Carson Tonight Show, with Errol Garner; and the Jay Leno Tonight Show, where he performed five of his original compositions with the Branford Marsalis Tonight Show Band. Other television shows include Sesame Street, with Joe Williams; A&E (Arts and Enter - tainment), with Bill Cosby; The Joan Rivers Show, with Bill Cosby; The Andy Williams Show, with Nancy Wilson; the Joey Bishop Show; the Grammy Awards, with Herbie Hancock, Tony Williams and Bobby McFerrin; the Mike Douglas Show; the Today Show; etc. Awards include a Grammy in 1979; the Min-On Art Award; the SGI Glory Award the SGI Cultural Award; the RVC Corporation RCA Best Seller Award; NEA recipient; New York Fellowship Grant; 5 Stars from Downbeat magazine for the album Crystal Reflections , listed in Who’s Who in Black America; and numerous proclamations.
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Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).
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Jazzflits 01 09 2003 - 01 09 2020
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West African Music in the Music of Art Blakey, Yusef Lateef, and Randy Weston
West African Music in the Music of Art Blakey, Yusef Lateef, and Randy Weston by Jason John Squinobal Batchelor of Music, Music Education, Berklee College of Music, 2003 Master of Arts, Ethnomusicology, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Ethnomusicology University of Pittsburgh 2009 ffh UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Jason John Squinobal It was defended on April 14, 2009 and approved by Dr. Nathan T. Davis, Professor, Music Department Dr. Akin Euba, Professor, Music Department Dr. Eric Moe, Professor, Music Department Dr. Joseph K. Adjaye, Professor, Africana Studies Dissertation Director: Dr. Nathan T. Davis, Professor, Music Department ii Copyright © by Jason John Squinobal 2009 iii West African Music in the Music of Art Blakey, Yusef Lateef, and Randy Weston Jason John Squinobal, PhD University of Pittsburgh, 2009 Abstract This Dissertation is a historical study of the cultural, social and musical influences that have led to the use of West African music in the compositions and performance of Art Blakey, Yusef Lateef, and Randy Weston. Many jazz musicians have utilized West African music in their musical compositions. Blakey, Lateef and Weston were not the first musicians to do so, however they were chosen for this dissertation because their experiences, influences, and music clearly illustrate the importance that West African culture has played in the lives of African American jazz musicians. Born during the Harlem Renaissance each of these musicians was influenced by the political views and concepts that predominated African American culture at that time.
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Finding Aid to the Historymakers ® Video Oral History with Jimmy Heath
Finding Aid to The HistoryMakers ® Video Oral History with Jimmy Heath Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Heath, Jimmy Title: The HistoryMakers® Video Oral History Interview with Jimmy Heath, Dates: January 17, 2017 Bulk Dates: 2017 Physical 5 uncompressed MOV digital video files (2:28:45). Description: Abstract: Musician and jazz composer Jimmy Heath (1926 - ) was known for his jazz and bebop contributions, notably his pieces “C.T.A.” and “Gingerbread Boy,” and as a member of the Heath Brothers. He was the first jazz musician to receive an honorary doctorate in music from the Juilliard School in New York. Heath was interviewed by The HistoryMakers® on January 17, 2017, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2017_002 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Musician and jazz composer Jimmy Heath was born on October 25, 1926 in Philadelphia, Pennsylvania to Arlethia and Percy Heath Sr. He attended Walter George Smith School in South Philadelphia and graduated from Williston Industrial School in Wilmington North Carolina in 1943. As a teenager, Heath took music lessons and played the alto saxophone in the high school marching band. He also played in a jazz band called the Melody Barons school marching band. He also played in a jazz band called the Melody Barons and toured with the Calvin Todd Band in 1945, before joining a dance band in Omaha, Nebraska led by Nat Towles.
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CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 Sharing the Stage with Coleman Hawkins, 2010 Resignation
E1492 CONGRESSIONAL RECORD — Extensions of Remarks September 12, 2012 sharing the stage with Coleman Hawkins, 2010 resignation. In 2009, he retired as Dep- RECOGNIZING VIRGINIA Slam Stewart, and Erroll Garner. One of the uty Court Administrator of Ohio’s Eighth Dis- INDUSTRIES FOR THE BLIND earliest of Mr. Heath’s own big bands (1947– trict Court of Appeals in order to fulfill a cam- 48) in Philadelphia included John Coltrane, paign promise for his election to the Cuyahoga HON. ROBERT HURT Benny Golson, Specs Wright, Cal Massey, County Council. OF VIRGINIA Johnny Coles, Ray Bryant, and Nelson Boyd. Councilman Gallagher was elected to the IN THE HOUSE OF REPRESENTATIVES He also played with and composed for Dizzy Wednesday, September 12, 2012 Gillespie, Miles Davis, Kenny Dorham, Milt Cuyahoga County Council in 2010 and is now Jackson, and Art Blakey. During his career, the Chair of the Public Safety Committee. Mr. HURT. Mr. Speaker, I rise today to rec- Mr. Heath has performed on more than 100 Some of his achievements outside of public ognize Virginia Industries for the Blind, an record albums, including 7 with The Heath office include his membership in the Ability One organization that began in Char- Brothers and 12 as a leader. He has also writ- Strongsville Rotary Club and Strongsville lottesville that empowers blind and visually im- ten more than 125 compositions, many of Chamber of Commerce. He has served as a paired Virginians in achieving their maximum which have become jazz standards, including Trustee on the Hospital Board of Southwest level of employment and career development.
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Hank Mobley – Swing University Listening List
Hank Mobley – Swing University Listening List Photo: Francis Wolff ©Mosaic Images LLC/mosaicrecordsimages.com Part 1 1. “Good Night, Irene” a. Paul Gayten and his Orchestra, Regal (1950) b. Arranged by Hank Mobley 2. “Sfax” & “Orientation” a. Max Roach Septet, Debut (April 10, 1953) b. Idrees Sulieman (tpt) c. Leon Comegys (tbn) d. Gigi Gryce (alto, flute) e. Hank Mobley (tenor) f. Walter Davis, Jr. (pn) g. Franklin Skeete (b) h. Max Roach (dr) 3. “Ow” a. Hank Mobley Quintet, Newark 1953, Uptown (September 28, 1953) b. Bennie Green (tbn) c. Hank Mobley (tenor) d. Walter Davis, Jr. (pn) e. Jimmy Schenck (b) f. Charli Persip (dr) 4. “Hey Pete” a. Dizzy Gillespie Quintet, Jazz Recital, Norgran (May 25, 1954) b. Dizzy Gillespie (tpt, vocals) c. Hank Mobley (tenor) d. Wade Legge (pn) e. Lou Hackney (b) f. Charli Persip (dr) 5. “Hankerin’” & “Creepin’ In” a. Horace Silver and the Jazz Messengers, Blue Note (November 13, 1954) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 6. “Walkin’ the Fence” & “Just Coolin’” a. Hank Mobley Quartet, Blue Note (March 57, 1955) b. Hank Mobley (tenor) c. Horace Silver (pn) d. Doug Watkins (b) e. Art Blakey (dr) 7. “Soft Winds” & “Avila & Tequila” a. The Jazz Messengers at the Café Bohemia, Blue Note (November 23, 1955) b. Kenny Dorham (tpt) c. Hank Mobley (tenor) d. Horace Silver (pn) e. Doug Watkins (b) f. Art Blakey (dr) 8. “Taking a Chance on Love” a. Rita Reys with Art Blakey and the Jazz Messengers, The Cool Voice of Rita Reys, Philips (May 3, 1956) b.
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Benny Golson
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Red Garland Lil' Darlin' Mp3, Flac, Wma
Red Garland Lil' Darlin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lil' Darlin' Country: Japan Released: 1981 Style: Bop, Cool Jazz MP3 version RAR size: 1711 mb FLAC version RAR size: 1983 mb WMA version RAR size: 1101 mb Rating: 4.2 Votes: 164 Other Formats: MMF FLAC AUD MOD APE ASF DTS Tracklist A1 Lil' Darlin' A2 We Kiss In A Shadow B1 Blues In The Closet B2 Like Someone In Love Companies, etc. Manufactured By – Victor Musical Industries, Inc. Credits Bass – Jimmy Rowser Design – Don Schlitten Drums – Specs Wright Liner Notes [Mar. 1965] – John D. Monroe Photography By [Photo] – Esmond Edwards Piano – Red Garland Recorded By – Rudy Van Gelder Notes Recorded live on Oct. 2, 1959 at Club Prelude, NYC. Barcode and Other Identifiers Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Lil' Darlin' (LP, Album, ST 8314 Red Garland Status Records ST 8314 US 1965 Mono) Lil' Darlin' (LP, Album, Mono, Status Records , SLP-58 Red Garland SLP-58 Japan 1989 RE) Prestige Related Music albums to Lil' Darlin' by Red Garland Red Garland - At The Prelude John Coltrane With The Red Garland Trio - Traneing In Red Garland - Rediscovered Masters, Volume 2 The Red Garland Quintet - All Mornin' Long John Coltrane With Red Garland - Soultrane Red Garland - When There Are Grey Skies Red Garland - Red Garland's Piano The Red Garland Trio - It's A Blue World The Red Garland Quintet Featuring John Coltrane And Donald Byrd - Jazz Junction Red Garland - All Kinds Of Weather.
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