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SINO-JAPANESE TRADE in the EARLY TOKUGAWA PERIOD By
SINO-JAPANESE TRADE IN THE EARLY TOKUGAWA PERIOD KANGO, COPPER, AND SHINPAI by YUN TANG B.A., Jilin University, 1982 M.A., Jilin University, 1985 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of History) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 1995 ©Yun Tang, 1995 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date AoriLny?. ,MC DE-6 (2/88) ABSTRACT This thesis surveys Sino-Japanese relations in the early Tokugawa period with a specific focus on transactions in the major commodity--copper--between the two countries. The main purpose of the research is to investigate the bilateral contact in the early Tokugawa, the evolution of the copper trade, the political events involved with the trade, and to reexamine the significance of sakoku (seclusion) policy of Japan from a Chinese perspective. This thesis first explores the efforts of the shogunate from 1600 to 1625 towards reopening the kango or tally trade with China which had been suspended in the previous Muromachi period. -
SFU Thesis Template Files
Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace by Yang Tang B.A., Beijing Normal University, 2010 Thesis Submitted In Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Humanities Faculty of Arts and Social Sciences Yang Tang 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Yang Tang Degree: Master of Arts (Humanities) Title of Thesis: Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace Examining Committee Chair: Samir Gandesha Professor ____________________________________________ Shuyu Kong Senior Supervisor Associate Professor ____________________________________________ Helen Hok-Sze Leung Supervisor Associate Professor ___________________________________________ Lena Henningsen External Examiner Junior Professor Institute of Chinese Studies University of Freiburg Date Defended: May 1, 2014 ii Partial Copyright Licence iii Abstract The popularity of time-travel romance genre in Chinese cyberspace has become a phenomenon in recent years. Between Fantasy and Reality examines the most-read time-travel romance texts, fans’ participation and the affective space between the texts and their fans at Jinjiang Literature City. Going beyond traditional literary studies, this thesis analyzes fans’ interpretations, responses and discussions to reveal how much this literary practice has meant for young Chinese women on communal, cultural and social levels. I argue that there exists a motive of utopian realism behind their daily practices. Focusing on Web-based romance reading and writing, my thesis also reveals the new trends of Chinese popular literature. Keywords: Web literature; time-travel romance; media fandom; the post-1980s generation; virtual literary community iv Dedication To my dear partner Vincent, And the post-1980s generation of China. -
Buddhist Revival in China: Values of the Development of Mount Wutai By
Buddhist Revival in China: Values of the Development of Mount Wutai by Chunyu Zhang A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology Department of Anthropology University of Alberta © Chunyu Zhang, 2016 Abstract In China, the Chinese Communist Party (中國共產黨 CCP) has created a complicated administrative system to control religion. The CCP severely regulated and almost eradicated a number of religious groups during the Cultural Revolution (文化大革命). In the early 1980s, however, religion was allowed to slowly revive under the leadership of Deng Xiaoping (鄧小平). The CCP adopted a series of moderate policies on religious affairs and began to exploit the secular values of religion, including Buddhism and Buddhist sacred sites, to serve the Party-state. This thesis explores the Chinese government’s approach to the management of religion through the case of Mount Wutai (五臺山), a traditional Buddhist sacred mountain in China. Historically Mont Wutai was an important site for Tibetan and Mongolian Buddhists. Today the Buddhist monasteries are the site of active religious communities, but Mount Wutai also is a UNESCO World Heritage site and a destination for tourists. The thesis explores the ways that Mount Wutai has developed since 1980s under the influence of both Buddhist revivalism and politically-motivated secularization.1 The thesis demonstrates that the political environment has changed precisely because the government now recognizes Mount Wutai’s secular values, and investigates the development of Mount Wutai in light of its economic and political values to the government, the local community, and the local Buddhist community. -
Westminsterresearch
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by WestminsterResearch WestminsterResearch http://www.westminster.ac.uk/research/westminsterresearch Beyond totalitarian nostalgia: a critical urban reception study of historical drama on contemporary Chinese television Dawei Guo School of Media, Arts and Design This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2012. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e- mail [email protected] BEYOND TOTALITARIAN NOSTALGIA: A Critical Urban Reception Study of Historical Drama on Contemporary Chinese Television DAWEI GUO A thesis submitted in partial fulfillment of the requirements of the University of Westminster for the degree of Doctor of Philosophy February 2012 ABSTRACT From the mid-1990s a wave of dramatic serials featuring the legendary figures of China‘s bygone dynasties has emerged in dramatic programming on Chinese primetime television. -
The Development of the Memorial and the Oracle in the Early Qing Dynasty
The Frontiers of Society, Science and Technology ISSN 2616-7433 Vol. 2, Issue 8: 35-39, DOI: 10.25236/FSST.2020.020807 The Development of the Memorial and the Oracle in the Early Qing Dynasty Xiaohan Zhang1, Jing Yang2*, Weiqiang Zhuang3, Jian Yin4, Xuan Zhang5, Yuhang Li6 1 School of Navigation Shandong Jiao Tong University, Wehai 264200, China 2 School of Navigation Shandong Jiao Tong University, Wehai 264200, China 3 School of Shenzhenpolytechnic, Shanwei516600, China 4 School of Henan Polytechnic University, Jiaozuo454003, China 5 School of Wenzheng College of Soochow University, Suzhou215000, China 6 School of Taiyuan University of Science and Technology, Taiyuan03000, China *Corresponding Author ABSTRACT. Memorials, as an official document in the Qing Dynasty, began in Shunzhi, became a system in Kangxi, and was not abolished until Qing Dynasty, which has a history of more than 200 years. Because of its classification and various forms, it deals with wide range of aspects. This paper sums up the development and changes of memorial system in the early Ming Dynasty from the perspective of Memorial, Summed up the characteristics of the memorial system in each dynasty. KEYWORDS: Memorials, Early qing dynasty development 1. Systems of Memorial 1.1 The Formation and Development of Memorials in Qing Dynasty In the early years of Shunzhi, the type and format of memorials were formally emphasized. The subjects have the memorials of those who are not aware of them. All the legitimate affairs are the subject.”[1] The performance of the title can be distinguished by its capacity. Because the performance of the title is a business, it has to be sealed, which is also different from that of the memorial.In addition, drawing on the characteristics of the Ming Dynasty's prohibition of red tape, Shunzhi had a regulation in the second year: “all internal and external officials write this chapter. -
China Multi-Generational Panel Dataset, Liaoning (CMGPD-LN), 1749-1909
ICPSR 27063 China Multi-Generational Panel Dataset, Liaoning (CMGPD-LN), 1749-1909 James Z. Lee Hong Kong University of Science and Technology. School of Humanities and Social Science Cameron D. Campbell University of California-Los Angeles. Department of Sociology, and California Center for Population Research Liaoning Basic File User Guide Inter-university Consortium for Political and Social Research P.O. Box 1248 Ann Arbor, Michigan 48106 www.icpsr.umich.edu Terms of Use The terms of use for this study can be found at: http://www.icpsr.umich.edu/cocoon/ICPSR/TERMS/27063.xml Information about Copyrighted Content Some instruments administered as part of this study may contain in whole or substantially in part contents from copyrighted instruments. Reproductions of the instruments are provided as documentation for the analysis of the data associated with this collection. Restrictions on "fair use" apply to all copyrighted content. More information about the reproduction of copyrighted works by educators and librarians is available from the United States Copyright Office. NOTICE WARNING CONCERNING COPYRIGHT RESTRICTIONS The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be "used for any purpose other than private study, scholarship, or research." If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. -
227 Bibliography
Bibliography Adler, Richard and Cater, Douglass, eds., Television as a Cultural Force (New York: Praeger, 1976) Altman, Rick, The American Film Musical (Bloomington: Indiana University Press, 1987) Altman, Rick, Film/Genre (London: BFI, 1999) Allen, Robert, ‘Bursting Bubbles: ‘Soap Opera’, Audiences, and the Limits of Genre’, in Remote Control: Television, Audiences and Cultural Power, eds. by Ellen Seiter, Hans Borchers, Gabriele Kreutzner, and Eva- Maria Warth (London and New York: Routledge, 1989), pp. 44-54. Allen, Robert, Channels of Discourse, Resembled: Television and Contemporary Criticism (London and New York: Routledge, 1992) Baidu, ‘Sanguo yanyi’ (Three Kingdoms) <http://baike.baidu.com/view/2372.htm> (in Chinese) [accessed 01July 2010] Bai, Ruoyun, Anticorruption Television Dramas: Between Propaganda and Popular Culture in Globalizing China (Ann Arbor, Michigan: ProQuest, 2007) Bai, Ruoyun and Song, Geng, eds, Chinese Television in the Twenty-First Century: Entertaining the Nation (Oxon: Routledge, 2015) Barmé, Geremie R, In the Red: On Contemporary Chinese Culture (New York: Columbia University Press, 1999) BBC, China Blasts Bush Policy <http://news.bbc.co.uk/1/hi/world/americas/1309441.stm> [accessed 02 January 2011] BBC, Chinese Press Slams US 'Arrogance' <http://news.bbc.co.uk/1/hi/world/monitoring/media_reports/1257908.stm> [accessed 02 January 2011] BBC, Beijing Bans Taiwanese Drama <http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/1868693.stm> [accessed 02 January 2011] Bentley, Jerry, Old World Encounters: Cross-Cultural Contacts and Exchanges in Pre-Modern Times (New York: Oxford University Press, 1993) Bens, E., Kelly, M. and Bakke, M. “Television Content: Dallasification of Cuture?” in Dynamics of Media Politics, eds., K. -
Political History TV Dramas and the Representation of Confucian China the Regulation, Emergence and Politics of a New Genre
Political History TV Dramas and the Representation of Confucian China The Regulation, Emergence and Politics of a New Genre Duo Luan (MA, BA) Director of Studies: Dr. Robert Shail Second Supervisor: Dr. Thomas Jansen Submitted to the University of Wales Trinity Saint David in partial fulfilment for the Degree of Doctor of Philosophy University of Wales Trinity Saint David 2017 0 Abstract In order to bridge the knowledge gap noted between Western and Chinese approaches to analysis of China’s TV media, this thesis sets out to propose an alternative methodological framework for investigation of the emergence, development and significance of a distinctive television genre categorised as ‘political history TV drama’ (PHTD), produced in Mainland China since the 1980s. Situating the genre in its historical and political contexts of production, I make particular reference to the orchestrating role of the Chinese state, the political re-articulation of Confucian values, and the reinventing of Chinese national identity. The thesis is composed of three parts. Part one includes the literature review of both Chinese and Western genre theory, followed by a discussion of further useful constructs to put in place the theoretical scaffolding for the study. In part two, the historical review concerns the production and political contexts of Chinese TV and TV drama in general. The third part applies this methodological framework to PHTD when contextualised in its Chinese setting, analysing its definitions, conventions, generic and cultural verisimilitudes, and hybridity. The third part is the core of the research, which investigates its rise to maturity, utilising a cultural and discursive account that encompasses: textual analysis; the study of its political and historical contexts; Chinese moral ideology and linguistics. -
Empire Without End: Imperial History Printed, Staged, and Screened in Modern China, 1900-Present
EMPIRE WITHOUT END: IMPERIAL HISTORY PRINTED, STAGED, AND SCREENED IN MODERN CHINA, 1900-PRESENT A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Kun Qian August 2009 © 2009 Kun Qian EMPIRE WITHOUT END: IMPERIAL HISTORY PRINTED, STAGED, AND SCREENED IN MODERN CHINA, 1900-PRESENT Kun Qian, Ph. D. Cornell University 2009 This study deals with the ways that writers and producers in the modern period have represented the pre-modern imperial past. It sets out to pose the question: what role has a historical way of thinking inherited from the pre-modern empire played in China’s continuous quest for modernity? In describing what in imperial history has been represented and how that has been represented during the modern period, this study attempts to explain why it was represented this way. It endeavors to theorize the historical continuity between traditional empire and modern nation-state, and address the tension between them. During the long journey of China toward modernity, historical representations have played an essential role in redefining China’s self-identity and imagining its place in the world. Throughout the modern period, despite different nominal characterizations about China’s social reality, be it a semi-colonial, semi-feudal society, a Marxist-Leninist-Maoist socialist state, or a market-economy-post-socialist country, there is a deeply rooted historical way of thinking that persisted throughout the modern era and determined the way modern China developed itself conceptually. This historical way of thinking constitutes an “imperial-time regime,” which deems unification as normal and takes the morality of each polity as the ultimate standard to judge its position in history. -
Edited by Ying Zhu, Michael Keane, and Ruoyun Bai Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong
Edited by Ying Zhu, Michael Keane, and Ruoyun Bai Hong Kong University Press 14/F Hing Wai Centre 7 Tin Wan Praya Road Aberdeen Hong Kong © Hong Kong University Press 2008 Hardback ISBN 978-962-209-940-1 Paperback ISBN 978-962-209-941-8 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Secure On-line Ordering http://www.hkupress.org Printed and bound by Kings Time Printing Press Ltd., Hong Kong, China. Hong Kong University Press is honoured that Xu Bing, whose art explores the complex themes of language across cultures, has written the Press’s name in his Square Word Calligraphy. This signals our commitment to cross-cultural thinking and the distinctive nature of our English-language books published in China. “At first glance, Square Word Calligraphy appears to be nothing more unusual than Chinese characters, but in fact it is a new way of rendering English words in the format of a square so they resemble Chinese characters. Chinese viewers expect to be able to read Square Word Calligraphy but cannot. Western viewers, however are surprised to find they can read it. Delight erupts when meaning is unexpectedly revealed.” — Britta Erickson, The Art of Xu Bing Contents Notes on Contributors ix Introduction 1 Ying Zhu, Michael Keane, and Ruoyun Bai I Tradition, History, and Politics 19 1.