DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

BOSTON SYMPHONY ORCHESTRA SEIJl OZAWA MUSIC DIRECTOR '*. v + * y Si J .Wiiii^ *"% it * W* " ; IjL mW kmW m III WWff By * 109TH SEASON 1989-90 ^f* .•'" IMPORTED .* * "4£ If ' '-€£ 4 ',;- «* vUfi//e#6 m $ "-*: V T0 CHARLES TANQUERAY & C° L J LONDON. ENGLAND. "ODUCE f OF ENGIAND • IOO% GRAIN NEUTBAl 5? I s«x.,..i; After he limelight. Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°), 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, NY. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus I J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Geary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Michelle R. Leonard, Media and Production Madelyne Codola Cuddeback, Director Manager, Boston Symphony Orchestra of Corporate Development Marc Mandel, Publications Coordinator Patricia F. Halligan, Personnel Administrator John C. Marksbury, Director of Sarah J. Harrington, Budget Manager Foundation and Government Support Margaret A. Hillyard, Director of Volunteers Julie-Anne Miner, Supervisor of Russell M. Hodsdon, Manager of Box Office Fund Accounting Craig R. Kaplan, Controller Richard Ortner, Administrator of Nancy A. Kay, Director of Sales & Tanglewood Music Center Marketing Manager Scott Schillin, Assistant Manager, I John M. Keenum, Director of Pops and Youth Activities Tanglewood Music Center Development Joyce M. Serwitz, Assistant Director Patricia Krol, Coordinator of Youth Activities of Development Steven Ledbetter, Musicologist & Cheryl L. Silvia, Function Manager Program Annotator Susan E. Tomlin, Director ofAnnual Giving Programs copyright ©1989 Boston Symphony Orchestra, Inc. Cover by Jaycole Advertising, Inc./Cover photo by Steve J. Sherman Board of Overseers of the Boston Symphony Orchestra, Inc. John F. Cogan, Jr., Chairman R. Willis Leith, Jr., Vice-Chairman Mrs. Ray A. Goldberg, Vice-Chairman Mrs. R. Douglas Hall III, Secretary Mrs. David Bakalar Haskell R. Gordon E. James Morton Bruce A. Beal Steven Grossman David G. Mugar Mrs. Leo L. Beranek Joe M. Henson David Nelson Lynda Schubert Bodman Susan M. Hilles Robert P. O'Block Donald C. Bowersock, Jr. Glen H. Hiner Walter H. Palmer William M. Bulger Mrs. Marilyn Brachman Hoffman Andrall E. Pearson Mrs. Levin H. Campbell Ronald A. Homer John A. Perkins Earle M. Chiles Julian T. Houston Daphne Brooks Prout Mrs. C. Thomas Clagett, Jr. Lola Jaffe Millard H. Pryor, Jr. James F. Cleary Anna Faith Jones Robert E. Remis William H. Congleton H. Eugene Jones John Ex Rodgers William F. Connell Susan B. Kaplan Mrs. William H. Ryan Walter J. Connolly, Jr. Mrs. S. Charles Kasdon Keizo Saji Albert C. Cornelio Richard L. Kaye Roger A. Saunders Mrs. Eugene B. Doggett Robert D. King Mrs. Raymond H. Schneider Phyllis Dohanian Mrs. Gordon F. Kingsley Mark L. Selkowitz Hugh Downs Mrs. Carl Koch Mrs. Donald B. Sinclair Goetz B. Eaton Robert K. Kraft W. Davies Sohier, Jr. Harriett M. Eckstein George Krupp Ralph Z. Sorenson Edward Eskandarian Mrs. Hart D. Leavitt Ira Stepanian Katherine Fanning Stephen R. Levy Mrs. Arthur I. Strang John A. Fibiger Frederick H. Lovejoy, Jr. Mark Tishler, Jr. Peter M. Flanigan Mrs. Charles P. Lyman Luise Vosgerchian Henry L. Foster C. Charles Marran Roger D. Wellington Dean Freed Nathan R. Miller Robert A. Wells Peter H.B. Frelinghuysen Hanae Mori Mrs. Thomas H.P. Whitney Mrs. James Garivaltis Mrs. Thomas S. Morse Mrs. John J. Wilson Jordan L. Golding Richard P. Morse Brunetta R. Wolfman Mark R. Goldweitz Overseers Emeriti Mrs. Weston W. Adams Mrs. Louis I. Kane Mrs. Peter van S. Rice Mrs. Frank G. Allen Leonard Kaplan Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rousseau Mary Louise Cabot Mrs. James F. Lawrence Francis P. Sears, Jr. Johns Congdon Mrs. Stephen V.C. Morris Mrs. Richard H. Thompson Mrs. Thomas J. Galligan Stephen Paine, Sr. Mrs. Donald B. Wilson Mrs. Richard D. Hill David R. Pokross Symphony Hall Operations Robert L. Gleason, Facilities Manager James E. Whitaker, House Manager Cleveland Morrison, Stage Manager Franklin Smith, Supervisor of House Crew Wilmoth A. Griffiths, Assistant Supervisor of House Crew William D. McDonnell, Chief Steward H.R. Costa, Lighting Officers of the Boston Symphony Association of Volunteers iu£j Nina Doggett, President Thelma Goldberg, Executive Vice-President Barbara J. Boatwright, Secretary Goetz B. Eaton, Treasurer Florence T. Whitney, Nominating Chairman Vice-Presidents Mary Bates, Hall Services Denise Mujica, Membership Charles Jack, Adult Education Susan Robinson, Fundraising Projects Marilyn Larkin, Tanglewood Carol Scheifele-Holmes, Public Relations Kathy Massimiano, Tanglewood Preston Wilson, Development Services Molly Millman, Regions Pat Woolley, Youth Activities Chairmen of Regions Krista Kamborian Baldini Kathleen G. Keith Patti Newton Joan Erhard Helen Lahage Pamela S. Nugent Bettina Harrison Janet Landry Beverly J. Pieper Betty Hosage Elaine Miller Patricia L. Tambone PERFORMANCE YOU'LL APPRECIATE. m * k PULSIFER & ASSOCIATES Investments managed with integrity. Pulsifer & Associates Trustee and Investment Managers 27 North Main Street • P.O. Box 170 • Ipswich, MA 01938-0170 508-356-3530 In Boston: 617-227-7904 I OFFICERS H.GILMAN NICHOLS President JOHN L. THORNDIKE JOHN W COBB DANIEL A. PHILLIPS JOHN M. MEYER ROBERT N. KARELITZ JONATHAN R. PHILLIPS EDWARD P. THOMPSON RICHARD W STOKES GEORGE BLAGDEN LAURA N. RIGSBY JOHN F. WINCHESTER FREDERICK D. HOLTON SUSAN R. GUNDERSON CHARLES R. EDDY, JR. GEORGE L. GRAY DOUGLAS R. SMITH-PETERSEN CHARLES C.J. PLATT FREDERIC C. R. STEWARD ANTHONY B.BOVA WILLIAM O'KEEFE J. FRANK WOODARD III JAMES J. ROCHE © ARTHUR C.PICKETT JONATHAN B. LORING NATALIE R. DUNHAM DENISE CRONIN ALTON L. CIRIELLO, JR. J. BRIAN POTTS JAMES G. NULAND, JR. MARY JANE SMITH NANCY B. SMITH ELLEN COPE-FLANAGAN DONALD P. LEE FIDUCIARY BOSTON TRUSTEES Fiduciary Trust Company 175 Federal Street Boston, Massachusetts 02110 Telephone (617) 482-5270 w*. Suppers take place entirely in the Cabot- BSO Cahners Room on the first-balcony level of Symphony Hall. These events are offered on an individual basis, even to those who are not Symphony Spotlight attending that evening's BSO concert. Speak- This is one in a series of biographical sketches ers for upcoming Supper Talks include BSO that focus on some of the generous individuals principal second violinist Marylou Speaker who have endowed chairs in the Boston Sym- Churchill (November 16) and Richard Ortner, phony Orchestra. Their backgrounds are varied, Administrator of the Tanglewood Music Center but each felt a special commitment to the Bos- (November 21). Upcoming Supper Concerts ton Symphony Orchestra. will feature music of Tchaikovsky (October 26 and November 9) and Janacek and Smetana Mildred B. Remis Chair (November 11 and 14). The suppers are priced Mildred Remis grew up in a musical family. at $21 per person for an individual event, $58 Her father, brothers, and uncles all sang and for any three, or $112 for any six. Single res- played instruments, and Mildred herself stud- ervations are available only as space permits ied classical piano with two renowned New and are accepted until two business days prior England teachers at the Boston Conservatory to the event. For further information and res- and later with Gibhart in Brookline. In the ervations, please call the Volunteer Office at early years of her marriage, she and her late (617) 266-1492, ext. 177. husband Harry regularly attended the Saturday-evening Boston Symphony concerts. Boston Symphony Chamber Players at In 1975 they established the Mildred B. Remis Jordan Hall, Sunday, October 29, at 3 p.m. Chair to endow the principal oboe position, which is currently occupied by Acting Principal The Boston Symphony Chamber Players, with Oboe Alfred Genovese. Mr. and Mrs. Remis pianist Gilbert Kalish, open their 1989-90 sub- supported many other BSO activities and scription season at Jordan Hall on Sunday, established several fellowships at the Tangle- October 29, at 3 p.m. with C.P.E. Bach's wood Music Center. Mr. Remis was a BSO Quartet in A minor for flute, viola, cello, and Overseer for many years. Mrs. Remis's interest piano, George Perle's Sextet for piano and in the art world developed when she accompa- winds, Bartok's Contrasts for violin, clarinet, nied Mr. Remis on various business trips. They and piano, and the Brahms String Quartet No. acquired a fine collection of Impressionist and in F, Op. 88. Single tickets are $15, $11.50, post-Impressionist paintings, sculpture, and and $8.50, available on the day of the concert works on paper.
Recommended publications
  • For Release: Tk, 2013

    For Release: Tk, 2013

    FOR RELEASE: January 23, 2013 SUPPLEMENT CHRISTOPHER ROUSE, The Marie-Josée Kravis COMPOSER-IN-RESIDENCE WORLD PREMIERE of SYMPHONY NO. 4 at the NY PHIL BIENNIAL New York Premiere of REQUIEM To Open Spring For Music Festival at Carnegie Hall New York Premiere of OBOE CONCERTO with Principal Oboe Liang Wang RAPTURE at Home and on ASIA / WINTER 2014 Tour Rouse To Advise on CONTACT!, the New-Music Series, Including New Partnership with 92nd Street Y ____________________________________ “What I’ve always loved most about the Philharmonic is that they play as though it’s a matter of life or death. The energy, excitement, commitment, and intensity are so exciting and wonderful for a composer. Some of the very best performances I’ve ever had have been by the Philharmonic.” — Christopher Rouse _______________________________________ American composer Christopher Rouse will return in the 2013–14 season to continue his two- year tenure as the Philharmonic’s Marie-Josée Kravis Composer-in-Residence. The second person to hold the Composer-in-Residence title since Alan Gilbert’s inaugural season, following Magnus Lindberg, Mr. Rouse’s compositions and musical insights will be highlighted on subscription programs; in the Philharmonic’s appearance at the Spring For Music festival; in the NY PHIL BIENNIAL; on CONTACT! events; and in the ASIA / WINTER 2014 tour. Mr. Rouse said: “Part of the experience of music should be an exposure to the pulsation of life as we know it, rather than as people in the 18th or 19th century might have known it. It is wonderful that Alan is so supportive of contemporary music and so involved in performing and programming it.” 2 Alan Gilbert said: “I’ve always said and long felt that Chris Rouse is one of the really important composers working today.
  • February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE

    February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE

    FOR RELEASE: February 22, 2012 SUPPLEMENT CHRISTOPHER ROUSE THE 2012–13 MARIE-JOSÉE KRAVIS COMPOSER-IN-RESIDENCE First Season of Two-Year Term: WORLD PREMIERE, SEEING, PHANTASMATA Advisory Role on CONTACT!, with WORLD, U.S., AND NEW YORK PREMIERES, Led by JAYCE OGREN and ALAN GILBERT _____________________________________ “I just love the Philharmonic musicians: I love working with them, and they play my music with incredible commitment. As a kid in Baltimore I grew up with their recordings, and then, of course, I also heard them on the Young People’s Concerts on television. I’ve always had a special feeling for the Philharmonic because the musicians have always played like they really meant it, with such energy and commitment; and when I got older and wrote music that they played, they did it the same way. I’m thrilled to be able to work with them more closely.” — Christopher Rouse _______________________________________ Christopher Rouse has been named The Marie-Josée Kravis Composer-in-Residence at the Philharmonic, and will begin his two-year tenure in the 2012–13 season. He is the second composer to hold this title, following the tenure of Magnus Lindberg. The Pulitzer Prize- and Grammy Award-winning American composer will be represented by three works with the Philharmonic this season in concerts conducted by Alan Gilbert: Phantasmata, February 21 and 22, 2013; a World Premiere–New York Philharmonic Commission, April 17–20, 2013, which will also be taken on the EUROPE / SPRING 2013 tour; and the reprise of Seeing for Piano and Orchestra (commissioned by the Philharmonic and premiered in 1999), June 20–22, 2013, performed by Emanuel Ax, the 2012–13 Mary and James G.
  • Conductors' Annotated Scores: a Comprehensive Study Leandro De Magalhaes Gazineo Lgazin1@Lsu.Edu

    Conductors' Annotated Scores: a Comprehensive Study Leandro De Magalhaes Gazineo [email protected]

    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2-19-2019 Conductors' Annotated Scores: A Comprehensive Study Leandro de Magalhaes Gazineo [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Performance Commons, and the Music Practice Commons Recommended Citation de Magalhaes Gazineo, Leandro, "Conductors' Annotated Scores: A Comprehensive Study" (2019). LSU Doctoral Dissertations. 4807. https://digitalcommons.lsu.edu/gradschool_dissertations/4807 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CONDUCTORS’ ANNOTATED SCORES: A COMPREHENSIVE STUDY A Dissertation Submitted to the Graduate FaCulty of the Louisiana State University and AgriCultural and MeChaniCal College in partial fulfillment of the requirements for the degree of Doctor of MusiCal Arts in The SChool of MusiC by Leandro de Magalhães Gazineo B.M., Universidade Federal da Bahia, 2000 M. M., Universidade Federal da Bahia, 2004 May 2019 To my wife Carmem ii Music can name the unnamable and communicate the unknowable. Leonard Bernstein iii ACKNOWLEDGEMENTS First, I would like to express my sincere gratitude to my advisor Prof. Carlos Riazuelo for his Continuous support and guidance. In addition, I would like to thank the rest of my dissertation’s Committee: Prof. MiChael Gurt, Dr. John DiCkson, and Dr. Todd Gibson, for their insightful comments and encouragement, but also for asking the hard questions that guided me to widen my research from various perspeCtives.
  • Boston Symphony Orchestra Concert Programs, Season 119

    Boston Symphony Orchestra Concert Programs, Season 119

    S E I J I O Z A W A MUSIC Dl R ECTO R * *r u u -- w la BQS TO N <_' M-Tiir—H i>— 'ts^c»»-- YMPHONY TESTRA IV 1* 3^ J >' . <i , ^ Yx 1QQQ-20U SEASON m 'JGV&V . iifUB96fsi\SBi1l Ju p-m .*;.•. • Bring your Steinway: ^iJn&f^&dB^i SH9B £99 ftU H r*i nl ^5 raj C$8 BB **CSv 1111tr/SBl Wft/i /7(w p/tfHS /row acre gated community atop I * 1 if* 2,100 to 5,000 square feet, prestigious Fisher Hill IBB 1 -4 8? bW3I |H -A> 1 «£[i you can bring your Concert Jointly marketed by Sotheby's • v* V . 1 wSi - 1 Grand to Longyear. International Realty and bbbbb^Bf 1 Hi Bfcg .••**-i *Djjy You 11 be enjoying full-service, Hammond Residential Real Estate. » < mnn^H tU EbbbbbbbI BBB BB r*2*». <* single-floor condominium living at Priced from $1,400,000. ill V BBl Pa ?f^tla( Efl^srvrf £SnA >»'i3 its absolute finest all harmoniously Call Hammond Real Estate at qkS mi nfit *lr SlSS ^« located on an extraordinary eight- 731-4644, ext 410. Kp '^.CyS (617) H 1 jUm£' TSW 1 ISIl J<*S uJme BEI jSbbbSHI BBj ttLZMt ' 1 t^ |PKJt£ rtw^ CTJspt flSj BJ '^**v£5 BBB^ttBl LONGYEAR rftrTh v*v-H>''^\1k f$Xsp •xJK ^8 bbbvAWIH * *» > H a/ Lr/sner Jiill S& BROOKLINE \ B^L^LH 1 • ,*/* ^*$£j Bh HflH fci/TE li PrEJj fSm SlawS a^ySwaNi fjySjji jjBJy >k''s *! {MR ^>»~#*5S$Z, • '.?-v.
  • THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In

    THE ART of CARLOS KLEIBER Carolyn Watson Thesis Submitted In

    GESTURE AS COMMUNICATION: THE ART OF CARLOS KLEIBER Carolyn Watson Thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Conservatorium of Music University of Sydney May 2012 Statement of Originality I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Carolyn Watson Date: ii Abstract This thesis focuses on the art of orchestral conducting and in particular, the gestural language used by conductors. Aspects such as body posture and movement, eye contact, facial expressions and manual conducting gestures will be considered. These nonverbal forms of expression are the means a conductor uses to communicate with players. Manual conducting gestures are used to show fundamental technical information relating to tempo, dynamics and cues, as well as demonstrating to a degree, musical expression and conveying an interpretation of the musical work. Body posture can communicate authority, leadership, confidence and inspiration. Furthermore, physical gestures such as facial expressions can express a conductor’s mood and demeanour, as well as the emotional content of the music. Orchestral conducting is thus a complex and multifarious art, at the core of which is gesture. These physical facets of conducting will be examined by way of a case study. The conductor chosen as the centrepiece of this study is Austrian conductor, Carlos Kleiber (1930-2004). Hailed by many as the greatest conductor of all time1, Kleiber was a perfectionist with unscrupulously high standards who enjoyed a career with some of the world’s finest orchestras and opera companies including the Vienna Philharmonic, La Scala, Covent Garden, the Met and the Chicago Symphony.
  • Appalachian Spring: Ballet for Orchestra 8 Aaron Sherber

    Appalachian Spring: Ballet for Orchestra 8 Aaron Sherber

    Journal of the Conductors Guild Volume 33 2017 15 E. Market Street, #22 Leesburg, VA 20178 Phone: (202) 643-4791 E-mail: [email protected] Website: www.conductorsguild.org Officers John Farrer, President John Ross, Treasurer Christopher Blair, Vice President David Leibowitz, Secretary Julius Williams, President-Elect Gordon Johnson, Past President Board of Directors Marc-André Bougie Claire Fox Hillard Dominique Røyem Wesley J. Broadnax Silas Nathaniel Huff Jeffrey Schindler Jonathan Caldwell David Itkin Markand Thakar Rubén Capriles Geneviève LeClair Robert Whalen Peter Cokkinias Paul Manz Mark Crim Jon C. Mitchell Atty. Ira Abrams, Counsel to the Board Jan Wilson*, Executive Director Nathaniel F. Parker*, Editor, Journal of the Conductors Guild *Ex-officio Advisory Council James Allen Anderson Michael Griffith Harlan D. Parker Pierre Boulez** Gordon Johnson Donald Portnoy Emily Freeman Brown Samuel Jones Barbara Schubert Michael Charry Tonu Kalam Gunther Schuller** Sandra Dackow Wes Kenney Leonard Slatkin Harold Farberman Daniel Lewis** Adrian Gnam Larry Newland Max Rudolf Award Winners Herbert Blomstedt Gustav Meier** Jonathan Sternberg David M. Epstein Otto-Werner Mueller** Paul Vermel Donald Hunsberger Helmuth Rilling Daniel Lewis** Gunther Schuller** Thelma A. Robinson Award Winners Beatrice Jona Affron Katherine Kilburn Annunziata Tomaro Eric Bell Matilda Hofman Robert Whalen Miriam Burns Octavio Más-Arocas Steven Martyn Zike Kevin Geraldi Jamie Reeves Carolyn Kuan Laura Rexroth Theodore Thomas Award Winners Claudio Abbado** Frederick Fennell** Robert Shaw** Maurice Abravanel** Bernard Haitink Leonard Slatkin Marin Alsop Margaret Hillis** Esa-Pekka Salonen Leon Barzin** James Levine Sir Georg Solti** Leonard Bernstein** Kurt Masur** Michael Tilson Thomas Pierre Boulez** Sir Simon Rattle David Zinman Sir Colin Davis** Max Rudolf** **In Memoriam Journal of the Conductors Guild Volume 33 (2017) Nathaniel F.
  • Information to Users

    Information to Users

    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UM[ films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typevvriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 AN ANALYSIS OF THREE VIOLIN SONATAS BY WILLIAM BOLCOM DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Philip Richard Baldwin, B.M., M.M.
  • CHRISTOPHER ROUSE the Marie-Josée Kravis Composer-In-Residence at the New York Philharmonic, 2012-2015

    CHRISTOPHER ROUSE the Marie-Josée Kravis Composer-In-Residence at the New York Philharmonic, 2012-2015

    CHRISTOPHER ROUSE The Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic, 2012-2015 Odna Zhizn · Symphonies Nos. 3 & 4 · Prospero’s Rooms New York Philharmonic · Alan Gilbert, Conductor CHRISTOPHER ROUSE 1 Odna Zhizn (2008) for orchestra �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 16:05 The Marie-Josée Kravis Composer-in-Residence at the New York Philharmonic, 2012-2015 Symphony No. 3 (2011) � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 28:24 Odna Zhizn · Symphonies Nos� 3 & 4 · Prospero’s Rooms 2 Allegro �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 8:33 3 Theme � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2:16 4 Variation 1 �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2:29 New York Philharmonic 5 Variation 2 �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 5:07 Alan Gilbert, Conductor 6 Variation 3 �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 2:30 7 Variation 4, 5, and Theme �� � � � � � � � �
  • Christopher Rouse's Symphony No. 1

    Christopher Rouse's Symphony No. 1

    CHRISTOPHER ROUSE’S SYMPHONY NO. 1 (1986): HEROISM IN A LYRIC CONTEXT Michael J. Morey Abstract Christopher Rouse’s Symphony No. 1 (1986) not only helped secure his position as one of America’s more prominent composers, but it also helped to elevate the Baltimore Symphony Orchestra’s reputation as a welcoming venue to performances of challenging new works. Cast in the form of a single-movement adagio, the Symphony was meant to pay homage to those Rouse admired as composers of adagios—Shostakovich, Sibelius, Hartmann, Pettersson, and Schuman. However, the music of only one composer is recognizably quoted: the famous opening theme from the second movement of Bruckner’s Symphony No. 7, which is performed in Rouse’s Symphony by a quartet of Wagner tubas. While Rouse’s Symphony is set in the lyric mode of the adagio, the cumulative quotation procedure provides a catalyst for the work’s narrative listening potential. The lyric context offers analytical advantages to adagios as stand-alone movements. By applying portions of Karol Berger’s lyric theory to Rouse’s Symphony No. 1, I highlight the intersection of specific categories often associated with adagio rhetoric—such as color and timbre, a sense of atemporality, and melodic expansion and contraction—with more traditional narrative-like properties—such as the carefully prepared climaxes, periodicity, and the return of various materials at critical formal junctures. I conclude by noting that while the adagio rhetoric is present throughout most of Rouse’s Symphony, the potency and referential content of the Bruckner quotation acts as the critical point of departure that counterbalances the lyric with narrative modes of perception.
  • Library Orders - Music Composition/Electronic Music

    Library Orders - Music Composition/Electronic Music

    LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub.
  • Journal of the Conductors Guild

    Journal of the Conductors Guild

    Journal of the Conductors Guild Volume 31, Number 2 2014 719 Twinridge Lane Richmond, VA 23235-5270 T: (804) 553-1378; F: (804) 553-1876 Table of Contents E-mail: [email protected] [email protected] . Advancing the Art and Profession Website: www.conductorsguild.org Officers Gordon J. Johnson, President David Leibowitz, Secretary A Conductors’ Philosopher: page 1 John Farrer, President-Elect Christopher Blair, Treasurer Erin R. Freeman, Vice-President James Allen Anderson, Past President Susanne Langer on Music by Michael Luxner Board of Directors Ira Abrams Reginald Houze John Gordon Ross Conducting Agon; page 8 John P. Boyd John Koshak Lyn Schenbeck* Wesley Broadnax Anthony LaGruth Jonathan Sternberg* the Balanchine/Stravinsky Brooke Creswell Brenda Lynne Leach James R. Tapia Contribution to the Development John Devlin Sasha Mäkilä Emily Threinen of a Specialism Thomas Gamboa Jeffery Meyer Julius Williams by Dr. Eugenie Burkett Andrew George Jon C. Mitchell Burton A. Zipser* Jacob Harrison* Michael Mishra *ex officio Claire Fox Hillard Philip Morehead Bruno Walter, page 22 Advisory Council Leonard Bernstein, and Pierre Boulez Michael Griffith Harlan D. Parker Tempo Interpretation in Emily Freeman Brown Samuel Jones Maurice Peress Mahler Scores Michael Charry Tonu Kalam Donald Portnoy by Nathaniel F. Parker Sandra Dackow Wes Kenney Barbara Schubert Harold Farberman Daniel Lewis Gunther Schuller page 28 Adrian Gnam Larry Newland Leonard Slatkin Scores & Parts Max Rudolf Award Winners Tchaikovsky Romeo & Juliet Herbert Blomstedt Daniel Lewis Gunther Schuller Fantasy—Overture: A guide to David M. Epstein Gustav Meier Jonathan Sternberg preparing a correct score and parts Donald Hunsberger Otto-Werner Mueller Paul Vermel by David Bernard Thelma A.
  • Journal of the Conductors Guild

    Journal of the Conductors Guild

    Journal of the Conductors Guild Volume 31, Number 1 2013 719 Twinridge Lane Richmond, VA 23235-5270 T: (804) 553-1378; F: (804) 553-1876 Table of Contents E-mail: [email protected] [email protected] A New Direction: page 1 . Advancing the Art and Profession Website: www.conductorsguild.org Educational Outreach that Moves Officers Beyond Exposure James Allen Anderson, President John Farrer, Secretary by Dr. Eugenie Burkett Gordon J. Johnson, President-Elect Lawrence J. Fried, Treasurer Paula K. Holcomb, Vice-President Michael Griffith, Past President Board of Directors An Analysis of Britten’s War page 13 Christopher Blair Reginald Houze Lyn Schenbeck Requiem, Op.66 (Words from the David Bowden John Koshak Jonathan Sternberg* Missa John P. Boyd Anthony LaGruth Emily Threinen pro defunctis and the poems of Wilfred Brooke Creswell Brenda Lynne Leach Julius Williams Owen) Stephen Czarkowski David Leibowitz Amanda Winger* by Dr. David A. McConnell Erin R. Freeman Sasha Mäkilä Burton A. Zipser* Andrew George Michael Mishra *ex officio Jacob Harrison* Philip Morehead Claire Fox Hillard John Gordon Ross Villa-Lobos: “Bachianas page 27 Advisory Council Brasileiras” Editions as of 1/ 2013 Pierre Boulez Samuel Jones Maurice Peress Compiled by Clinton F. Nieweg, with Emily Freeman Brown Tonu Kalam Donald Portnoy assistance from Nancy M. Bradburd, Michael Charry Wes Kenney Barbara Schubert David Daniels, Wilson Ochoa, Greg Sandra Dackow Daniel Lewis Gunther Schuller Vaught, David Stybr (Chicago, Il), Harold Farberman Larry Newland Leonard Slatkin Marcelo Rodolfo (Museu Villa-Lobos), Adrian Gnam Harlan D. Parker Stuart Serio (Fleisher Collection), Eric Swanson (JoAnn Kane Music Service), Theodore Thomas Award Winners Dean Fry (Villa-Lobos website), Charles Claudio Abbado Sir Colin Davis Robert Shaw Harmon.