The Buddhist Perspective of Interpritivism As a Philosophical Base for Social Science Research
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Navigating the Genealogies of Trauma, Guilt, and Affect: an Interview with Ruth Leys
Navigating the Genealogies of Trauma, Guilt, and Affect: An Interview with Ruth Leys Ruth Leys Marlene Goldman University of Toronto Quarterly, Volume 79, Number 2, Spring 2010, pp. 656-679 (Article) Published by University of Toronto Press For additional information about this article http://muse.jhu.edu/journals/utq/summary/v079/79.2.leys.html Access Provided by Duke University Libraries at 08/29/11 12:38PM GMT RUTH LEYS AND MARLENE GOLDMAN Navigating the Genealogies of Trauma, Guilt, and Affect: An Interview with Ruth Leys ABSTRACT In this interview, Ruth Leys discusses her career as a historian of science and her research on contemporary developments in the human sciences, including Trauma: A Genealogy, From Guilt to Shame: Auschwitz and After, and her current work on the genealogy of experimental and theoretical approaches to the affects from the 1960s to the present. Among the topics she covers are her inves- tigation of the role of imitation or mimesis in trauma theory; why shame has replaced guilt as a dominant emotional reference in the West; the ways in which the shift from notions of guilt to notions of shame has involved a shift from concern about actions, or what you do, to a concern about identity, or who you are; why the shift from agency to identity has produced as one of its consequences the replacement of the idea of the meaning of a person’s inten- tions and actions by the idea of the primacy of a person’s affective experience; the significance of the recent “turn to affect” in cultural theory; and why the new affect theorists are committed to the view that the affect system is funda- mentally independent of intention and meaning because they view it is a material system of the body. -
The Constitution and Revenge Porn
Pace Law Review Volume 35 Issue 1 Fall 2014 Article 8 Symposium: Social Media and Social Justice September 2014 The Constitution and Revenge Porn John A. Humbach Pace University School of Law, [email protected] Follow this and additional works at: https://digitalcommons.pace.edu/plr Part of the Constitutional Law Commons, Criminal Law Commons, First Amendment Commons, Internet Law Commons, Law and Society Commons, and the Legal Remedies Commons Recommended Citation John A. Humbach, The Constitution and Revenge Porn, 35 Pace L. Rev. 215 (2014) Available at: https://digitalcommons.pace.edu/plr/vol35/iss1/8 This Article is brought to you for free and open access by the School of Law at DigitalCommons@Pace. It has been accepted for inclusion in Pace Law Review by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. The Constitution and Revenge Porn John A. Humbach* “Many are those who must endure speech they do not like, but that is a necessary cost of freedom.”1 Revenge porn refers to sexually explicit photos and videos that are posted online or otherwise disseminated without the consent of the persons shown, generally in retaliation for a romantic rebuff.2 The problem of revenge porn seems to have emerged fairly recently,3 no doubt facilitated by the widespread practice of sexting.4 In sexting, people make and send explicit pictures of themselves using digital devices.5 These devices, in their very nature, permit the pictures to be easily shared with the entire online world. Although the move from sexting to revenge porn might seem as inevitable as the shifting winds * Professor of Law at Pace University School of Law. -
Cronicon OPEN ACCESS EC PAEDIATRICS Review Article
Cronicon OPEN ACCESS EC PAEDIATRICS Review Article Empathic Communication, its Background and Usefulness in Paediatric Care Cristina Lundqvist-Persson1,2* 1Skaraborg Institute for Research and Development Skövde, Sweden 2Department of Psychology, Lund University, Sweden *Corresponding Author: Cristina Lundqvist-Persson, Skaraborg Institute for Research and Development Skövde and Department of Psychology, Lund University, Sweden. Received: September 15, 2017; Published: October 12, 2017 Abstract Medical care today has made major medical achievements and this is welcome development. However, the development of medi- cal technology has created increasing problems in health care such as distance from the human, the person behind the disease and feelings of inadequacy. This means that we cannot always practice the care and treatment we intended and wished for. The aim with this article is to describe a tool, Empathic Communication, which facilitates understanding the person´s experiences, feelings and needs. Two cases are presented which illustrate, by using the tool Empathic Communication you could increase the quality of care, develop us as helpers, reduce our feelings of inadequacy and awaken the staffs´ sense of meaningfulness at work. Keywords: Empathic Communication; Paediatric Care Introduction A tool of empathic communication Lisbeth Holter Brudal, clinical specialist in psychology, developed in 2004 a tool for empathic communication to be used in health care and schools. After 10 years of practice with the tool, she published a book about the method in Norwegian [1], which was then translated into English [2]. The purpose of this tool Empathic Communication was to “prevent unfortunate consequences of reckless and non- professional com- munication in healthcare and schools.” She also stated that as a dialogue Empathic Communication is a kind of health promotion, because it creates conditions for change, growth and development in interpersonal relationships in general. -
DOCUMENT RESUME Dimensions of Interest and Boredom In
DOCUMENT RESUME ED 397 840 IR 018 028 AUTHOR Small, Ruth V., And Others TITLE Dimensions of Interest and Boredom in Instructional Situations. PUB DATE 96 NOTE 16p.; In: Prbceedings of Selected Research and Development Presentations at the 1996 National Convention of the Association for Educational Communications and Technology (18th, Indianapolis, IN, 1996); see IR 017 960. PUB TYPE Reports Research/Technical (143) Speeches/Conference Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Academic Achievement; Brainstorming; Cognitive Style; College Students; Educational Strategies; Higher Education; Instructional Development; *Instructional Effectiveness; Instructional Material Evaluation; *Learning Strategies; Likert Scales; Participant Satisfaction; Questionnaires; Relevance (Education); *Stimulation; Student Attitudes; *Student Motivation; Teacher Role; Teaching Methods IDENTIFIERS ARCS Model; *Boredom; Emotions ABSTRACT Stimulating interest and reducing boredom are important goals for promoting learning achievement. This paper reviews previous research on interest and boredom in educational settings and examines their relationship to the characteristics of emotion. It also describes research which seeks to develop a model of learner interest by identifying sources of "boring" and "interesting" leaming situations through analysis of learners' descriptions. Participants is, the study were 512 undergraduate and graduate students from two universities. Descriptive responses were elicited from 350 students through brainstorming -
Applying a Discrete Emotion Perspective
AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIVE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER Bachelor of Science in Psychology Ashland University May 2015 Submitted in partial fulfillment of requirements for the degree MASTER OF ARTS IN PSYCHOLOGY At the CLEVELAND STATE UNIVERSITY May 2019 We hereby approve this thesis For SARA E. LAUTZENHISER Candidate for the Master of Arts in Experimental Research Psychology For the Department of Psychology And CLEVELAND STATE UNIVERSITY’S College of Graduate Studies by __________________________ Eric Allard, Ph.D. __________________________ Department & Date __________________________ Andrew Slifkin, Ph. D. (Methodologist) __________________________ Department & Date __________________________ Conor McLennan, Ph.D. __________________________ Department & Date __________________________ Robert Hurley, Ph. D. __________________________ Department & Date Student’s Date of Defense May 10, 2019 AROUSAL OR RELEVANCE? APPLYING A DISCRETE EMOTION PERSPECTIE TO AGING AND AFFECT REGULATION SARA E. LAUTZENHISER ABSTRACT While research in the psychology of human aging suggests that older adults are quite adept at managing negative affect, emotion regulation efficacy may depend on the discrete emotion elicited. For instance, prior research suggests older adults are more effective at dealing with emotional states that are more age-relevant/useful and lower in intensity (i.e., sadness) relative to less relevant/useful or more intense (i.e., anger). The goal of the present study was to probe this discrete emotions perspective further by addressing the relevance/intensity distinction within a broader set of negative affective states (i.e., fear and disgust, along with anger and sadness). Results revealed that participants reported relatively high levels of the intended emotion for each video, while also demonstrating significant affective recovery after the attentional refocusing task. -
The Myth of Alpha Consciousness
The Myth of Alpha Consciousness Alpha brain-waves are marketed as a way to produce relaxation, healing, and meditative or occult states. In fact, they are related to activity in the visual system and have no proven curative or paranormal powers. Barry Beyerstein SYCHOPHYSIOLOGY SEEKS to understand how mechanisms in the nervous system mediate consciousness and behavior. Over Pthe years this hybrid field has seen many newly discovered brain processes reportedly linked with unique psychological states only to have further research reveal that the relationship is far more complex than suspected. Correcting these misinterpretations takes time, even in the pro fessional literature. Beyond the lab, it is even more difficult to retire obsolete notions about brain-behavior relationships when the popular press, profit motives, and a host of quasitheological beliefs conspire to perpetuate them. Alpha brain-waves and biofeedback are two areas in which such misapprehensions are legion: In the late 1960s a reawakened interest in altered states of conscious ness was buoyed by claims that patterns in the electroencephalogram (EEG) called "alpha waves" were indicators of meditative or psychic states. This, plus the understandable attraction of anything offering quick relief from anxiety and stress, spawned a multimillion-dollar industry aimed at teach ing people to maximize EEG alpha through a technique called biofeedback. This occurred despite a growing realization among psychophysiologists that the alleged benefits were based upon unsupported assumptions about alpha and despite growing reservations about the efficacy of biofeedback in general. Barry Beyerstein is in the Department of Psychology, Simon Fraser University, Burnaby, British Columbia. 42 THE SKEPTICAL INQUIRER, Vol. -
About Emotions There Are 8 Primary Emotions. You Are Born with These
About Emotions There are 8 primary emotions. You are born with these emotions wired into your brain. That wiring causes your body to react in certain ways and for you to have certain urges when the emotion arises. Here is a list of primary emotions: Eight Primary Emotions Anger: fury, outrage, wrath, irritability, hostility, resentment and violence. Sadness: grief, sorrow, gloom, melancholy, despair, loneliness, and depression. Fear: anxiety, apprehension, nervousness, dread, fright, and panic. Joy: enjoyment, happiness, relief, bliss, delight, pride, thrill, and ecstasy. Interest: acceptance, friendliness, trust, kindness, affection, love, and devotion. Surprise: shock, astonishment, amazement, astound, and wonder. Disgust: contempt, disdain, scorn, aversion, distaste, and revulsion. Shame: guilt, embarrassment, chagrin, remorse, regret, and contrition. All other emotions are made up by combining these basic 8 emotions. Sometimes we have secondary emotions, an emotional reaction to an emotion. We learn these. Some examples of these are: o Feeling shame when you get angry. o Feeling angry when you have a shame response (e.g., hurt feelings). o Feeling fear when you get angry (maybe you’ve been punished for anger). There are many more. These are NOT wired into our bodies and brains, but are learned from our families, our culture, and others. When you have a secondary emotion, the key is to figure out what the primary emotion, the feeling at the root of your reaction is, so that you can take an action that is most helpful. . -
25 Positive Emotions in Human-Product Interactions
ORIGINAL ARTICLE Faces of Product Pleasure: 25 Positive Emotions in Human-Product Interactions Pieter M. A. Desmet Delft University of Technology, Faculty of Industrial Design Engineering, Delft, The Netherlands The study of user emotions is hindered by the absence of a clear overview of what positive emotions can be experienced in human- product interactions. Existing typologies are either too concise or too comprehensive, including less than five or hundreds of positive emotions, respectively. To overcome this hindrance, this paper introduces a basic set of 25 positive emotion types that represent the general repertoire of positive human emotions. The set was developed with a componential analysis of 150 positive emotion words. A questionnaire study that explored how and when each of the 25 emotions are experienced in human-product interactions resulted in a collection of 729 example cases. On the basis of these cases, six main sources of positive emotions in human-product interactions are proposed. By providing a fine-grained yet concise vocabulary of positive emotions that people can experience in response to product design, the typology aims to facilitate both research and design activities. The implications and limitations of the set are discussed, and some future research steps are proposed. Keywords – Emotion-Driven Design, Positive Emotions, Questionnaire Research. Relevance to Design Practice – Positive emotions differ both in how they are evoked and in how they influence usage behaviour. Designers can use the set of 25 positive emotions to develop their emotional granularity and to specify design intentions in terms of emotional impact. Citation: Desmet, P. M. A. (2012). Faces of product pleasure: 25 positive emotions in human-product interactions. -
“Beauty Is How You Feel Inside”: Aesthetic Judgements Are Related to Emotional Responses to Contemporary Music
This is a repository copy of “Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/166417/ Version: Accepted Version Article: Egermann, Hauke orcid.org/0000-0001-7014-7989 and Reuben, Federico orcid.org/0000- 0003-1330-7346 (2020) “Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music. Frontiers in Psychology. 510029. ISSN 1664-1078 https://doi.org/10.3389/fpsyg.2020.510029 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Beauty is how you feel inside 1 Accepted Author Version to appear in Frontiers in Psychology, Emotion Sciences. doi: 2 10.3389/fpsyg.2020.510029 3 4 5 6 7 8 “Beauty is how you feel inside”: Aesthetic judgements are related to emotional 9 responses to contemporary music 10 11 Hauke Egermann & Federico Reuben 12 13 14 York Music Psychology Group, Music Science and Technology Research Cluster 15 Department of Music 16 University of York 17 United Kingdom 18 19 20 1 Beauty is how you feel inside 1 Abstract 2 While it has extensively been argued that aesthetic categories such as beauty have a 3 direct relationship to emotion, there has only been limited psychological research on the 4 relationship between aesthetic judgements and emotional responses to art. -
Self-Worth and Bonding Emotions Are Related to Well-Being in Health-Care
Weilenmann et al. BMC Medical Education (2021) 21:290 https://doi.org/10.1186/s12909-021-02731-7 RESEARCH ARTICLE Open Access Self-worth and bonding emotions are related to well-being in health-care providers: a cross-sectional study Sonja Weilenmann1,2* , Ulrich Schnyder2, Nina Keller1,2, Claudio Corda1,2, Tobias R. Spiller1,2, Fabio Brugger1,2, Brian Parkinson3, Roland von Känel1,2 and Monique C. Pfaltz1,2 Abstract Background: Interacting with patients can elicit a myriad of emotions in health-care providers. This may result in satisfaction or put providers at risk for stress-related conditions such as burnout. The present study attempted to identify emotions that promote provider well-being. Following eudaimonic models of well-being, we tested whether certain types of emotions that reflect fulfilment of basic needs (self-worth, bonding with patients) rather than positive emotions in general (as suggested by hedonic models) are linked to well-being. Specifically, we hypothesized that well-being is associated with positive emotions directed at the self, which reflect self-worth, and positive as well as negative emotions (e.g., worry) directed at the patient, which reflect bonding. However, we expected positive emotions directed at an object/situation (e.g., curiosity for a treatment) to be unrelated to well- being, because they do not reflect fulfilment of basic needs. Methods: Fifty eight physicians, nurses, and psychotherapists participated in the study. First, in qualitative interviews, they reported their emotions directed at the self, the patient, or an object/situation during distressing interactions with patients. These emotions were categorised into positive emotions directed towards the self, the patient, and an object/situation, and negative emotions directed towards the patient that reflect bonding. -
The Distancing-Embracing Model of the Enjoyment of Negative Emotions in Art Reception
BEHAVIORAL AND BRAIN SCIENCES (2017), Page 1 of 63 doi:10.1017/S0140525X17000309, e347 The Distancing-Embracing model of the enjoyment of negative emotions in art reception Winfried Menninghaus1 Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Valentin Wagner Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Julian Hanich Department of Arts, Culture and Media, University of Groningen, 9700 AB Groningen, The Netherlands [email protected] Eugen Wassiliwizky Department of Language and Literature, Max Planck Institute for Empirical Aesthetics, 60322 Frankfurt am Main, Germany [email protected] Thomas Jacobsen Experimental Psychology Unit, Helmut Schmidt University/University of the Federal Armed Forces Hamburg, 22043 Hamburg, Germany [email protected] Stefan Koelsch University of Bergen, 5020 Bergen, Norway [email protected] Abstract: Why are negative emotions so central in art reception far beyond tragedy? Revisiting classical aesthetics in the light of recent psychological research, we present a novel model to explain this much discussed (apparent) paradox. We argue that negative emotions are an important resource for the arts in general, rather than a special license for exceptional art forms only. The underlying rationale is that negative emotions have been shown to be particularly powerful in securing attention, intense emotional involvement, and high memorability, and hence is precisely what artworks strive for. Two groups of processing mechanisms are identified that conjointly adopt the particular powers of negative emotions for art’s purposes. -
Facing the Sublime: Physiological Correlates of the Relationship Between Fear and the Sublime
Running head: EXPLORING THE SUBLIME AS DELIGHTFUL HORROR 1 Facing the Sublime: physiological correlates of the relationship between fear and the sublime Young-Jin Hur, Gernot Gerger, Helmut Leder, and I. Chris McManus University College London and University of Vienna Author Note Young-Jin Hur, Department of Clinical, Educational and Health Psychology, University College London, UK. Gernot Gerger, Department of Basic Psychological Research and Research Methods, University of Vienna, Austria & Department of Psychology, Webster Vienna Private University, Vienna, Austria. Helmut Leder, Department of Basic Psychological Research and Research Methods, University of Vienna, Austria. I. Chris McManus, Department of Clinical, Educational and Health Psychology & Research Department for Medical Education (RDME), University College London, UK. Corresponding Author: Young-Jin Hur, 26 Bedford Way, London, UK, WC1H 0DS. Email: [email protected]. Tel: +44 (0)7715448313. EXPLORING THE SUBLIME AS DELIGHTFUL HORROR 2 Abstract The sublime is an enduring concept in Western aesthetic discourse, and is often portrayed such as in Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful of 1759 as a delightful horror, a kind of enjoyment based on negative emotions. In the current paper, the relationship between sublimity and fear was explored using behavioral and physiological measures. In two studies, photographs of nature were selected, rated on sublimity, beauty, fear, happiness, and arousal, before being assessed against facial muscle movement (fEMG) and skin conductance (SCR). In line with philosophical theories, ratings of sublimity showed positive associations with subjective fear ratings (Study 1 & Study 2). At the same time looking at facial EMG data (Study 2) sublimity was associated with a decrease of corrugator supercilli (frowning) reactions, indicating reduced emotional negativity.